CHAPTER XXIX

A coach was approaching filled with people, some of them Marcia knew; they

were friends and neighbors from their own village, and behind it plodding

along came a horse with a strangely familiar gait drawing four people. The

driver was old Mr. Heath looking unbelievingly at the scene before him. He

did not believe that an engine would be able to haul a train any

appreciable distance whatever, and he believed that he had come out here

to witness this entire company of fanatics circumvented by the ill-natured

iron steed who stood on the track ahead surrounded by gaping boys and a

flock of quacking ganders, living symbol of the people who had come to see

the thing start; so thought Mr. Heath. He told himself he was as much of a

goose as any of them to have let this chit of a woman fool him into coming

off out here when he ought to have been in the hay field to-day.

By his side in all the glory of shimmering blue with a wide white lace

bertha and a bonnet with a steeple crown wreathed about heavily with roses

sat Kate, a blue silk parasol shading her eyes from the sun, those eyes

that looked to conquer, and seemed to pierce beyond and through her sister

and ignore her. Old Mrs. Heath and Miranda were along, but they did not

count, except to themselves. Miranda was all eyes, under an ugly bonnet.

She desired above all things to see that wonderful engine in which David

was so interested.

Marcia shrunk and seemed to wither where she sat. All her bright bloom

faded in an instant and a kind of frenzy seized her. She had a wild desire

to get down out of the carriage and run with all her might away from this

hateful scene. The sky seemed to have suddenly clouded over and the hum

and buzz of voices about seemed a babel that would never cease.

David felt the arm beside his cringe, and shrink back, and looking down

saw the look upon her sweet frightened face; following her glance his own

face hardened into what might have been termed righteous wrath. But not a

word did he say, and neither did he apparently notice the oncoming

carriage. He busied himself at once talking with a man who happened to

pass the carriage, and when Mr. Heath drove by to get a better view of the

engine he was so absorbed in his conversation that he did not notice them,

which seemed but natural.

But Kate was not to be thus easily foiled. She had much at stake and she

must win if possible. She worked it about that Squire Heath should drive

around to the end of the line of coaches, quite out of sight of the engine

and where there was little chance of seeing the train and its

passengers,—the only thing Squire Heath cared about. But there was an

excellent view of David’s carriage and Kate would be within hailing

distance if it should transpire that she had no further opportunity of

speaking with David. It seemed strange to Squire Heath, as he sat there

behind the last coach patiently, that he had done what she asked. She did

not look like a woman who was timid about horses, yet she had professed a

terrible fear that the screech of the engine would frighten the staid old

Heath horse. Miranda, at that, had insisted upon changing seats, thereby

getting herself nearer the horse, and the scene of action. Miranda did not

like to miss seeing the engine start.

At last word to start was given. A man ran along by the train and mounted

into his high seat with his horn in his hand ready to blow. The fireman

ceased his raking of the glowing fire and every traveller sprang into his

seat and looked toward the crowd of spectators importantly. This was a

great moment for all interested. The little ones whose fathers were in the

train began to call good-bye and wave their hands, and one old lady whose

only son was going as one of the train assistants began to sob aloud.

A horse in the crowd began to act badly. Every snort of the engine as the

steam was let off made him start and rear. He was directly behind Marcia,

and she turned her head and looked straight into his fiery frightened

eyes, red with fear and frenzy, and felt his hot breath upon her cheek. A

man was trying most ineffectually to hold him, but it seemed as if in

another minute he would come plunging into the seat with them. Marcia

uttered a frightened cry and clutched at David’s arm. He turned, and

seeing instantly what was the matter, placed his arm protectingly about

her and at once guided his own horse out of the crowd, and around nearer

to the engine. Somehow that protecting arm gave Marcia a steadiness once

more and she was able to watch the wonderful wheels begin to turn and the

whole train slowly move and start on its way. Her lips parted, her breath

came quick, and for the instant she forgot her trouble. David’s arm was

still about her, and there was a reassuring pressure in it. He seemed to

have forgotten that the crowd might see him—if the crowd had not been too

busy watching something more wonderful. It is probable that only one

person in that whole company saw David sitting with his arm about his

wife—for he soon remembered and put it quietly on the back of the seat,

where it would call no one’s attention—and that person was Kate. She had

not come to this hot dusty place to watch an engine creak along a track,

she had come to watch David, and she was vexed and angry at what she saw.

