The pencil in the operator's hand writes--

"9.10. Balloon to _Q.E._ Transport 16,000 tons in narrows

M17 x2 steaming slowly N.W. Can you open fire?

"9.12. _Q.E._ to Balloon. Am about to open fire.

"9.13. Balloon to _Q.E._ Transport now M17 x3. _Q.E._

fired ..."

There is a sudden deafening noise and I hear the roar of a shell

screaming at a terrible speed through the air. The roar slowly lessens,

and suddenly its tone drops about six notes as it passes over the coast

and moves above land instead of water. For nearly a minute I can hear

the ever low whine of the shell, which dies away in a faint thud.

"9.14. Balloon to _Q.E._ O 500. R 200," writes the

pencil.

The shell has fallen five hundred yards over its target, and two hundred

feet to the right.

"9.15. _Q.E._ fired ..." writes the pencil.

Again the tumult breaks out, again the shell roars, and changes its

note, and dies away in a little remote explosion.

"9.16. Balloon to _Q.E._ O 200 ..." writes the pencil.

The watchers in the balloon have seen a white column of water leap up

just beyond the little black shape in the ribbon of the narrows twelve

miles on the other side of the hills.

"9.18. _Q.E._ fired ..." continues the record.

This time the slow dying wail of the shell ends in a long tremulous

explosion.

"9.19. O.K...." writes the pencil.

The vessel has been struck. Then with an uncanny precision the writing

continues:--

"9.21. Vessel sinking. Forepart under water.

"9.23. Vessel submerged to forward funnel.

"9.25. Stern only visible above water.

"9.26. Vessel entirely submerged."

It seems incredible. The whole drama has been enacted with the same

orderly speed as the movement of the pencil. The great grey battleship

has, with three shots, sunk a large transport packed with a thousand men

and a considerable cargo of supplies, which lay some fifteen miles away

out of sight on the other side of a high range of hills. The blind

sailors have loaded their guns and have fired according to the

instructions given by the little figures swinging high in the blue

morning sky in a creaking basket hung from a drowsy yellow balloon....

Standing here by the little cabin I have been a witness of a wonderful

feat, and an awe-inspiring example of the scope of modern weapons.

This kite balloon of ours is the first ever used by the British, and

this magnificent achievement which I have just seen recorded is the

biggest triumph it has accomplished. It is naval history in the making.

I walk away across the hot raised balloon deck feeling strangely small,

strangely unimportant in an age of huge strength and mighty

possibilities.

Now the whine and clatter of the winch recommences, and the balloon

begins to descend slowly. When it is some five hundred feet above the

deck the whistle is blown to call us to "balloon stations," and we hurry

along to our appointed positions beside the tall wind-screens. Nearer

and nearer comes the balloon; larger and more ungainly grows its yellow

bulk, and soon the handling ropes are within reach. Catching hold of the

ends, we quickly thread them through ring-bolts and pull them steadily

till at last the balloon reaches deck, and the two observers climb out

of their baskets.

