THE GAY DECEIVER

After the meat course, Mrs. Tolley and Min rather languidly removed the

main platters and, by reaching backward, piled the dinner plates on the

shining new oak sideboard. Thus room was made for the salad, which was

always mantled in tepid mayonnaise, whether it was sliced tomatoes, or

potatoes, or asparagus. After the salad there was another partial

clearance, and then every available inch of the table was needed for

peach pies and apple sauce and hot gingerbread and raspberries, or

various similar delicacies, and the coffee and yellow cheese and

soda-crackers with which the meal concluded.

By the time these appeared, on a hot summer evening, the wheezing clock

in the kitchen would have struck six,--dinner was early at

Kirkwood,--and the level rays of the sun would be pouring boldly in at

the uncurtained western windows. The dining, room was bare, and not

entirely free from flies, despite an abundance of new green screening

at the windows. Relays of new stiff oak chairs stood against its walls,

ready for the sudden need of occasional visitors. On the walls hung

framed enlarged photographs of machinery, and factories, and

scaffoldings, and the like. There was one of laborers and bosses

grouped about great generators and water-wheels in transit, and another

of a monster switchboard, with a smiling young operator, in his apron

and overalls, standing beside it.

Mrs. Tolley sat at the head of the table--a big, joyous, vigorous

widow, who had managed the Company House at Kirkwood ever since its

erection two years before, and who had been an employee of the Light

and Power Company, in one capacity or another, for some five years

before that--or ever since, as she put it, "the juice got pore George."

Mrs. Tolley loved every inch of Kirkwood; for her it was the captured

dream.

Min Tolley, sitting next to her mother, loved Kirkwood, too, because

she was going to marry Harry Garvey, who was one of the shift bosses at

the plant. Harry sat next to Min. Then came her brother Roosy, ten

years old; and then the Hopps--Mrs. Lou, and little Lou, spattering

rice and potato all over himself and his chair, and big Lou, silently,

deeply admiring them both. Then there were two empty chairs, for the

Chisholms, the resident manager and superintendent and his sister, at

the end of the table; and then Joe Vorse, the switchboard operator, and

his little wife; and then Monk White, another shift boss; and lastly,

at Mrs. Tolley's left, Paul Forster, newly come from New York to be Mr.

Chisholm's stenographer and assistant.

Paul was the first to leave the table that night. He drank his coffee

in three savage gulps, pushed back his crumpled napkin, and rose. "If

you'll excuse me--" he began.

"You're cert'n'y excusable!" said Mrs. Tolley, elegantly--adding, when

the door had closed behind him: "And leave me tell you right now that

somebody was real fond of children to raise YOU!"

"An' I'm not planning to spend the heyday of my girlhood ironing

napkins for you, Pauly Pet!" said Min, reaching for his discarded

napkin and folding it severely into a wooden ring.

Paul did not hear these remarks, but he heard the laughter that greeted

them, and he scowled as he selected a rocker on the front porch. He put

his feet up on the rail, felt in one pocket for tobacco, in another for

papers, and in a third for his match-case, and set himself to the

congenial task of composing a letter in which he should resign from the

employ of the Light and Power Company. It was a question of a broken

contract, so it must be diplomatically worded. Paul had spent the five

evenings since his arrival at Kirkwood in puzzling over the phrasing of

that letter.

Below the porch, the hillside, covered with scrub-oak and chaparral and

madrono trees, and the stumps where redwoods had been, dropped sharply

to the little river, which came tumbling down from the wooded mountains

to plunge roaring into one end of the big power-house, and which foamed

out at the other side to continue its mad rush down the valley. The

power-house, looming up an immense crude outline in the twilight,

rested on the banks of the stream and stood in a rough clearing. A

great gash in the woods above it showed whence lumber for buildings and

fires came; another ugly gash marked the course of the "pole line" over

the mountain. Near the big building stood lesser ones, two or three

rough little unpainted cottages perched on the hill above it. There was

a "cook-house," and a "bunk-house," and storage sheds, and Mrs.

