The big stone house, set in its ten-acre park of trees and surrounded
by a high, wrought-iron fence, in which Myra Driscoll grew up,
was still, in my time, the finest property in Parthia. At John
Driscoll’s death it went to the Sisters of the Sacred Heart, and I
could remember it only as a convent. Myra was an orphan, and had been
taken into this house as a very little girl and brought up by her
great-uncle.
John Driscoll made his fortune employing contract labour in the
Missouri swamps. He retired from business early, returned to the town
where he had been a poor boy, and built a fine house in which he took
great pride. He lived in what was considered great splendour in those
days. He kept fast horses, and bred a trotter that made a national
record. He bought silver instruments for the town band, and paid the
salary of the bandmaster. When the band went up to serenade him on
his birthday and on holidays, he called the boys in and treated them
to his best whisky. If Myra gave a ball or a garden-party, the band
furnished the music. It was, indeed, John Driscoll’s band.
Myra, as my aunt often said, had everything: dresses and jewels,
a fine riding horse, a Steinway piano. Her uncle took her back
to Ireland with him, one summer, and had her painted by a famous
painter. When they were at home, in Parthia, his house was always
open to the young people of the town. Myra’s good looks and high
spirits gratified the old man’s pride. Her wit was of the kind that
he could understand, native and racy, and none too squeamish. She
was very fond of him, and he knew it. He was a coarse old codger,
so unlettered that he made a poor showing with a pen. It was always
told of him that when he became president of our national bank, he
burned a lot of the treasury notes sent up to his house for him to
sign, because he had “spoiled the sig-nay-ture.” But he knew a great
deal about men and their motives. In his own way he was picturesque,
and Myra appreciated it--not many girls would have done so. Indeed,
she was a good deal like him; the blood tie was very strong. There
was never a serious disagreement between them until it came to young
Henshawe.
Oswald Henshawe was the son of a German girl of good family, and an
Ulster Protestant whom Driscoll detested; there was an old grudge
of some kind between the two men. This Ulsterman was poor and
impractical, a wandering schoolmaster, who had charge for a while of
the High School in Parthia, and afterwards taught in smaller towns
about. Oswald put himself through Harvard with very little help from
his parents. He was not taken account of in our town until he came
home from college, a handsome and promising young man. He and Myra
met as if for the first time, and fell in love with each other. When
old Driscoll found that Oswald was calling on his niece, he forbade
him the house. They continued to meet at my grandfather’s, however,
under the protection of my Aunt Lydia. Driscoll so persecuted the
boy that he felt there was no chance for him in Parthia. He roused
himself and went to New York. He stayed there two years without
coming home, sending his letters to Myra through my aunt.
All Myra’s friends were drawn into the web of her romance; half a
dozen young men understudied for Oswald so assiduously that her uncle
might have thought she was going to marry any one of them. Oswald,
meanwhile, was pegging away in New York, at a time when salaries were
small and advancement was slow. But he managed to get on, and in
two years he was in a position to marry. He wrote to John Driscoll,
telling him his resources and prospects, and asked him for his
niece’s hand. It was then that Driscoll had it out with Myra. He did
not come at her in a tantrum, as he had done before, but confronted
her with a cold, business proposition. If she married young Henshawe,
he would cut her off without a penny. He could do so, because he had
never adopted her. If she did not, she would inherit two-thirds of
his property--the remaining third was to go to the church. “And I
advise ye to think well,” he told her. “It’s better to be a stray dog
in this world than a man without money. I’ve tried both ways, and I
know. A poor man stinks, and God hates him.”
Some months after this conversation, Myra went out with a sleighing
party. They drove her to a neighbouring town where Oswald’s father
had a school, and where Oswald himself had quietly arrived the day
before. There, in the presence of his parents and of Myra’s friends,
they were married by the civil authority, and they went away on the
Chicago express, which came through at two in the morning.
