SMOKE PICTURES.
"Sit on ze bench," said Yamousa, when they were all in the house again,
pointing to the bench where Matt and Dick had rested themselves a
little while before.
Carl made it a point to keep a grip on Matt, and he walked with him
to the bench and snuggled up close to his side when they sat down.
The Dutch boy's eyes were almost popping from his head. The queer
assortment of odds and ends with which the roof and walls were
decorated cast over him a baneful spell, and he was beginning to wish
that he had stayed with the car.
Yamousa hobbled back and forth, getting together materials for the work
she had in prospect. First, she took an earthen jar from one corner
of the room and set it down in front of the boys. As she moved across
the floor with the jar she sang the Creole song which Matt had already
heard, finishing by aiming her finger at Carl and shrieking out the
final "_boum!_"
Carl gave a howl of consternation, his feet went into the air, and he
would have tumbled from the bench if Matt had not held him.
"Donnervetter!" gasped Carl huskily. "I dradder be some odder place as
here. Vat's der madder mit der olt laty? She gifs me some cholts."
"Don't be afraid," whispered Matt. "She has proved herself a friend of
ours."
"Yah, meppy, aber I don'd vant her to boint her finger ad me like dot
some more."
Yamousa got a small box from a cupboard and emptied a brownish powder
out of it into the jar; then, with a pair of tongs, she removed a live
coal from the fireplace and dropped it into the jar with the powder.
A wisp of smoke floated upward, accompanied by a sizzling noise. The
noise increased until it resembled the buzzing of a swarm of bees, and
the smoke spread out until it filled all that part of the room, growing
denser every moment.
In and out through the vapor, stumbling around the jar in a sort of
dance, moved Yamousa, tossing her arms and crooning a chant.
"Di tems Missié d'Artaguette,
Hé! Ho! Hé!
C'était, c'était bon tems,
Yé té ménin monde a la baguette,
Hé! Ho! Hé!"
The boys stared breathlessly. Yamousa's candle was on the other side of
the room, glowing like a coal through the vapor.
Suddenly figures began to take shape in the smoke, the filmy fog
thickening in places and decreasing in others as though some invisible
hand was moulding the black haze into a scene _en silhouette_.
By degrees the picture perfected itself until, at last, it lay clearly
before the boys.
They saw a broad river on which a small boat was floating. There
was no one in the boat, but on the stern thwart, in plain view and
unmistakable, was Townsend's iron chest.
The boat and the chest heaved and rolled on the waves, and the oars in
the oarlocks played up and down on the surface of the water.
Then, as the two boys watched, scarcely breathing, so great was their
interest and excitement, a vague shape came gliding over the river out
of the distance. Presently the shape resolved itself into the form of
the air ship. The _Hawk_ glided low and halted hoveringly over the boat.
There were three passengers in the air ship's car, and Matt and Carl
had no difficulty in recognizing themselves and Ferral. A rope was
thrown downward by Ferral, and Matt could be seen climbing over the
rail and descending the rope.
On reaching the boat, Matt made the rope secure to the iron handles of
the chest and Carl and Dick laid back on the rope and drew the chest
upward.
The moving picture had proceeded thus far when Carl, overcome by the
uncanny nature of the whole proceeding, lifted a hair-raising yell,
hurled himself from the seat, and bolted for the door.
The frenzied shout seemed to destroy the spell. The smoke billowed
shapelessly into a blank fog, and Matt darted from the house after Carl.
Dick, startled by the Dutch boy's shout, had run toward the cabin,
meeting Carl a few yards from the air ship.
"Der olt laty vas der teufel," Carl was excitedly explaining to Dick.
"She makes moofing bictures, py shinks, oudt oof nodding but shmoke. Ve
see der air ship, und meinseluf, und you, und Modor Matt, und ve vas
doing some t'ings vat I don'd know und vat ain'd peen done, yah, so
helup me. Led's ged avay from here, mitoudt losing some more time."
Carl was in a nervous condition, and while he talked he jumped up and
down and flourished his arms. When he was through, he made a bolt for
the _Hawk_, but Matt was close enough to catch hold of him.
"Don't get excited, Carl," said Matt. "Calm yourself down."
"How I vas going to do dot," exploded Carl, "ven I see der hocus-pocus
dot olt laty make mit us? Himmelblitzen! She iss some relations mit der
Olt Nick, und oof ve know ven ve vas vell off ve vill pull oudt oof
here righdt avay."
"Chuck it, Carl!" said Dick. "I guess there ain't anything going to
hurt you. Give me a line on this, Matt. I can't overhaul Carl's talk
and get much sense out of it."
Matt proceeded to describe what had taken place in the hut. Dick
listened with wide eyes.
"Keelhaul me if I ever heard anything like that before!" he exclaimed,
when Matt had finished. "It sounds like a yarn for the marines. You
two must have been hypnotized and imagined you saw all that. Fakirs in
India do stunts of that sort, but they only make people _think_ they
see such things; they don't really see them."