Here was Marcia flaunting her power over David directly in her face.

Spiteful thing! She would pay her back yet and let her know that she could

not touch the things that she, Kate, had put her own sign and seal upon.

For this reason it was that at the last minute Kate allowed poor Squire

Heath to drive around near the front of the train, saying that as David

Spafford seemed to find it safe she supposed she ought not to hold them

back for her fears. It needed but the word to send the vexed and curious

Squire around through the crowd to a spot directly behind David’s

carriage, and there Miranda could see quite well, and Kate could sit and

watch David and frame her plans for immediate action so soon as the

curtain should fall upon this ridiculous engine play over which everybody

was wild.

And so, amid shouts and cheers, and squawking of the geese that attempted

to precede the engine like a white frightened body-guard down the track;

amid the waving of handkerchiefs, the shouts of excited little boys, and

the neighing of frightened horses, the first steam engine that ever drew a

train in New York state started upon its initial trip.

Then there came a great hush upon the spectators assembled. The wheels

were rolling, the carriages were moving, the train was actually going by

them, and what had been so long talked about was an assured fact. They

were seeing it with their own eyes, and might be witnesses of it to all

their acquaintances. It was true. They dared not speak nor breathe lest

something should happen and the great miracle should stop. They hushed

simultaneously as though at the passing of some great soul. They watched

in silence until the train went on between the meadows, grew smaller in

the distance, slipped into the shadow of the wood, flashed out into the

sunlight beyond again, and then was lost behind a hill. A low murmur

growing rapidly into a shout of cheer arose as the crowd turned and faced

one another and the fact of what they had seen.

“By gum! She kin do it!” ejaculated Squire Heath, who had watched the

melting of his skeptical opinions in speechless amazement.

The words were the first intimation the Spaffords had of the proximity of

Kate. They made David smile, but Marcia turned white with sudden fear

again. Not for nothing had she lived with her sister so many years. She

knew that cruel nature and dreaded it.

David looked at Marcia for sympathy in his smile at the old Squire, but

when he saw her face he turned frowning toward those behind him.

Kate saw her opportunity. She leaned forward with honeyed smile, and wily

as the serpent addressed her words to Marcia, loud and clear enough for

all those about them to hear.

“Oh, Mrs. Spafford! I am going to ask a great favor of you. I am sure you

will grant it when you know I have so little time. I am extremely anxious

to get a word of advice from your husband upon business matters that are

very pressing. Would you kindly change places with me during the ride

home, and give me a chance to talk with him about it? I would not ask it

but that I must leave for New York on the evening coach and shall have no

other opportunity to see him.”

Kate’s smile was roses and cream touched with frosty sunshine, and to

onlookers nothing could have been sweeter. But her eyes were coldly cruel

as sharpened steel, and they said to her sister as plainly as words could

have spoken: “Do you obey my wish, my lady, or I will freeze the heart out

of you.”

Marcia turned white and sick. She felt as if her lips had suddenly

stiffened and refused to obey her when they ought to have smiled. What

would all these people think of her, and how was she behaving? For David’s

sake she ought to do something, say something, look something, but

what—what should she do?

While she was thinking this, with the freezing in her heart creeping up

into her throat, the great tears beating at the portals of her eyes, and

time standing suddenly still waiting for her leaden tongue to speak, David

answered:

All gracefully ’twas done, with not so much as a second’s

hesitation,—though it had seemed so long to Marcia,—nor the shadow of a

sign that he was angry:

“Mrs. Leavenworth,” he said in his masterful voice, “I am sure my wife

would not wish to seem ungracious, or unwilling to comply with your

request, but as it happens it is impossible. We are not returning home for

several days. My wife has some shopping to do in Albany, and in fact we

are expecting to take a little trip. A sort of second honeymoon, you

know,”—he added, smiling toward Mrs. Heath and Miranda; “it is the first

time I have had leisure to plan for it since we were married. I am sorry I

have to hurry away, but I am sure that my friend Squire Heath can give as

much help in a business way as I could, and furthermore, Squire Schuyler

is now in New York for a few days as I learned in a letter from him which

arrived last evening. I am sure he can give you more and better advice

than any I could give. I wish you good morning. Good morning, Mrs. Heath.

Good morning, Miss Miranda!”

Lifting his hat David drove away from them and straight over to the little

wayside hostelry where he was to finish his article to send by the

messenger who was even then ready mounted for the purpose.

