_A Room in the Castle._
_Enter_ BARON WILDENHAIM _and_ AMELIA.
BARON.
I hope you will judge more favourably of Count Cassel’s understanding
since the private interview you have had with him. Confess to me the
exact effect of the long conference between you.
AMELIA.
To make me hate him.
BARON.
What has he done?
AMELIA.
Oh! told me of such barbarous deeds he has committed.
BARON.
What deeds?
AMELIA.
Made vows of love to so many women, that, on his marriage with me, a
hundred female hearts will at least be broken.
BARON.
Psha! do you believe him?
AMELIA.
Suppose I do not; is it to his honour that I believe he tells a
falsehood?
BARON.
He is mistaken merely.
AMELIA.
Indeed, my Lord, in one respect I am sure he speaks truth. For our old
Butler told my waiting-maid of a poor young creature who has been
deceived, undone; and she, and her whole family, involved in shame and
sorrow by his perfidy.
BARON.
Are you sure the Butler said this?
AMELIA.
See him and ask him. He knows the whole story, indeed he does; the
names of the persons, and every circumstance.
BARON.
Desire he may be sent to me.
AMELIA.
[_goes to the door and calls_]. Order old Verdun to come to the Baron
directly.
BARON.
I know tale-bearers are apt to be erroneous. I’ll hear from himself,
the account you speak of.
AMELIA.
I believe it is in verse.
BARON.
[_angry_]. In verse!
AMELIA.
But, then, indeed it’s true.
_Enter_ BUTLER.
AMELIA.
Verdun, pray have not you some true poetry?
BUTLER.
All my poetry is true—and so far, better than some people’s prose.
BARON.
But I want prose on this occasion, and command you to give me nothing
else. [Butler _bows_.] Have you heard of an engagement which Count
Cassel is under to any other woman than my daughter?
BUTLER.
I am to tell your honour in prose?
BARON.
Certainly. [Butler _appears uneasy and loath to speak._] Amelia, he
does not like to divulge what he knows in presence of a third
person—leave the room. [_Exit_ Amelia.
BUTLER.
No, no—that did not cause my reluctance to speak.
BARON.
What then?
BUTLER.
Your not allowing me to speak in verse—for here is the poetic poem.
[_Holding up a paper_.]
BARON.
How dare you presume to contend with my will? Tell in plain language
all you know on the subject I have named.
BUTLER.
Well, then, my Lord, if you must have the account in quiet prose, thus
it was—Phœbus, one morning, rose in the East, and having handed in the
long-expected day, he called up his brother Hymen——
BARON.
Have done with your rhapsody.
BUTLER.
Ay; I knew you’d like it best in verse——
There lived a lady in this land,
Whose charms the heart made tingle;
At church she had not given her hand,
And therefore still was single.
BARON.
Keep to prose.
BUTLER.
I will, my Lord; but I have repeated it so often in verse, I scarce
know how.—Count Cassel, influenced by the designs of Cupid in his very
worst humour,
“Count Cassel wooed this maid so rare,
And in her eye found grace;
And if his purpose was not fair,”
BARON.
No verse.
BUTLER.
“It probably was base.”
I beg pardon, my Lord; but the verse will intrude in spite of my
efforts to forget it. ’Tis as difficult for me at times to forget, as
’tis for other men at times to remember. But in plain truth, my Lord,
the Count was treacherous, cruel, forsworn.
BARON.
I am astonished!
BUTLER.
And would be more so if you would listen to the whole poem. [_Most
earnestly_.] Pray, my Lord, listen to it.
BARON.
You know the family? All the parties?
BUTLER.
I will bring the father of the damsel to prove the veracity of my muse.
His name is Baden—poor old man!
“The sire consents to bless the pair,
And names the nuptial day,
When, lo! the bridegroom was not there,
Because he was away.”
BARON.
But tell me—Had the father his daughter’s innocence to deplore?
BUTLER.
Ah! my Lord, ah! and you _must_ hear that part in rhyme. Loss of
innocence never sounds well except in verse.
“For ah! the very night before,
No prudent guard upon her,
The Count he gave her oaths a score,
And took in change her honour.
MORAL.
Then you, who now lead single lives,
From this sad tale beware;
And do not act as you were wives,
Before you really are.”
_Enter_ COUNT CASSEL.
BARON.
[_to the_ Butler]. Leave the room instantly.
COUNT.
Yes, good Mr. family poet, leave the room, and take your doggerels with
you.
