"September 15. 1817.
"I enclose a sheet for correction, if ever you get to another
edition. You will observe that the blunder in printing makes it
appear as if the Château was _over_ St. Gingo, instead of being on
the opposite shore of the Lake, over Clarens. So, separate the
paragraphs, otherwise my _to_pography will seem as inaccurate as
your _ty_pography on this occasion.
"The other day I wrote to convey my proposition with regard to the
fourth and concluding Canto. I have gone over and extended it to
one hundred and fifty stanzas, which is almost as long as the two
first were originally, and longer by itself than any of the smaller
poems except 'The Corsair.' Mr. Hobhouse has made some very
valuable and accurate notes of considerable length, and you may be
sure that I will do for the text all that I can to finish with
decency. I look upon Childe Harold as my best; and as I begun, I
think of concluding with it. But I make no resolutions on that
head, as I broke my former intention with regard to 'The Corsair.'
However, I fear that I shall never do better; and yet, not being
thirty years of age, for some moons to come, one ought to be
progressive as far as intellect goes for many a good year. But I
have had a devilish deal of tear and wear of mind and body in my
time, besides having published too often and much already. God
grant me some judgment to do what may be most fitting in that and
every thing else, for I doubt my own exceedingly.
"I have read 'Lalla Rookh,' but not with sufficient attention yet,
for I ride about, and lounge, and ponder, and--two or three other
things; so that my reading is very desultory, and not so attentive
as it used to be. I am very glad to hear of its popularity, for
Moore is a very noble fellow in all respects, and will enjoy it
without any of the bad feelings which success--good or
evil--sometimes engenders in the men of rhyme. Of the poem, itself,
I will tell you my opinion when I have mastered it: I say of the
_poem_, for I don't like the _prose_ at all; and in the mean time,
the 'Fire-worshippers' is the best, and the 'Veiled Prophet' the
worst, of the volume.
"With regard to poetry in general[9], I am convinced, the more I
think of it, that he and _all_ of us--Scott, Southey, Wordsworth,
Moore, Campbell, I,--are all in the wrong, one as much as another;
that we are upon a wrong revolutionary poetical system, or systems,
not worth a damn in itself, and from which none but Rogers and
Crabbe are free; and that the present and next generations will
finally be of this opinion. I am the more confirmed in this by
having lately gone over some of our classics, particularly _Pope_,
whom I tried in this way,--I took Moore's poems and my own and some
others, and went over them side by side with Pope's, and I was
really astonished (I ought not to have been so) and mortified at
the ineffable distance in point of sense, learning, effect, and
even _imagination_, passion, and _invention_, between the little
Queen Anne's man, and us of the Lower Empire. Depend upon it, it is
all Horace then, and Claudian now, among us; and if I had to begin
again, I would mould myself accordingly. Crabbe's the man, but he
has got a coarse and impracticable subject, and * * * is retired
upon half-pay, and has done enough, unless he were to do as he did
formerly."
[Footnote 9: On this paragraph, in the MS. copy of the above letter, I
find the following note, in the handwriting of Mr. Gifford:--
"There is more good sense, and feeling, and judgment in this passage,
than in any other I ever read, or Lord Byron wrote."]
* * * * *