Tolley's locked provision shed, and the rough shack the builders lived

in while construction was going on, and where the Hopps lived now, rent

free.

Nasturtiums languished here and there, where some of the women had made

an effort to fight the unresponsive red clay. Otherwise, even after two

years, the power-house and its environs looked unfinished, crude, ugly.

On all sides the mountains rose dark and steep, the pointed tops of the

redwoods mounting evenly, tier on tier. Except for the lumber slide and

the pole line, there was no break anywhere, not even a glimpse of the

road that wound somehow out of the canyon--up, up, up, twelve long

miles, to the top of the ridge.

And even at the top, Paul reflected bitterly, there was only an

unpainted farm-house, where the stage stopped three times a week with

mail. From there it was a fifty-mile drive to town--a California

country town, asleep in the curve of two sluggish little rivers. And

from "town" to San Francisco it was almost a day's trip, and from San

Francisco to the Grand Central Station at Forty-second Street it was

nearly five days more.

Paul shoved his hands in his pockets and began again: "Light and Power

Co.--GENTLEMEN."

Night came swiftly to Kirkwood. For a few wonderful moments the last of

the sunlight lingered, hot and gold, on the upper branches of the

highest trees along the ridge; then suddenly the valley was plunged in

soft twilight, and violet shadows began to tangle themselves about the

great shafts of the redwoods. The heat of the day dropped from the air

like a falling veil. A fine mist spun itself above the river; bats

began to wheel on the edge of the clearing.

With the coming of darkness every window in the place was suddenly

alight. The Company House blazed with it; the great power-house doorway

sent a broad stream of yellow into the deepening shadows of the night;

the "cook-house," where Willy Chow Tong cooked for a score of "hands"

and oilers, showed a thousand golden cracks in its rough walls. The

little cottages on the hill were hidden by the glare from their

dangling porch lights. Light was so plentiful, at this factory of

light, that even the Hopps' barnlike home blazed with a dozen

"thirty-twos."

"Nothing like having a little light on the subject, Mr. Fo'ster," said

Mrs. Tolley, coming out to the porch. The Vorses had small children

that they could not leave very long alone; so, when Min and her mother

had reduced the kitchen to orderly, warm, soap-scented darkness every

night, and wound the clock, and hung up their aprons, they went up to

the Vorses' to play "five hundred."

"Seems's if I never could get enough light, myself," the matron

continued agreeably, descending the porch steps. "Before I come here I

never had nothing in my kitchen but an oil lamp and a reflector. Jest

as sure as I'd be dishing up dinner, hot nights, that lamp would begin

to flicker and suck--well, shucks! I'd look up at it and I'd say,

'Well, why don't you go out? Go ahead!'" Mrs. Tolley laughed joyously.

"Well, one night--George--" she was continuing with relish, when Min

pulled at her sleeve and, with a sort of affectionate impatience, said,

"Oh, f've'vens' sakes ma!"

"Yes, I'm coming," said Mrs. Tolley, recalled. "Wish't you played 'five

hundred,' Mr. Fo'ster," she added politely.

"I don't play either that or old maid," said Paul, distinctly. This

remark was taken in good part by the Tolleys.

"Old maid's a real comical game," Min conceded mildly.

"Well, you won't be s'lunsum next week when the Chisholms get back,"

said Mrs. Tolley, unaffectedly, gathering up the skirt of her starched

gown to avoid contact with the sudden heavy dews. "He's an awful nice

feller, and she--she's twenty-six, but she's as jolly as a girl. I

declare, I just love Patricia Chisholm."

"Twenty-six, is she?" said Paul, disgustedly, to himself, when the

Tolleys had gone. "Only one woman--of any class, that is--in this

forsaken hole, and she twenty-six!" And he had been thinking of this

Patricia with a good deal of interest, he admitted resentfully. Paul

was twenty-four, and liked slender little girls well under twenty.

"Lord, what a place!" he said, for the hundredth time.

