to ask an audience. Odo at once replied that he would wait on her
Highness; and a few moments later he was ushered into his wife's closet.
She had just left her toilet, and was still in the morning negligee worn
during that prolonged and public ceremonial. Freshly perfumed and
powdered, her eyes bright, her lips set in a nervous smile, she
curiously recalled the arrogant child who had snatched her spaniel away
from him years ago in that same room. And was she not that child, after
all? Had she ever grown beyond the imperious instincts of her youth? It
seemed to him now that he had judged her harshly in the first months of
their marriage. He had felt a momentary impatience when he had tried to
force her roving impulses into the line of his own endeavour: it was
easier to view her leniently now that she had almost passed out of his
life.
He wondered why she had sent for him. Some dispute with her household,
doubtless; a quarrel with a servant, even--or perhaps some sordid
difficulty with her creditors. But she began in a new key.
"Your Highness," she said, "is not given to taking my advice."
Odo looked at her in surprise. "The opportunity is not often accorded
me," he replied with a smile.
Maria Clementina made an impatient gesture; then her face softened.
Contradictory emotions flitted over it like the reflections cast by a
hurrying sky. She came close to him and then drew away and seated
herself in the high-backed chair where she had throned when he first saw
her. Suddenly she blushed and began to speak.
"Once," she said in a low, almost inaudible voice, "I was able to give
your Highness warning of an impending danger--" She paused and her eyes
rested full on Odo.
He felt his colour rise as he returned her gaze. It was her first
allusion to the past. He had supposed she had forgotten. For a moment he
remained awkwardly silent.
"Do you remember?" she asked.
"I remember."
"The danger was a grave one. Your Highness may recall that but for my
warning you would not have been advised of it."
"I remember," he said again.
She paused a moment. "The danger," she repeated, "was a grave one; but
it threatened only your Highness's person. Your Highness listened to me
then; will you listen again if I advise you of a greater--a peril
threatening not only your person but your throne?"
Odo smiled. He could guess now what was coming. She had been drilled to
act as the mouthpiece of the opposition. He composed his features and
said quietly: "These are grave words, madam. I know of no such
peril--but I am always ready to listen to your Highness."
His smile had betrayed him, and a quick flame of anger passed over her
face.
"Why should you listen to me, since you never heed what I say?"
"Your Highness has just reminded me that I did so once--"
"Once!" she repeated bitterly. "You were younger then--and so was I!"
She glanced at herself in the mirror with a dissatisfied laugh.
Something in her look and movement touched the springs of compassion.
"Try me again," he said gently. "If I am older, perhaps I am also wiser,
and therefore even more willing to be guided--we all knew that." She
broke off, as though she felt her mistake and wished to make a fresh
beginning. Again her face was full of fluctuating meaning; and he saw,
beneath its shallow surface, the eddy of incoherent impulses. When she
spoke, it was with a noble gravity.
"Your Highness," she said, "does not take me into your counsels; but it
is no secret at court and in the town that you have in contemplation a
grave political measure."
"I have made no secret of it," he replied.
"No--or I should be the last to know it!" she exclaimed, with one of her
sudden lapses into petulance.
Odo made no reply. Her futility was beginning to weary him. She saw it
and again attempted an impersonal dignity of manner.
"It has been your Highness's choice," she said, "to exclude me from
public affairs. Perhaps I was not fitted by education or intelligence to
share in the cares of government. Your Highness will at least bear
witness that I have scrupulously respected your decision, and have never
attempted to intrude upon your counsels."
Odo bowed. It would have been useless to remind her that he had sought
her help and failed to obtain it.
"I have accepted my position," she continued. "I have led the life to
which it has pleased your Highness to restrict me. But I have not been
able to detach my heart as well as my thoughts from your Highness's
interests. I have not learned to be indifferent to your danger."
Odo looked up quickly. She ceased to interest him when she spoke by the
book, and he was impatient to make an end.
"You spoke of danger before," he said. "What danger?"
"That of forcing on your subjects liberties which they do not desire!"
"Ah," said he thoughtfully. That was all, then. What a poor tool she
made! He marvelled that, in all these years, Trescorre's skilful hands
should not have fashioned her to better purpose.
"Your Highness," he said, "has reminded me that since our marriage you
had lived withdrawn from public affairs. I will not pause to dispute by
whose choice this has been; I will in turn merely remind your Highness
that such a life does not afford much opportunity of gauging public
opinion."
In spite of himself a note of sarcasm had again crept into his voice;
but to his surprise she did not seem to resent it.
"Ah," she exclaimed, with more feeling than she had hitherto shown, "you
fancy that, because I am kept in ignorance of what you think, I am
ignorant also of what others think of you! Believe me," she said, with a
flash of insight that startled him, "I know more of you than if we stood
closer. But you mistake my purpose. I have not sent for you to force my
counsels on you. I have no desire to appear ridiculous. I do not ask you
to hear what _I_ think of your course, but what others think of it."
"What others?"
The question did not disconcert her. "Your subjects," she said quickly.
"My subjects are of many classes."
"All are of one class in resenting this charter. I am told you intend to
proclaim it within a few days. I entreat you at least to delay, to
reconsider your course. Oh, believe me when I say you are in danger! Of
what use to offer a crown to our Lady, when you have it in your heart to
slight her servants? But I will not speak of the clergy, since you
despise them--nor of the nobles, since you ignore their claims. I will
speak only of the people--the people, in whose interest you profess to
act. Believe me, in striking at the Church you wound the poor. It is not
their bodily welfare I mean--though Heaven knows how many sources of
bounty must now run dry! It is their faith you insult. First you turn
them against their masters, then against their God. They may acclaim you
for it now--but I tell you they will hate you for it in the end!"
She paused, flushed with the vehemence of her argument, and eager to
press it farther. But her last words had touched an unexpected fibre in
Odo. He looked at her with his unseeing visionary gaze.
"The end?" he murmured. "Who knows what the end will be?"
"Do you still need to be told?" she exclaimed. "Must you always come to
me to learn that you are in danger?"
"If the state is in danger the danger must be faced. The state exists
for the people; if they do not need it, it has ceased to serve its
purpose."
She clasped her hands in an ecstasy of wonder. "Oh, fool, madman--but it
is not of the state I speak! It is you who are in
danger--you--you--you--"
He raised his head with an impatient gesture.
"I?" he said. "I had thought you meant a graver peril."
She looked at him in silence. Her pride met his and thrilled with it;
and for a moment the two were one.
"Odo!" she cried. She sank into a chair, and he went to her and took her
hand.
"Such fears are worthy neither of us," he said gravely.
"I am not ashamed of them," she said. Her hand clung to him and she
lifted her eyes to his face. "You will listen to me?" she whispered in a
glow.
He drew back chilled. If only she had kept the feminine in abeyance! But
sex was her only weapon.
"I have listened," he said quietly. "And I thank you."
"But you will not be counselled?"
"In the last issue one must be one's own counsellor."
Her face flamed. "If you were but that!" she tossed back at him.
The taunt struck him full. He knew that he should have let it lie; but
he caught it up in spite of himself.
"Madam!" he said.
"I should have appealed to our sovereign, not to her servant!" she
cried, dashing into the breach she had made.
He stood motionless, stunned almost. For what she had said was true. He
was no longer the sovereign: the rule had passed out of his hands.
His silence frightened her. With an instinctive jealousy she saw that
her words had started a train of thought in which she had no part. She
felt herself ignored, abandoned; and all her passions rushed to the
defence of her wounded vanity.
"Oh, believe me," she cried, "I speak as your Duchess, not as your wife.
That is a name in which I should never dream of appealing to you. I have
ever stood apart from your private pleasures, as became a woman of my
house." She faced him with a flash of the Austrian insolence. "But when
I see the state drifting to ruin as the result of your caprice, when I
see your own life endangered, your people turned against you, religion
openly insulted, law and authority made the plaything of
this--this--false atheistical creature, that has robbed me--robbed me of
all--" She broke off helplessly and hid her face with a sob.
Odo stood speechless, spell-bound. He could not mistake what had
happened. The woman had surged to the surface at last--the real woman,
passionate, self-centred, undisciplined, but so piteous, after all, in
this sudden subjection to the one tenderness that survived in her. She
loved him and was jealous of her rival. That was the instinct which had
swept all others aside. At that moment she cared nothing for her safety
or his. The state might perish if they but fell together. It was the
distance between them that maddened her.
The tragic simplicity of the revelation left Odo silent. For a fantastic
moment he yielded to the vision of what that waste power might have
accomplished. Life seemed to him a confusion of roving force that met
only to crash in ruins.
His silence drew her to her feet. She repossessed herself, throbbing but
valiant.
"My fears for your Highness's safety have led my speech astray. I have
given your Highness the warning it was my duty to give. Beyond that I
had no thought of trespassing."
And still Odo was silent. A dozen answers struggled to his lips; but
they were checked by the stealing sense of duality that so often
paralysed his action. He had recovered his lucidity of vision, and his
impulses faded before it like mist. He saw life again as it was, an
incomplete and shabby business, a patchwork of torn and ravelled effort.
Everywhere the shears of Atropos were busy, and never could the cut
threads be joined again.
He took his wife's hand and bent over it ceremoniously. It lay in his
like a stone.
4.8.
The jubilee of the Mountain Madonna fell on the feast of the
Purification. It was mid-November, but with a sky of June. The autumn
rains had ceased for the moment, and fields and orchards glistened with
a late verdure.
Never had the faithful gathered in such numbers to do honour to the
wonder-working Virgin. A widespread resistance to the influences of free
thought and Jansenism was pouring fresh life into the old formulas of
devotion. Though many motives combined to strengthen this movement, it
was still mainly a simple expression of loyalty to old ideals, an
instinctive rallying around a threatened cause. It is the honest
conviction underlying all great popular impulses that gives them their
real strength; and in this case the thousands of pilgrims flocking on
foot to the mountain shrine embodied a greater moral force than the
powerful ecclesiastics at whose call they had gathered.
The clergy themselves were come from all sides; while those that were
unable to attend had sent costly gifts to the miraculous Virgin. The
Bishops of Mantua, Modena, Vercelli and Cremona had travelled to Pianura
in state, the people flocking out beyond the gates to welcome them. Four
mitred Abbots, several Monsignori, and Priors, Rectors, Vicars-general
and canons innumerable rode in the procession, followed on foot by the
humble army of parish priests and by interminable confraternities of all
orders.
The approach of the great dignitaries was hailed with enthusiasm by the
crowds lining the roads. Even the Bishop of Pianura, never popular with
the people, received an unwonted measure of applause, and the
white-cowled Prior of the Dominicans, riding by stern and close-lipped
as a monk of Zurbaran's, was greeted with frenzied acclamations. The
report that the Bishop and the heads of the religious houses in Pianura
were to set free suppers for the pilgrims had doubtless quickened this
outburst of piety; yet it was perhaps chiefly due to the sense of coming
peril that had gradually permeated the dim consciousness of the crowd.
