BIRTH OF AN IDEA

While demanding the restitution of the warrant commissioning d’Eon to

make surveys in England with a view to an invasion of that country,

Louis XV. had no intention of depriving himself of any services his

secret agent could still render him in the capacity of informant. He knew

that d’Eon had a thorough knowledge of the country, that he was well

received in the upper classes of English society, and that he enjoyed

genuine popularity, and consequently invaluable influence, in the lower.

The King was anxious only to recover possession of a document bearing

his own signature, which in the hands of an adventurer might prove

dangerous, if not to French diplomacy, at least to the security of the

secret correspondence. But, in his haste to make sure of the Chevalier’s

silence, he omitted to demand the restitution of other papers which

touched him less personally—namely, the instructions for the mission,

written by the Comte de Broglie, and the entire correspondence relating

to that subject, not to mention original despatches and copies which

had been kept by d’Eon after his temporary position at the embassy.

D’Eon had carefully refrained from parting with such precious documents,

which might yet enable him to bring pressure to bear upon a government

from whom he had received more promises than pay. Appeased by de

Guerchy’s death, and less apprehensive, he applied himself again to the

secret correspondence. Moreover, the Comte de Broglie gave him every

encouragement in his letters. He tried also to make him realise the full

extent of the last royal favours, and recommended him “to conduct himself

with modesty and wisdom in future, and to abandon the romantic pose for

the attitude and speech of a sensible man. Thus, and in course of time,”

he added, “your talents will be remembered.... With an honest heart and a

brave spirit, but not a fierce or violent one, the hatred and envy of the

whole universe may be overcome.”

In another letter, written somewhat later, in which one can see the

personal anxiety caused by the weapons remaining in his correspondent’s

hands, the Comte de Broglie urged d’Eon to win the good-will of M.

du Châtelet, the new ambassador, by delivering to M. Durand, who

was returning to France, “the ministerial and other papers of every

description” which were still in his possession. He concluded as follows:

“I have received nothing from you since the letter I wrote to you in

cypher at the end of last month. You have not acquainted me with what has

passed in the interior of England. I recollect, and have not concealed

from his Majesty, that you attribute the fact to the absence of your

friend, Mr. Cotes, from the capital, but your ingenuity should supply the

deficiency.”

The reproach itself proves how greatly the Comte de Broglie prized

the information supplied by his correspondent. Entirely divested of

any official position, d’Eon was still a newsmonger to whom the

King’s secret counsellors constantly applied, and whose communications

frequently influenced them in their decisions. His cultivated mind and

natural curiosity had enabled him to acquire knowledge of state affairs

while engaged in diplomatic negotiations. Unreasonable in his personal

resentments, pretentious and imprudent in all that concerned himself,

in politics he was a discerning judge, an accurate, and frequently a

shrewd, observer. His fertile imagination, though wanting in tact, gave

facts a graphic and original turn. The portraits he sketched, with a

slight tendency towards caricature, were nevertheless faithful. “D’Eon,”

says the Duc de Broglie, “was the precursor, if not the first, of those

political reporters who play so important a part in the destinies of all

the European parliaments.” He delighted and excelled in his task.

If d’Eon declined to follow the Comte de Broglie’s interested advice on

the subject of the “ministerial papers,” he at all events showed that

he was affected by the reproaches he had incurred for his negligence.

Thus, during the course of rather over seven years, we find him drawing

up reports, which he entitled “political letters,” and which he sent to

the secret minister, either corresponding in cypher under his own name,

or openly under the name of William Wolf. In these reports he discourses

on war and finance; gives brief statements of home administration and

colonial aspirations; relates carefully parliamentary debates and party

quarrels; and does not omit to mention the little incidents of the

court and the intrigues of the diplomatists. In one of his letters,

selected from among many others, in which he expatiates on the question

of _General Warrants_—a burning question in England at that time—he

reports the love affairs of the royal princes. The Duke of York,

surprised with a lady by her jealous husband, had just received a sword

thrust in the shoulder; his brother, the Duke of Gloucester, on the

point of contracting a secret marriage, was to be sent abroad. The Duke

of Brunswick neglected his wife because he had discovered that she had

contracted the king’s evil, which had broken out on the leg.

