kiss the small hands of Jenny, and from this time on he loved her very
much. During the performance in the evening, when Jenny was riding a
horse, he was always in the ring and carefully watching over her to
prevent any accident. When he held the paper hoops for her to jump
through he smiled on her; when to the sound of the music be balanced
her on the top of the high mast, and the audience was hushed with
fright, he felt uneasy himself. He knew very well if she should fall
that no one from the "good book" would be left in the circus; he never
removed his eyes from her, and the evident caution and anxiety
expressed in his movements added to the terror of the people. Then,
when recalled into the ring by the storm of applause, they would run
in together, he would push her forward, as if deserving of all the
praise, and murmur from joy. This reticent youth spoke only to Jenny,
and to her alone he opened his mind. He hated the circus and Mr.
Hirsch, who was entirely different from the people in the "good book."
Something always attracted him to the edge of the horizon, to the
woods and plains. When the circus troupe in their constant wanderings
chanced to pass through wild, lonely spots, he heard voices awakening
the instincts of a captive wolf, who sees the woods and plains for the
first time. This propensity he inherited not only from his mother, but
also from his father, who had been a frontiersman. He shared all his
hopes with Jenny, and often narrated to her how fully and untrammeled
live the people of the plains. Most of this he guessed or gleaned from
the hunters of the prairies, who came to the circus with wild animals
which they had captured for the menagerie, or to try their prowess for
the hundred-dollar prize.
Little Jenny listened to these Indian visions, opening widely her blue
eyes and falling into deep reveries. For Orso never spoke of going
alone to the desert; she was always with him, and it was very good for
them there. Every day they saw something new; they possessed all they
needed, and it seemed right to make all their plans carefully.
So now they sit in this beam of light, talking to each other, instead
of practicing and attempting new feats. The horse stands in the ring
and feels lonely. Jenny leans on Orso's arm, thoughtfully
contemplating and looking with wistful, wondering eyes into the dim
space, swinging her feet like a child and musing--how it will be on
the plains, and asking questions from Orso.
"How do they live there?" says she, raising her eyes to the face of
her friend.
"There is plenty of oaks. They take an ax and build a house."
"Well," says Jenny, "but until the house is built?"
"It is always warm there. The 'Grizzly Killer' says it is very warm."
Jenny begins to swing her feet more lively, as if the warmth there has
settled the question in her mind; but shortly she remembers that she
has in the circus a dog and a cat, and that she would like to take
them with her. She calls her dog Mister Dog and her cat Mister Cat.
"And will Mr. Dog and Mr. Cat go with us?"
"They will," answers Orso, looking pleased.
"Will we take with us the 'good book'?"
"We will," says Orso, still more pleased.
"Well," says the girl in her innocence, "Mr. Cat will catch birds for
us; Mr. Dog will drive away bad people with his bark; you will be my
husband and I will be your wife, and they will be our children."
Orso feels so happy that he cannot speak, and Jenny continues:
"There, there will be no Mr. Hirsch, no circus, we will not work, and
basta! But no!" she adds a moment later, "the 'good book' says that we
should work, and I sometimes will jump through one--through the two
hoops, the three, the four hoops."
Jenny evidently does not imagine work under any other form than
jumping through hoops.
Shortly she says again:
"Orso, will I indeed be always with you?"
"Yes, Jen, for I love you very much."
His face brightens as he says so, and becomes almost beautiful.
And yet he does not know himself how dear to him has become this small
bright head.
He has nothing else in this world but her, and he watches her as the
faithful dog guards his mistress. By her fragile side he looks like
Hercules, but he is unconscious of this.
"Jen," says he after a moment, "listen to what I tell you."
Jenny, who shortly before had got up to look at the horse, now turns
and, kneeling down before Orso, puts her two elbows on his knees,
crosses her arms and, resting her chin on her wrists, uplifts her face
and is all attention.
At this moment, to the consternation of the children, the "artist of
the whip" enters the ring in a very bad humor, because his trial with
a lion had entirely failed.