In the church, the glow of lights, the thrilling beauty of the music and
the glitter of the priestly vestments were blent in a melting harmony of
sound and colour. The shrine of the Madonna shone with unearthly
radiance. Hundreds of candles formed an elongated nimbus about her
hieratic figure, which was surmounted by the canopy of cloth-of-gold
presented by the Duke of Modena. The Bishops of Vercelli and Cremona had
offered a robe of silver brocade studded with coral and turquoises, the
devout Princess Clotilda of Savoy an emerald necklace, the Bishop of
Pianura a marvellous veil of rose-point made in a Flemish convent; while
on the statue's brow rested the Duke's jewelled diadem.
The Duke himself, seated in his tribune above the choir, observed the
scene with a renewed appreciation of the Church's unfailing dramatic
instinct. At first he saw in the spectacle only this outer and symbolic
side, of which the mere sensuous beauty had always deeply moved him; but
as he watched the effect produced on the great throng filling the
aisles, he began to see that this external splendour was but the veil
before the sanctuary, and to realise what de Crucis meant when he spoke
of the deep hold of the Church upon the people. Every colour, every
gesture, every word and note of music that made up the texture of the
gorgeous ceremonial might indeed seem part of a long-studied and
astutely-planned effect. Yet each had its root in some instinct of the
heart, some natural development of the inner life, so that they were in
fact not the cunningly-adjusted fragments of an arbitrary pattern but
the inseparable fibres of a living organism. It was Odo's misfortune to
see too far ahead on the road along which his destiny was urging him. As
he sat there, face to face with the people he was trying to lead, he
heard above the music of the mass and the chant of the kneeling throng
an echo of the question that Don Gervaso had once put to him:--"If you
take Christ from the people, what have you to give them instead?"
He was roused by a burst of silver clarions. The mass was over, and the
Duke and Duchess were to descend from their tribune and venerate the
holy image before it was carried through the church.
Odo rose and gave his hand to his wife. They had not seen each other,
save in public, since their last conversation in her closet. The Duchess
walked with set lips and head erect, keeping her profile turned to him
as they descended the steps and advanced to the choir. None knew better
how to take her part in such a pageant. She had the gift of drawing upon
herself the undivided attention of any assemblage in which she moved;
and the consciousness of this power lent a kind of Olympian buoyancy to
her gait. The richness of her dress and her extravagant display of
jewels seemed almost a challenge to the sacred image blazing like a
rainbow beneath its golden canopy; and Odo smiled to think that his
childish fancy had once compared the brilliant being at his side to the
humble tinsel-decked Virgin of the church at Pontesordo.
As the couple advanced, stillness fell on the church. The air was full
of the lingering haze of incense, through which the sunlight from the
clerestory poured in prismatic splendours on the statue of the Virgin.
Rigid, superhuman, a molten flamboyancy of gold and gems, the
wonder-working Madonna shone out above her worshippers. The Duke and
Duchess paused, bowing deeply, below the choir. Then they mounted the
steps and knelt before the shrine. As they did so a crash broke the
silence, and the startled devotees saw that the ducal diadem had fallen
from the Madonna's head.
The hush prolonged itself a moment; then a canon sprang forward to pick
up the crown, and with the movement a murmur rose and spread through the
church. The Duke's offering had fallen to the ground as he approached to
venerate the blessed image. That this was an omen no man could doubt. It
needed no augur to interpret it. The murmur, gathering force as it swept
through the packed aisles, passed from surprise to fear, from fear to a
deep hum of anger;--for the people understood, as plainly as though she
had spoken, that the Virgin of the Valseccas had cast from her the gift
of an unbeliever...
* * * * *
The ceremonies over, the long procession was formed again and set out
toward the city. The crowd had surged ahead, and when the Duke rode
through the gates the streets were already thronged. Moving slowly
between the compact mass of people he felt himself as closely observed
as on the day of his state entry; but with far different effect.
Enthusiasm had given way to a cold curiosity. The excitement of the
spectators had spent itself in the morning, and the sight of their
sovereign failed to rouse their flagging ardour. Now and then a cheer
broke out, but it died again without kindling another in the
uninflammable mass. Odo could not tell how much of this indifference was
due to a natural reaction from the emotions of the morning, how much to
his personal unpopularity, how much to the ominous impression produced
by the falling of the Virgin's crown. He rode between his people
oppressed by a sense of estrangement such as he had never known. He felt
himself shut off from them by an impassable barrier of superstition and
ignorance; and every effort to reach them was like the wrong turn in a
labyrinth, drawing him farther away from the issue to which it seemed to
lead.
As he advanced under this indifferent or hostile scrutiny, he thought
how much easier it would be to face a rain of bullets than this
withering glare of criticism. A sudden longing to escape, to be done
with it all, came over him with sickening force. His nerves ached with
the physical strain of holding himself upright on his horse, of
preserving the statuesque erectness proper to the occasion. He felt like
one of his own ancestral effigies, of which the wooden framework had
rotted under the splendid robes. A congestion at the head of a narrow
street had checked the procession, and he was obliged to rein in his
horse. He looked about and found himself in the centre of the square
near the Baptistery. A few feet off, directly in a line with him, was
the weather-worn front of the Royal Printing-Press. He raised his head
and saw a group of people on the balcony. Though they were close at
hand, he saw them in a blur, against which Fulvia's figure suddenly
detached itself. She had told him that she was to view the procession
with the Andreonis; but through the mental haze which enveloped him her
apparition struck a vague surprise. He looked at her intently, and their
eyes met. A faint happiness stole over her face, but no recognition was
possible, and she continued to gaze out steadily upon the throng below
the balcony. Involuntarily his glance followed hers, and he saw that she
was herself the centre of the crowd's attention. Her plain, almost
Quakerish habit, and the tranquil dignity of her carriage, made her a
conspicuous figure among the animated groups in the adjoining windows,
and Odo, with the acuteness of perception which a public life develops,
was instantly aware that her name was on every lip. At the same moment
he saw a woman close to his horse's feet snatch up her child and make
the sign against the evil eye. A boy who stood staring open-mouthed at
Fulvia caught the gesture and repeated it; a barefoot friar imitated the
boy, and it seemed to Odo that the familiar sign was spreading with
malignant rapidity to the furthest limits of the crowd. The impression
was only momentary; for the cavalcade was again in motion, and without
raising his eyes he rode on, sick at heart...
* * * * *
At nightfall a man opened the gate of the ducal gardens below the
Chinese pavilion and stepped out into the deserted lane. He locked the
gate and slipped the key into his pocket; then he turned and walked
toward the centre of the town. As he reached the more populous quarters
his walk slackened to a stroll; and now and then he paused to observe a
knot of merry-makers or look through the curtains of the tents set up in
the squares.
The man was plainly but decently dressed, like a petty tradesman or a
lawyer's clerk, and the night being chill he wore a cloak, and had drawn
his hat-brim over his forehead. He sauntered on, letting the crowd carry
him, with the air of one who has an hour to kill, and whose
holiday-making takes the form of an amused spectatorship. To such an
observer the streets offered ample entertainment. The shrewd air
discouraged lounging and kept the crowd in motion; but the open
platforms built for dancing were thronged with couples, and every
peep-show, wine-shop and astrologer's booth was packed to the doors. The
shrines and street-lamps being all alight, and booths and platforms hung
with countless lanterns, the scene was as bright as day; but in the
ever-shifting medley of peasant-dresses, liveries, monkish cowls and
carnival disguises, a soberly-clad man might easily go unremarked.
Reaching the square before the Cathedral, the solitary observer pushed
his way through the idlers gathered about a dais with a curtain at the
back. Before the curtain stood a Milanese quack, dressed like a noble
gentleman, with sword and plumed hat, and rehearsing his cures in
stentorian tones, while his zany, in the short mask and green-and-white
habit of Brighella, cracked jokes and turned hand-springs for the
diversion of the vulgar.
"Behold," the charlatan was shouting, "the marvellous Egyptian
love-philter distilled from the pearl that the great Emperor Antony
dropped into Queen Cleopatra's cup. This infallible fluid, handed down
for generations in the family of my ancestor, the High Priest of Isis--"
The bray of a neighbouring show-man's trumpet cut him short, and
yielding to circumstances he drew back the curtain, and a tumbling-girl
sprang out and began her antics on the front of the stage.
"What did he say was the price of that drink, Giannina?" asked a young
maid-servant pulling her neighbour's sleeve.
"Are you thinking of buying it for Pietrino, my beauty?" the other
returned with a laugh. "Believe me, it is a sound proverb that says:
When the fruit is ripe it falls of itself."
The girl drew away angrily, and the quack took up his harangue:--"The
same philter, ladies and gentlemen--though in confessing it I betray a
professional secret--the same philter, I declare to you on the honour of
a nobleman, whereby, in your own city, a lady no longer young and no way
remarkable in looks or station, has captured and subjugated the
affections of one so high, so exalted, so above all others in beauty,
rank, wealth, power and dignities--"
"Oh, oh, that's the Duke!" sniggered a voice in the crowd.
"Ladies and gentlemen, I name no names!" cried the quack impressively.
"No need to," retorted the voice.
"They do say, though, she gave him something to drink," said a young
woman to a youth in a clerk's dress. "The saying is she studied medicine
with the Turks."
"The Moors, you mean," said the clerk with an air of superiority.
"Well, they say her mother was a Turkey slave and her father a murderer
from the Sultan's galleys."
"No, no, she's plain Piedmontese, I tell you. Her father was a physician
in Turin, and was driven out of the country for poisoning his patients
in order to watch their death-agonies."
"They say she's good to the poor, though," said another voice
doubtfully.
"Good to the poor? Ay, that's what they said of her father. All I know
is that she heard Stefano the weaver's lad had the falling sickness, and
she carried him a potion with her own hands, and the next day the child
was dead, and a Carmelite friar, who saw the phial he drank from, said
it was the same shape and size as one that was found in a witch's grave
when they were digging the foundations for the new monastery."
"Ladies and gentlemen," shrieked the quack, "what am I offered for a
drop of this priceless liquor?"
The listener turned aside and pushed his way toward the farther end of
the square. As he did so he ran against a merry-andrew who thrust a long
printed sheet in his hand.
"Buy my satirical ballads, ladies and gentlemen!" the fellow shouted.