He sat brooding in the darkness, discouraged and homesick. So he had

sat for all his nights at Kirkwood.

The men at the cook-house were playing cards, silently, intently. The

cook, serene and cool, was smoking in the doorway of his cabin. Above

the dull roar of the river Paul could hear Min Tolley's cackle of

laughter from the cottages a hundred yards away, and Mrs. Hopps

crooning over her baby.

Presently the night shift went down to the powerhouse, the men taking

great boyish leaps on the steep trail. Some of the lighted windows were

blotted out--the Hopps', the cook-house light. The singing pole line

above Paul's head ceased abruptly, and with a little rising whine the

opposite pole line took up the buzzing currant. That meant that the

copper line had been cut in, and the aluminum one would be "cold" for

the night.

Minutes went by, eventless. Half an hour, an hour--still Paul sat

staring into the velvet dark and wrestling with bitter discouragement

and homesickness.

"Lord, what a PLACE!" he said once or twice under his breath.

Finally, feeling cramped and chilly, he went stiffly indoors, through

the hot, bright halls, that smelled of varnish and matting, to his room.

The next day was exactly like the five preceding days--hot, restless,

aimless; and the next night Paul sat on the porch again, and listened

to the rush of the river, and Min Tolley's laugh at the "five hundred"

table, and the Hopps' baby's lullaby. And again he composed his

resignation, and calculated that it would take three days for it to

reach San Francisco, and another three for him to receive their

acceptance of it--another week at least of Kirkwood!

On the seventh day the Chisholms rode down the trail that followed the

pole line, and arrived in a hospitable uproar. Alan Chisholm, some five

years older than Paul, was a fine-looking, serious, dark youth, a

fellow of not many words, being given rather to silent appreciation of

his sister's chatter than to speech of his own. Miss Chisholm was very

tall, very easy in manner, and powdered just now to her eyelashes with

fine yellow dust. Paul thought her too tall and too large for beauty,

but he liked her voice, and the fashion she had of crinkling up her

eyes when she smiled. He sat on the porch while the Chisholms went

upstairs to brush and change, and thought that the wholesome noise of

their splashing and calling, opening drawers, and banging doors was a

pleasant change from the usual quiet of the house.

Miss Chisholm was the first to reappear. She was followed by Min and

Mrs. Tolley, and was asking questions at a rate that kept both

answering at once. Had her kodak films come? Was Minnie going to have

some little sense and be married in a dress she could get some use out

of? How were the guinea-pigs, the ducks, the vegetables, the caged fox,

the "boys" generally, Roosy's ear, Consuelo Vorse's lame foot? Did Mrs.

Tolley know that she had made a deep impression on the old fellow who

drove the stage? "Oh, look at her blush, Min! Well, really!"

She came, delightfully refreshed by toilet waters and crisp linen, to

take a deep rocker opposite Paul, and leaned luxuriously back, showing

very trim feet shod in white.

"Admit that you've fallen in love with Kirkwood, Mr. Forster," said she.

"I can't admit anything of the sort," said Paul, firmly, but smiling

because she was so very good to look at. He had to admit that he had

never seen handsomer dark eyes, nor a more tender, more expressive and

characterful mouth than the one that smiled so readily and showed so

even a line of big teeth.

"Oh, you will!" she assured him easily. "There's no place like

Kirkwood, is there, Alan?" she said to her brother, as he came out. He

smiled.

"We don't think there is, Forster. My sister's been crazy about the

place since we got here--that's eighteen months ago; and I'm crazy

about it myself now!"

"Wait until you've slept out on the porch for a while," said Miss

Chisholm, "and wait until you've got used to a plunge in the pool

before breakfast every morning. Alan, you must take him down to the

pool to-morrow, and I'll listen for his shrieks. Where are you going

now--the power-house? No, thank you, I won't go. I'm going out to find

something special to cook you for your suppers."