This lion, who was bald from old age, desired only to be let alone,
had no inclination to attack the "artist," and hid himself from the
lash of the whip in a far corner of the cage. The manager thought with
despair that if this loyal disposition remained with the lion until
the evening the contest with the whip would be a failure; for to fight
a lion who slinks away needs no more art than to eat a lobster from
his tail. The bad temper of the proprietor became still worse when he
learned from the ticket seller that he was disposing of no seats in
the "gods;" that the Cahuillas evidently had spent all their money
that they had earned in the vineyards for drinks, and that they came
to his window and offered their blankets, marked "U. S.," or their
wives, especially the old ones, in exchange for tickets of admission.
The lack of money among the Cahuillas was no small loss for the
"artist of the whip;" for he counted on a "crowded house," and if the
seats in the "gods" were not sold no "crowded house" was obtainable;
therefore the manager wished at this moment that all the Indians had
but one back, and that he might give an exhibition of his skill with
the whip on that one back, in the presence of all Anaheim. Thus he
felt as he entered the ring, and seeing the horse standing idle under
the parapet, he felt like jumping with anger. Where are Orso and
Jenny? Shading his eyes with his hand he looked all around the circus,
and observed in a bright beam, Orso, and Jenny kneeling before him
with her elbows resting on his knees. At this sight he let the lash of
his whip trail on the ground.
"Orso!"
If lightning had struck in the midst of the children they could not
have been more startled. Orso jumped to his feet and descended in the
passageway between the benches with the hasty movement of an animal
who comes to his master at his call; behind him followed Jenny with
eyes wide open from fright, and clutching the benches as she passed
them.
Orso, on entering the ring, stopped by the parapet, gloomy and silent,
the gray light from above bringing into relief his Herculean trunk
upon its short legs.
"Nearer," cried out the manager in a hoarse voice; meanwhile the lash
of his long whip moved upon the sand with a threatening motion, like
the tail of a tiger watching his approaching prey.
Orso advanced several steps, and for a few minutes they looked into
each other's eyes. The manager's face resembled that of the tamer who
enters the cage, intending to subdue a dangerous animal, and at the
same time watches it.
His rage overcame his caution. His legs, incased in elk riding
breeches and high boots, pranced under him with anger. Perhaps it was
not the idleness alone of the children which increased his rage.
Jenny, from above, looked at both of them like a frightened hare
watching two lynxes.
"Hoodlum! dog catcher, thou cur!" hissed the manager.
The whip with the velocity of lightning whistled through the air in a
circle, hissed and struck. Orso winced and howled a little, and
stepped toward the manager, but the second stroke stopped him at once,
then the third, fourth--tenth. The contest had begun, although there
was no audience. The uplifted hand of the "great artist" scarcely
moved, but his wrist revolved, as if a part of some machinery, and,
with each revolution, the sharp point of the lash stung the skin of
Orso. It seemed as if the whip, or rather its poisonous fang, filled
the whole space between the athlete and the manager, who in his
increasing excitement reached the genuine enthusiasm of the artist.
The "master" simply improvised. The cracking end flashing in the air
twice had written down its bloody trace on the bare neck of the
athlete. Orso was silent in this dance. At every cut he stepped one
step forward and the manager one step backward. In this way they
circled the arena, and at last the manager backed out of the ring as a
conqueror from the cage, and disappeared through the entrance to the
stables, still as the conqueror. As he left his eye fell on Jenny.
"Get on your horse," he cried; "I will settle with you later."
His voice had scarcely ceased before her white skirt flashed in the
air, and in a moment she was on the back of the horse. The manager had
disappeared, and the horse began to gallop around the ring,
occasionally striking the side with its hoofs.
"Hep! Hep!" agitatedly said Jenny to the horse with her childish
voice: "Hep! hep!" but this "hep, hep," was at the same time a sob.
The horse increased his speed, clattering with his hoofs as he leaned
more and more to the center. The girl, standing on the pad with her
feet close together, seemed scarcely to touch it with the ends of her
toes; her bare rosy arms rose and fell as she maintained her balance;
her hair and light muslin dress floated behind her supple figure,
which looked like a bird circling in the air.
"Hep! hep!" she kept exclaiming. Meanwhile her eyes were filled with
tears, and to see she had to raise her head; the movement of the horse
made her dizzy; the terrace of seats and the ring seemed to revolve
around her; she wavered once, twice, and then fell down into the arms
of Orso.
"Oh! Orso, poor Orso!" cried the child.
"What's the matter, Jen? why do you cry? I don't feel the pain, I
don't feel it."