"Two for a farthing, invented and written by an own cousin of the great
Pasquino of Rome! What will you have, sir? Here's the secret history of
a famous Prince's amours with an atheist--here's the true scandal of an
illustrious lady's necklace--two for a farthing...and my humblest thanks
to your excellency." He pocketed the coin, and the other, thrusting the
broadsheets beneath his cloak, pushed on to the nearest coffee-house.
Here every table was thronged, and the babble of talk so loud that the
stranger, hopeless of obtaining refreshment, pressed his way into the
remotest corner of the room and seated himself on an empty cask. At
first he sat motionless, silently observing the crowd; then he drew
forth the ballads and ran his eye over them. He was still engaged in
this study when his notice was attracted by a loud discussion going
forward between a party of men at the nearest table. The disputants,
petty tradesman or artisans by their dress, had evidently been warmed by
a good flagon of wine, and their tones were so lively that every word
reached the listener on the cask.
"Reform, reform!" cried one, who appeared by his dress and manner to be
the weightiest of the company--"it's all very well to cry reform; but
what I say is that most of those that are howling for it no more know
what they're asking than a parrot that's been taught the litany. Now the
first question is: who benefits by your reform? And what's the answer to
that, eh? Is it the tradesmen? The merchants? The clerks, artisans,
household servants, I ask you? I hear some of my fellow-tradesmen
complaining that the nobility don't pay their bills. Will they be better
paid, think you, when the Duke has halved their revenues? Will the
quality keep up as large households, employ as many lacqueys, set as
lavish tables, wear as fine clothes, collect as many rarities, buy as
many horses, give us, in short, as many opportunities of making our
profit out of their pleasure? What I say is, if we're to have new taxes,
don't let them fall on the very class we live by!"
"That's true enough," said another speaker, a lean bilious man with a
pen behind his ear. "The peasantry are the only class that are going to
profit by this constitution."
"And what do the peasantry do for us, I should like to know?" the first
speaker went on triumphantly. "As far as the fat friars go, I'm not
sorry to see them squeezed a trifle, for they've wrung enough money out
of our women-folk to lie between feathers from now till doomsday; but I
say, if you care for your pockets, don't lay hands on the nobility!"
"Gently, gently, my friend," exclaimed a cautious flaccid-looking man
setting down his glass. "Father and son, for four generations, my family
have served Pianura with Church candles, and I can tell you that since
these new atheistical notions came in, the nobility are not the good
patrons they used to be. But as for the friars, I should be sorry to see
them meddled with. It's true they may get the best morsel in the pot and
the warmest seat on the hearth--and one of them, now and then, may take
too long to teach a pretty girl her Pater Noster--but I'm not sure we
shall be better off when they're gone. Formerly, if a child too many
came to poor folk they could always comfort themselves with the thought
that, if there was no room for him at home, the Church was there to
provide for him. But if we drive out the good friars, a man will have to
count mouths before he dares look at his wife too lovingly."
"Well," said the scribe with a dry smile, "I've a notion the good friars
have always taken more than they gave; and if it were not for the gaping
mouths under the cowl even a poor man might have victuals enough for his
own."
The first speaker turned on him contentiously.
"Do I understand you are for this new charter, then?" he asked.
"No, no," said the other. "Better hot polenta than a cold ortolan.
Things are none too good as they are, but I never care to taste first of
a new dish. And in this case I don't fancy the cook."
"Ah, that's it," said the soft man. "It's too much like the apothecary's
wife mixing his drugs for him. Men of Roman lineage want no women to
govern them!" He puffed himself out and thrust a hand in his bosom.
"Besides, gentlemen," he added, dropping his voice and glancing
cautiously about the room, "the saints are my witness I'm not
superstitious--but frankly, now, I don't much fancy this business of the
Virgin's crown."
"What do you mean?" asked a lean visionary-looking youth who had been
drinking and listening.
"Why, sir, I needn't say I'm the last man in Pianura to listen to
women's tattle; but my wife had it straight from Cino the barber, whose
sister is portress of the Benedictines, that, two days since, one of the
nuns foretold the whole business, precisely as it happened--and what's
more, many that were in the Church this morning will tell you that they
distinctly saw the blessed image raise both arms and tear the crown from
her head."
"H'm," said the young man flippantly, "what became of the Bambino
meanwhile, I wonder?"
The scribe shrugged his shoulders. "We all know," said he, "that Cino
the barber lies like a christened Jew; but I'm not surprised the thing
was known in advance, for I make no doubt the priests pulled the wires
that brought down the crown."
The fat man looked scandalised, and the first speaker waved the subject
aside as unworthy of attention.
"Such tales are for women and monks," he said impatiently. "But the
business has its serious side. I tell you we are being hurried to our
ruin. Here's this matter of draining the marshes at Pontesordo. Who's to
pay for that? The class that profits by it? Not by a long way. It's we
who drain the land, and the peasants are to live on it."
The visionary youth tossed back his hair. "But isn't that an inspiration
to you, sir?" he exclaimed. "Does not your heart dilate at the thought
of uplifting the condition of your down-trodden fellows?"
"My fellows? The peasantry my fellows?" cried the other. "I'd have you
know, my young master, that I come of a long and honourable line of
cloth-merchants, that have had their names on the Guild for two hundred
years and over. I've nothing to do with the peasantry, thank God!"
The youth had emptied another glass. "What?" he screamed. "You deny the
universal kinship of man? You disown your starving brothers? Proud
tyrant, remember the Bastille!" He burst into tears and began to quote
Alfieri.
"Well," said the fat man, turning a disgusted shoulder on this display
of emotion, "to my mind this business of draining Pontesordo is too much
like telling the Almighty what to do. If God made the land wet, what
right have we to dry it? Those that begin by meddling with the Creator's
works may end by laying hands on the Creator."
"You're right," said another. "There's no knowing where these
new-fangled notions may land us. For my part, I was rather taken by them
at first; but since I find that his Highness, to pay for all his good
works, is cutting down his household and throwing decent people out of a
job--like my own son, for instance, that was one of the under-steward's
boys at the palace--why, since then, I begin to see a little farther
into the game."
A shabby shrewd-looking fellow in a dirty coat and snuff-stained stock
had sauntered up to the table and stood listening with an amused smile.
"Ah," said the scribe, glancing up, "here's a thoroughgoing reformer,
who'll be asking us all to throw up our hats for the new charter."
The new-comer laughed contemptuously. "I?" he said. "God forbid! The new
charter's none of my making. It's only another dodge for getting round
the populace--for appearing to give them what they would rise up and
take if it were denied them any longer."
"Why, I thought you were hot for these reforms?" exclaimed the fat man
with surprise.
The other shrugged. "You might as well say I was in favour of having the
sun rise tomorrow. It would probably rise at the same hour if I voted
against it. Reform is bound to come, whether your Dukes and Princes are
for it or against it; and those that grant constitutions instead of
refusing them are like men who tie a string to their hats before going
out in a gale. The string may hold for a while--but if it blows hard
enough the hats will all come off in the end."
"Ay, ay; and meanwhile we furnish the string from our own pockets," said
the scribe with a chuckle.
The shabby man grinned. "It won't be the last thing to come out of your
pockets," said he, turning to push his way toward another table.
The others rose and called for their reckoning; and the listener on the
cask slipped out of his corner, elbowed a passage to the door and
stepped forth into the square.
It was after midnight, a thin drizzle was falling, and the crowd had
scattered. The rain was beginning to extinguish the paper lanterns and
the torches, and the canvas sides of the tents flapped dismally, like
wet sheets on a clothes-line. The man drew his cloak closer, and
avoiding the stragglers who crossed his path, turned into the first
street that led to the palace. He walked fast over the slippery
cobble-stones, buffeted by a rising wind and threading his way between
dark walls and sleeping house-fronts till he reached the lane below the
ducal gardens. He unlocked the door by which he had come forth, entered
the gardens, and paused a moment on the terrace above the lane.
Behind him rose the palace, a dark irregular bulk, with a lighted window
showing here and there. Before him lay the city, an indistinguishable
huddle of roofs and towers under the rainy night. He stood awhile gazing
out over it; then he turned and walked toward the palace. The garden
alleys were deserted, the pleached walks dark as subterranean passages,
with the wet gleam of statues starting spectrally out of the blackness.
The man walked rapidly, leaving the Borromini wing on his left, and
skirting the outstanding mass of the older buildings. Behind the marble
buttresses of the chapel, he crossed the dense obscurity of a court
between high walls, found a door under an archway, turned a key in the
lock, and gained a spiral stairway as dark as the court. He groped his
way up the stairs and paused a moment on the landing to listen. Then he
opened another door, lifted a heavy hanging of tapestry, and stepped
into the Duke's closet. It stood empty, with a lamp burning low on the
desk.
The man threw off his cloak and hat, dropped into a chair beside the
desk, and hid his face in his hands.
4.9.
It was the eve of the Duke's birthday. A cabinet council had been called
in the morning, and his Highness's ministers had submitted to him the
revised draft of the constitution which was to be proclaimed on the
morrow.
Throughout the conference, which was brief and formal, Odo had been
conscious of a subtle change in the ministerial atmosphere. Instead of
the current of resistance against which he had grown used to forcing his
way, he became aware of a tacit yielding to his will. Trescorre had
apparently withdrawn his opposition to the charter, and the other
ministers had followed suit. To Odo's overwrought imagination there was
something ominous in the change. He had counted on the goad of
opposition to fight off the fatal languor which he had learned to expect
at such crises. Now that he found there was to be no struggle he
understood how largely his zeal had of late depended on such factitious
incentives. He felt an irrational longing to throw himself on the other
side of the conflict, to tear in bits the paper awaiting his signature,
and disown the policy which had dictated it. But the tide of
acquiescence on which he was afloat was no stagnant back-water of
indifference, but the glassy reach just above the fall of a river. The
current was as swift as it was smooth, and he felt himself hurried
forward to an end he could no longer escape. He took the pen which
Trescorre handed him, and signed the constitution.
The meeting over, he summoned Gamba. He felt the need of such
encouragement as the hunchback alone could give. Fulvia's enthusiasms
were too unreal, too abstract. She lived in a region of ideals, whence
ugly facts were swept out by some process of mental housewifery which
kept her world perpetually smiling and immaculate. Gamba at least fed
his convictions on facts. If his outlook was narrow it was direct: no
roseate medium of fancy was interposed between his vision and the truth.
He stood listening thoughtfully while Odo poured forth his doubts.
"Your Highness may well hesitate," he said at last. "There are always
more good reasons against a new state of things than for it. I am not
surprised that Count Trescorre appears to have withdrawn his opposition.
I believe he now honestly wishes your Highness to proclaim the
constitution."
Odo looked up in surprise. "You do not mean that he has come to believe
in it?"
Gamba smiled. "Probably not in your Highness's sense; but he may have
found a use of his own for it."