The something special was extremely delicious; Paul had a vague

impression that there was fried chicken in it, and mushrooms, and

cream, and sherry. Miss Chisholm served it from a handsome little

copper blazer, and also brewed them her own particular tea, in a Canton

tea-pot. Paul found it much pleasanter at this end of the table. To his

surprise, no one resented this marked favoritism--Mrs. Tolley observing

contentedly that her days of messing for men were over, and Mrs. Vorse

remarking that she'd "orghter reely git out her chafing-dish and do

some cooking" herself.

Paul found that Miss Chisholm possessed a leisurely gift of fun; she

was droll, whether she quite meant to be or not. Everybody laughed.

Mrs. Tolley became tearful with mirth.

"Now, this is the nicest part of the day," said Patricia, when they

three had carried their coffee out to the porch and were seated. "Did

you ever watch the twilight come, sitting here, Mr. Forster?"

"It seems to me I have never done anything else," said Paul. She gave

him a keen glance over her lifted teaspoon; then she drank her coffee,

set the cup down, and said:

"Well! How is that combination of vaudeville and railway station and

zotrope that is known as New York?"

"Oh, the little old berg is all there," said Paul, lightly. But his

heart gave a sick throb. He hoped she would go on talking about it. But

it was some time before any one spoke, and then it was Alan Chisholm,

who took his pipe out of his mouth to say:

"Patricia hates New York."

"I can't imagine any one doing that," Paul said emphatically.

"Well, there was a time when I thought I couldn't live anywhere else,"

said Alan, good-naturedly; "but there's a lot of the pioneer in any

fellow, if he gives it a chance."

"Oh, I had a nice enough time in New York," said Patricia, lazily, "but

it just WEARS YOU OUT to live there; and what do you get out of it?

Now, HERE--well, one's equal to the situation here!"

"And then some," Paul said; and the brother and sister laughed at his

tone.

"But, honestly," said Miss Chisholm, "you take a little place like

Kirkwood, and you don't need a Socialist party. We all eat the same; we

all dress about the same; and certainly, if any one works hard here,

it's Alan, and not the mere hands. Why, last Christmas there wasn't a

person here who didn't have a present--even Willy Chow Tong! Every one

had all the turkey he could eat; every one a fire, and a warm bed, and

a lighted house. Mrs. Tolley gets only fifty dollars a month, and Monk

White gets fifty--doesn't he, Alan? But money doesn't make much

difference here. You know how the boys adore Monk for his voice; and as

for Mrs. Tolley, she's queen of the place! Now, how much of that's true

of New York!"

"Oh, well, put it that way--" Paul said, in the tone of an offended

child.

"Apropos of Mrs. Tolley's being queen of the place," said Alan to his

sister, "it seems she's rubbing it into poor little Mollie Peavy. Len

brought Mollie and the baby down from the ranch a week ago, and

nobody's been near 'em."

"Who said so?" flashed Miss Chisholm, reddening.

"Why, I saw Len to-night, sort of lurking round the power-house, and he

told me he had 'em in that little cottage, across the creek, where the

lumbermen used to live. Said Mollie was in agony because nobody came

near her."

"Oh, that makes me furious!" said Patricia, passionately. "I'll see

about it to-morrow. Nobody went near her? The poor little thing!"

"Who are they?" said Paul.

"Why, she's a little blonde, sickly-looking thing of sixteen,"

explained Miss Chisholm, "and Len's a lumberman. They have a little

blue-nosed, sickly baby; it was born about six weeks ago, at her

father's ranch, above here. She was--she had no mother, the poor

child--"

"And in fact, my sister escorted the benefit of clergy to them about

two months ago," said Alan, "and the ladies of the Company House are

very haughty about it."

"They won't be long," predicted Miss Chisholm, confidently. "The idea!

I can forgive Mrs. Hopps, because she's only a kid herself; but Mrs.

Tolley ought to have been big enough! However!"

"This place honestly can't spare you for ten minutes, Pat," her brother

said.