In this same letter, after this scandalous gossip (which, however, is not

always a negligible quantity in politics), d’Eon touches lightly upon

a matter of the greatest interest—namely, the overtures made to him by

Lord Bute, the ex-minister, with a view to an eventual restoration of

the Stuarts. Concerning this the Chevalier stated as his own point of

view that “men and matters were not sufficiently matured.” The Comte de

Broglie hastened to reply that he should follow up the proposals without

binding himself; but the project, so frequently considered by France,

was once again abandoned. In the same year d’Eon informed the cabinet of

Versailles and Prince Masseran, the Spanish Ambassador, of “England’s

design to invade Mexico and Peru in the approaching war, on the plan

devised by the Marquis d’Aubarède, who was in receipt of a pension from

England.” But the sphere of his inquiries was not confined to England;

the correspondence he entertained with acquaintances in Russia enabled

him in 1769 to apprise the King of an expedition which the Empress was

then planning against the Turks, and which actually took place eight

months later.

[Illustration: LA CHEVALIERE D’EON 1782

_From a Contemporary Oil-painting_]

In an affair that occurred at the same time, and caused a great stir

in London, d’Eon played a more active part, which, thanks to his great

ability, obtained for him the approbation of the two courts and of the

whole of English society. At this time the Liberal party, which had been

increasing from day to day under the leadership of Wilkes, made a last

effort to overthrow the cabinet. Dr. Musgrave, one of the leaders of the

party, had just issued a virulent _Address to the Gentlemen, Clergy, and

Freeholders of the County of Devon_. In this document he renewed the

insinuations against which d’Eon had already protested in the papers

as early as the year 1764, and which represented that the Princess of

Wales, Lord Bute, the Duke of Richmond, Lord Egremont, and Lord Halifax

had received money from France at the time of the conclusion of the

treaties. Dr. Musgrave further stated that he was prepared to support

his charge by fresh evidence, which he had obtained during a recent stay

in Paris, and asserted that the overtures had been made through the

medium of the Chevalier d’Eon, in whose possession the papers relating to

that affair had assuredly remained. Finally, in a direct attack on Lord

Halifax, he reproached him for having refused from personal motives to

prosecute a public inquiry with regard to d’Eon’s papers, or to examine

the Chevalier himself. He invited that nobleman to justify his acts

before Parliament. The Secretary of State did not hesitate to accept

Dr. Musgrave’s challenge, and triumphantly refuted his accusations in

an eloquent speech. Parliament declared them to be groundless, and

severely reprimanded the orator who had formulated them. D’Eon, besides,

contributed in some measure to Lord Halifax’s success, protesting before

the debate against the pamphlet by “depositions and publications.” At

an early stage of the affair he addressed the following letter to Dr.

Musgrave, which was reproduced by the periodicals of the day:

You will permit me to believe that you never knew any more

of me than I have the honour of knowing of you, and if in

your letter of August 12 you had not made a wrong use of my

name, I should not now find myself obliged to enter into a

correspondence with you. You pretend that in the summer of

1764 overtures were made in my name to several members of

Parliament, purporting that I was ready to impeach three

persons (two of whom were peers and members of the Privy

Council), of having sold the Peace to the French, and you

seem to found thereupon the evidence of a charge which you

yourself made against Lord Halifax. Therefore, I hereby declare

that I never made, or caused to be made, any such overture,

either in the winter or the summer of 1764, nor at any other

time.... I now call upon you to make public the name of the

audacious person who has made use of mine to cover up his own

odious offers.... I swear to you, on my word of honour, and

before the public, that I never entered into any negotiation

for the sale of papers, and never either by myself, or any

agent authorised by me, offered to disclose that the Peace

had been sold to France. If Lord Halifax had caused me to be

cited, he might have known by my answers what my thoughts

were, that England rather gave money to France than France to

England, to conclude the last Peace, and that the happiness

I had in concurring in the work of making peace has inspired

me with sentiments of the justest veneration for the English

commissioners who were employed in it.... In order to enable

you to be as prudent as patriotic, I sign this letter and

therein give you my address, that to maintain your own sense

of justice you may furnish me with the means of publicly

confounding those slanderers who have dared to make use of my

name, in a manner still more opposed to real facts than to the

dignity of my character.