"What do you mean?" Odo asked.
"If he does not believe it will benefit the state he may think it will
injure your Highness."
"Ah--" said the Duke slowly.
There was a pause, during which he was possessed by the same shuddering
reluctance to fix his mind on the facts before him as when he had
questioned the hunchback about Momola's death. He longed to cast the
whole business aside, to be up and away from it, drawing breath in a new
world where every air was not tainted with corruption. He raised his
head with an effort.
"You think, then, that the liberals are secretly acting against me in
this matter?"
"I am persuaded of it, your Highness."
Odo hesitated. "You have always told me," he began again, "that the love
of dominion was your brother's ruling passion. If he really believes
this movement will be popular with the people, why should he secretly
oppose it, instead of making the most of his own share in it as the
minister of a popular sovereign?"
"For several reasons," Gamba answered promptly. "In the first place, the
reforms your Highness has introduced are not of his own choosing, and
Trescorre has little sympathy with any policy he has not dictated. In
the second place, the powers and opportunities of a constitutional
minister are too restricted to satisfy his appetite for rule; and
thirdly--" he paused a moment, as though doubtful how his words would be
received--"I suspect Trescorre of having a private score against your
Highness, which he would be glad to pay off publicly."
Odo fell silent, yielding himself to a fresh current of thought.
"I know not what score he may have against me," he said at length; "but
what injures me must injure the state, and if Trescorre has any such
motive for withdrawing his opposition, it must be because he believes
the constitution will defeat its own ends."
"He does believe that, assuredly; but he is not the only one of your
Highness's ministers that would ruin the state on the chance of finding
an opportunity among the ruins."
"That is as it may be," said Odo with a touch of weariness. "I have seen
enough of human ambition to learn how limited and unimaginative a
passion it is. If it saw farther I should fear it more. But if it is
short-sighted it sees clearly at close range; and the motive you ascribe
to Trescorre would imply that he believes the constitution will be a
failure."
"Without doubt, your Highness. I am convinced that your ministers have
done all they could to prevent the proclamation of the charter, and
failing that, to thwart its workings if it be proclaimed. In this they
have gone hand in hand with the clergy, and their measures have been
well taken. But I do not believe that any state of mind produced by
external influences can long withstand the natural drift of opinion; and
your Highness may be sure that, though the talkers and writers are
mostly against you in this matter, the mass of the people are with you."
Odo answered with a despairing gesture. "How can I be sure, when the
people have no means of expressing their needs? It is like trying to
guess the wants of a deaf and dumb man!"
The hunchback flushed suddenly. "The people will not always be deaf and
dumb," he said. "Some day they will speak."
"Not in my day," said Odo wearily. "And meanwhile we blunder on, without
ever really knowing what incalculable instincts and prejudices are
pitted against us. You and your party tell me the people are sick of the
burdens the clergy lay on them--yet their blind devotion to the Church
is manifest at every turn, and it did not need the business of the
Virgin's crown to show me how little reason and justice can avail
against such influences."
Gamba replied by an impatient gesture. "As to the Virgin's crown," he
said, "your Highness must have guessed it was one of the friars' tricks:
a last expedient to turn the people against you. I was not bred up by a
priest for nothing; I know what past masters those gentry are in raising
ghosts and reading portents. They know the minds of the poor folk as the
herdsman knows the habits of his cattle; and for generations they have
used that knowledge to bring the people more completely under their
control."
"And what have we to oppose to such a power?" Odo exclaimed. "We are
fighting the battle of ideas against passions, of reflection against
instinct; and you have but to look in the human heart to guess which
side will win in such a struggle. We have science and truth and
common-sense with us, you say--yes, but the Church has love and fear and
tradition, and the solidarity of nigh two thousand years of dominion."
Gamba listened in respectful silence; then he replied with a faint
smile: "All that your Highness says is true; but I beg leave to relate
to your Highness a tale which I read lately in an old book of your
library. According to this story it appears that when the early
Christians of Alexandria set out to destroy the pagan idols in the
temples they were seized with great dread at sight of the god Serapis;
for even those that did not believe in the old gods feared them, and
none dared raise a hand against the sacred image. But suddenly a soldier
who was bolder than the rest flung his battle-axe at the figure--and
when it broke in pieces, there rushed out nothing worse than a great
company of rats."...
* * * * *
The Duke had promised to visit Fulvia that evening. For several days his
state of indecision had made him find pretexts for avoiding her; but now
that the charter was signed and he had ordered its proclamation, he
craved the contact of her unwavering faith.
He found her alone in the dusk of the convent parlour; but he had hardly
crossed the threshold before he was aware of an indefinable change in
his surroundings. She advanced with an impulsiveness out of harmony with
the usual tranquillity of their meetings, and he felt her hand tremble
and burn in his. In the twilight it seemed to him that her very dress
had a warmer rustle and glimmer, that there emanated from her glance and
movements some heady fragrance of a long-past summer. He smiled to think
that this phantom coquetry should have risen at the summons of an
academic degree; but some deeper sense in him was stirred as by a vision
of waste riches adrift on the dim seas of chance.
For a moment she sat silent, as in the days when they had been too near
each other for many words; and there was something indescribably
soothing in this dreamlike return to the past. It was he who roused
himself first.
"How young you look!" he said, giving involuntary utterance to his
thought.
"Do I?" she answered gaily. "I am glad of that, for I feel
extraordinarily young tonight. Perhaps it is because I have been
thinking a great deal of the old days--of Venice and Turin--and of the
high-road to Vercelli, for instance." She glanced at him with a smile.
"Do you know," she went on, moving to a seat at his side, and laying a
hand on the arm of his chair, "that there is one secret of mine you have
never guessed in all these years?"
Odo returned her smile. "What is it, I wonder?" he said.
She fixed him with bright bantering eyes. "I knew why you deserted us at
Vercelli." He uttered an exclamation, but she lifted a hand to his lips.
"Ah, how angry I was then--but why be angry now? It all happened so long
ago; and if it had not happened--who knows?--perhaps you would never
have pitied me enough to love me as you did." She laughed softly,
reminiscently, leaning back as if to let the tide of memories ripple
over her. Then she raised her head suddenly, and said in a changed
voice: "Are your plans fixed for tomorrow?"
Odo glanced at her in surprise. Her mind seemed to move as capriciously
as Maria Clementina's.
"The constitution is signed," he answered, "and my ministers proclaim it
tomorrow morning." He looked at her a moment, and lifted her hand to his
lips. "Everything has been done according to your wishes," he said.
She drew away with a start, and he saw that she had turned pale. "No,
no--not as I wish," she murmured. "It must not be because _I_ wish--"
she broke off and her hand slipped from his.
"You have taught me to wish as you wish," he answered gently. "Surely
you would not disown your pupil now?"
Her agitation increased. "Do not call yourself that!" she exclaimed.
"Not even in jest. What you have done has been done of your own
choice--because you thought it best for your people. My nearness or
absence could have made no difference."
He looked at her with growing wonder. "Why this sudden modesty?" he said
with a smile. "I thought you prided yourself on your share in the great
work."
She tried to force an answering smile, but the curve broke into a quiver
of distress, and she came close to him, with a gesture that seemed to
take flight from herself.
"Don't say it, don't say it!" she broke out. "What right have they to
call it my doing? I but stood aside and watched you and gloried in
you--is there any guilt to a woman in THAT?" She clung to him a moment,
hiding her face in his breast.
He loosened her arms gently, that he might draw back and look at her.
"Fulvia," he asked, "what ails you? You are not yourself tonight. Has
anything happened to distress you? Have you been annoyed or alarmed in
any way?--It is not possible," he broke off, "that Trescorre has been
here--?"
She drew away, flushed and protesting. "No, no," she exclaimed. "Why
should Trescorre come here? Why should you fancy that any one has been
here? I am excited, I know; I talk idly; but it is because I have been
thinking too long of these things--"
"Of what things?"
"Of what people say--how can one help hearing that? I sometimes fancy
that the more withdrawn one lives the more distinctly one hears the
outer noises."
"But why should you heed the outer noises? You have never done so
before."
"Perhaps I was wrong not to do so before. Perhaps I should have listened
sooner. Perhaps others have seen--understood--sooner than I--oh, the
thought is intolerable!"
She moved a pace or two away, and then, regaining the mastery of her
lips and eyes, turned to him with a show of calmness.
"Your heart was never in this charter--" she began.
"Fulvia!" he cried protestingly; but she lifted a silencing hand. "Ah, I
have seen it--I have felt it--but I was never willing to own that you
were right. My pride in you blinded me, I suppose. I could not bear to
dream any fate for you but the greatest. I saw you always leading
events, rather than waiting on them. But true greatness lies in the man,
not in his actions. Compromise, delay, renunciation--these may be as
heroic as conflict. A woman's vision is so narrow that I did not see
this at first. You have always told me that I looked only at one side of
the question; but I see the other side now--I see that you were right."
Odo stood silent. He had followed her with growing wonder. A volte-face
so little in keeping with her mental habits immediately struck him as a
feint; yet so strangely did it accord with his own secret reluctances
that these inclined him to let it pass unquestioned.
Some instinctive loyalty to his past checked the temptation. "I am not
sure that I understand you," he said slowly. "Have you lost faith in the
ideas we have worked for?"
She hesitated, and he saw the struggle beneath her surface calmness.
"No, no," she exclaimed quickly, "I have not lost faith in them--"
"In me, then?"
She smiled with a disarming sadness. "That would be so much simpler!"
she murmured.
"What do you mean, then?" he urged. "We must understand each other." He
paused, and measured his words out slowly. "Do you think it a mistake to
proclaim the constitution tomorrow?"
Again her face was full of shadowy contradictions. "I entreat you not to
proclaim it tomorrow," she said in a low voice.
Odo felt the blood drum in his ears. Was not this the word for which he
had waited? But still some deeper instinct held him back, warning him,
as it seemed, that to fall below his purpose at such a juncture was the
only measurable failure. He must know more before he yielded, see deeper
into her heart and his; and each moment brought the clearer conviction
that there was more to know and see.
"This is unlike you, Fulvia," he said. "You cannot make such a request
on impulse. You must have a reason."
She smiled. "You told me once that a woman's reasons are only impulses
in men's clothes."
But he was not to be diverted by this thrust. "I shall think so now," he
said, "unless you can give me some better account of yours!"
She was silent, and he pressed on with a persistency for which he
himself could hardly account: "You must have a reason for this request."
"I have one," she said, dropping her attempts at evasion.
"And it is--?"
She paused again, with a look of appeal against which he had to stiffen
himself.
"I do not believe the time has come," she said at length.
"You think the people are not ready for the constitution?"