When I was a little girl my Aunt Lydia used to take me for a walk
along the broad stone flagging that ran all the way around the
old Driscoll grounds. Through the high iron fence we could see
the Sisters, out for recreation, pacing two and two under the
apple-trees. My aunt would tell me again about that thrilling night
(probably the most exciting in her life), when Myra Driscoll came
down that path from the house, and out of those big iron gates, for
the last time. She had wanted to leave without taking anything but
the clothes she wore--and indeed she walked out of the house with
nothing but her muff and her _porte-monnaie_ in her hands. My prudent
aunt, however, had put her toilet articles and some linen into a
travelling-bag, and thrown it out of the back window to one of the
boys stationed under an apple-tree.
“I’ll never forget the sight of her, coming down that walk and
leaving a great fortune behind her,” said Aunt Lydia. “I had gone
out to join the others before she came--she preferred to leave the
house alone. We girls were all in the sleighs and the boys stood in
the snow holding the horses. We had begun to think she had weakened,
or maybe gone to the old man to try to move him. But we saw by the
lights behind when the front door opened and shut, and here she came,
with her head high, and that quick little bouncing step of hers. Your
Uncle Rob lifted her into the sleigh, and off we went. And that hard
old man was as good as his word. Her name wasn’t mentioned in his
will. He left it all to the Catholic Church and to institutions.”
“But they’ve been happy, anyhow?” I sometimes asked her.
“Happy? Oh, yes! As happy as most people.”
That answer was disheartening; the very point of their story was that
they should be much happier than other people.
When I was older I used to walk around the Driscoll place alone very
often, especially on spring days, after school, and watch the nuns
pacing so mildly and measuredly among the blossoming trees where
Myra used to give garden-parties and have the band to play for her.
I thought of the place as being under a spell, like the Sleeping
Beauty’s palace; it had been in a trance, or lain in its flowers
like a beautiful corpse, ever since that winter night when Love went
out of the gates and gave the dare to Fate. Since then, chanting and
devotions and discipline, and the tinkle of little bells that seemed
forever calling the Sisters in to prayers.
I knew that this was not literally true; old John Driscoll had lived
on there for many years after the flight of his niece. I myself could
remember his funeral--remember it very vividly--though I was not
more than six years old when it happened. I sat with my parents in
the front of the gallery, at the back of the church that the old man
had enlarged and enriched during the latter days of his life. The
high altar blazed with hundreds of candles, the choir was entirely
filled by the masses of flowers. The bishop was there, and a flock
of priests in gorgeous vestments. When the pall-bearers arrived,
Driscoll did not come to the church; the church went to him. The
bishop and clergy went down the nave and met that great black coffin
at the door, preceded by the cross and boys swinging cloudy censers,
followed by the choir chanting to the organ. They surrounded, they
received, they seemed to assimilate into the body of the church,
the body of old John Driscoll. They bore it up to the high altar on
a river of colour and incense and organ-tone; they claimed it and
enclosed it.
In after years, when I went to other funerals, stark and grim
enough, I thought of John Driscoll as having escaped the end of all
flesh; it was as if he had been translated, with no dark conclusion
to the pageant, no “night of the grave” about which our Protestant
preachers talked. From the freshness of roses and lilies, from the
glory of the high altar, he had gone straight to the greater glory,
through smoking censers and candles and stars.
* * * * *
After I went home from that first glimpse of the real Myra Henshawe,
twenty-five years older than I had always imagined her, I could not
help feeling a little disappointed. John Driscoll and his niece had
suddenly changed places in my mind, and he had got, after all, the
more romantic part. Was it not better to get out of the world with
such pomp and dramatic splendour than to linger on in it, having to
take account of shirts and railway trains, and getting a double chin
into the bargain?
The Henshawes were in Parthia three days, and when they left, it
was settled that I was to go on to New York with Aunt Lydia for the
Christmas holidays. We were to stay at the old Fifth Avenue Hotel,
which, as Myra said, was only a stone’s throw from their apartment,
“if at any time a body was to feel disposed to throw one, Liddy!”
[Illustration: (A view of a city)]