THE END.

"But, my dear," I said, "you can't write novels like that."

"Why not, Uncle Dick?" Enid asked.

"Because it's not playing the game," I said. "After arousing

everyone's interest and exciting us with the first chapter, you can't

stop it all like this."

"But it happened," she replied. "Ships often sink, Uncle Dick, and

this one sank."

"Well, that's all right," I said, "but, my dear child, why drown

everyone? Why not let your own people be saved? Not the Duke and

Duchess, perhaps, but the others. Think of all those jolly things

that were going to happen in Texas, and the duel, and--"

"Yes, I know," she replied sadly. "It's horrid to have to give them

up, but I couldn't help it. The ship would sink and no one was saved.

I shall have to begin another."

There's a conscience for you! There's realism! Enid should go far.

I have been wondering if there are any other writers of serial stories

whose readers would not suffer if similar visitations of inevitability

came to them.

* * * * *

[Illustration: "DO TELL ME, UNCLE, ALL ABOUT THIS PERSIFLAGE YOU PUT

ON YOUR TENTS."]

* * * * *

Punch, or the London Charivari, Volume 153, October 31, 1917 · 第 17 / 59 题