She answered with an effort: "I think the people are not ready for it."
He fell silent, and they sat facing each other, but with eyes apart.
"You have received this impression from Gamba, from Andreoni--from the
members of our party?" he asked.
She made no reply.
"Remember, Fulvia," he went on almost sternly, "that this is the end for
which we have worked together all these years--the end for which we
renounced each other and went forth in our youth, you to exile and I to
an unwilling sovereignty. It was because we loved this cause better than
ourselves that we had strength to give up for it our personal hopes of
happiness. If we betray the cause from any merely personal motive we
shall have fallen below our earlier selves." He waited again, but she
was still silent. "Can you swear to me," he went on, "that no such
motive influences you now? That you honestly believe we have been
deceived and mistaken? That our years of faith and labour have been
wasted, and that, if mankind is to be helped, it is to be in other ways
and by other efforts than ours?"
He stood before her accusingly, almost, the passion of the long fight
surging up in him as he felt the weapon drop from his hand.
Fulvia had sat motionless under his appeal; but as he paused she rose
with an impulsive gesture. "Oh, why do you torment me with questions?"
she cried, half-sobbing. "I venture to counsel a delay, and you arraign
me as though I stood at the day of judgment!"
"It IS our day of judgment," he retorted. "It is the day on which life
confronts us with our own actions, and we must justify them or own
ourselves deluded." He went up to her and caught her hands entreatingly.
"Fulvia," he said, "I too have doubted, wavered--and if you will give me
one honest reason that is worthy of us both--"
She broke from him to hide her weeping. "Reasons! reasons!" she
stammered. "What does the heart know of reasons? I ask a favour--the
first I ever asked of you--and you answer it by haggling with me for
reasons!"
Something in her voice and gesture was like a lightning-flash over a
dark landscape. In an instant he saw the pit at his feet.
"Some one has been with you. Those words were not yours," he cried.
She rallied instantly. "That is a pretext for not heeding them!" she
returned.
The lightning glared again. He stepped close and faced her.
"The Duchess has been here," he said.
She dropped into a chair and hid her face from him. A wave of anger
mounted from his heart, choking back his words and filling his brain
with its fumes. But as it subsided he felt himself suddenly cool, firm,
attempered. There could be no wavering, no self-questioning now.
"When did this happen?" he asked.
She shook her head despairingly.
"Fulvia," he said, "if you will not speak I will speak for you. I can
guess what arguments were used--what threats, even. Were there threats?"
burst from him in a fresh leap of anger.
She raised her head slowly. "Threats would not have mattered," she said.
"But your fears were played on--your fears for my safety?--Fulvia,
answer me!" he insisted.
She rose suddenly and laid her arms about his shoulders, with a gesture
half-tender, half-maternal.
"Oh," she said, "why will you torture me? I have borne much for our
love's sake, and would have borne this too--in silence, like the
rest--but to speak of it is to relieve it; and my strength fails me!"
He held her hands fast, keeping his eyes on hers. "No," he said, "for
your strength never failed you when there was any call on it; and our
whole past calls on it now. Rouse yourself, Fulvia: look life in the
face! You were told there might be troubles tomorrow--that I was in
danger, perhaps?"
"There was worse--there was worse," she shuddered.
"Worse?"
"The blame was laid on me--the responsibility. Your love for me, my
power over you, were accused. The people hate me--they hate you for
loving me! Oh, I have destroyed you!" she cried.
Odo felt a slow cold strength pouring into all his veins. It was as
though his enemies, in thinking to mix a mortal poison, had rendered him
invulnerable. He bent over her with great gentleness.
"Fulvia, this is madness," he said. "A moment's thought must show you
what passions are here at work. Can you not rise above such fears? No
one can judge between us but ourselves."
"Ah, but you do not know--you will not understand. Your life may be in
danger!" she cried.
"I have been told that before," he said contemptuously. "It is a common
trick of the political game."
"This is no trick," she exclaimed. "I was made to see--to
understand--and I swear to you that the danger is real."
"And what if it were? Is the Church to have all the martyrs?" said he
gaily. "Come, Fulvia, shake off such fancies. My life is as safe as
yours. At worst there may be a little hissing to be faced. That is easy
enough compared to facing one's own doubts. And I have no doubts
now--that is all past, thank heaven! I see the road straight before
me--as straight as when you showed it to me once before, years ago, in
the inn-parlour at Peschiera. You pointed the way to it then; surely you
would not hold me back from it now?"
He took her in his arms and kissed her lips to silence.
"When we meet tomorrow," he said, releasing her, "It will be as teacher
and pupil, you in your doctor's gown and I a learner at your feet. Put
your old faith in me into your argument, and we shall have all Pianura
converted."
He hastened away through the dim gardens, carrying a boy's heart in his
breast.
4.10.
The University of Pianura was lodged in the ancient Signoria or Town
Hall of the free city; and here, on the afternoon of the Duke's
birthday, the civic dignitaries and the leading men of the learned
professions had assembled to see the doctorate conferred on the
Signorina Fulvia Vivaldi and on several less conspicuous candidates of
the other sex.
The city was again in gala dress. Early that morning the new
constitution had been proclaimed, with much firing of cannon and display
of official fireworks; but even these great news, and their attendant
manifestations, had failed to enliven the populace, who, instead of
filling the streets with their usual stir, hung massed at certain
points, as though curiously waiting on events. There are few sights more
ominous than that of a crowd thus observing itself, watching in
inconscient suspense for the unknown crisis which its own passions have
engendered.
It was known that his Highness, after the public banquet at the palace,
was to proceed in state to the University; and the throng was thick
about the palace gates and in the streets betwixt it and the Signoria.
Here the square was close-packed, and every window choked with gazers,
as the Duke's coach came in sight, escorted meagrely by his equerries
and the half-dozen light-horse that preceded him. The small escort, and
the marked absence of military display, perhaps disappointed the
splendour-loving crowd; and from this cause or another, scarce a cheer
was heard as his Highness descended from his coach, and walked up the
steps to the porch of ancient carved stone where the faculty awaited
him.
The hall was already filled with students and graduates, and with the
guests of the University. Through this grave assemblage the Duke passed
up to the row of armchairs beneath the dais at the farther end of the
room. Trescorre, who was to have attended his Highness, had excused
himself on the plea of indisposition, and only a few
gentlemen-in-waiting accompanied the Duke; but in the brown half-light
of the old Gothic hall their glittering uniforms contrasted brilliantly
with the black gowns of the students, and the sober broadcloth of the
learned professions. A discreet murmur of enthusiasm rose at their
approach, mounting almost to a cheer as the Duke bowed before taking his
seat; for the audience represented the class most in sympathy with his
policy and most confident of its success.
The meetings of the faculty were held in the great council-chamber where
the Rectors of the old free city had assembled; and such a setting was
regarded as peculiarly appropriate to the present occasion. The fact was
alluded to, with much wealth of historical and mythological analogy, by
the President, who opened the ceremonies with a polysyllabic Latin
oration, in which the Duke was compared to Apollo, Hercules and Jason,
as well as to the flower of sublunary heroes.
This feat of rhetoric over, the candidates were called on to advance and
receive their degrees. The men came first, profiting by the momentary
advantage of sex, but clearly aware of its inability to confer even
momentary importance in the eyes of the impatient audience. A pause
followed, and then Fulvia appeared. Against the red-robed faculty at the
back of the dais, she stood tall and slender in her black cap and gown.
The high windows of painted glass shed a paleness on her face, but her
carriage was light and assured as she advanced to the President and
knelt to receive her degree. The parchment was placed in her hand, the
furred hood laid on her shoulders; then, after another flourish of
rhetoric, she was led to the lectern from which her discourse was to be
delivered. Odo sat just below her, and as she took her place their eyes
met for an instant. He was caught up in the serene exaltation of her
look, as though she soared with him above wind and cloud to a region of
unshadowed calm; then her eyes fell and she began to speak.
She had a pretty mastery of Latin, and though she had never before
spoken in public, her poetical recitations, and the early habit of
intercourse with her father's friends, had given her a fair measure of
fluency and self-possession. These qualities were raised to eloquence by
the sweetness of her voice, and by the grave beauty which made the
academic gown seem her natural wear, rather than a travesty of learning.
Odo at first had some difficulty in fixing his attention on what she
said; and when he controlled his thoughts she was in the height of her
panegyric of constitutional liberty. She had begun slowly, almost
coldly; but now her theme possessed her. One by one she evoked the
familiar formulas with which his mind had once reverberated. They woke
no echo in him now; but he saw that she could still set them ringing
through the sensibilities of her hearers. As she stood there, a slight
impassioned figure, warming to her high argument, his sense of irony was
touched by the incongruity of her background. The wall behind her was
covered by an ancient fresco, fast fading under its touches of renewed
gilding, and representing the patron scholars of the mediaeval world:
the theologians, law-givers and logicians under whose protection the
free city had placed its budding liberties. There they sat, rigid and
sumptuous on their Gothic thrones: Origen, Zeno, David, Lycurgus,
Aristotle; listening in a kind of cataleptic helplessness to a
confession of faith that scattered their doctrines to the winds. As he
looked and listened, a weary sense of the reiterance of things came over
him. For what were these ancient manipulators of ideas, prestidigitators
of a vanished world of thought, but the forbears of the long line of
theorists of whom Fulvia was the last inconscient mouthpiece? The new
game was still played with the old counters, the new jugglers repeated
the old tricks; and the very words now poured out in defence of the new
cause were but mercenaries scarred in the service of its enemies. For
generations, for centuries, man had fought on; crying for liberty,
dreaming it was won, waking to find himself the slave of the new forces
he had generated, burning and being burnt for the same beliefs under
different guises, calling his instinct ideas and his ideas revelations;
destroying, rebuilding, falling, rising, mending broken weapons,
championing extinct illusions, mistaking his failures for achievements
and planting his flag on the ramparts as they fell. And as the vision of
this inveterate conflict rose before him, Odo saw that the beauty, the
power, the immortality, dwelt not in the idea but in the struggle for
it.
His resistance yielded as this sense stole over him, and with an almost
physical relief he felt himself drawn once more into the familiar
current of emotion. Yes, it was better after all to be one of that great
unconquerable army, though, like the Trojans fighting for a phantom
Helen, they might be doing battle for the shadow of a shade; better to
march in their ranks, endure with them, fight with them, fall with them,
than to miss the great enveloping sense of brotherhood that turned
defeat to victory.
As the conviction grew in him, Fulvia's words regained their lost
significance. Through the set mask of language the living thoughts
looked forth, old indeed as the world, but renewed with the new life of
every heart that bore them. She had left the abstract and dropped to
concrete issues: to the gift of the constitution, the benefits and
obligations it implied, the new relations it established between ruler
and subject and between man and man. Odo saw that she approached the
question without flinching. No trace remained of the trembling woman who
had clung to him the night before. Her old convictions repossessed her
and she soared above human fears.
