CHAPTER II.

WHERE THE FOOTPRINTS LED.

Pleasantglades, although located directly within a large community which

has lately taken upon itself the dignity of a city, and situated almost

at the center of it, is as isolated, in more senses than one, as if it

were in the midst of a forest. There are many who will read what is

written here who know the place perfectly well, and have often admired

it--and who would recognize it at once if the right name of it were

given.

But there are reasons, which will develop later in the story, why the

exact name and locality cannot be given here. Suffice it to say that it

is within an hour of New York City by motor car.

The high wall that has already been described incloses six acres of

beautiful grounds, which the owner always referred to as “The Park.”

From the great gate, which strangely enough is the only entrance to the

grounds, or park, the roadway winds in two directions, to the right and

to the left, among splendid trees, and in the summertime there is no

more beautiful and spacious home to be found anywhere near the

metropolis.

The owner, J. Cephas Lynne, was justly proud of it--almost as proud of

this possession, as of one greater one that was his, his daughter.

We have to mention her here and now, because it was Edythe Lynne, or,

rather, all that remained of her--her dead body--that Nick Carter

speedily found when at last he forced his way into the house just as a

burglar would have done it, only more expertly even than that, and

penetrated to the beautiful room which he judged to have been one of her

own private suite.

She was in the parlor or boudoir of her suite; she was lying peacefully

upon a large couch among a myriad of pillows, which had been tastefully

and comfortably arranged to support her body in a comfortable and

graceful position.

She was reclining entirely at ease, as if she had arranged herself there

to rest, having first fixed the pillows so that she could do so in

comfort, fully dressed as for a party or a wedding, as she was.

One hand, the left one, rested upon a pillow that was partly behind her,

the arm being stretched out to its full length; the other one hung

partly over the edge of the divan couch, as if it had fallen there in

that position of its own weight.

And just beneath that right hand, upon the rug, was a tiny glass vial

capable of holding thirty to forty drops of liquid--and the room was

pungent with the odor of almonds.

It was not difficult to guess, because of that odor, what the vial had

contained: Prussic acid. Nor was it difficult to understand that the man

who had taken her there and murdered her had carefully arranged

everything so that it should appear to be an undoubted suicide.

To understand and appreciate everything just as Nick Carter found them,

and as he discovered them, it must be remembered that it was still

pitchy dark outside, and that there were no light connections in the

great mansion at that time. As a consequence, the detective’s only means

of searching the place was by the aid of his electric flash light, which

he always carried with him when engaged upon business--and he had been

on business of quite another nature, when he discovered those tracks in

the snow.

When he forced his way into the house by picking the lock of the same

door to which the tracks had led him, traces of the snow that those

other two had brought into the house with them led him speedily enough

to the scene we have already partly described.

And when he opened the door to that room, and threw his light from point

to point about it, the shaft of illumination at last rested directly

upon the beautiful face of the dead girl on the couch.

Such was the picture he saw before he made further investigation.

Then came the other details that we have told about, and some others

that are yet to be told.

A long coat of sable, that might have reached to the young woman’s

ankles, had been carefully laid across the back of a chair, and upon

that were the scarf and veil that she had worn as a head covering, and

they had been put there with exactly the same degree of careless

attention that she might have used in doing so.

A fan, her gloves, and a gold vanity box set with jewels were upon the

table in the middle of the room, and, beside them, was a sealed

envelope addressed to J. Cephas Lynne.

The writing on the envelope was in the bold, rather large feminine hand

that was in vogue at that time, and was presumably her own--or an

imitation of her own handwriting; underneath the address was written the

one further word, “Personal.”

There was not a thing about the room to indicate that another person

than herself had visited it, and, although the detective searched

diligently for such evidence, he could find no trace of the man who had

accompanied her to the house which had been her home.

Never in the experience of Nick Carter had he known of a clear case of

murder like this one, where the murderer had left absolutely nothing

undone to demonstrate a suicide; but Nick Carter, because of those

tracks in the snow, because he had arrived upon the scene at precisely

the psychological moment to understand them, and because he had read the

other signs that we have described, knew it to be a deliberately planned

and executed crime.

There was not the slightest doubt of that in his mind, and, therefore,

he did not hesitate to break the seal of that letter which otherwise

would have been sacred.

But there was no time to be lost in getting a trace of that man who had

accompanied the young woman to the house.