This reply was received with equal satisfaction by the two governments,

who, having no interest in throwing too searching a light on the facts

of the case, did not fail to add their approbation to that which public

opinion had already bestowed upon the Chevalier.

However, if he had had no intercourse with Dr. Musgrave, d’Eon had been

able to secure the attachment of another popular member of Parliament,

the celebrated John Wilkes. He had even proposed, for a moment, that the

cabinet of Versailles should assist the great agitator in conspiring

against the house of Hanover. The Comte de Broglie almost suffered

himself to be persuaded; but the King refused to engage in so rash an

undertaking; and Drouet, the count’s secretary, was despatched to London

to put a stop to the enterprise. D’Eon, nevertheless, had not broken with

Wilkes; and, thinking that he might make use of him in another way, he

wrote to the Count de Broglie:

Do you desire a riot at the opening of Parliament after the

next election? If so, I must have so much for Wilkes and so

much for the others.... Wilkes costs us very dearly, but the

English have the Corsican Paoli, whom they lodge and feed on

our account. He is a bomb which they keep loaded to throw in

our midst at the first conflagration. Let us keep bomb for bomb.

These numerous intrigues testify to the ingenuity and activity which

d’Eon did not cease to display at every turn. He was ever on the

watch, ever ready to follow the first trail which chance or even his

imagination supplied. Though wounded in his self-love and disappointed

in his ambition, d’Eon did not resign himself to becoming useless, to

being forgotten. Elated by too rapid a success, he was attacked with

a malady rarer at that time than at the present day—the passion for

advertisement. He must attract attention, even at the risk of incurring

blame, preferring the questionable reputation of an adventurer to the

obscurity of an honest servant of the King. Besides, he thought that by

rendering the King new services, even should they be unsolicited, he

would be strengthening his claim to a pension which was paid to him with

no regularity. The privy purse was indeed often empty, as most of the

private letters reveal. The Chevalier was in consequence sadly in want

of money; he petitioned the Duc de Choiseul, renewed his complaints to

the Duc d’Aiguillon, who, thanks to Madame du Barry’s protection, had

just succeeded the Duc de Praslin as Minister for Foreign Affairs; and he

entreated the Comte de Broglie. “I am dying of starvation,” he wrote to

the count, “between the two pensions you have granted me, like Buridan’s

ass between the two bundles neither of which he could reach with his

mouth.” He was in despair, and although he had always refused the offer

of the English Cabinet, which promised him an equal, but more punctually

remunerated, post if he applied for letters of naturalisation, he would

willingly have quitted the service of France, provided it was for the

benefit of a friendly nation.

Indeed, he was seriously thinking of transferring his allegiance to

Poland, where the nobles had just chosen Stanislas Poniatowsky, the

favourite of Catherine II., as their king. During his residence in

Russia d’Eon had been at great pains to ingratiate himself with that

brilliant prince, and his efforts had been crowned with success. On the

election of Stanislas, he therefore hastened to present his respectful

congratulations to the new king, and informed him that he should be

extremely happy to enter his service. Stanislas having answered him

kindly and having even invited him to join him at Warsaw as soon as

he could, d’Eon at once wrote to him a grateful and effusive letter,

of which he kept a copy, and in which he dwelt complacently upon his

capabilities, with a view, no doubt, to obtaining a more advantageous

offer.

Even if I had not the good fortune of being bound to you by

affection from my youth, I could not fail to be deeply moved by

the reply of February 26, with which your Majesty has deigned

to honour me. Were I to follow the first impulse of my heart,

I should set out immediately in order to enjoy the inestimable

privilege of paying my court to you in Poland; but my duty

compels me first to crave your permission.