So engrossed was he that he had been unaware of a growing murmur of
sound which seemed to be forcing its way from without through the walls
of the ancient building. As Fulvia's oration neared its end the murmur
rose to a roar. Startled faces were turned toward the doors of the
council-chamber, and one of the Duke's gentlemen left his seat and made
his way through the audience. Odo sat motionless, his eyes on Fulvia. He
noticed that her face paled as the sound reached her, but there was no
break in the voice with which she uttered the closing words of her
peroration. As she ended, the noise was momentarily drowned under a loud
burst of clapping; but this died in a hush of apprehension through which
the outer tumult became more ominously audible. The equerry reentered
the hall with a disordered countenance. He hastened to the Duke and
addressed him urgently.
"Your Highness," he said, "the crowd has thickened and wears an ugly
look. There are many friars abroad, and images of the Mountain Virgin
are being carried in procession. Will your Highness be pleased to remain
here while I summon an escort from the barracks?"
Odo was still watching Fulvia. She had received the applause of the
audience with a deep reverence, and was now in the act of withdrawing to
the inner room at the back of the dais. Her eyes met Odo's; she smiled
and the door closed on her. He turned to the equerry.
"There is no need of an escort," he said. "I trust my people if they do
not trust me."
"But, your Highness, the streets are full of demagogues who have been
haranguing the people since morning. The crowd is shouting against the
constitution and against the Signorina Vivaldi."
A flame of anger passed over the Duke's face; but he subdued it
instantly.
"Go to the Signorina Vivaldi," he said, pointing to the door by which
Fulvia had left the hall. "Assure her that there is no danger, but ask
her to remain where she is till the crowd disperses, and request the
faculty in my name to remain with her."
The equerry bowed, and hurried up the steps of the dais, while the Duke
signed to his other companions to precede him to the door of the hall.
As they walked down the long room, between the close-packed ranks of the
audience, the outer tumult surged threateningly toward them. Near the
doorway, another of the gentlemen-in-waiting was seen to speak with the
Duke.
"Your Highness," he said, "there is a private way at the back by which
you may yet leave the building unobserved."
"You appear to forget that I entered it publicly," said Odo.
"But, your Highness, we cannot answer for the consequences--"
The Duke signed to the ushers to throw open the doors. They obeyed, and
he stepped out into the stone vestibule preceding the porch. The
iron-barred outer doors of this vestibule were securely bolted, and the
porter hung back in affright at the order to unlock them.
"Your Highness, the people are raving mad," he said, flinging himself on
his knees.
Odo turned impatiently to his escort. "Unbar the doors, gentlemen," he
said. The blood was drumming in his ears, but his eye was clear and
steady, and he noted with curious detachment the comic agony of the fat
porter's face, and the strain and swell of the equerry's muscles as he
dragged back the ponderous bolts.
The doors swung open, and the Duke emerged. Below him, still with that
unimpaired distinctness of vision which seemed a part of his heightened
vitality, he saw a great gesticulating mass of people. They packed the
square so closely that their own numbers held them immovable, save for
their swaying arms and heads; and those whom the square could not
contain had climbed to porticoes, balconies and cornices, and massed
themselves in the neck of the adjoining streets. The handful of
light-horse who had escorted the Duke's carriage formed a single line at
the foot of the steps, so that the approach to the porch was still
clear; but it was plain that the crowd, with its next movement, would
break through this slender barrier and hem in the Duke.
At Odo's appearance the shouting had ceased and every eye was turned on
him. He stood there, a brilliant target, in his laced coat of
peach-coloured velvet, his breast covered with orders, a hand on his
jewelled sword-hilt. For a moment sovereign and subjects measured each
other; and in that moment Odo drank his deepest draught of life. He was
not thinking now of the constitution or its opponents. His present
business was to get down the steps and into the carriage, returning to
the palace as openly as he had come. He was conscious of neither pity
nor hatred for the throng in his path. For the moment he regarded them
merely as a natural force, to be fought against like storm or flood. His
clearest sensation was one of relief at having at last some material
obstacle to spend his strength against, instead of the impalpable powers
which had so long beset him. He felt, too, a boyish satisfaction at his
own steadiness of pulse and eye, at the absence of that fatal inertia
which he had come to dread. So clear was his mental horizon that it
embraced not only the present crisis, but a dozen incidents leading up
to it. He remembered that Trescorre had urged him to take a larger
escort, and that he had refused on the ground that any military display
might imply a doubt of his people. He was glad now that he had done so.
He would have hated to slink to his carriage behind a barrier of drawn
swords. He wanted no help to see him through this business. The blood
sang in his veins at the thought of facing it alone.
The silence lasted but a moment; then an image of the Mountain Virgin
was suddenly thrust in air, and a voice cried out: "Down with our Lady's
enemies! We want no laws against the friars!"
A howl caught up the words and tossed them to and fro above the seething
heads. Images of the Virgin, religious banners, the blue-and-white of
the Madonna's colours, suddenly canopied the crowd.
"We want the Barnabites back!" sang out another voice.
"Down with the free-thinkers!" yelled a hundred angry throats.
A stone or two sped through the air and struck the sculptures of the
porch.
"Your Highness!" cried the equerry who stood nearest, and would have
snatched the Duke back within doors.
For all answer, Odo stepped clear of the porch and advanced to the edge
of the steps. As he did so, a shower of missiles hummed about him, and a
stone struck him on the lip. The blood rushed to his head, and he swayed
in the sudden grip of anger; but he mastered himself and raised his lace
handkerchief to the cut.
His gentlemen had drawn their swords; but he signed to them to sheathe
again. His first thought was that he must somehow make the people hear
him. He lifted his hand and advanced a step; but as he did so a shot
rang out, followed by a loud cry. The lieutenant of the light-horse,
infuriated by the insult to his master, had drawn the pistol from his
holster and fired blindly into the crowd. His bullet had found a mark,
and the throng hissed and seethed about the spot where a man had fallen.
At the same instant Odo was aware of a commotion in the group behind
him, and with a great plunge of the heart he saw Fulvia at his side. She
still wore the academic dress, and her black gown detached itself
sharply against the bright colours of the ducal uniforms.
Groans and hisses received her, but the mob hung back, as though her
look had checked them. Then a voice shrieked out: "Down with the
atheist! We want no foreign witches!" and another caught it up with the
yell: "She poisoned the weaver's boy! Her father was hanged for
murdering Christian children!"
The cry set the crowd in motion again, and it rolled toward the line of
mounted soldiers at the foot of the steps. The men had their hands on
their holsters; but the Duke's call rang out: "No firing!" and drawing
their blades, they sat motionless to receive the shock.
It came, dashed against them and dispersed them. Only a few yards lay
now between the people and their sovereign. But at that moment another
shot was fired. This time it came from the thick of the crowd. The
equerries' swords leapt forth again, and they closed around the Duke and
Fulvia.
"Save yourself, sir! Back into the building!" one of the gentlemen
shouted; but Odo had no eyes for what was coming. For as the shot was
heard he had seen a change in Fulvia. A moment they had stood together,
smiling, undaunted, hands locked and wedded eyes, then he felt her
dissolve against him and drop between his arms.
A cry had gone out that the Duke was wounded, and a leaden silence fell
on the crowd. In that silence Odo knelt, lifting Fulvia's head to his
breast. No wound showed through her black gown. She lay as though
smitten by some invisible hand. So deep was the hush that her least
whisper must have reached him; but though he bent close no whisper came.
The invisible hand had struck the very source of life; and to these two,
in their moment of final reunion, with so much unsaid between them that
now at last they longed to say, there was left only the dumb communion
of fast-clouding eyes...
A clatter of cavalry was heard down the streets that led to the square.
The equerry sent to warn Fulvia had escaped from the back of the
building and hastened to the barracks to summon a regiment. But the
soldiery were no longer needed. The blind fury of the mob had died of
its own excess. The rumour that the Duke was hurt brought a chill
reaction of dismay, and the rioters were already scattering when the
cavalry came in sight. Their approach turned the slow dispersal to a
stampede. A few arrests were made, the remaining groups were charged by
the soldiers, and presently the square lay bare as a storm-swept plain,
though the people still hung on its outskirts, ready to disband at the
first threat of the troops.
It was on this solitude that the Duke looked out as he regained a sense
of his surroundings. Fulvia had been carried into the audience-chamber
and laid on the dais, her head resting on the velvet cushions of the
ducal chair. She had died instantly, shot through the heart, and the
surgeons summoned in haste had soon ceased from their ineffectual
efforts. For a long time Odo knelt beside her, unconscious of all but
that one wild moment when life at its highest had been dashed into the
gulf of death. Thought had ceased, and neither rage nor grief moved as
yet across the chaos of his being. All his life was in his eyes, as they
drew up, drop by drop, the precious essence of her loveliness. For she
had grown, beneath the simplifying hand of death, strangely yet most
humanly beautiful. Life had fallen from her like the husk from the
flower, and she wore the face of her first hopes. The transition had
been too swift for any backward look, any anguished rending of the
fibres, and he felt himself, not detached by the stroke, but caught up
with her into some great calm within the heart of change.
He knew not how he found himself once more on the steps above the
square. Below him his state carriage stood in the same place, flanked by
the regiment of cavalry. Down the narrow streets he saw the brooding
cloud of people, and the sight roused his blood. They were his enemies
now--he felt the warm hate in his veins. They were his enemies, and he
would face them openly. No closed chariot guarded by troops--he would
not have so much as a pane of glass between himself and his subjects. He
descended the steps, bade the colonel of the regiment dismount, and
sprang into his saddle. Then, at the head of his soldiers, at a
foot-pace, he rode back through the packed streets to the palace.
In the palace, courtyard and vestibule were thronged with courtiers and
lacqueys. He walked through them with his head high, the cut on his lip
like the mark of a hot iron in the dead whiteness of his face. At the
head of the great staircase Maria Clementina waited. She sprang forward,
distraught and trembling, her face as blanched as his.
"You are safe--you are safe--you are not hurt--" she stammered, catching
at his hands.
A shudder seized him as he put her aside.
"Odo! Odo!" she cried passionately, and made as though to bar his way.
He gave her a blind look and passed on down the long gallery to his
closet.
4.11.
The joy of reprisals lasted no longer than a summer storm. To hurt, to
silence, to destroy, was too easy to be satisfying. The passions of his
ancestors burned low in Odo's breast: though he felt Bracciaforte's fury
in his veins he could taste no answering gratification of revenge. And
the spirit on which he would have spent his hatred was not here or
there, as an embodied faction, but everywhere as an intangible
influence. The acqua tofana of his enemies had pervaded every fibre of
the state.
