ACT II.

TIME: The present day.

SCENE: The outer court of the Temple at Asakusa. It is dusk in

the court, but inside the chancel screen one sees the gleam

of candle-light on the faces of the Buddha and the Rakkan,

and the gold and red of lacquer work. The bronze figure of

Binzuru is in the court, to the right of the chancel. He is

cross-legged, his hands folded on his stomach. A few

incense-sticks are smouldering before the chancel steps, and

from inside comes the intermittent chant of the priests.

Beside the low pedestal on which Binzuru sits a Kurumayasan

is squatting, and reading the “Jin Shimbun.” He is in dark

blue, with the “mon” of his craft in great white characters

on his back. Opposite him to the left of the court sits the

Seller of Incense-Sticks smoking, and beside him the Seller

of Hot Beans, who is blowing the charcoal in his brazier.

There are small bowls ranged before him.

_Seller of Incense._ The times are not good times.

_Seller of Hot Beans._ They are bad times.

_Seller of Incense._ What hast thou to grumble at, thou Seller of Hot

Beans? This people are swine. They will buy hot beans to fill

themselves, but they will not buy incense to fill the gods. Hardly a

stick of incense have I sold this day.

_Seller of Beans._ It is the hand of the gods on thee for thy bad

tongue. I told thee that the Buddhas would chastise it.

_Seller of Incense._ The Buddhas are asleep. They sleep loud. Hearken,

and thou wilt hear them——

_Seller of Beans._ Hold thy peace. Half afraid am I to sit beside

thee, lest the gods mistake me for thee.

_Seller of Incense._ They will not do that, O Man of Beans. Do not

flatter thyself. See, O Kurumayasan (he calls to the man behind the

paper as another Kurumayasan limps painfully into the court) here is thy

brother, nigh as light of foot as thou.

(The lame Kurumayasan smiles broadly.)

_Kurumayasan._ Greeting, O my brother. Greeting, O Man of Incense.

Greeting, O Man of Beans.

_Seller of Incense._ What aileth thee, O Runner? Wouldst thou be taken

for the Sacred Tortoise?

_Kurumayasan._ Thy tongue is as sharp as the edge of the bamboo grass.

Yesterday I strained myself pulling a fat pig of a foreigner up the

Tori-i-zaka. And to-day I was two hours crawling hither. A—ah! (He sits

down with a grunt before Binzuru, and applies himself vigorously to

rubbing the thigh of Binzuru alternately with his own.)

_Seller of Beans._ There was a young man from the University. He said

there was no virtue in Binzuru. That it was a lie of the priests. That a

man might as well rub himself upon his own mats. What sayest thou, O

Runner!

_Kurumayasan._ I say that the young man was a fool. It was but last

week that the _akambo_ had the colic, was swollen even as a paper

lantern, and his mother brought him—Aha!

(Two young girls pass into the court. The Seller of the

Incense-Sticks and the Seller of Hot Beans and the two

Kurumayasans eye them with satisfaction. They stop before

the Seller of Incense shyly.)

_One of the Young Girls._ How much?

_Seller of Incense_ (bowing). Five _sen_.

(They buy half-a-dozen. The Seller of Incense touches the

pavement with his head, and they pass on. The Kurumayasan

behind the paper grunts with appreciation.)

_Seller of Beans._ Will that be for the Buddha now?

_Seller of Incense_ (derisively). Nay, nor Binzuru either. They go to

Kwannon—to pray for their lovers. The Buddha maketh no account of women.

What, O Runner (the lame Kurumayasan is on his feet and stepping

gingerly) art on thy legs again? May the devil possess me if thou art

not as nimble as—Daruma! (The Kurumayasan makes towards him

threateningly.) Peace, and I will tell thee a joke about Daruma. I

thought on it last night in my bed.

(The Seller of Hot Beans inclines to listen, and with him the

appeased Kurumayasan. The Seller of Incense-Sticks speaks

rapidly, with snorts of laughter. They fall apart into the

diverse attitudes of a savoured jest. On their laughter

breaks the deep booming of the temple gong, a single stroke,

dominant and mournful. A priest, robed in yellow and with

shaven crown, appears in the opening of the chancel screens.