We are evidently proceeding to some new position where the balloon is

going to be used again, for it is not bagged completely down, but is

merely temporarily weighted by clusters of sandbags in the rigging, and

we stand by the ropes which are lashed to the side. After half an hour

or so we receive orders to prepare to let the balloon up again. The two

observers return with their binoculars and charts, and once more the

balloon rises upwards. I am now told off to oil the gas-pipe which leads

from the gas-cylinders aft to the balloon deck. This is a job which I

like, because I can look over the side and see what is happening. So,

with my can of yellow oil and my handful of cotton-waste, I watch a

half-hour or so of fierce battle. We lie some five miles off the land

near Achi Baba, where the lines run into the sea, and it is soon evident

that an attempt is being made to advance. Between us and the shore lie

several destroyers and a cruiser, and in a few minutes they start firing

rapidly. I hear the sharp sound of the guns, and then a few minutes

later the thud, thud of the exploding shells, and from the cliff leaps

up one, two, three shrubs of yellow coiling smoke, which quickly enlarge

into trees, and at length fade away in tall masses of vapour. Soon the

edge of the cliff is a maelstrom of smoke and flame. Yellow, white, and

black burst the shells, and as fast as the smoke of one salvo thins out,

the fan-shaped puffs leap out again in the middle, and add more

turbulence to the volcano. Just over the ground appear white puffs of

shrapnel smoke. Again and again, in the same place, they appear like

magic flowers in the air, and grow bigger, and frailer, and fade. The

air is rent and torn with the sound of the explosions, some incredibly

loud and vivid, some distant and dull, while to this chorus of tumult

lies as a background the delicate wooden click and clatter of remote

rifle and machine-gun fire, sounding like the fingers of a child beating

a tattoo on a kitchen table.

Now and again a great shell bursts half-way down a ravine in the side of

the cliffs, and fills it for a time with a coiling cloud of yellow

smoke. Little figures can be seen moving along the skyline, and here and

there flash bayonets and equipment. As I watch, I mechanically rub my

oily rag up and down the pipe, up and down. It seems hard to realise

that the tragic climax of war is being enacted out there before my eyes.

That men are dying, are screaming in agony with terrible wounds, are

whispering their last messages for their beloved ones in England to some

comrade bending over them. For me it is merely a wonderful scene, a

spectacle as in a play.

Then suddenly a whistling sound strikes a swift chill into my heart.

Louder and louder grows the noise with all its sense of hostile

approach, and ends at its summit with a dull explosion. Fifty feet away

a column of water and steam hangs above the blue placid sea, and slowly

fades, leaving a creamy-white disc on the water to show where the shell

has burst. Another whistle sounds and another, and both end in the noise

of an explosion, but from my present position I cannot see where the

shells have fallen. Another one sounds, however, and grows so loud that

I run instinctively into the nearest cabin, though it is no real

shelter. I hear a loud explosion, and returning cautiously to the rail,

see, some way down along the side of the boat, a white circle of foam,

whose edge actually touches our hull, so close is it.

Below in the engine-room I hear the clang of the telegraph, and the

growing mutter of the engines as we start to draw away from the coast.

The whistle sounds for balloon stations, and I hurry along the deck and

down a ladder to my place. The winch is pulling the balloon down as fast

as it can, and every now and then above its tumult we hear the long

whine and burst of a shell, whose explosion we cannot see owing to the

high canvas screens which shut us off from a view of the sea. It is a

most unpleasant experience, for the boat is only a small 4000-ton tramp

steamer, with the thinnest of decks, and it is loaded with cylinders of

compressed gas, with petrol, and with shells, and there is a "muse"

balloon full of gas in the hold beneath the forward deck as well. The

effect of a shell-burst on the boat will be at least pyrotechnical, and

probably very fatal. At last the balloon is down on the deck, the basket

is released, the "bagging down" operation is completed, and the ship

steams full speed out of range of the hostile artillery.

Now for a time we lie off the long golden beaches of Suvla Bay with the

dark orchards behind it, beyond which the slim white minarets rise from

among the hills. It is the hot drowsy hour of noon. Four or five

transports lie near us, while the inevitable trawlers in couples, with

noses cocked perkily in the air, sweep the water slowly for mines.

Behind us lies the grey shadow of Imbros in the distance. From the

mainland comes the occasional dull sound of shell fire, while the

crackle of musketry rises and falls as though on a gusty wind.

We sit on the poop under an awning to obtain a little protection from

the fierce heat of the sun. Around us lies the calm deep blue water. A

few people talk; now and again the daylight signalling-lamp clatters on

the bridge: it is an hour of absolute peace.

Suddenly a great tension sweeps over the crowd of men on the deck. Every

face changes its expression from utter tranquillity to absolute

amazement and apprehension.

"_Look!_" says some one.

There, lying terribly clear on the rich blue of the sea, is a thin

creamy ribbon of foam running from a point a mile or so away right to

the middle of the ship. For a second I realise that it is the track of a

torpedo, and I stiffen myself to receive the explosion. Nothing happens.