"Well, honestly," she was beginning seriously, when she saw he was

laughing at her, and broke off, with a shamefaced, laughing look for

Paul. Then she announced that she was going down to the power-house,

and, packing her thin white skirts about her, she started off, and they

followed.

Paul was not accustomed to seeing a lady in the power-house, and

thought that her enthusiasm was rather nice to watch. She flitted about

the great barnlike structure like a contented child, insisted upon

displaying the trim stock-room to Paul, demanded a demonstration of the

switchboard, spread her pretty hands over the whirling water that

showed under the glass of the water-wheels, and hung, fascinated, over

the governors.

"I never get used to it," said Patricia, above the steady roaring of

the river. "Do you realize that you are in one of the greatest force

factories of the world? Look at it!" She swept with a gesture the

monster machinery that shone and glittered all about them. "Do you

realize that people miles and miles away are reading by lights and

taking street-cars that are moved by this? Don't talk to me about the

subway and the Pennsylvania Terminal!"

"Oh, come, now!" said Paul.

"Well!" she flared. "Do you suppose that anything bigger was ever done

in this world than getting these things--these generators and

water-wheels and the corrugated iron for the roof, and the door-knobs

and tiles and standards and switchboard, and everything else, up to the

top of the ridge from Emville and down this side of the ridge? I see

that never occurred to you! Why, you don't KNOW what it was. Struggle,

struggle, struggle, day after day--ropes breaking, and tackle breaking,

and roads giving way, and rain coming! Suppose one of these had slipped

off the trail--well, it would have stayed where it fell. But

wait--wait!" she said, interrupting herself with her delightful smile.

"You'll love it as we do one of these days!"

"Not," said Paul to himself, as they started back to the house.

After that he saw Miss Chisholm every day, and many times a day; and

she was always busy and always cheerful. She wanted her brother and

Paul to ride with her up to the dam for a swim; she wanted to go to the

woods for ferns for Min's wedding; she was going to make candy and they

could come in. She packed delicious suppers, to be eaten in cool places

by the creek, and to be followed by their smoking and her careless

snatches of songs; she played poker quite as well as they; she played

old opera scores and sang to them; she had jig-saw puzzles for slow

evenings. She could not begin a game of what Mrs. Tolley called

"halmy," with that good lady, without somehow attracting the boys to

the table, where they hung, championing and criticising. Paul was more

amused than surprised to find Mrs. Peavy having tea with the other

ladies on the porch less than a week later. The little mother looked

scared and shamed; but Mrs. Tolley had the baby, and was bidding him

"love his Auntie Gussie," while she kissed his rounding little cheek.

One night, some four weeks after his arrival, Patricia decided that

Paul's room must be made habitable; and she and Alan and Paul spent an

entire busy evening there, discussing photographs and books, and

deciding where to cross the oars, and where to hang the Navajo blanket,

and where to put the college colors. Miss Chisholm, who had the quality

of grace and could double herself up comfortably on the floor like a

child, became thoughtful over the class annual.

"The Dicky, and the Hasty Pudding!" she commented. "Weren't you the

Smarty?"

Paul, who was standing with a well-worn pillow in his hand, turned and

said hungrily:

"Oh, you know Harvard?"

"Why, I'm Radcliffe!" she said simply.

Paul was stupefied.

"Why, but you never SAID so! I thought yours was some Western college

like your brother's!"

"Oh, no; I went to Radcliffe for four years," said she, casually. Then,

tapping a picture thoughtfully, she went on: "There's a boy whose face

looks familiar."

"Well, but--well, but--didn't you love it?" stammered Paul.

"I liked it awfully well," said Patricia. "Alan, you've got that one a

little crooked," she added calmly. Paul decided disgustedly that he

gave her up. His own heart was aching so for old times and old voices

that it was far more pain than pleasure to handle all these reminders:

the photographs, the yacht pennant, the golf-clubs, the rumpled and

torn dominoes, the tumbler with "Cafe Henri" blown in the glass, the

shabby camera, the old Hawaiian banjo. Oh, what fun it had all been,

and what good fellows they were!