Time and again have I been tempted to offer my services

to your Majesty, both in the army and in diplomacy; but my

misfortunes have always made me fear that your Majesty might

look upon my offer as interested, and as coming solely from my

want of employment.

I will take the liberty of stating that I have an income

of fifteen thousand livres and a library of three thousand

volumes, consisting in large part of rare books and of ancient

and modern manuscripts. With these and a little circle of

English noblemen who are friendlily disposed towards me I live

the quiet life of an exiled philosopher in a free country. But

your greatest misfortune and your happiness and your extreme

kindness remind me, Sire, that as I am only forty and enjoy

good health, and as I still possess my courage, my sword, and

some experience of war and politics, I might be able to serve

and avenge the cause of a king who knows me personally, a king

whose goodness is his glory, and who, like Socrates, loves

truth, and like Titus loves men.

If my poor talents can be of use to your Majesty you have but

to command, and I will wing my flight with the remains of

my small fortune, in order to devote them to your Majesty’s

service.

_P.S._—On my return from Lord Ferrers’ seat I went immediately

to pay my court to his Highness the young Prince Poniatowski,

who has been entirely successful in London. He has done me the

honour of accepting my invitation to a philosophical dinner

with M. de Lind, his worthy mentor, and of promising me to

forward this letter to your Majesty. Should you vouchsafe to

cause an answer to be sent, I beg you will not transmit it

through France but through the medium of his Highness the

Prince, your nephew, or of your envoy in London.

D’Eon, still worried by the recollection of his scandalous dispute, did

not omit to send with his letter a copy of the “literary productions

which he had,” he said, “been compelled to publish during his past

unhappy dissension with the deceased ambassador of France, M. de Guerchy.”

D’Eon’s papers do not admit of the belief that he received an answer to

that letter, but if so, it was by word of mouth and by the interposition

of a chamberlain of the King of Poland who happened to be in London.

At all events, d’Eon must certainly have hesitated to follow up that

attractive design, for M. de Broglie, of whom he had asked permission

to enter the service of Poland, replied that it was “the wish of the

King” that he should not leave London without his Majesty’s orders, that

“there was no other place where he could be in greater safety from the

malice of his enemies or where he could serve the King more usefully.”

He advised him to keep up a correspondence with the King of Poland,

overwhelmed him with compliments, and mentioned in conclusion that his

Majesty was convinced “of his attachment and loyalty.” If d’Eon’s object

in confiding his design to the secret minister was merely to raise the

price of his work and to sound the King’s intentions concerning him, he

might have realised that the services he had rendered in voluntary exile

had not sufficed to blot out from the King’s mind the recollection of his

follies. He sincerely considered himself a political victim, and thought

he had much in common with the unfortunate Cato, to whom an eminent

doctor of divinity of Oxford had once compared him.

The Comte de Broglie’s letter must have confirmed his proud conviction;

but at the same time it vexed him greatly, for he was too cautious to be

deceived by the count’s handsome promises and to fail to see that what

was demanded of him was his self-effacement. No cruder punishment could

have been meted out to him.