One who could plan and execute a crime in such a masterly manner would

have planned much farther ahead of him than that, also, and would have

arranged to cover his tracks so that if the accident of Nick Carter’s

passing that way at the moment he did so had not happened, it is

doubtful if the crime and criminal would ever have been discovered, and

the young woman who died that night in all the glory of her young

womanhood would have been remembered only as a suicide.

Therefore, the detective broke the seal and read the letter--after which

he returned it to the envelope and put it carefully away in one of his

pockets, already determined that no eyes but his own and his assistants

should see it until he had run down the man who had committed the awful

outrage.

The contents of that letter are not important save to demonstrate the

cleverness of the murderer; but we will give them as the detective found

them:

“DARLING PAPA: I will not ask you to forgive me for this act, for I

know you will do that. I also know that I will have made you suffer

deeply by it. Yet I do it with deliberation--because I feel that I

must do it. The reasons why I have decided that there is no other

way, you will discover soon enough, and you will feel deep regret

because I did not go to you and tell you all about it, instead of

doing this thing. Yet there are some things which one cannot face,

and the one thing that I cannot face is your sorrow when you come

to know what I have done. I would never have believed it possible

that I could be brought to this pass, but here I am, and soon I

shall be only a memory. I hope you will cherish only the tenderest

parts of that memory, and that you will always believe that even in

taking my own life, I love you.

EDYTHE.”

Such was the letter that the detective read and then hid away in his

pocket; but there was one sentence of the letter that burned itself upon

his memory, one sentence that must be the explanation of the crime

itself. It was:

“The reasons why I have decided that there is no other way, you

will discover soon enough, and you will feel deep regret because I

did not go to you and tell you all about it, instead of doing this

thing.”

In that sentence was concealed, doubtless, the secret of why the crime

had been committed, and Nick Carter felt as certain as he had ever felt

assured of anything in his life, that the dead girl on the couch, if she

could have come to life at that moment, would have been utterly ignorant

of what those reasons were.

In other words Nick Carter read the scene in this manner:

This crime was committed to conceal another crime, and the murderer,

knowing that his lesser crime would presently be discovered, determined

to fix it upon this innocent girl, the daughter of the house.

Therein existed the nucleus of the whole affair as the detective saw it.

It was plain, of course, that the man who could have induced Edythe

Lynne to go with him to her out-of-town home in the dead of night must

have been a near relative, or a person who was entirely in the

confidence of the family--otherwise she would not have consented to

accompany him.

And even then there must have been a powerful motive beyond any that

could appear on the surface.

Was the man who had done this thing young or old, or middle aged? There

was no present means of ascertaining that, but that he must be one who

stood upon terms of at least cordial familiarity with J. Cephas Lynne

and his daughter was beyond doubt.

The detective made one further hasty survey of the room, throwing the

beam of his flash light again upon every detail that he had discovered;

and then he left the room, leaving every detail as he had found it, save

only the letter which he carried away with him in his pocket.

It was snowing hard when he got outside, and he nodded, as if to say:

“The murderer foresaw this additional fall of snow, and hence took no

trouble to cover his tracks.”

Then he went on through the gate, fixing the chain again after him as he

had done upon entering the place, and he hurried in the direction from

whence he had first approached the gate, less than an hour before.

He walked rapidly onward a quarter of a mile or more, and presently came

upon his own car, to discover that Danny, his chauffeur, and his two

assistants, Chick and Patsy, were already there, awaiting him.

He looked at his watch before he spoke to them, and they had a fashion,

born of long experience, of never addressing him on such an occasion

until he had spoken. It was not always well to break in upon Nick

Carter’s preoccupation.

“It is now a quarter to four,” he said; “a good two hours and a half

before daylight. Danny, I want you to remain here with the car until we

return, which will be within three-quarters of an hour. And, lads, I

want you both to come with me. I have made a discovery that I want you

both to see.”

Then, without further words, he led them both back to the house where he

had discovered the crime, led them inside with the same care that he had

used in the first place, making them dust the snow from their feet and

clothing before they entered the house, and then he piloted them

straight to the room where all that remained of beautiful Edythe Lynne

awaited them.

Not until they were all inside that room and Chick and Patsy had looked

upon the sad scene that was there, did he offer the slightest

explanation; but then, in detail, just as it has been told here, he told

them everything that had occurred, and everything that he had found

since he first saw the tracks in the snow. But he expressed no opinions

upon any of the incidents, for it was their separate opinions that he

wanted, unbiased by his own. But he gave each of them the letter to

read; and after that they left the house again, together.

The Babbington case; Or, Nick Carter's strange quest · 第 2 / 39 章