BUTLER.
Don’t affront my poem, your honour; for I am indebted to you for the
plot.
“The Count he gave her oaths a score
And took in change her honour.”
[_Exit_ Butler.
BARON.
Count, you see me agitated.
COUNT.
What can be the cause?
BARON.
I’ll not keep you in doubt a moment. You are accused, young man, of
being engaged to another woman while you offer marriage to my child.
COUNT.
To only _one_ other woman?
BARON.
What do you mean?
COUNT.
My meaning is, that when a man is young and rich, has travelled, and is
no personal object of disapprobation, to have made vows but to one
woman, is an absolute slight upon the rest of the sex.
BARON.
Without evasion, Sir, do you know the name of Baden? Was there ever a
promise of marriage made by you to his daughter? Answer me plainly: or
must I take a journey to inquire of the father?
COUNT.
No—he can tell you no more than, I dare say, you already know; and
which I shall not contradict.
BARON.
Amazing insensibility! And can you hold your head erect while you
acknowledge perfidy?
COUNT.
My dear baron,—if every man, who deserves to have a charge such as this
brought against him, was not permitted to look up—it is a doubt whom we
might not meet crawling on all fours. [_he accidently taps the Baron’s
shoulder._]
BARON.
[_starts—recollects himself—then in a faultering voice_].
Yet—nevertheless—the act is so atrocious—
COUNT.
But nothing new.
BARON.
[_faintly_]. Yes—I hope—I hope it is new.
COUNT.
What, did you never meet with such a thing before?
BARON.
[_agitated_]. If I have—I pronounced the man who so offended—a villain.
COUNT.
You are singularly scrupulous. I question if the man thought himself
so.
BARON.
Yes he did.
COUNT.
How do you know?
BARON.
[_hesitating_]. I have heard him say so.
COUNT.
But he ate, drank, and slept, I suppose?
BARON.
[_confused_]. Perhaps he did.
COUNT.
And was merry with his friends; and his friends as fond of him as ever?
BARON.
Perhaps [_confused_]—perhaps they were.
COUNT.
And perhaps he now and then took upon him to lecture young men for
their gallantries?
BARON.
Perhaps he did.
COUNT.
Why, then, after all, Baron, your villain is a mighty good, prudent,
honest fellow; and I have no objection to your giving me that name.
BARON.
But do you not think of some atonement to the unfortunate girl?
COUNT.
Did _your_ villain atone?
BARON.
No: when his reason was matured, he wished to make some recompense; but
his endeavours were too late.
COUNT.
I will follow his example, and wait till my reason is matured, before I
think myself competent to determine what to do.
BARON.
And till that time I defer your marriage with my daughter.
COUNT.
Would you delay her happiness so long? Why, my dear Baron, considering
the fashionable life I lead, it may be ten years before my judgment
arrives to its necessary standard.
BARON.
I have the head-ach, Count—These tidings have discomposed, disordered
me—I beg your absence for a few minutes.
COUNT.
I obey—And let me assure you, my Lord, that, although, from the extreme
delicacy of your honour, you have ever through life shuddered at
seduction; yet, there are constitutions, and there are circumstances,
in which it can be palliated.
BARON.
Never [_violently_].
COUNT.
Not in a grave, serious, reflecting man such as _you_, I grant. But in
a gay, lively, inconsiderate, flimsy, frivolous coxcomb, such as
myself, it is excusable: for me to keep my word to a woman, would be
deceit: ’tis not expected of me. It is in my character to break oaths
in love; as it is in your nature, my Lord, never to have spoken any
thing but wisdom and truth. [_Exit_
BARON.
Could I have thought a creature so insignificant as that, had power to
excite sensations such as I feel at present! I am, indeed, worse than
he is, as much as the crimes of a man exceed those of an idiot.
_Enter_ AMELIA.
AMELIA.
I heard the Count leave you, my Lord, and so I am come to enquire——
BARON.
[_sitting down, and trying to compose himself_]. You are not to marry
count Cassel—And now, mention his name to me no more.
AMELIA.
I won’t—indeed I won’t—for I hate his name.—But thank you, my dear
father, for this good news [_draws a chair, and sits on the opposite
side of the table on which he leans.—And after a pause_] And who am I
to marry?
BARON.
[_his head on his hand_]. I can’t tell.
[Amelia _appears to have something on her mind which she wishes to
disclose_.]
AMELIA.
I never liked the Count.
