I looked round the room vacantly.

"Yes!" I said with a nod of enlightenment.

The girls giggled, and Annie had to bite her lip to keep from laughing.

"Where have you been, sir?"

"Oh, no!" I cried, "at least I don't think so!"

Annie had to sit down and laugh.

"That's no fair," she said, "there shud be nae funnin' in the schule."

I sat down on the fender and pulled a face that Alfred Lester might have

envied. Annie went into fits of laughter.

"Tell ye what, Annie," said Ellen, "we'll put the Mester oot, and we'll

play oorsells," and I was dismissed the school. After deliberation they

agreed to allow me to be an inspector provided I did not say anything.

When bairns play school they always put on the fine English. The

teacher's main duty is to call erring pupils out and punish them.

"Now, Ellen Smith, what is two and two?"

"Four."

"Very good. Now we'll have an object lesson. What animal do we get milk

from, Janet?"

"The cow."

"Very good. Now we'll have some geography. Where is the town of--?"

"Give us spellin' instead," cried Gladys.

"Come out, girl!" and Gladys was punished severely. Then Jean was

punished for laughing.

"It's my chance o' bein' teacher noo," cried Ellen and Janet at the same

time, and a treble scuffle for the strap followed. Janet got it.

"Now," she began, "I'll be Mister Macdonald. Put yer hands behind yer

backs, and the first one that moves will hear about it!" They sat up

like statues.

"Now, Jean Broon, you stand up and recite the _Elegy Written in a

Country Churchyard_!" And Jean stood up and recited the first verse

dramatically.

"That'll do. Sit down. Ellen Smith, I want you to say the first verse of

Wordsworth's _Ode to the Imitations of Immorality_."

"P-Please, sir," tittered Gladys, "the inspector's laughin' like

onything!"

I laughed immoderately, but it wasn't at Janet's malapropism that I

laughed so much. I thought of Mrs. Wilks, the charwoman, who looked

after the flat another man and I shared in Croydon. One morning she did

not arrive to make the breakfast, and I went out to look for her. I

found the old woman--she was sixty-three--standing at the foot of the

stairs weeping.

"Great Scot!" I cried, "what's the matter?"

"My 'usband ain't goin' to allow me to char for you young gentlemen

again."

"What for?" I asked in amazement.

"He ... he accuses me of 'avin' immortal relations wiv you," she sobbed.

I hasten to add that her relations with us were not immortal: we sacked

her a week later for pinching the cream.

"Sorry, Janet," I said at length, "proceed with your Imitations of

Immorality, although personally I don't see the need for them; the real

thing's good enough for me."

"Now," she said, "I'll be Mister Neill now."

Annie at once began to sing "Tipperary"; Ellen began to pull Gladys's

hair; Jean pretended that she was biting a huge apple ... and the

teacher Janet took a cigarette from the box on the table and lit it.

"You gross libellers!" I cried, and I chased them out of the bothy.

* * *

To-night I had a long walk with Margaret. I tried to make her talk, for

I want so much to know her views on things.

"You talk," she said; "I like to listen."

"But," I protested, "I'm always talking to you, and you listen all the

time. I want to know what is in that wee head of yours ... although I

suppose that I ought to be satisfied with its exterior."

"You see," she said slowly and somewhat sadly, "I am not clever; I am

only an ordinary farmer's daughter working in the dairy and the fields.

If I told you what I was thinking you would not be interested."

We walked many yards in silence.

"It is all a mistake!" she suddenly burst out passionately. "I am not

good enough for you, and when my bonny face is gone you will hate me. We

have nothing in common, and if you met me in London you wouldn't be

interested in me at all. You will bring clever women to the house and

I--I will sit in a corner and say nothing, for I won't understand the

things that you talk about. I am afraid to go to London with you."

"We'll stay here then," I said quietly.

"No!" she cried, "not that! I will stay here, but you must go to your

work and your clever friends. O! it's all been a mistake!" She sat down

on a fallen tree and wept silently. I sat down beside her and placed my

arm round her shoulders.

"Margaret," I said softly, "we'll have a soul to soul talk about it.

I'll tell you very very frankly what I think about the whole matter, and

I'll try to deceive neither you nor myself.

"Intellectually you are not a soul-mate to me. That can't be possible

seeing that you have never had the chance to develop your intellect. I

know girls whose intellect is brilliant and whose sense of humour is

delicious ... but I don't love them. I like them; I love a witty

conversation with them, but ... I don't want to touch them. The touch of

your hand sends a thrill through me, and there is no other hand in the

world that can do that. I want to caress you, to hug you, to kiss your

lips, to kiss your lovely neck. Margaret, I want you ... and you are not

my soul-mate. Margaret, I must have you.

"You see, dear, love is a thing that cannot be reasoned with. I once

wrote down on paper a list of the qualities I wanted in the woman who

should be my wife. She was to have blue eyes, a Grecian nose, auburn

hair; she was to be tall and imperious; she was to be a fine pianist.

Dear, your eyes are grey; your nose isn't Grecian; you aren't tall, and

your limit as a pianist is _I'm a Little Pilgrim_ played with one

finger. You're hopeless, madam, but, dash it all!... I'll buy an

auto-piano!

"According to all the rules I oughtn't to find any interest in you at

all. Do you know that popular song _You Made Me Love You_? That's the

only popular song I ever struck that has any philosophy in it. It has

more real pathos in it than _The Rosary_ and Tosti's _Goodbye_ rolled

into one.

"'You made me love you; I didn't want to do it,' ... Margaret, that's

the true story of love. Love is blind they say, but the truth is that

love is mad. I didn't want to love you; my mind kept telling me that you

were not the right woman ... and here I sit in paradise because your

head is on my shoulder. The whole thing's absurd and irrational. I

almost believe that there is a real Cupid who fires his arrows

broadcast; of course the little fellow is blind and he hits the wrong

people."

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