"It was lovely, of course," said Patricia, in a businesslike tone; "but

this is real life! Cheer up, Paul," she went on (they had reached

Christian names some weeks before). "I am going to have two darling

girls here for two weeks at Thanksgiving, just from Japan. And think of

the concert next month, with Harry Garvey and Laurette Hopps in a play,

and Mrs. Tolley singing 'What Are the Wild Waves Saying?' Then, if Alan

sends you to Sacramento, you can go to the theatre every night you're

there, and pretend"--her eyes danced mischievously--"that you're going

to step out on Broadway when the curtain goes down, and can look up the

street at electric signs of cocoa and ginger beer and silk petticoats--"

"Oh, don't!" said Paul; and, as if she were a little ashamed of

herself, she began to busy herself with the book-case, and was

particularly sweet for the rest of the evening. But she wouldn't talk

Radcliffe, and Paul wondered if her college days hadn't been happy; she

seemed rather uneasy when he repeatedly brought up the subject.

But a day or two later, when he and she were taking a long ride and

resting their horses by a little stream high up in the hills, she began

to talk of the East; and they let an hour, and then another, go by,

while they compared notes. Paul did most of the talking, and Miss

Chisholm listened, with downcast eyes, flinging little stones from the

crumbling bank into the pool the while.

A lazy leaf or two drifted upon the surface of the water, and where

gold sunlight fell through the thick leafage overhead and touched the

water, brown water-bugs flitted and jerked. Once a great dragon-fly

came through on some mysterious journey, and paused for a palpitating

bright second on a sunny rock. The woods all about were silent in the

tense hush of the summer afternoon; even the horses were motionless,

except for an occasional idle lipping of the underbrush. Now and then a

breath of pine, incredibly sweet, crept from the forest.

Paul watched his companion as he talked. She was, as always, quite

unself-conscious. She sat most becomingly framed by the lofty rise of

oak and redwood and maple trees about her. Her sombrero had slipped

back on her braids, and the honest, untouched beauty of her thoughtful

face struck Paul forcibly. He wondered if she had ever been in

love--what her manner would be to the man she loved.

"What did you come for, Paul?" She was ending some long sentence with

the question.

"Come here?" Paul said. "Oh, Lord, there seemed to be reasons enough,

though I can't remember now why I ever thought I'd stay."

"You came straight from college?"

"No," he said, a little uneasily; "no. I finished three years ago. You

see, my mother married an awfully rich old guy named Steele, the last

year I was at college; and he gave me a desk in his office. He has two

sons, but they're not my kind. Nice fellows, you know, but they work

twenty hours a day, and don't belong to any clubs,--they'll both die

rich, I guess,--and whenever I was late, or forgot something, or beat

it early to catch a boat, they'd go to the old man. And he'd ask mother

to speak to me."

"I see," said Patricia.

"After a while he got me a job with a friend of his in a Philadelphia

iron-works," said the boy; "but that was a ROTTEN job. So I came back

to New York; and I'd written a sketch for an amateur theatrical thing,

and a manager there wanted me to work it up--said he'd produce it. I

tinkered away at that for a while, but there was no money in it, and

Steele sent me out to see how I'd like working in one of the Humboldt

lumber camps. I thought that sounded good. But I got my leg broken the

first week, and had to wire him from the hospital for money. So, when I

got well again, he sent me a night wire about this job, and I went to

see Kahn the next day, and came up here."

"I see," she said again. "And you don't think you'll stay?"

"Honestly, I can't, Patricia. Honest--you don't know what it is! I

could stand Borneo, or Alaska, or any place where the climate and

customs and natives stirred things up once in a while. But this is like

being dead! Why, it just makes me sick to see the word 'New York' on

the covers of magazines--I'm going crazy here."

She nodded seriously.

"Yes, I know. But you've got to do SOMETHING. And since your course was

electrical engineering--! And the next job mayn't be half so easy, you

know--!"

