As will be seen from the rough pedigree appended, the Baronetcy became
extinct in 1694 with Sir Richard, Lady Fanshawe's son; while the
Viscountcy, which was given to this Sir Richard's uncle, Thomas, came
to an end in 1716 with Simon, the fifth Viscount. The knightly and
lordly branches having failed, the tail male was represented by the
Fanshawes of Jenkins, of Parsloes, and of Great Singleton.
The first branch became extinct in 1705, Sir Thomas Fanshawe of
Jenkins leaving no male issue, and thus the heirlooms have descended
to the two latter branches. The representatives of both these families
possess the portraits, manuscripts, &c., many of which came originally
from Ware Park,[Footnote: By the will of Sir Henry Fanshawe, who dies
in 1616, it appears that some of the older pictures came from the
"gallery," and his house in Warwick Lane. He directed they should be
brought to Ware Park and remain as heirlooms.] the parental house of
Lady Fanshawe's Royalist husband, as well as from Jenkins and
Parsloes.
But before speaking of the heirlooms it may not be out of place to say
something of these old seats of the Fanshawes and one or two other
places mentioned in the Memoirs.
Parsloes, which stands partly in the parish of Barking and partly in
Dagenham (Essex), is now in a very forlorn and dilapidated condition.
Alterations that have been made from time to time, particularly the
embellishments of 1814, which have somewhat given the old mansion a
Strawberry-Hill-Gothic appearance, have in a measure destroyed its
original character. Yet some panelled rooms remain, and some fine
carved stone fireplaces that were removed here many years ago from the
adjacent Elizabethan mansion, Eastbury House. [Footnote: Vide
"Picturesque Old Houses."]
Jenkins, the more important estate, which passed away from the family
in the early part of the eighteenth century, was a large square-moated
timber house with two towers. Remains of the old fishponds and
terraces may still be traced (about a mile from Parsloes), but nothing
remains of the house or of a later structure which followed it.
Indeed, the very name is now forgotten.
The mansion Ware Park has also long since been pulled down and
rebuilt. It was sold owing to Sir Henry Fanshawe's losses in the
Royalist cause.
Of the Derbyshire seat, Fanshawe Gate, at Holmesfield near Dronfield,
there are still some picturesque remains, and the Church of Dronfield
contains some good sixteenth-century brasses to the early members of
the family.
Lady Fanshawe's parental house, Balls Park, near Hertford, though much
modernised of recent years, dates back from the reign of Charles I. By
intermarriage the estate passed to the Townshends, and the late
Marquis sold it a few years ago.
Among the Townshend heirlooms which were dispersed in March 1904, were
many portraits of the Harrisons, including a fine full-length of Lady
Anne's Cavalier brother, William, who died fighting for the King in
1643.[Footnote: As the present owner of Balls Park, Sir G. Faudel-
Phillips, was a conspicuous purchaser at this sale, it may be presumed
some of the Harrison portraits have found their way back to their
original home.]
"Little Grove," East Barnet, another place mentioned in the Memoirs,
was rebuilt in 1719, and renamed "New Place."
It would be interesting if the position of Lady Fanshawe's lodgings in
Chancery Lane, "at my cousin Young's," could be located. The house
there that her husband rented from Sir George Carey in 1655-6, in all
probability was the same which is mentioned in the artist George
Vertue's MS. Collections as the old timber house that was once the
dwelling of Cardinal Wolsey. In a "great room above stairs," he said,
were carved arms and supporters of the Carews [Careys], who had
repaired the ceilings, &c. At the time he wrote the building was used
as a tavern. [Footnote: Vide Notes and Queries. Second Series, vol.
xii., pp. 1, 81; also Middlesex and Hertfordshire Notes and Querie.,
vol. iii., p. 30.] The house on the north side of Lincoln's Inn Fields
known as "The Pine Apples," where Lady Fanshawe was living at the time
of her husband's death, has disappeared with the other old residences
on that side of the square. Nothing is said in the Memoirs to locate
the building where she met her husband when he was brought to London a
prisoner after Worcester fight. The room in Whitehall facing the
Bowling-green of course perished in the fire which destroyed the
Palace at the end of the seventeenth century. [Footnote: A description
of Borstal Tower mentioned in the Memoirs will be found in
"Picturesque Old Houses."]