In the course of his contentions with the ambassador d’Eon had not

scrupled to make use of one invective after another; but he had,

perforce, exposed himself in his turn to most offensive repartees. A

strange insinuation had been made against him which had not remained

unnoticed, and which, cleverly turned to account and well circulated,

had finally excited the curiosity of a people ever on the watch for

eccentricities. One of the pamphleteers in de Guerchy’s pay had raised

doubts as to the nature of the Chevalier’s sex, whose “dragoon’s

uniform,” he said, “concealed a woman or a hermaphrodite.” D’Eon’s frail

appearance, small stature, slender figure, and the delicate features of

his almost beardless face lent colour to this idea. He was not known

to have had any of those amorous adventures of which it was unusual at

that time to make a mystery. D’Eon, who, in the heat of the controversy,

had probably attached no importance to that strange insult, had taken

no notice of it. Besides, he must have felt it less than anybody else,

for he was wont to speak openly “of the singular lack of passion of his

temperament,” taking in good part the banter which neither the Marquis

de L’Hospital nor the Duc de Nivernais had spared him. His acquaintances

in London had often expressed surprise at the discrepancy in such an

exuberant personality. John Taylor, a contemporary of d’Eon, relates, in

his _Records of My Life_, that “several marriages with ladies of good

family, and with large fortunes, had been proposed to him at the country

seats he visited; but that upon all such occasions he immediately left

the house, whence it was inferred he quitted the place on account of his

being really of the female sex.”

The French ambassador (at that time M. du Châtelet) was persuaded that

d’Eon was a woman, and had not been slow to inform the King of the public

report which was spread upon Princess Daschkow’s arrival in London. The

princess, a niece of Woronzow, the Grand Chancellor of Russia, who had

so effectually assisted the Empress Catherine II. to rid herself of her

royal husband and to ascend the throne, was living in exile by the order

of her sovereign. She had taken refuge in England and had not omitted

to relate at court and in society that the Chevalier d’Eon, whom she

knew well at St. Petersburg, and whose eccentricities were the topic

of every conversation, had presented himself at the imperial palace

attired as a woman, and that the Empress Elizabeth, deceived by the

disguise, had admitted the young officer of dragoons into the circle of

her maids of honour. This story, which confirmed the most credulous in

their convictions and excited the curiosity of the sceptics, made the

question of d’Eon’s sex the topic of the day, and led to a succession

of those bets which were then so common in London, and for which the

most trifling incident served as a pretext. Insurance policies were

effected at Brooks’s and White’s, the quotations being posted up in the

coffee-houses; and the memoranda which have been handed down to us show

that the stakes frequently reached a thousand pounds.

The news thus spread soon crossed the Channel, causing no less

astonishment in Paris, where it was eagerly discussed in fashionable

as well as official circles. Bachaumont, the literary and political

chronicler of the time, states in his _Mémoires_, under date of September

25, 1771: “The reports which have been countenanced for several months

to the effect that the Sieur d’Eon, that fiery person so celebrated for

his adventures, is only a woman dressed in man’s clothing, the confidence

with which the rumour has been received in England, and the wagers for

and against amounting to over a hundred thousand pounds, have revived the

attention of Paris about that strange man....” This testimony, which can

easily be verified by the newspapers of the day, does not in the least

exaggerate the interest with which the French public continued to follow

d’Eon in his exploits. It would be difficult to believe such extravagant

statements if the portraits of the hero and the most varied caricatures

which were published at that time had not come down to us, and if traces

of that curiosity were not to be found in the periodicals and magazines

of the various capitals. Journalists, artists, song-writers and minor

poets exercised their talents in his honour to their hearts’ content.

Thus, among so many transient documents, we find in the _Almanach des

Muses_ of 1771 the following verses, flattering in their credulity and

kind in their irony:—

À MADEMOISELLE * * *

QUI S’ETAIT DÉGUISÉE EN HOMME

Bonjour, fripon de Chevalier,

Qui savait si bien l’art de plaire

Que par un bonheur singulier

De nos beautés la plus sévère,

En faveur d’un tel écolier,

Déposant son ton minaudier

Et sa sagesse grimacière,

Pourrait peut-être s’oublier,

Ou plutôt moins se contrefaire.

Mon cher, nous le savons trop bien,

(Le ciel en tout est bon et sage),

Pour un si hardi personnage

Dans le fond vous ne valez rien.

Croyez moi: reprenez un rôle

Que vous jouez plus sûrement.

Que votre sexe se console,

Du mien vous faites le tourment

Et le vôtre, sur ma parole,

Vous doit son plus bel ornement.

Hélas, malheureux que nous sommes!

Vous avez tout pour nous charmer;

C’est bien être au-dessus des hommes

Que de savoir s’en faire aimer!

D'Eon de Beaumont, his life and times · 第 48 / 64 题