"Well, it'll be a little nearer Broadway, believe me. No, I'm sorry. I

never knew two dandier people than you and your brother, and I like the

work, but--!"

He drew a long breath on the last word, and Miss Chisholm sighed, too.

"I'm sorry," she said, staring at the big seal ring on her finger. "I

tell you frankly that I think you're making a mistake. I don't argue

for Alan's sake or mine, though we both like you thoroughly, and your

being here would make a big difference this winter. But I think you've

made a good start with the company, and it's a good company, and I

think, from what you've said to-day, and other hints you're given me,

that you'd make your mother very happy by writing her that you think

you've struck your groove. However!"

She got up, brushed the leaves from her skirt, and went to her horse.

They rode home through the columned aisles of the forest almost

silently. The rough, straight trunks of the redwoods rose all about

them, catching gold and red on their thick, fibrous bark from the

setting sun. The horses' feet made no sound on the corduroy roadway.

For several days nothing more was said of Paul's going or staying. Miss

Chisholm went her usual busy round. Paul wrote his letter of

resignation and carried it to the dinner-table one night, hoping to

read it later to her, and win her approval of its finely rounded

sentences.

But a heavy mail came down the trail that evening, brought by the

obliging doctor from Emville, who had been summoned to dress the wounds

of one of the line-men who had got too close to the murderous "sixty

thousand" and had been badly burned by "the juice." And after the

letters were read, and the good doctor had made his patient

comfortable, he proved an excellent fourth hand at the game of bridge

for which they were always hungering.

So at one o'clock Paul went upstairs with his letter still unapproved.

He hesitated in the dim upper hallway, wondering if Patricia, who had

left the men to beer and crackers half an hour earlier, had retired, or

was, by happy chance, still gossiping with Mrs. Tolley or Min. While he

loitered in the hall, the door of her room swung slowly open.

Paul had often been in this room, which was merely a kind of adjunct to

the sleeping-porch beyond. He went to the doorway and said, "Patricia!"

The room, wide and charmingly furnished, was quite empty. On the deep

couch letters were scattered in a wide circle, and in their midst was

an indentation as if some one had been kneeling on the floor with her

elbows there. Paul noticed this with a curious feeling of unease, and

then called softly again, "Patricia!"

No answer. He walked hesitatingly to his own room and to the window.

Why he should have looked down at the dark path with the expectation of

seeing her, he did not know; but it was almost without surprise that he

recognized the familiar white ruffles and dark head moving away in the

gloom. Paul unhesitatingly followed.

He followed her down the trail as far as he had seen her go, and was

standing, a little undecidedly, wondering just which way she had

turned, when his heart was suddenly brought into his throat by the

sound of her bitter sobbing.

A moment later he saw her. She was sitting on a smooth fallen trunk,

and had buried her face in her hands. Paul had never heard such sobs;

they seemed to shake her from head to foot. Hardly would they lessen,

bringing him the hope that her grief, whatever it was, was wearing

itself out, when a fresh paroxysm would shake her, and she would

abandon herself to it. This lasted for what seemed a long, long time.

After a while Paul cleared his throat, but she did not hear him. And

again he stood motionless, waiting and waiting. Finally, when she

straightened up and began to mop her eyes, he said, trembling a little:

"Patricia!"

Instantly she stopped crying.

"Who is that?" she said, with an astonishing control of her voice. "Is

that you, Alan? I'm all right, dear. Did I frighten you? Is that you,

Alan?"

"It's Paul," the boy said, coming nearer.

"Oh--Paul!" she said, relieved. "Does Alan know I'm here?"

"No," he reassured her; then, affectionately: "What is it, Pat?"

"Just--just that I happen to be a fool!" she said huskily, but with an

effort at lightness. Paul sat down, beginning to see in the darkness.

"I'm all right now," went on Patricia, hardily. "I just--I suppose I

just had the blues." She put out a smooth hand in the darkness, and

patted Paul's appreciatively. "I'm ashamed of myself!" said she,

catching a little sob, as she spoke, like a child.