Jenny threw both her arms around his neck and began to kiss his
cheeks. Her whole body trembled, and she sobbed convulsively.
"Orso, oh, Orso," she sobbed, for she could not speak, and her arms
clung closer to his neck. She could not have cried more if she had
been beaten herself. So, in the end, he began to pet and console her.
Forgetting his own pain he took her in his arms and pressed her to his
heart, and his nerves being excited by the beating, he now felt for
the first time that he loved her more than the dog loved his mistress.
He breathed heavily, and his lips panted out the words:
"I feel no pain. When you are with me, I am happy, Jenny, Jenny!"
When this was transpiring the manager was walking in the stables,
foaming with rage. His heart was filled with jealousy. He saw the girl
on her knees before Orso; recently this beautiful child had awakened
the lower instincts in him, but as yet undeveloped, and now he fancied
that she and Orso loved each other, and he felt revengeful, and had a
wild desire to punish her--to whip her soundly. This desire he could
not resist. Shortly he called to her.
She at once left Orso, and in a moment had disappeared in the dark
entrance to the stables. Orso stood stupefied, and instead of
following her he walked with unsteady steps to a bench, and, seating
himself, began to breathe heavily.
When the girl entered the stables she could see nothing, as it was
much darker there than in the ring. Yet, fearing that she would be
suspected of having delayed her coming, she cried out in a faint
voice:
"I am here, master, I am here."
At the same moment the hand of the manager caught hers, and he
hoarsely said:
"Come!"
If he had shown anger or badly scolded her she would have felt less
frightened than at this silence with which he led her to the circus
wardrobe. She hung back, resisting him, and repeating quickly:
"Oh, dear Mr. Hirsch, forgive me! forgive me!"
But forcibly he dragged her to the long room where they stored their
costumes, and turned the key in the door.
Jenny fell down on her knees. With uplifted eyes and folded hands,
trembling as a leaf, the tears streaming down her cheeks, she tried to
arouse his mercy; in answer to her supplications, he took from the
wall a wire whip, and said:
"Lie down."
With despair she flung herself at his feet, nearly dying from fright.
Every nerve of her body quivered; but vainly she pressed her pallid
lips to his polished boots. Her alarm and pleading seemed to arouse
the demon in him more than ever. Grasping her roughly, he threw her
violently on a heap of dresses, and in an instant, after trying to
stop the kicking of her feet, he began beating her cruelly.
"Orso! Orso!" she shouted.
About this moment the door shook on its hinges, rattled, creaked and
gave way, and half of it, pushed in with a tremendous force, fell with
a crash upon the ground.
In this opening stood Orso.
The wire whip fell from the hand of the manager, and his face became
deadly pale, because Orso looked ferocious. His eyes were bloodshot,
his lips covered with foam, his head inclined to one side like a
bull's, and his whole body was crouched and gathered, as if ready to
spring.
"Get out!" cried the manager, trying to hide his fear behind a show of
authority.
The pent-up dam was already broken. Orso, who was usually as obedient
to every motion as a dog, this time did not move, but leaning his head
still more to one side, he moved slowly and threateningly toward the
"artist of the whip," his iron muscles taut as whipcords.
"Help! help!" cried the manager.
They heard him.
Four brawny negroes from the stables ran in through the broken door
and fell upon Orso. A terrible fight ensued, upon which the manager
looked with chattering teeth. For a long time you could see nothing
but a tangled mass of dark bodies wrestling with convulsive movements,
rolling on the ground in a writhing heap; in the silence which
followed sometimes was heard a groan, a snort, loud short breathing,
the gritting of teeth.
In a moment one of the negroes, as if by a superhuman force, was sent
from this formless mass, whirling headlong through the air, and fell
at the feet of the manager, striking his skull with great force on the
ground; soon a second flew out; then from the center of this turbulent
group Orso's body alone arose, covered with blood and looking more
terrible than before. His knees were still pressing heavily on the
breasts of the two fainting negroes. He arose to his feet and moved
toward the manager.
Hirsch closed his eyes.
The next moment he felt that his feet had left the ground, that he was
flying through the air--then he felt nothing; his whole body was
dashed with monstrous force into the remaining half of the door, and
he fell to the earth unconscious.
Orso wiped his face, and, coming over to Jenny, said:
"Let us go."
He took her by the hand and they went.