“My! Don’t he think a lot of her though!” said Miranda, rolling the words

as a sweet morsel under her tongue. “It must be nice to have a man so fond

of you.” This was one of the occasions when Miranda wished she had eyes in

the back of her head. She was sharp and she had seen a thing or two, also

she had heard scraps of her cousin Hannah’s talk. But she sat demurely in

the recesses of her deep, ugly bonnet and tried to imagine how the guest

behind her looked.

All trembling sat Marcia in the rusty parlor of the little hostelry, while

David at the table wrote with hurried hand, glancing up at her to smile

now and then, and passing over the sheets as he finished them for her

criticism. She thought she had seen the Heath wagon drive away in the home

direction, but she was not sure. She half expected to see the door open

and Kate walk in. Her heart was thumping so she could scarcely sit still

and the brightness of the world outside seemed to make her dizzy. She was

glad to have the sheets to look over, for it took her thoughts away from

herself and her nameless fears. She was not quite sure what it was she

feared, only that in some way Kate would have power over David to take him

away from her. As he wrote she studied the dear lines of his face and

knew, as well as human heart may ever know, how dear another soul had

grown to hers.

David had not much to write and it was soon signed, approved, and sealed.

He sent his messenger on the way and then coming back closed the door and

went and stood before Marcia.

As though she felt some critical moment had come she arose, trembling, and

looked into his eyes questioningly.

“Marcia,” he said, and his tone was grave and earnest, putting her upon an

equality with him, not as if she were a child any more. “Marcia, I have

come to ask your forgiveness for the terrible thing I did to you in

allowing you, who scarcely knew what you were doing then, to give your

life away to a man who loved another woman.”

Marcia’s heart stood still with horror. It had come then, the dreadful

thing she had feared. The blow was going to fall. He did not love her!

What a fool she had been!

But the steady voice went on, though the blood in her neck and temples

throbbed in such loud waves that she could scarcely hear the words to

understand them.

“It was a crime, Marcia, and I have come to realize it more and more

during all the days of this year that you have so uncomplainingly spent

yourself for me. I know now, as I did not think then in my careless,

selfish sorrow, that I was as cruel to you, with your sweet young life, as

your sister was cruel to me. You might already have given your heart to

some one else; I never stopped to inquire. You might have had plans and

hopes for your own future; I never even thought of it. I was a brute. Can

you forgive me? Sometimes the thought of the responsibility I took upon

myself has been so terrible to me that I felt I could not stand it. You

did not realize what it was then that you were giving, perhaps, but

somehow I think you have begun to realize now. Will you forgive me?” He

stopped and looked at her anxiously. She was drooped and white as if a

blast had suddenly struck her and faded her sweet bloom. Her throat was

hot and dry and she had to try three times before she could frame the

words, “Yes, I forgive.”

There was no hope, no joy in the words, and a sudden fear descended upon

David’s heart. Had he then done more damage than he knew? Was the child’s

heart broken by him, and did she just realize it? What could he do? Must

he conceal his love from her? Perhaps this was no time to tell it. But he

must. He could not bear the burden of having done her harm and not also

tell her how he loved her. He would be very careful, very considerate, he

would not press his love as a claim, but he must tell her.

“And Marcia, I must tell you the rest,” he went on, his own words seeming

to stay upon his lips, and then tumble over one another; “I have learned

to love you as I never loved your sister. I love you more and better than

I ever could have loved her. I can see how God has led me away from her

and brought me to you. I can look back to that night when I came to her

and found you there waiting for me, and kissed you,—darling. Do you

remember?” He took her cold little trembling hands and held them firmly as

he talked, his whole soul in his face, as if his life depended upon the

next few moments. “I was troubled at the time, dear, for having kissed

you, and given you the greeting that I thought belonged to her. I have

rebuked myself for thinking since how lovely you looked as you stood there

in the moonlight. But afterward I knew that it was you after all that my

love belonged to, and to you rightfully the kiss should have gone. I am

glad it was so, glad that God overruled my foolish choosing. Lately I have

been looking back to that night I met you at the gate, and feeling jealous

that that meeting was not all ours; that it should be shadowed for us by

the heartlessness of another. It gives me much joy now to think how I took

you in my arms and kissed you. I cannot bear to think it was a mistake.