He makes the gesture of dismissal. The Sellers collect their

wares, the Kurumayasan rises, leaving his paper on the

ground, the young girls come hurrying from the farther

shrine. In a little while the court is empty. The priests

march chanting in procession from the chancel, round the

court to the outer gates. There is a clash, as of their

closing. The sound of chanting grows fainter. Silence. The

incense-sticks before the chancel burn with a faint blue

smoke; the twilight has deepened, but there is a glimmer of

moonlight on the motionless figure of Binzuru. The silence

is broken by a deep breath of relief. The rigidity of the

bronze figure relaxes. He stretches his arms above his head

with a luxurious yawn, and settles down to twirl his thumbs,

contemplating them the while he smiles to himself. In a

little while he chuckles, a reminiscent chuckle. He is so

intent upon his thumbs that he does not see a figure

advancing from inside the chancel. It is the Buddha himself,

cumbrous and magnificent and stately, the gold boss of

wisdom between his brows. He pauses for a moment in the

opening of the chancel screens, moves slowly forward, and

stands before Binzuru, watching him.)

_Buddha._ Binzuru!

_Binzuru_ (starting violently). Master! (He struggles to get up.)

_Buddha._ It is enough, Binzuru; we are no longer young.

_Binzuru._ It is not that. It is my back. Sciatica. They have me

nearly hollow. But, Master (he looks round, anxious to do the honours of

the outer court), where is there a—would you not sit down?

_Buddha._ In truth, Binzuru, I am tired sitting. (He glances at the

dim chancel.)

_Binzuru_ (confidentially). I wouldn’t wonder. Exercise—nothing like

it. Told Daruma so. Years ago. Centuries ago.

_Buddha._ But not to profit, Binzuru. He has lost his legs. Nine

hundred years ago.

_Binzuru._ Told him so. Told him so. Atrophy, they call it. Not that

they were much loss. Said so himself. (Binzuru surveys his own legs.)

And my own—marvellous the Kurumayasans and the wrestlers that come. Come

here and rub me. Rub me away.

_Buddha_ (surveying him). I had hardly thought it would be so soon.

The stubborn flesh.... Only another thousand years, Binzuru, and you

shall sit with us again—yonder. (He looks again at the chancel.)

_Binzuru_ (terrified). You—you think so?

_Buddha_ (laughing softly). You are in no hurry, Binzuru?

_Binzuru_ (squirms. His voice lowers.) Master—your pardon—but—(in a

rush) dost never find it ... DULL?

(The Buddha eyes the chancel.)

_Buddha._ Speaking as one Buddha to another—(Binzuru bridles and

inclines his head). Speaking as one Buddha to another, Binzuru, it is

dull. (He eyes Binzuru very kindly.) How long is it since you and I

talked together, Binzuru?

_Binzuru_ (reflectively). With the Great Cold it will be two

thousand—two thousand four hundred years.

_Buddha._ I would have come before this, Binzuru. Many times. But

Daruma—he never sleeps.

_Binzuru._ A marvellous man, Daruma. Marvellous man. But, Master,

to-night?

_Buddha._ I discoursed, Binzuru——

_Binzuru._ I hear you sometimes. Snatches. Only snatches. Am getting

deaf. Earache. So many cases.

_Buddha._ It was on the first chapter of the eighth book of the

Vedas—you remember it, Binzuru?

_Binzuru_ (feelingly). I do.

_Buddha._ And at last even Daruma slept. (He looks round the court

with pleased interest, and stoops to pick up the “Jin Shimbun.”) What is

this, Binzuru? Is it a Sacred Writing?

_Binzuru_ (convulsed). It is not. The Kurumayasans—they read it aloud

to one another. I listen. I am always listening. I hear it all. The

divorce cases. And the news from the Front. And politics—the political

situation. (He says it proudly.)

_Buddha._ Politics? What are politics, Binzuru? Are they religious?

Religious ceremonies?

_Binzuru_ (again convulsed). They are not. Politics—Politics—(he

flounders). They pass the time. They pass the time. Master (eagerly),

take it, in your girdle, and read it. Tell Daruma it is a Sacred

Writing.