The whole town was following the circus procession and the steam
calliope, playing "Yankee Doodle," and the place around the circus was
deserted. The parrots only, swinging in their hoops, filled the air
with their cries. Hand in hand, Orso and Jenny went forward; from the
end of the street could be seen the immense plains, covered with
cacti. Silently they passed by the houses, shaded by the eucalyptus
trees; then they passed the slaughter-houses, around which had
gathered thousands of small black birds with red-tipped wings. They
jumped over the large irrigation ditches, entered into an orange
grove, and on emerging from it found themselves among the cacti.
This was the desert.
As far as the eye could reach these prickly plants rose higher and
higher; thick leaves growing from other leaves obstructed the path,
sometimes catching on Jenny's dress. In places they grew to such a
great height that the children seemed to be as much lost here as if
they were in the woods, and no one could find them there. So they kept
threading their way through them, now to the right and then to the
left, but careful always to go from the town. Sometimes between the
cacti they could see on the horizon the blue mountains of Santa Ana.
They went to the mountains. The heat was great. Gray-colored locusts
chirped in the cacti; the sun's rays poured down upon the earth in
streams; the dried-up earth was covered with a network of cracks; the
stiff leaves of the cacti seemed to soften from the heat, and the
flowers were languid and half-wilted. The children proceeded, silent
and thoughtful. But all that surrounded them was so new that they
surrendered themselves to their impressions, and for the moment forgot
even their weariness. Jenny's eyes ran from one bunch of cacti to
another; again she looked to the farther clusters, saying to her
friend:
"Is this the wilderness, Orso?"
But the desert did not appear to be deserted. From the farther clumps
came the calling of the male quail, and around sounded the different
murmurs of clucking, of twittering, of the ruffling of feathers: in a
word, the divers voices of the small inhabitants of the plains.
Sometimes there flew up a whole covey of quail; the gaudy-topped
pheasants scattered on their approach; the black squirrels dived into
their holes; the rabbits disappeared in all directions; the gophers
were sitting on their hind legs beside their holes, looking like fat
German farmers standing in their doorway.
After resting an hour the children proceeded on their journey. Jenny
soon felt thirsty. Orso, in whom had awakened his Indian inventive
faculties, began to pluck cactus fruits. They were in abundance, and
grew together with the flowers on the same leaves. In plucking them
they pricked their fingers with the sharp points, but the fruit was
luscious. Their sweet and acid flavor quenched at once their thirst
and appeased their hunger. The prairies fed the children as a mother;
thus strengthened they could proceed further. The cacti arose higher,
and you could say that they grew on the head of one another. The
ground on which they walked ascended gradually and continuously.
Looking backward once more they saw Anaheim, dissolving in the
distance and looking like a grove of trees upon the low plains. Not a
trace of the circus could be distinguished. They still pressed
steadily onward to the mountains, which now became more distinct in
the distance. The surroundings assumed another phase. Between the
cacti appeared different bushes and even trees; the wooded portion of
the foothills of Santa Ana had commenced. Orso broke one of the
saplings, and, clearing off its branches, made a cudgel of it, which,
in his hands, would prove a terrible weapon. His Indian instincts
whispered to him that in the mountains it was better to be provided,
even with a stick, than to go unarmed, especially now that the sun had
lowered itself into the west. Its great fiery shield had rolled down
far beyond Anaheim, into the blue ocean. After a while it disappeared,
and in the west there gleamed red, golden, and orange lights, similar
to ribbons and gauzy veils, stretched over the whole sky. The
mountains uplifted themselves in this glow; the cacti assumed
different fantastical shapes, resembling people and animals. Jenny
felt tired and sleepy, but they still hastened to the mountains,
although they knew not why. Soon they saw rocks, and on reaching them
they discovered a stream; they drank some water and continued along
its course. The rocks, which were at first broken and scattered, then
changed into a solid wall, which became higher and higher, and soon
they entered into a canyon.
The rosy lights died away; deeper and deeper dusk enveloped the earth.
In places immense vines reached from one side of the canyon to the
other, covering it like a roof, and making it dark and uncanny. On the
mountain side, above them, could be heard the voices of the swaying
and creaking forest trees. Orso implied that now they were in the
depths of the wilderness, where certainly there were many wild
animals. From time to time his ear detected suspicious sounds, and
when night fell he distinctly heard the hoarse mewing of the lynxes,
the roar of the pumas, and the melancholy howling of the coyotes.