The mist of anguish lifted, he saw himself alone among ruins. For a
moment Fulvia's glowing faith had hung between him and a final vision of
the truth; and as his convictions weakened he had replaced them with an
immense pity, an all-sufficing hope. Sentimental verbiage: he saw it
clearly now. He had been the dupe of the old word-jugglery which was
forever confounding fact and fancy in men's minds. For it was
essentially an age of words: the world was drunk with them, as it had
once been drunk with action; and the former was the deadlier drug of the
two. He looked about him languidly, letting the facts of life filter
slowly through his faculties. The sources of energy were so benumbed in
him that he felt like a man whom long disease had reduced to
helplessness and who must laboriously begin his bodily education again.
Hate was the only passion which survived, and that was but a deaf
intransitive emotion coiled in his nature's depths.
Sickness at last brought its obliteration. He sank into gulfs of
weakness and oblivion, and when the rise of the tide floated him back to
life, it was to a life as faint and colourless as infancy. Colourless
too were the boundaries on which he looked out: the narrow enclosure of
white walls, opening on a slit of pale spring landscape. His hands lay
before him, white and helpless on the white coverlet of his bed. He
raised his eyes and saw de Crucis at his side. Then he began to
remember. There had been preceding intervals of consciousness, and in
one of them, in answer perhaps to some vaguely-uttered wish for light
and air, he had been carried out of the palace and the city to the
Benedictine monastery on its wooded knoll beyond the Piana. Then the
veil had dropped again, and his spirit had wandered in a dim place of
shades. There was a faint sweetness in coming back at last to familiar
sights and sounds. They no longer hurt like pressure on an aching nerve:
they seemed rather, now, the touch of a reassuring hand.
As the contact with life became closer and more sustained he began to
watch himself curiously, wondering what instincts and habits of thought
would survive his long mental death. It was with a bitter, almost
pitiable disappointment that he found the old man growing again in him.
Life, with a mocking hand, brought him the cast-off vesture of his past,
and he felt himself gradually compressed again into the old passions and
prejudices. Yet he wore them with a difference--they were a cramping
garment rather than a living sheath. He had brought back from his lonely
voyagings a sense of estrangement deeper than any surface-affinity with
things.
As his physical strength returned, and he was able to leave his room and
walk through the long corridors to the outer air, he felt the old spell
which the life of Monte Cassino had cast on him. The quiet garden, with
its clumps of box and lavender between paths converging to the statue of
Saint Benedict; the cloisters paved with the monks' nameless graves; the
traces of devotional painting left here and there on the weather-beaten
walls, like fragments of prayer in a world-worn mind: these formed a
circle of tranquillising influences in which he could gradually
reacquire the habit of living.
He had never deceived himself as to the cause of the riots. He knew from
Gamba and Andreoni that the liberals and the court, for once working in
unison, had provoked the blind outburst of fanaticism which a rasher
judgment might have ascribed to the clergy. The Dominicans, bigoted and
eager for power, had been ready enough to serve such an end, and some of
the begging orders had furnished the necessary points of contact with
the people; but the movement was at bottom purely political, and
represented the resistance of the privileged classes to any attack on
their inherited rights.
As such, he could no longer regard it as completely unreasonable. He was
beginning to feel the social and political significance of those old
restrictions and barriers against which his early zeal had tilted.
Certainly in the ideal state the rights and obligations of the different
classes would be more evenly adjusted. But the ideal state was a figment
of the brain. The real one, as Crescenti had long ago pointed out, was
the gradual and heterogeneous product of remote social conditions,
wherein every seeming inconsistency had its roots in some bygone need,
and the character of each class, with its special passions, ignorances
and prejudices, was the sum total of influences so ingrown and
inveterate that they had become a law of thought. All this, however,
seemed rather matter for philosophic musing than for definite action.
His predominant feeling was still that of remoteness from the immediate
issues of life: the soeva indignatio had been succeeded by a great calm.
The soothing influences of the monastic life had doubtless helped to
tide him over the stormy passage of returning consciousness. His
sensitiveness to these influences inclined him for the first time to
consider them analytically. Hitherto he had regarded the Church as a
skilfully-adjusted engine, the product of human passions scientifically
combined to obtain the greatest sum of tangible results. Now he saw that
he had never penetrated beneath the surface. For the Church which
grasped, contrived, calculated, struggled for temporal possessions and
used material weapons against spiritual foes--this outer Church was
nothing more than the body, which, like any other animal body, had to
care for its own gross needs, nourish, clothe, defend itself, fight for
a footing among the material resistances of life--while the soul, the
inner animating principle, might dwell aloof from all these things, in a
clear medium of its own.
To this soul of the Church his daily life now brought him close. He felt
it in the ordered beneficence of the great community, in the simplicity
of its external life and the richness and suavity of its inner
relations. No alliance based on material interests, no love of power
working toward a common end, could have created that harmony of thought
and act which was reflected in every face about him. Each of these men
seemed to have FOUND OUT SOMETHING of which he was still ignorant.
What it was, de Crucis tried to tell him as they paced the cloisters
together or sat in the warm stillness of the budding garden. At the
first news of the Duke's illness the Jesuit had hastened to Pianura. No
companionship could have been so satisfying to Odo. De Crucis's mental
attitude toward mankind might have been defined as an illuminated
charity. To love men, or to understand them, is not as unusual as to do
both together; and it was the intellectual acuteness of his friend's
judgments that made their Christian amenity so seductive to Odo.
"The highest claim of Christianity," the Jesuit said one morning, as
they sat on a worn stone bench at the end of the sunny vine-walk, "is
that it has come nearer to solving the problem of men's relations to
each other than any system invented by themselves. This, after all, is
the secret principle of the Church's vitality. She gave a spiritual
charter of equality to mankind long before the philosophers thought of
giving them a material one. If, all the while, she has been fighting for
dominion, arrogating to herself special privileges, struggling to
preserve the old lines of social and legal demarcation, it has been
because for nigh two thousand years she has cherished in her breast the
one free city of the spirit, because to guard its liberties she has had
to defend and strengthen her own position. I do not ask you to consider
whence comes this insight into the needs of man, this mysterious power
over him; I ask you simply to confess them in their results. I am not of
those who believe that God permits good to come to mankind through one
channel only, and I doubt not that now and in times past the thinkers
whom your Highness follows have done much to raise the condition of
their fellows; but I would have you observe that, where they have done
so, it has been because, at bottom, their aims coincided with the
Church's. The deeper you probe into her secret sources of power, the
more you find there, in the germ if you will, but still potentially
active, all those humanising energies which work together for the
lifting of the race. In her wisdom and her patience she may have seen
fit to withhold their expression, to let them seek another outlet; but
they are there, stored in her consciousness like the archetypes of the
Platonists in the Universal Mind. It is the knowledge of this, the sure
knowledge of it, which creates the atmosphere of serenity that you feel
about you. From the tilling of the vineyards, or the dressing of a
beggar's sores, to the loftiest and most complicated intellectual labour
imposed on him, each brother knows that his daily task is part of a
great scheme of action, working ever from imperfection to perfection,
from human incompleteness to the divine completion. This sense of being,
not straws on a blind wind of chance, but units in an ordered force,
gives to the humblest Christian an individual security and dignity which
kings on their thrones might envy.
"But not only does the Church anticipate every tendency of mankind;
alone of all powers she knows how to control and direct the passions she
excites. This it is which makes her an auxiliary that no temporal prince
can well despise. It is in this aspect that I would have your Highness
consider her. Do not underrate her power because it seems based on the
commoner instincts rather than on the higher faculties of man. That is
one of the sources of her strength. She can support her claims by reason
and argument, but it is because her work, like that of her divine
Founder, lies chiefly among those who can neither reason nor argue, that
she chooses to rest her appeal on the simplest and most universal
emotions. As, in our towns, the streets are lit mainly by the tapers
before the shrines of the saints, so the way of life would be dark to
the great multitude of men but for the light of faith burning within
them..."
Meanwhile the shufflings of destiny had brought to Trescorre the prize
for which he waited. During the Duke's illness he had been appointed
regent of Pianura, and his sovereign's reluctance to take up the cares
of government had now left him for six months in authority. The day
after the proclaiming of the constitution Odo had withdrawn his
signature from it, on the ground that the concessions it contained were
inopportune. The functions of government went on again in the old way.
The old abuses persisted, the old offences were condoned: it was as
though the apathy of the sovereign had been communicated to his people.
Centuries of submission were in their blood, and for two generations
there had been no warfare south of the Alps.
For the moment men's minds were turned to the great events going forward
in France. It had not yet occurred to the Italians that the recoil of
these events might be felt among themselves. They were simply amused
spectators, roused at last to the significance of the show, but never
dreaming that they might soon be called from the wings to the
footlights. To de Crucis, however, the possibility of such a call was
already present, and it was he who pressed the Duke to return to his
post. A deep reluctance held Odo back. He would have liked to linger on
in the monastery, leading the tranquil yet busy life of the monks, and
trying to read the baffling riddle of its completeness. At that moment
it seemed to him of vastly more importance to discover the exact nature
of the soul--whether it was in fact a metaphysical entity, as these men
believed, or a mere secretion of the brain, as he had been taught to
think--than to go back and govern his people. For what mattered the
rest, if he had been mistaken about the soul?
With a start he realised that he was going as his cousin had gone--that
this was but another form of the fatal lethargy that hung upon his race.
An effort of the will drew him back to Pianura, and made him resume the
semblance of authority; but it carried him no farther. Trescorre
ostensibly became prime minister, and in reality remained the head of
the state. The Duke was present at the cabinet meetings but took no part
in the direction of affairs. His mind was lost in a maze of metaphysical
speculations; and even these served him merely as some
cunningly-contrived toy with which to trick his leisure.
His revocation of the charter had necessarily separated him from Gamba
and the advanced liberals. He knew that the hunchback, ever scornful of
expediency, charged him with disloyalty to the people; but such charges
could no longer wound. The events following the Duke's birthday had
served to crystallise the schemes of the little liberal group, and they
now formed a campaign of active opposition to the government, attacking
it by means of pamphlets and lampoons, and by such public speaking as
the police allowed. The new professors of the University, ardently in
sympathy with the constitutional movement, used their lectures as means
of political teaching, and the old stronghold of dogma became the centre
of destructive criticism. But as yet these ideas formed but a single
live point in the general numbness.
Two years passed in this way. North of the Alps, all Europe was
convulsed, while Italy was still but a sleeper who tosses in his sleep.