"Bad news--in your letters?" he hazarded.

"No, GOOD; that's the trouble!" she said, with her whimsical smile, but

with trembling lips. "You see, all my friends are in the East, and some

of them happened to be at the same house-party at Newport, and

they--they were saying how they missed me," her voice shook a little,

"and--and it seems they toasted me, all standing, and--and--" And

suddenly she gave up the fight for control, and began to cry bitterly

again. "Oh, I'm so HOMESICK!" she sobbed, "and I'm so LONESOME! And I'm

so sick, sick, sick of this place! Oh, I think I'll go crazy if I can't

go home! I bear it and I BEAR it," said Patricia, in a sort of

desperate self-defence, "and then the time comes when I simply CAN'T

bear it!" And again she wept luxuriously, and Paul, in an agony of

sympathy, patted her hand.

"My heart is just breaking!" she burst out again, her tears and words

tumbling over each other. "It--it isn't RIGHT! I want my friends, and I

want my youth--I'll never be twenty-six again! I want to put my things

into a suit-case and go off with the other girls for country

visits--and I want to dance!" She put her head down again, and after a

moment Paul ventured a timid, "Patricia, dear, DON'T."

He thought she had not heard him, but after a moment, he was relieved

to see her resolutely straighten up again, and dry her eyes, and push

up her tumbled hair.

"Well, I really will STOP," she said determinedly. "This will not do!

If Alan even suspected! But, you see, I'm naturally a sociable person,

and I had--well, I don't suppose any girl ever had such a good time in

New York! My aunt did for me just what she did for her own daughters--a

dance at Sherry's, and dinners--! Paul, I'd give a year of my life just

to drive down the Avenue again on a spring afternoon, and bow to every

one, and have tea somewhere, and smell the park--oh, did you ever smell

Central Park in the spring?"

Both were silent. After a long pause Paul said:

"Why DO you stay? You've not got to ask a stepfather for a job."

"Alan," she answered simply. "No, don't say that," she interrupted him

quickly; "I'm nothing of the sort! But my mother--my mother, in a way,

left Alan and me to each other, and I have never done anything for

Alan. I went to the Eastern aunt, and he stayed here; and after a while

he drifted East--and he had too much money, of course! And I wasn't

half affectionate enough; he had his friends and I had mine! Well then

he got ill, and first it was just a cold and then it was,

suddenly--don't you know?--a question of consultations, and a dry

climate, and no dinners or wine or late hours. And Alan

refused--refused flat to go anywhere, until I said I'd LOVE to come!

I'll never forget the night it came over me that I ought to. I am--I

was--engaged, you know?" She paused.

Paul cleared his throat. "No, I didn't know," he said.

"It wasn't announced," said Miss Chisholm. "He's a good deal older than

I. A doctor." There was a long silence. "He said he would wait, and he

will," she said softly, ending it. "It's not FOREVER, you know. Another

year or two, and he'll come for me! Alan's quite a different person

now. Another two years!" She jumped up, with a complete change of

manner. "Well, I'm over my nonsense for another while!" said she. "And

it's getting cold. I can't tell you how I've enjoyed letting off steam

this way, Paul!"

"Whenever we feel this way," he said, giving her a steadying hand in

the dark, "we'll come out for a jaw. But cheer up; we'll have lots of

fun this winter!"

"Oh, lots!" she said contentedly. They entered the dark, open doorway

together.

Patricia went ahead of him up the stairs, and at the top she turned,

and Paul felt her hand for a second on his shoulder, and felt something

brush his forehead that was all fragrance and softness and warmth.

Then she was gone.

Paul went into his room, and stood at the window, staring out into the

dark. Only the door of the power-house glowed smoulderingly, and a

broad band of light fell from Miss Chisholm's window.

He stood there until this last light suddenly vanished. Then he took a

letter from his pocket, and began to tear it methodically to pieces.

While he did so Paul began to compose another letter, this time to his

mother.

Poor, Dear Margaret Kirby · 第 27 / 32 题