BARON.
No more did I.
AMELIA.
[_after a pause_]. I think love comes just as it pleases, without being
asked.
BARON.
It does so [_in deep thought_].
AMELIA.
[_after another pause_]. And there are instances where, perhaps, the
object of love makes the passion meritorious.
BARON.
To be sure there are.
AMELIA.
For example; my affection for Mr. Anhalt as my tutor.
BARON.
Right.
AMELIA.
[_after another pause_]. I should like to marry. [_sighing_.]
BARON.
So you shall [_a pause_]. It is proper for every body to marry.
AMELIA.
Why, then, does not Mr. Anhalt marry?
BARON.
You must ask him that question yourself.
AMELIA.
I have.
BARON.
And what did he say?
AMELIA.
Will you give me leave to tell you what he said?
BARON.
Certainly.
AMELIA.
And you won’t be angry?
BARON.
Undoubtedly not.
AMELIA.
Why, then—you know you commanded me never to disguise or conceal the
truth.
BARON.
I did so.
AMELIA.
Why, then he said——
BARON.
What did he say?
AMELIA.
He said—he would not marry me without your consent for the world.
BARON.
[_starting from his chair_]. And pray, how came this the subject of
your conversation?
AMELIA.
[_rising_]. _I_ brought it up.
BARON.
And what did you say?
AMELIA.
I said that birth and fortune were such old-fashioned things to me, I
cared nothing about either: and that I had once heard my father
declare, he should consult my happiness in marrying me, beyond any
other consideration.
BARON.
I will once more repeat to you my sentiments. It is the custom in this
country for the children of nobility to marry only with their equals;
but as my daughter’s content is more dear to me than an ancient custom,
I would bestow you on the first man I thought calculated to make you
happy: by this I do not mean to say that I should not be severely nice
in the character of the man to whom I gave you; and Mr. Anhalt, from
his obligations to me, and his high sense of honour, thinks too nobly—
AMELIA.
Would it not be noble to make the daughter of his benefactor happy?
BARON.
But when that daughter is a child, and thinks like a child——
AMELIA.
No, indeed, papa, I begin to think very like a woman. Ask _him_ if I
don’t.
BARON.
Ask him! You feel gratitude for the instructions you have received from
him, and fancy it love.
AMELIA.
Are there two gratitudes?
BARON.
What do you mean?
AMELIA.
Because I feel gratitude to you; but that is very unlike the gratitude
I feel towards him.
BARON.
Indeed!
AMELIA.
Yes; and then he feels another gratitude towards me. What’s that?
BARON.
Has he told you so?
AMELIA.
Yes.
BARON.
That was not right of him.
AMELIA.
Oh! if you did but know how I surprized him!
BARON.
Surprized him?
AMELIA.
He came to me by your command, to examine my heart respecting Count
Cassel. I told him that I would never marry the Count.
BARON.
But him?
AMELIA.
Yes, him.
BARON.
Very fine indeed! And what was his answer?
AMELIA.
He talked of my rank in life; of my aunts and cousins; of my
grandfather, and great-grandfather; of his duty to you; and endeavoured
to persuade me to think no more of him.
BARON.
He acted honestly.
AMELIA.
But not politely.
BARON.
No matter.
AMELIA.
Dear father! I shall never be able to love another—Never be happy with
any one else. [_Throwing herself on her knees_.]
BARON.
Rise, I command you.
[_As she rises, enter_ ANHALT.]
MR. ANHALT.
My Lord, forgive me! I have ventured, on the privilege of my office, as
a minister of holy charity, to bring the poor soldier, whom your
justice has arrested, into the adjoining room; and I presume to entreat
you will admit him to your presence, and hear his apology, or his
supplication.
BARON.
Anhalt, you have done wrong. I pity the unhappy boy; but you know I
cannot, must not forgive him.
MR. ANHALT.
I beseech you then, my Lord, to tell him so yourself. From your lips he
may receive his doom with resignation.
AMELIA.
Oh father! See him and take pity on him; his sorrows have made him
frantic.
BARON.
Leave the room, Amelia. [_on her attempting to speak, he raises his
voice_.] Instantly.—[_Exit_ Amelia.
MR. ANHALT.
He asked for a private audience: perhaps he has some confession to make
that may relieve his mind, and may be requisite for you to hear.
BARON.
Well, bring him in, and do you wait in the adjoining room, till our
conference is over. I must then, Sir, have a conference with you.