"I know ven I see somet'ing, you bed my life," fluttered Carl, "und I
see der air ship, und you and Matt und meinseluf in der shmoke, und ve
do t'ings schust so natural like life. It don'd vas some treams, I tell
you dot. Oof----"
Carl was interrupted by a shrill cry from the hut door.
"Come once more an' see ze smoke picture! Come queek!"
"Nod me!" and Carl galloped on toward the air ship.
"We'd better go, Dick," said Matt.
"Do you think Carl will try to unmoor the _Hawk_?" returned Dick, with
a hurried look in the direction Carl had gone.
"No, he won't do that."
Matt and Dick thereupon retraced their course to the hut. Yamousa
had vanished from the door and the boys groped their way through the
stifling, pungent vapor to the bench.
The smoke picture had already been formed and showed the interior of a
room with stone walls. On the floor of the room lay a man, bound hand
and foot and, to all appearances, a prisoner. He had gray hair and
mustache, and his features, although vague and indistinct, were easily
recognized.
"Townsend!" whispered Matt.
"Aye!" returned Dick, "Townsend, as I live!"
The stone chamber faded into the front of a building, and along the
front was a sign, the lettering of which could easily be read: "M.
Crenelette, Antiques."
This second picture faded and Yamousa laid a piece of board over the
top of the jar. Slowly the air cleared and the old woman stepped close
to the bench, shaking her withered head until the gold rings in her
ears and nose danced glimmeringly.
"You know ze man in ze stone room?" she asked.
"Yes," replied Matt, in a stifled voice.
"Ah, ha! Zat will be in New Orleans. Me, I live zere one time. Ze front
of ze buildings you see has ze stone chamber in ze basement. Eet ees
in Royal Street, on ze French side of Canal. You look an' you fin' ze
sign, zen you get ze white-haired man away from ze enemies. Go 'way an'
sleep; zen, in ze morning, I gif you breakfus, an' you go on to ze big
city an' safe your frane. _Bo' soir, mes amis!_ Sleep an' do not fear."
Without answer, Matt and Dick stumbled out of the house, full of wonder
and bewilderment.
"Strike me lucky!" breathed Dick. "This is the first time anything like
that ever crossed my hawse. The question is, is there anything in it,
or is it all a fake?"
"I don't take much stock in wonder-workers like Yamousa," answered
Matt, "because they usually prey upon the ignorant and the
superstitious. I haven't the least notion how she make the pictures.
That part of it is strange enough, and maybe, as you say, she only
hypnotizes us and causes us to think we see something that isn't really
in the smoke at all. But I don't see how those pictures can really mean
anything, and I'm going to bunk down in the car and get some sleep."
Matt tried to persuade himself that the smoke pictures of Yamousa were
merely a trick, but somehow the idea that there _might_ be something in
them clung to his mind. Although his thoughts kept him unsettled and
restless for a time, yet he finally fell asleep.
There was no sleep for Carl, however. He found the revolver that had
been knocked out of Dick's hand by the flying stone. The mechanism had
been damaged and the weapon was useless, but nevertheless Carl felt
safer with it, and placed himself on guard.
Dick, like Matt, was able to get some rest, and the night passed
uneventfully. It was only when morning dawned that anything of an
unusual nature occurred.
A shout from Carl brought Matt and Dick to their feet. Carl had
retreated until he was standing midway between the air ship and the
edge of the clearing, his fearful eyes on Yamousa, who was crouching at
the side of the car.
"Queek!" cried Yamousa, "hurry away. Your enemies come--I see zem in ze
smoke--an' zey come close. Leesen!"
She held up one talon-like finger in token of silence. From somewhere,
off in the timber, could be heard faint sounds as of some one
approaching through the undergrowth.
In another moment the boys were actively at work casting off the ropes.
"Take zis," said Yamousa, handing Matt something wrapped in a piece of
newspaper. "It will breeng you ze luck. You haf helped Yamousa, an'
Yamousa she try to help you. But hurry; zere ees no time to lose."
Carl, gathering courage from the prospect of an early departure from
that ill-omened spot, ran forward and helped Dick with the ropes.
Matt laid the small parcel Yamousa handed to him in the bottom of the
car and immediately got the engine to going. The woman, meanwhile, with
an apprehensive look over her shoulder, had started toward the timber.
As Dick and Carl leaped into the car, Yamousa gave a screech of warning
and pointed toward the other side of the cleared space.
One look in that direction was enough for Matt. Half a dozen white men
had hurried into sight. Whistler was in the lead.
"Let 'er go, matey!" yelled Dick. "They'll be on us in half a minute."
Matt, with a twist of a lever, threw the power into the machinery and
the _Hawk_ took the push and glided upward.