In regard to the monument of Sir Richard in Ware Church, which was
erected to his memory by Lady Fanshawe, it is strange that there is no
record of the interment in the Register. In the Register of All Saints
Church, Hertford,[Footnote: The old church, including a fine monument
to the Harrisons, was completely destroyed by fire a few years ago.]
however, it is stated that the body was first interred in Sir John
Harrison's vault:--"1671, May 18. Sir Richard Fanshawe, Ambassador,
was taken out of this vault and laid in his vault at Ware." The
monument was formerly in the Chapel at the south side of Ware Church,
and was afterwards removed to the east wall of the south transept. No
memorial marks the last resting-place of Lady Fanshawe. She was
interred in the new vault that had been prepared for her husband under
St. Mary's Chapel.
As before stated, the family portraits are now in the possession of
the descendants of the half-brothers William [Footnote: It was William
who married Mary Sarsfield, nee Walter, the Duke of Monmouth's sister.
Vide "King Monmouth."] and John Fanshawe, the sons of Lady Fanshawe's
cousin, John Fanshawe.
The portraits of the Parsloes branch remained in the old Essex house
until some thirty years ago, when they were removed to a town
residence. They included Lady Fanshawe's portrait (reproduced here),
the original of that engraved in her Memoirs in 1830 (by no means too
faithfully); portraits of her husband Sir Richard, by Dobson
[Footnote: An interesting portrait of Sir Richard in fancy dress by
Dobson is at West Horsley Place.] and Lely; Sir Simon (the rake), with
Naseby Field in the background: Sir Richard's grandfather, Thomas,
Remembrancer to Queen Elizabeth; Alice, the second wife of Sir
Richard's cousin, John of Parsloes (the daughter of his cousin Sir
Thomas Fanshawe of Jenkins, and the mother-in-law of the Duke of
Monmouth's half-sister, Mary Walter); Sir Richard's nephew, Thomas,
the second Viscount (in breastplate and flowing wig), and his second
wife, Lady Sarah, the daughter of Sir John Evelyn and widow of Sir
John Wray. [Footnote: The ancient Lincolnshire family of Wray is
mentioned in the Introduction of "King Monmouth" in connection with
the remarkable portrait of the Duke after decapitation, which formerly
was in the possession of Sir Cecil Wray. Since writing on this subject
it occurs to me that it is very possible that the picture may have
come originally to the Wrays through Lady Sarah Fanshawe, her husband
being a cousin of the Duke's sister's second husband. Mary Fanshawe,
nee Walter, it is very possible may have come into the possession of
the portrait (perhaps after Henrietta, Lady Wentworth's death, for
whom there is a tradition the picture was originally painted), and her
straitened circumstances may have induced her to part with the work to
the relatives of her kinswoman.]
The original MS. of the Memoirs (of which, thanks to the courtesy of
the owner, Mr. E. J. Fanshawe, I am able to give an illustration) is
bound in old red leather, and bears the Fanshawe arms. It was written
in 1676 for Lady Fanshawe's "most dear and only" surviving son. This
Sir Richard, the second Baronet, died in Clerkenwell in July 1694,
having some years previously had the misfortune through illness to
become deaf and dumb.
Comment at various times has been made upon the inaccuracy of the
printed Memoirs, but judging from a personal inspection of the
original, there appear to be but few serious errors. [Footnote:
"Turning" for "Trimming instruments" (in Lady Anne's will), and such
like slips. See p. 29.]
It must, however, be pointed out that the editor, Sir Harris Nicholas,
only used a COPY of the Memoirs which was made from the original in
1766 by Charlotte Colman, Lady Fanshawe's great grand-daughter. The
editor's transcript, though made ten years later, was not published
until half a century afterwards. [Footnote: Vide Preface of 1830
Edition.] I draw attention to this fact as the Rev. T. L. Fanshawe,
the grandfather of the present owner of the MS., was under the
impression that his original Memoirs when lent to a friend had been
copied and printed without permission, which in the face of the above
statement could not have been the case. [Footnote: I have been
indebted to Mr. Walter Crouch, Mr. R. T. Andrews, and to Mr. H. W.
King's Notes on the Fanshawe Family, 1868-72, for some of the above
information.]