MR. ANHALT.
I shall obey your commands. [_He goes to door, and re-enters with_
Frederick. Anhalt _then retires at the same door_.]
BARON.
[_haughtily to_ Frederick]. I know, young man, you plead your mother’s
wants in excuse for an act of desperation: but powerful as this plea
might be in palliation of a fault, it cannot extenuate a crime like
yours.
FREDERICK.
I have a plea for my conduct even more powerful than a mother’s wants.
BARON.
What’s that?
FREDERICK.
My father’s cruelty.
BARON.
You have a father then?
FREDERICK.
I have, and a rich one—Nay, one that’s reputed virtuous, and
honourable. A great man, possessing estates and patronage in abundance;
much esteemed at court, and beloved by his tenants; kind, benevolent,
honest, generous—
BARON.
And with all those great qualities, abandons you?
FREDERICK.
He does, with all the qualities I mention.
BARON.
Your father may do right; a dissipated, desperate youth, whom kindness
cannot draw from vicious habits, severity may.
FREDERICK.
You are mistaken—My father does not discard me for my vices—He does not
know me—has never seen me—He abandoned me, even before I was born.
BARON.
What do you say?
FREDERICK.
The tears of my mother are all that I inherit from my father. Never has
he protected or supported me—never protected her.
BARON.
Why don’t you apply to his relations?
FREDERICK.
They disown me, too—I am, they say, related to no one—All the world
disclaim me, except my mother—and there again, I have to thank my
father.
BARON.
How so?
FREDERICK.
Because I am an illegitimate son.—My seduced mother has brought me up
in patient misery. Industry enabled her to give me an education; but
the days of my youth commenced with hardship, sorrow, and danger.—My
companions lived happy around me, and had a pleasing prospect in their
view, while bread and water only were my food, and no hopes joined to
sweeten it. But my father felt not that!
BARON.
[_to himself_]. He touches my heart.
FREDERICK.
After five years’ absence from my mother, I returned this very day, and
found her dying in the streets for want—Not even a hut to shelter her,
or a pallet of straw—But my father, he feels not that! He lives in a
palace, sleeps on the softest down, enjoys all the luxuries of the
great; and when he dies, a funeral sermon will praise his great
benevolence, his Christian charities.
BARON.
[_greatly agitated_]. What is your father’s name?
FREDERICK.
—He took advantage of an innocent young woman, gained her affection by
flattery and false promises; gave life to an unfortunate being, who was
on the point of murdering his father.
BARON.
[_shuddering_]. Who is he?
FREDERICK.
Baron Wildenhaim.
[_The_ Baron’s _emotion expresses the sense of amazement, guilt, shame,
and horror_.]
FREDERICK.
In this house did you rob my mother of her honour; and in this house I
am a sacrifice for the crime. I am your prisoner—I will not be free—I
am a robber—I give myself up.—You _shall_ deliver me into the hands of
justice—You shall accompany me to the spot of public execution. You
shall hear in vain the chaplain’s consolation and injunctions. You
shall find how I, in despair, will, to the last moment, call for
retribution on my father.
BARON.
Stop! Be pacified—
FREDERICK.
—And when you turn your head from my extended corse, you will behold my
weeping mother—Need I paint how her eyes will greet you?
BARON.
Desist—barbarian, savage, stop!
_Enter_ Anhalt _alarmed._
MR. ANHALT.
What do I hear? What is this? Young man, I hope you have not made a
second attempt.
FREDERICK.
Yes; I have done what it was your place to do. I have made a sinner
tremble [_points to the_ Baron _and exit_.]
MR. ANHALT.
What can this mean?—I do not comprehend—
BARON.
He is my son!—He is my son!—Go, Anhalt,—advise me—help me—Go to the
poor woman, his mother—He can show you the way—make haste—speed to
protect her—
MR. ANHALT.
But what am I to——
BARON.
Go.—Your heart will tell you how to act. [_Exit_ Anhalt.] [Baron
_distractedly_.] Who am I? What am I? Mad—raving—no—I have a son—A son!
The bravest—I will—I must—oh! [_with tenderness_.] Why have I not
embraced him yet? [_increasing his voice_.] why not pressed him to my
heart? Ah! see—[_looking after him_]—He flies from the castle—Who’s
there? Where are my attendants? [_Enter two servants_]. Follow
him—bring the prisoner back.—But observe my command—treat him with
respect—treat him as my son—and your master. [_Exit_.