Yet glad as I am that God sent you down to that gate to meet me, and much

as I love you, I would rather have died than feel that I have brought

sorrow into your life, and bound you to one whom you cannot love. Marcia,

tell me truly, never mind my feelings, tell me! Can you ever love me?”

Then did Marcia lift her flower-like face, all bright with tears of joy

and a flood of rosy smiles, the light of seven stars in her eyes. But she

could not speak, she could only look, and after a little whisper, “Oh,

David, I think I have always loved you! I think I was waiting for you that

night, though I did not know it. And look!”—with sudden thought——

She drew from the folds of her dress a little old-fashioned locket hung by

a chain about her neck out of sight. She opened it and showed him a soft

gold curl which she touched gently with her lips, as though it were

something very sacred.

“What is it, darling?” asked David perplexed, half happy, half afraid as

he took the locket and touched the curl more thrilled with the thought

that she had carried it next her heart than with the sight of it.

“It is yours,” she said, disappointed that he did not understand. “Aunt

Clarinda gave it to me while you were away. I’ve worn it ever since. And

she gave me other things, and told me all about you. I know it all, about

the tops and marbles, and the spelling book, and I’ve cried with you over

your punishments, and—I—love it all!”

He had fastened the door before he began to talk, but he caught her in his

arms now, regardless of the fact that the shades were not drawn down, and

that they swayed in the summer breeze.

“Oh, my darling! My wife!” he cried, and kissed her lips for the third

time.

The world was changed then for those two. They belonged to each other they

believed, as no two that ever walked through Eden had ever belonged. When

they thought of the precious bond that bound them together their hearts

throbbed with a happiness that well-nigh overwhelmed them.

A dinner of stewed chickens and little white soda biscuits was served

them, fit for a wedding breakfast, for the barmaid whispered to the cook

that she was sure there was a bride and groom in the parlor they looked so

happy and seemed to forget anybody else was by. But it might have been ham

and eggs for all they knew what it was they ate, these two who were so

happy they could but look into each other’s eyes.

When the dinner was over and they started on their way again, with Albany

shimmering in the hot sun in the distance, and David’s arm sliding from

the top of the seat to circle Marcia’s waist, David whispered:

“This is our real wedding journey, dearest, and this is our bridal day.

We’ll go to Albany and buy you a trousseau, and then we will go wherever

you wish. I can stay a whole week if you wish. Would you like to go home

for a visit?”

Marcia, with shining eyes and glowing cheeks, looked her love into his

face and answered: “Yes, _now_ I would like to go home,—just for a few

days—and then back to our home.”

And David looking into her eyes understood why she had not wanted to go

before. She was taking her husband, _her_ husband, not Kate’s, with her

now, and might be proud of his love. She could go among her old comrades

and be happy, for he loved her. He looked a moment, comprehended,

sympathized, and then pressing her hand close—for he might not kiss her,

as there was a load of hay coming their way—he said: “Darling!” But their

eyes said more.

AD PAGES

--------------------------------------------------------------------------

FAMOUS COPYRIGHT BOOKS

IN POPULAR PRICED EDITIONS

Re-issues of the great literary successes of the time. Library size.

Printed on excellent paper—most of them with illustrations of marked

beauty—and handsomely bound in cloth. Price, 75 cents a volume, postpaid.

--------------------------------------------------------------------------

BEVERLY OF GRAUSTARK. By George Barr McCutcheon. With Color Frontispiece

and other illustrations by Harrison Fisher. Beautiful inlay picture in

colors of Beverly on the cover.

“The most fascinating, engrossing and picturesque of the season’s

novels.”—_Boston Herald._ “‘Beverly’ is altogether charming—almost living

flesh and blood.”—_Louisville Times._ “Better than ‘Graustark’.”—_Mail and

Express._ “A sequel quite as impossible as ‘Graustark’ and quite as

entertaining.”—_Bookman._ “A charming love story well told.”—_Boston

Transcript_.

HALF A ROGUE. By Harold MacGrath. With illustrations and inlay cover

picture by Harrison Fisher.

“Here are dexterity of plot, glancing play at witty talk, characters

really human and humanly real, spirit and gladness, freshness and quick

movement. ‘Half a Rogue’ is as brisk as a horseback ride on a glorious

morning. It is as varied as an April day. It is as charming as two most

charming girls can make it. Love and honor and success and all the great

things worth fighting for and living for the involved in ‘Half a

Rogue.’”—_Phila. Press._

THE GIRL FROM TIM’S PLACE. By Charles Clark Munn. With illustrations by

Frank T. Merrill.

