OPERATIC NOTES.

[Illustration: Ancient Brass-Work, in memory of Wagner the Great

Worker in Brass.]

_Wednesday._--WAGNER. Vainly the Daughters of the River, representing

the floating capital of the Banks of the Rhine, cry "Woa! Woa!" The

orchestra, under the direction of Herr MAHLER, takes no notice of

them, but goes on Wagnerianly, inexorably. Thus swimmingly we reach

Walhall--where the fire-god _Loge_ has a _logement_ with very heavy

insurance. _Wotan_ and _Loge_ in search of the gold. Then we meet

the _Nibelungs_ and the _Nibelights_, all livers under a water-cure

system; and then--it's like a musical nightmare--_Alberich_ changes

himself into a toad and is towed off as a prisoner. _Fafner_ settles

_Fasolt_ by a drum-head Court Martial, so that _Fafner_ gets the

golden honey, and _Fasolt_ gets the whacks--and--please, Sir, I don't

know any more--but some of the music is running river-like and lovely,

more is puzzling, and much of it must remind Sir DRURIOLANUS of the

rum-tum-tiddy-iddy-iddy-um-bang-whack of a great Drury Pantomime.

House full; Duke and Duchess of EDINBURGH, with Princess MARIE

and Crown Prince of ROUMANIA, enjoying themselves Wagnerially and

Rou-manically.

_Saturday.--Le Prophète._ JOHN DE RESZKÉ not up to his usual form as

the Sporting Prophet; but his little Brother EDWARD, and Messieurs

MONTARIOL and CASTELMARY, first-rate as the three conspiring

undertakers. Madame DESCHAMPS-JÉHIN, as _Fides_, very fine. "House,"

also, very fine, and large.

* * * * *

Punch, Or The London Charivari, Volume 102, July 2, 1892 · 第 4 / 20 题