I realise at once that the danger is past, though it seems incredible

that we have not been struck. The gun on the forecastle barks out twice,

and looking over to the other side of the ship I see two columns of

spray leap out of the water near a round patch of white foam, from which

a thin white ribbon also runs to the side of the ship. We suddenly

understand what has taken place. A submarine has fired a torpedo at us,

point-blank, from scarcely twenty yards away; it has passed right under

the engine-room, and gone on another mile or so till its face is

extended. The first ribbon we saw was the track of the torpedo going

_away_ from us.

At once the hooter wails out the signal, "abandon ship stations," and

the "attacked by submarine" flag is hoisted at the mast. The engine-room

telegraph sounds frantically. The ship begins to move forward, and

slowly passes the long white spear of death which struck into us, and

yet left us miraculously untouched. I can hardly take my amazed eye away

from it. So uncanny and awe-inspiring is it, laid across the dark and

placid blue of the sea, which sparkles innocently under the cloudless

sky of an AEgean June.

The sound of our hooter and the sight of our flag, however, has wakened

the drowsy fleet to a furious activity. As I begin to adjust the

life-belt round my shoulders, in obedience to the "abandon ship

stations" orders, I see the transports gather speed as they make for

Mudros Bay in great zigzags. The admiral's yacht does not trouble about

twisting or turning to avoid the hidden menace, but ploughs at top speed

in a straight line for safety. The destroyers rush round in frantic

circles, the other balloon ship, the _Hector_, begins to steam rapidly,

while its balloon is still in the air, and it can be seen with what

speed the yellow gas-bag is being jerked down by the straining winch.

The sea is now a scene of furious energy. The white streak of foam

across the water has broken the drowsy moontide spell; in front of every

bow is a feather of spray, behind each stern a white zigzag wake. Every

ship is pointed one way--towards the welcoming boom of Imbros.

Suddenly I hear a brief exclamation.

"Look at that boat! Yes! By Gaba Tepe! It's been hit. It's the

_Triumph_, isn't it? It looks like it!"

* * * * *

Over towards the dark olive groves of Gaba Tepe--those olive groves

which so long sheltered a great gun whose position could not be

discovered--lies the grey outline of a battleship. It can be seen that

it is slightly out of the perpendicular, and a little puff of vapour

comes from it as the steam-pressure in the boiler is released to avoid

explosion. Slowly it tilts over till it is at an angle of forty-five

degrees to the water. Every now and then a gun flashes on it as the

gunners fire at the submarine which has attacked it. The dark shapes of

destroyers draw nearer and nearer to it. It lies stationary at a deep

angle for a little while, and then begins to turn over at a slow

deliberate speed; lower and lower it falls, until for a moment it lies

flat on the surface, and then ... all we can see between us and Gaba

Tepe is the blue water on which move the little destroyers, evidently

picking up survivors. The most splendid sight is to see the little

flashes on board as the gunners, true to their traditions, keep their

guns in action to the last.

We watch the tragedy in silence: it seems difficult to realise that in

the last few minutes we have seen the destruction of a powerful vessel,

with a crew of eight or nine hundred men on board. A solemn feeling

pervades the ship, and there is no laughter among us.

We pass a transport steaming out of Mudros Bay and signal to it. Quickly

it sweeps around, and returns to the little island, moving at full

speed in great zigzags. The menace of the sea has rendered the blue

sparkling water of the AEgean a dangerous home for any boat. No longer

can we lie at ease day after day off the sun-baked hills of Gallipoli.

We must needs live a tip-and-run life,--do our work, and return to

safety behind submarine defences.

So, with the grey shadow of sublime Samothrace hanging above the sea to

our right, we sail into the peace of Mudros Bay, round which the

thyme-scented hills of Imbros lie sleeping in the afternoon sun.

"Green Balls" : The Adventures of a Night-Bomber · 第 48 / 50 题