“Figuring in the pages of this story there are several strong characters.

Typical New England folk and an especially sturdy one, old Cy Walker,

through whose instrumentality Chip comes to happiness and fortune. There

is a chain of comedy, tragedy, pathos and love, which makes a dramatic

story.”—_Boston Herald._

THE LION AND THE MOUSE. A story of American Life. By Charles Klein, and

Arthur Hornblow. With illustrations by Stuart Travis, and Scenes from the

Play.

The novel duplicated the success of the play; in fact the book is greater

than the play. A portentous clash of dominant personalties that form the

essence of the play are necessarily touched upon but briefly in the short

space of four acts. All this is narrated in the novel with a wealth of

fascinating and absorbing detail, making it one of the most powerfully

written and exciting works of fiction given to the world in years.

--------------------------------------------------------------------------

GROSSET & DUNLAP, - NEW YORK

--------------------------------------------------------------------------

--------------------------------------------------------------------------

FAMOUS COPYRIGHT BOOKS

IN POPULAR PRICED EDITIONS

Re-issues of the great literary successes of the time. Library size.

Printed on excellent paper—most of them with illustrations of marked

beauty—and handsomely bound in cloth. Price, 75 cents a volume, postpaid.

--------------------------------------------------------------------------

BARBARA WINSLOW, REBEL. By Elizabeth Ellis. With illustrations by John

Rae, and colored inlay cover.

The following, taken from story, will best describe the heroine: A TOAST:

“To the bravest comrade in misfortune, the sweetest companion in peace and

at all times the most courageous of women.”—_Barbara Winslow._ “A romantic

story, buoyant, eventful, and in matters of love exactly what the heart

could desire.”—_New York Sun._

SUSAN. By Ernest Oldmeadow. With a color frontispiece by Frank Haviland.

Medallion in color on front cover.

Lord Ruddington falls helplessly in love with Miss Langley, whom he sees

in one of her walks accompanied by her maid, Susan. Through a

misapprehension of personalities his lordship addresses a love missive to

the maid. Susan accepts in perfect good faith, and an epistolary

love-making goes on till they are disillusioned. It naturally makes a

droll and delightful little comedy; and is a story that is particularly

clever in the telling.

WHEN PATTY WENT TO COLLEGE. By Jean Webster. With illustrations by C. D.

Williams.

“The book is a treasure.”—_Chicago Daily News._ “Bright, whimsical, and

thoroughly entertaining.”—_Buffalo Express._ “One of the best stories of

life in a girl’s college that has ever been written.”—_N. Y. Press._ “To

any woman who has enjoyed the pleasures of a college life this book cannot

fail to bring back many sweet recollections; and to those who have not

been to college the wit, lightness, and charm of Patty are sure to be no

less delightful.”—_Public Opinion._

THE MASQUERADER. By Katherine Cecil Thurston. With illustrations by

Clarence F. Underwood.

“You can’t drop it till you have turned the last page.”—_Cleveland

Leader._ “Its very audacity of motive, of execution, of solution, almost

takes one’s breath away. The boldness of its denouement is

sublime.”—_Boston Transcript._ “The literary hit of a generation. The best

of it is the story deserves all its success. A masterly story.”—_St. Louis

Dispatch._ “The story is ingeniously told, and cleverly constructed.”—_The

Dial._

THE GAMBLER. By Katherine Cecil Thurston. With illustrations by John

Campbell.

“Tells of a high strung young Irish woman who has a passion for gambling,

inherited from a long line of sporting ancestors. She has a high sense of

honor, too, and that causes complications. She is a very human, lovable

character, and love saves her.”—_N. Y. Times._

--------------------------------------------------------------------------

GROSSET & DUNLAP, - NEW YORK

--------------------------------------------------------------------------

--------------------------------------------------------------------------

FAMOUS COPYRIGHT BOOKS

IN POPULAR PRICED EDITIONS

Re-issues of the great literary successes of the time. Library size.

Printed on excellent paper—most of them with illustrations of marked

beauty—and handsomely bound in cloth. Price, 75 cents a volume, postpaid.

--------------------------------------------------------------------------

THE AFFAIR AT THE INN. By Kate Douglas Wiggin. With illustrations by

Martin Justice.