_Buddha_ (wistfully, looking from it to the chancel). The light is

bad, Binzuru. They burn so much incense. And my eyes——

_Binzuru._ Same with my own. And headache—(he draws his hand across

his forehead and shakes his head mournfully). Master, they have all the

good looks rubbed off me.

_Buddha._ See what it is to be popular, Binzuru.

_Binzuru_ (still grumbling, but affectionately). There was a small one

this morning burnt his tongue with the hot beans, yonder. He came and

stood on me and licked me. And then he gave me his bib. This is it. He

put it on me himself. (He tugs at a pink wisp under his left ear. The

Buddha stoops to inspect it. Then he straightens himself and looks down

at Binzuru with immense affection.)

_Buddha_ (teasingly). And the young girls, Binzuru?

_Binzuru_ (mournfully). Not for me. Not for me. I see them. But they

go past old Binzuru.

_Buddha_ (indulgently). Where, Binzuru? They do not come to us.

_Binzuru._ Yonder (he jerks his head to the darkness behind him), to

Kwannon—(he checks himself in confusion. The Buddha inclines his head

gravely, as one who acknowledges information. He is apparently unaware

of Binzuru’s embarrassment. He gazes again about the court, then turns

upon him with a gleam, as suddenly remembering.)

_Buddha._ Tell me, Binzuru, what was it was in your mind as I came

through the chancel?

_Binzuru_ (lighting up). It was a joke. The Seller of Incense-Sticks

told it to the Seller of Hot Beans. It was a good joke. I was for

shouting it over the screen to Daruma just as you came out.

_Buddha._ That was fortunate. It would have wakened him.

_Binzuru._ It would, in soul. (He rocks himself.)

_Buddha_ (eyeing him wistfully). Is it a good joke?

_Binzuru_ (struggling for gravity). Master, it is a profane joke.

_Buddha._ Tell me, Binzuru.

(Their heads come close. Binzuru whispers amid splutters of

laughter behind his hand. Back goes the Buddha’s head in a

shout of laughter, stifled halfway by the sudden terror on

Binzuru’s face. They listen. Inside the chancel someone

yawns, a comprehensive, waking yawn.)

_Binzuru_ (hopelessly). It is Daruma.

(For a moment the Buddha stands stupefied. Then with a swing

of his great shoulders he turns his back on the chancel and

stands looking before him into the night. While one might

count ten he stands to make decision. Then with a long

breath he turns round and paces steadily toward the chancel,

the while he begins in the voice of intoning.)

_Buddha._ Now it is written in the first chapter of the eighth book of

the Vedas that whoso hath attained to the perception of the Infinite can

in no wise be ensnared——

(There is a snore, gentle, long-drawn, continuous. Binzuru,

who has been wagging his head in admiration, is silently

convulsed. The Buddha pauses on the first step of the

chancel, and turns to look at Binzuru. For a moment he

shares the jest. Then gravity falls on him. He stands gazing

at Binzuru. After a long pause he speaks, half to himself.)

_Buddha._ Two thousand—two thousand four hundred years. Binzuru, the

years are long years.

_Binzuru_ (gravely). They are long years.

(Again there is silence. The Buddha turns his eyes from

Binzuru, and looks into the night.)

_Buddha_ (haltingly). Binzuru—was she very beautiful?

(Binzuru eyes him.)

_Binzuru._ Beautiful? As Kwannon.

(The Buddha turns and looks at Binzuru. For a while the two

gaze at each other. It is the final comprehension. The

Buddha turns to climb the steps, and paces into the chancel.

Binzuru watches him till he disappears, then relapses into

the old attitude.)

CURTAIN.

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=Some Poems of Roger Casement.= With an Introduction by Mrs.

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=Leaves on the Wind.= By S. MICHAEL CREVEQUER.

=Walled Gardens.= By T. B. RUDMOSE-BROWN.

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Transcriber’s Notes

▪ Note: Printer’s errors and apparent misspellings have been silently

corrected.

▪ Note: Hyphenation has been silently standardized where there is a

predominant form in the text.

▪ Note: The text consistently has periods outside parentheses,

including after whole sentences and where whole paragraphs are

parenthesized. This has been silently changed in line with general

usage.

The spoiled Buddha · 第 5 / 5 章