"Are you afraid, Jen?" asked Orso.
"No," replied the girl.
But she was already very tired, and could proceed no farther, so Orso
took her in his arms and carried her. He went forward with the hope
that he would reach the house of some squatter, or should meet some
Mexican campers. Once or twice it seemed to him that he saw the gleam
of some wild animal's eyes. Then with one hand he pressed Jenny, who
had now fallen asleep, to his breast, and with the other he grasped
his stick. He was very tired himself; notwithstanding his great
strength Jenny began to prove heavy to him, especially as he carried
her on his left arm; the right one he wished to have free for defense.
Occasionally he stopped to regain his breath and then continued on.
Suddenly he paused and listened intently. It seemed to him as if he
heard the echoes of the small bells which the settlers tie for the
night to the neck of their cows and goats. Rushing forward, he soon
reached a bend in the stream. The sound of the bells became more
distinct, and joined with them in the distance was heard the barking
of a dog. Then Orso was sure that he was nearing some settlement. It
was high time that he did, for he was exhausted by the events of the
day, and his strength had begun to fail him. On turning another bend
he saw a light; as he moved forward his quick eyes discerned a
campfire, a dog, evidently tied to a stump, tearing and barking, and
at last the figure of a man seated by the fire.
"God send that this may be a man from the 'good book'!" thought he.
Then he resolved to awaken Jenny.
"Jen!" called he, "awake, we shall eat."
"What is it?" asked the girl; "where are we?"
"In the wilderness."
She was now wide awake.
"What light is that?"
"A man lives there; we shall eat."
Poor Orso was very hungry.
Meanwhile they were nearing the fire. The dog barked more violently,
and the old man, sitting by the fire, shaded his eyes and peered into
the gloom. Shortly he said:
"Who is there?"
"It is us," answered Jenny in her delicate voice, "and we are very
hungry."
"Come nearer," said the old man.
Emerging from behind a great rock, which had partly concealed them,
they both stood in the light of the fire, holding each other's hands.
The old man looked at them with astonishment, and involuntarily
exclaimed:
"What is that?"
For he saw a sight which, in the sparsely populated mountains of Santa
Ana, would astonish any one. Orso and Jenny were dressed in their
circus attire. The beautiful girl, clothed in pink tights and short
white skirt, appearing so suddenly before him, looked in the firelight
like some fairy sylph. Behind her stood the youth with his powerful
figure, covered also with pink fleshings, through which you could see
his muscles standing out like knots on the oak.
The old squatter gazed at them with wide-open eyes.
"Who are you?" he inquired.
The girl, relying more on her own eloquence than on that of Orso,
began to speak.
"We are from the circus, kind sir! Mr. Hirsch beat Orso very much and
then wanted to beat me, but Orso did not let him, and fought Mr.
Hirsch and four negroes, and then we ran off on the plains, and went a
long distance through the cacti, and Orso carried me; then we came
here and are very hungry."
The face of the old man softened and brightened as he listened to her
story, and he looked with a fatherly interest on this charming child,
who spoke with great haste, as if she wished to tell all in one
breath.
"What is your name, little one?" he asked.
"Jenny."
"Welcome, Jenny! and you, Orso! people rarely come here. Come to me,
Jenny."
Without hesitation the little girl put her arms around the neck of the
old man and kissed him warmly. He appeared to her to be some one from
the "good book."
"Will Mr. Hirsch find us here?" she said, as she took her lips from
his face.
"If he comes he will find a bullet here," replied the old man; then
added, "you said that you wanted to eat?"
"Oh, yes, very much."
The squatter, raking in the ashes of the fire, took out a fine leg of
venison, the pleasant odor of which filled the air. Then they sat down
to eat.
The night was gorgeous; the moon came out high in the heavens above
the canyon; in the thicket the mavis began to sing sweetly; the fire
burned brightly, and Orso was so filled with joy that he chanted with
gladness. Both he and the girl ate heartily. The old man had no
appetite; he looked upon little Jenny, and, for some unknown cause,
his eyes were filled with tears.
Perhaps he had been once a father, or, perhaps, he so rarely saw
people in these deserted mountains.
* * * * *
Since then these three lived together.