“As superlatively clever in the writing as it is entertaining in the

reading. It is actual comedy of the most artistic sort, and it is handled

with a freshness and originality that is unquestionably novel.”—_Boston

Transcript._ “A feast of humor and good cheer, yet subtly pervaded by

special shades of feeling, fancy, tenderness, or whimsicality. A merry

thing in prose.”—_St. Louis Democrat._

ROSE O’ THE RIVER. By Kate Douglas Wiggin. With illustrations by George

Wright.

“‘Rose o’ the River,’ a charming bit of sentiment, gracefully written and

deftly touched with a gentle humor. It is a dainty book—daintily

illustrated.”—_New York Tribune._ “A wholesome, bright, refreshing story,

an ideal book to give a young girl.”—_Chicago Record-Herald._ “An idyllic

story, replete with pathos and inimitable humor. As story-telling it is

perfection, and as portrait-painting it is true to the life.”—_London

Mail._

TILLIE: A Mennonite Maid. By Helen R. Martin. With illustrations by

Florence Scovel Shinn.

The little “Mennonite Maid” who wanders through these pages is something

quite new in fiction. Tillie is hungry for books and beauty and love; and

she comes into her inheritance at the end. “Tillie is faulty, sensitive,

big-hearted, eminently human, and first, last and always lovable. Her

charm glows warmly, the story is well handled, the characters skilfully

developed.”—_The Book Buyer._

LADY ROSE’S DAUGHTER. By Mrs. Humphry Ward. With illustrations by Howard

Chandler Christy.

“The most marvellous work of its wonderful author.”—_New York World._ “We

touch regions and attain altitudes which it is not given to the ordinary

novelist even to approach.”—_London Times._ “In no other story has Mrs.

Ward approached the brilliancy and vivacity of Lady Rose’s

Daughter.”—_North American Review._

THE BANKER AND THE BEAR. By Henry K. Webster.

“An exciting and absorbing story.”—_New York Times._ “Intensely thrilling

in parts, but an unusually good story all through. There is a love affair

of real charm and most novel surroundings, there is a run on the bank

which is almost worth a year’s growth, and there is all manner of

exhilarating men and deeds which should bring the book into high and

permanent favor.”—_Chicago Evening Post._

--------------------------------------------------------------------------

GROSSET & DUNLAP, - NEW YORK

--------------------------------------------------------------------------

--------------------------------------------------------------------------

NATURE BOOKS

With Colored Plates, and Photographs from Life.

--------------------------------------------------------------------------

BIRD NEIGHBORS. An Introductory Acquaintance with 150 Birds Commonly Found

in the Woods, Fields and Gardens About Our Homes. By Neltje Blanchan. With

an Introduction by John Burroughs, and many plates of birds in natural

colors. Large Quarto, size 7-3/4 x 10-3/8, Cloth. Formerly published at

$2.00. Our special price, $1.00.

As an aid to the elementary study of bird life nothing has ever been

published more satisfactory than this most successful of Nature Books.

This book makes the identification of our birds simple and positive, even

to the uninitiated, through certain unique features. I. All the birds are

grouped according to color, in the belief that a bird’s coloring is the

first and often the only characteristic noticed. II. By another

classification, the birds are grouped according to their season. III. All

the popular names by which a bird is known are given both in the

descriptions and the index. The colored plates are the most beautiful and

accurate ever given in a moderate-priced and popular book. The most

successful and widely sold Nature Book yet published.

BIRDS THAT HUNT AND ARE HUNTED. Life Histories of 170 Birds of Prey, Game

Birds and Water-Fowls. By Neltje Blanchan. With Introduction by G. O.

Shields (Coquina). 24 photographic illustrations in color. Large Quarto,

size 7-3/4 x 10-3/8. Formerly published at $2.00. Our special price,

$1.00.

No work of its class has ever been issued that contains so much valuable

information, presented with such felicity and charm. The colored plates

are true to nature. By their aid alone any bird illustrated may be readily

identified. Sportsmen will especially relish the twenty-four color plates

which show the more important birds in characteristic poses. They are

probably the most valuable and artistic pictures of the kind available

to-day.

--------------------------------------------------------------------------

GROSSET & DUNLAP, - NEW YORK

--------------------------------------------------------------------------

--------------------------------------------------------------------------

NATURE BOOKS

With Colored Plates, and Photographs from Life.

--------------------------------------------------------------------------

NATURE’S GARDEN. An Aid to Knowledge of Our Wild Flowers and Their Insect

Visitors. 24 colored plates, and many other illustrations photographed

directly from nature. Text by Neltje Blanchan. Large Quarto, size 7-3/4 x

10-3/8. Cloth. Formerly published at $3.00 net. Our special price, $1.25.

Superb color portraits of many familiar flowers in their living tints, and

no less beautiful pictures in black and white of others—each blossom

photographed directly from nature—form an unrivaled series. By their aid

alone the novice can name the flowers met afield.

Intimate life-histories of over five hundred species of wild flowers,

written in untechnical, vivid language, emphasize the marvelously

interesting and vital relationship existing between these flowers and the

special insect to which each is adapted.

The flowers are divided into five color groups, because by this

arrangement any one with no knowledge of botany whatever can readily

identify the specimens met during a walk. The various popular names by

which each species is known, its preferred dwelling-place, months of

blooming and geographical distribution follow its description. Lists of

berry-bearing and other plants most conspicuous after the flowering

season, of such as grow together in different kinds of soil, and finally

of family groups arranged by that method of scientific classification

adopted by the International Botanical Congress which has now superseded

all others, combine to make “Nature’s Garden” an indispensable guide.

--------------------------------------------------------------------------

GROSSET & DUNLAP, - NEW YORK

--------------------------------------------------------------------------

--------------------------------------------------------------------------

FAMOUS COPYRIGHT BOOKS

IN POPULAR PRICED EDITIONS

Re-issues of the great literary successes of the time. Library size.

Printed on excellent paper—most of them with illustrations of marked

beauty—and handsomely bound in cloth. Price, 75 cents a volume, postpaid.

--------------------------------------------------------------------------

THE SPIRIT OF THE SERVICE. By Edith Elmer Wood. With illustrations by

Rufus Zogbaum.

The standards and life of “the new navy” are breezily set forth with a

genuine ring impossible from the most gifted “outsider.” “The story of the

destruction of the ‘Maine,’ and of the Battle of Manila, are very

dramatic. The author is the daughter of one naval officer and the wife of

another. Naval folks will find much to interest them in ‘The Spirit of the

Service.’”—_The Book Buyer._

A SPECTRE OF POWER. By Charles Egbert Craddock.

Miss Murfree has pictured Tennessee mountains and the mountain people in

striking colors and with dramatic vividness, but goes back to the time of

the struggles of the French and English in the early eighteenth century

for possession of the Cherokee territory. The story abounds in adventure,

mystery, peril and suspense.

THE STORM CENTRE. By Charles Egbert Craddock.

A war story; but more of flirtation, love and courtship than of fighting

or history. The tale is thoroughly readable and takes its readers again

into golden Tennessee, into the atmosphere which has distinguished all of

Miss Murfree’s novels.

THE ADVENTURESS. By Coralie Stanton. With color frontispiece by Harrison

Fisher, and attractive inlay cover in colors.

As a penalty for her crimes, her evil nature, her flint-like callousness,

her more than inhuman cruelty, her contempt for the laws of God and man,

she was condemned to bury her magnificent personality, her transcendent

beauty, her superhuman charms, in gilded obscurity at a King’s left hand.

A powerful story powerfully told.

THE GOLDEN GREYHOUND. A Novel by Dwight Tilton. With illustrations by E.

Pollak.

A thoroughly good story that keeps you guessing to the very end, and never

attempts to instruct or reform you. It is a strictly up-to-date story of

love and mystery with wireless telegraphy and all the modern improvements.

The events nearly all take place on a big Atlantic liner and the romance

of the deep is skilfully made to serve as a setting for the romance, old

as mankind, yet always new, involving our hero.

--------------------------------------------------------------------------

GROSSET & DUNLAP, - NEW YORK

--------------------------------------------------------------------------

ERRATA

CHAPTER I

Changed: girl in the *fairy tale* who left jewels

To: girl in the *fairy-tale* who left jewels

CHAPTER I

Changed: ever walked in *fairy tale*. But she saw

To: ever walked in *fairy-tale*. But she saw

CHAPTER III

Changed: before, but covered *wth* confusion and shame,

To: before, but covered *with* confusion and shame,

CHAPTER III

Changed: and she turned *delberately*, one dainty, slippered

To: and she turned *deliberately*, one dainty, slippered

CHAPTER V

Changed: her that this *wholsale* disposal of Marcia

To: her that this *wholesale* disposal of Marcia

CHAPTER V

Changed: Phoebe takes your place and then come back.* *

To: Phoebe takes your place and then come back.*”*

CHAPTER V

Changed: fine places, to *tea drinkings* and the like,

To: fine places, to *tea-drinkings* and the like,

CHAPTER VI

Changed: out radiant and *childlike* through her tears.

To: out radiant and *child-like* through her tears.

CHAPTER X

Changed: was always something *childlike* about Marcia’s

To: was always something *child-like* about Marcia’s

CHAPTER X

Changed: her old home *plentfully* supplied with those

To: her old home *plentifully* supplied with those

CHAPTER XII

Changed: got David that’s worth everything.* *

To: got David that’s worth everything.*”*

CHAPTER XII

Changed: position on the *haircloth* sofa. But if

To: position on the *hair-cloth* sofa. But if

CHAPTER XIII

Changed: had Mary Ann’s *hand-writing* looked so pleasant

To: had Mary Ann’s *handwriting* looked so pleasant

CHAPTER XIII

Changed: seemed half a *life-time* to the girl

To: seemed half a *lifetime* to the girl

CHAPTER XIII

Changed: my old calico *tomorrow* morning again, and

To: my old calico *to-morrow* morning again, and

CHAPTER XIII

Changed: house with big *collums* to the front

To: house with big *columns* to the front

CHAPTER XV

Changed: table, and the *tea-kettle* was singing on

To: table, and the *tea kettle* was singing on

CHAPTER XV

Changed: The neighbor had *staid* longer than usual,

To: The neighbor had *stayed* longer than usual,

CHAPTER XVI

Changed: thus melted into *childlike* enthusiasm, felt his

To: thus melted into *child-like* enthusiasm, felt his

CHAPTER XVIII

Changed: with the flickering *candle-light* making grotesque

To: with the flickering *candle light* making grotesque

CHAPTER XVIII

Changed: Bible where the *candle-light* played at glances

To: Bible where the *candle light* played at glances

CHAPTER XXI

Changed: if he would *absord* the vision for

To: if he would *absorb* the vision for

CHAPTER XXII

Changed: and let the *floodtide* of his sorrow

To: and let the *flood-tide* of his sorrow

CHAPTER XXII

Changed: an’ hopin’ an’ *tryin* fer somebody bigger.

To: an’ hopin’ an’ *tryin’* fer somebody bigger.

CHAPTER XXII

Changed: There’s no place like home.*’*

To: There’s no place like home.* *

CHAPTER XXIV

Changed: * *MIRANDA GRISCOM.”

To: *“*MIRANDA GRISCOM.”

CHAPTER XXVI

Changed: all items accurate* * technicalities of preparation;

To: all items accurate*;* technicalities of preparation;

CHAPTER XXVII

Changed: need all the rest you can get.* *

To: need all the rest you can get.*”*

CHAPTER XXVII

Changed: had before—all your own I mean?* *

To: had before—all your own I mean?*”*

CHAPTER XXVII

Changed: any bonnet. Nothing but a pink sunbonnet.* *

To: any bonnet. Nothing but a pink sunbonnet.*”*

CHAPTER XXVII

Changed: a little old *haircloth* trunk, her own

To: a little old *hair-cloth* trunk, her own

CHAPTER XXVII

Changed: had done when* *a boy Aunt Clarinda

To: had done when* as *a boy Aunt Clarinda

CHAPTER XXVII

Changed: Kate a mere *common-place*? What was this

To: Kate a mere *commonplace*? What was this

CHAPTER XXIX

Changed: Marcia lift her *flowerlike* face, all bright

To: Marcia lift her *flower-like* face, all bright

AD PAGES

Changed: love story well told.”—_Boston Transcript_*,*

To: love story well told.”—_Boston Transcript_*.*

AD PAGES

Changed: by Frank Haviland. *Medalion* in color on

To: by Frank Haviland. *Medallion* in color on

AD PAGES

Changed: *Suberb* color portraits of many familiar flowers

To: *Superb* color portraits of many familiar flowers

AD PAGES

Changed: her magnificent *personalty*, her transcendent

To: her magnificent *personality*, her transcendent

Marcia Schuyler · 第 29 / 29 章