In the two Sicilies, the arrogance and perfidy of the government gave a
few martyrs to the cause, and in Bologna there was a brief revolutionary
outbreak; but for the most part the Italian states were sinking into
inanition. Venice, by recalling her fleet from Greece, let fall the
dominion of the sea. Twenty years earlier Genoa had basely yielded
Corsica to France. The Pope condemned the French for their outrages on
religion, and his subjects murdered Basseville, the agent of the new
republic. The sympathies and impulses of the various states were as
contradictory as they were ineffectual.
Meanwhile, in France, Europe was trying to solve at a stroke the
problems of a thousand years. All the repressed passions which
civilisation had sought, however imperfectly, to curb, stalked abroad
destructive as flood and fire. The great generation of the
Encyclopaedists had passed away, and the teachings of Rousseau had
prevailed over those of Montesquieu and Voltaire. The sober sense of the
economists was swept aside by the sound and fury of the demagogues, and
France was become a very Babel of tongues. The old malady of words had
swept over the world like a pestilence.
To the little Italian courts, still dozing in fancied security under the
wing of Bourbon and Hapsburg suzerains, these rumours were borne by the
wild flight of emigres--dead leaves loosened by the first blast of the
storm. Month by month they poured across the Alps in ever-increasing
numbers, bringing confused contradictory tales of anarchy and outrage.
Among those whom chance thus carried to Pianura were certain familiars
of the Duke's earlier life--the Count Alfieri and his royal mistress,
flying from Paris, and arriving breathless with the tale of their
private injuries. To the poet of revolt this sudden realisation of his
doctrines seemed in fact a purely personal outrage. It was as though a
man writing an epic poem on an earthquake should suddenly find himself
engulphed. To Alfieri the downfall of the French monarchy and the
triumph of democratic ideas meant simply that his French investments had
shrunk to nothing, and that he, the greatest poet of the age, had been
obliged, at an immense sacrifice of personal dignity, to plead with a
drunken mob for leave to escape from Paris. To the wider aspect of the
"tragic farce," as he called it, his eyes remained obstinately closed.
He viewed the whole revolutionary movement as a conspiracy against his
comfort, and boasted that during his enforced residence in France he had
not so much as exchanged a word with one of the "French slaves,
instigators of false liberty," who, by trying to put into action the
principles taught in his previous works, had so grievously interfered
with the composition of fresh masterpieces.
The royal pretensions of the Countess of Albany--pretentions affirmed
rather than abated as the tide of revolution rose--made it impossible
that she should be received at the court of Pianura; but the Duke found
a mild entertainment in Alfieri's company. The poet's revulsion of
feeling seemed to Odo like the ironic laughter of the fates. His
thoughts returned to the midnight meetings of the Honey Bees, and to the
first vision of that face which men had lain down their lives to see.
Men had looked on that face since then, and its horror was reflected in
their own.
Other fugitives to Pianura brought another impression of events--that
comic note which life, the supreme dramatic artist, never omits from her
tragedies. These were the Duke's old friend the Marquis de Coeur-Volant,
fleeing from his chateau as the peasants put the torch to it, and
arriving in Pianura destitute, gouty and middle-aged, but imperturbable
and epigrammatic as ever. With him came his Marquise, a dark-eyed lady,
stout to unwieldiness and much given to devotion, in whom it was
whispered (though he introduced her as the daughter of a Venetian
Senator) that a reminiscent eye might still detect the outline of the
gracefullest Columbine who had ever flitted across the Italian stage.
These visitors were lodged by the Duke's kindness in the Palazzo
Cerveno, near the ducal residence; and though the ladies of Pianura were
inclined to look askance on the Marquise's genealogy, yet his Highness's
condescension, and her own edifying piety, had soon allayed these
scruples, and the salon of Madame de Coeur-Volant became the rival of
Madame d'Albany's.
It was, in fact, the more entertaining of the two; for, in spite of his
lady's austere views, the Marquis retained that gift of social
flexibility that was already becoming the tradition of a happier day. To
the Marquis, indeed, the revolution was execrable not so much because of
the hardships it inflicted, as because it was the forerunner of social
dissolution--the breaking-up of the regime which had made manners the
highest morality, and conversation the chief end of man. He could have
lived gaily on a crust in good company and amid smiling faces; but the
social deficiencies of Pianura were more difficult to endure than any
material privation. In Italy, as the Marquis had more than once
remarked, people loved, gambled, wrote poetry, and patronised the arts;
but, alas, they did not converse. Coeur-Volant could not conceal from
his Highness that there was no conversation in Pianura; but he did his
best to fill the void by the constant exercise of his own gift in that
direction, and to Odo at least his talk seemed as good as it was
copious. Misfortune had given a finer savour to the Marquis's
philosophy, and there was a kind of heroic grace in his undisturbed
cultivation of the amenities.
While the Marquis was struggling to preserve the conversational art, and
Alfieri planning the savage revenge of the Misogallo, the course of
affairs in France had gained a wilder impetus. The abolition of the
nobility, the flight and capture of the King, his enforced declaration
of war against Austria, the massacres of Avignon, the sack of the
Tuileries--such events seemed incredible enough till the next had
crowded them out of mind. The new year rose in blood and mounted to a
bloodier noon. All the old defences were falling. Religion, monarchy,
law, were sucked down into the whirlpool of liberated passions. Across
that sanguinary scene passed, like a mocking ghost, the philosophers'
vision of the perfectibility of man. Man was free at last--freer than
his would-be liberators had ever dreamed of making him--and he used his
freedom like a beast. For the multitude had risen--that multitude which
no man could number, which even the demagogues who ranted in its name
had never seriously reckoned with--that dim, grovelling
indistinguishable mass on which the whole social structure rested. It
was as though the very soil moved, rising in mountains or yawning in
chasms about the feet of those who had so long securely battened on it.
The earth shook, the sun and moon were darkened, and the people, the
terrible unknown people, had put in the sickle to the harvest.
Italy roused herself at last. The emissaries of the new France were
swarming across the Alps, pervading the peninsula as the Jesuits had
once pervaded Europe; and in the mind of a young general of the
republican army visions of Italian conquest were already forming. In
Pianura the revolutionary agents found a strong republican party headed
by Gamba and his friends, and a government weakened by debt and
dissensions. The air was thick with intrigue. The little army could no
longer be counted on, and a prolonged bread-riot had driven Trescorre
out of the ministry and compelled the Duke to appoint Andreoni in his
place. Behind Andreoni stood Gamba and the radicals. There could be no
doubt which way the fortunes of the duchy tended. The Duke's would-be
protectors, Austria and the Holy See, were too busy organising the hasty
coalition of the powers to come to his aid, had he cared to call on
them. But to do so would have been but another way of annihilation. To
preserve the individuality of his state, or to merge it in the vision of
a United Italy, seemed to him the only alternatives worth fighting for.
The former was a futile dream, the latter seemed for a brief moment
possible. Piedmont, ever loyal to the monarchical principle, was calling
on her sister states to arm themselves against the French invasion. But
the response was reluctant and uncertain. Private ambitions and petty
jealousies hampered every attempt at union. Austria, the Bourbons and
the Holy See held the Italian principalities in a network of conflicting
interests and obligations that rendered free action impossible. Sadly
Victor Amadeus armed himself alone against the enemy.
Under such conditions Odo could do little to direct the course of
events. They had passed into more powerful hands than his. But he could
at least declare himself for or against the mighty impulse which was
behind them. The ideas he had striven for had triumphed at last, and his
surest hold on authority was to share openly in their triumph. A
profound horror dragged him back. The new principles were not those for
which he had striven. The goddess of the new worship was but a bloody
Maenad who had borrowed the attributes of freedom. He could not bow the
knee in such a charnel-house. Tranquilly, resolutely, he took up the
policy of repression. He knew the attempt was foredoomed to failure, but
that made no difference now: he was simply acting out the inevitable.
The last act came with unexpected suddenness. The Duke woke one morning
to find the citadel in the possession of the people. The impregnable
stronghold of Bracciaforte was in the hands of the serfs whose fathers
had toiled to build it, and the last descendant of Bracciaforte was
virtually a prisoner in his palace. The revolution took place quietly,
without violence or bloodshed. Andreoni waited on the Duke, and a
cabinet-council was summoned. The ministers affected to have yielded
reluctantly to popular pressure. All they asked was a constitution and
the assurance that no resistance would be offered to the French.
The Duke requested a few hours for deliberation. Left alone, he summoned
the Duchess's chamberlain. The ducal pair no longer met save on
occasions of state: they had not exchanged a word since the death of
Fulvia Vivaldi. Odo sent word to her Highness that he could no longer
answer for her security while she remained in the duchy, and that he
begged her to leave immediately for Vienna. She replied that she was
obliged for his warning, but that while he remained in Pianura her place
was at his side. It was the answer he had expected--he had never doubted
her courage--but it was essential to his course that she should leave
the duchy without delay, and after a moment's reflection he wrote a
letter in which he informed her that he must insist on her obedience. No
answer was returned, but he learned that she had turned white, and
tearing the letter in shreds had called for her travelling-carriage
within the hour. He sent to enquire when he might take leave of her, but
she excused herself on the plea of indisposition, and before nightfall
he heard the departing rattle of her wheels.
He immediately summoned Andreoni and announced his unconditional refusal
of the terms proposed to him. He would not give a constitution or
promise allegiance to the French. The minister withdrew, and Odo was
left alone. He had dismissed his gentlemen, and as he sat in his closet
a sense of deathlike isolation came over him. Never had the palace
seemed so silent or so vast. He had not a friend to turn to. De Crucis
was in Germany, and Trescorre, it was reported, had privately attended
the Duchess in her flight. The waves of destiny seemed closing over Odo,
and the circumstances of his past rose, poignant and vivid, before his
drowning sight.
And suddenly, in that moment of failure and abandonment, it seemed to
him again that life was worth the living. His indifference fell from him
like a garment. The old passion of action awoke and he felt a new warmth
in his breast. After all, the struggle was not yet over: though Piedmont
had called in vain on the Italian states, an Italian sword might still
be drawn in her service. If his people would not follow him against
France he could still march against her alone. Old memories hummed in
him at the thought. He recalled how his Piedmontese ancestors had gone
forth against the same foe, and the stout Donnaz blood began to bubble
in his veins.
A knock roused him and Gamba entered by the private way. His appearance
was not unexpected to Odo, and served only to reinforce his new-found
energy. He felt that the issue was at hand. As he expected, Gamba had
been sent to put before him more forcibly and unceremoniously the veiled
threat of the ministers. But the hunchback had come also to plead with
his master in his own name, and in the name of the ideas for which they
had once laboured together. He could not believe that the Duke's
reaction was more than momentary. He could not calculate the strength of
the old associations which, now that the tide had set the other way,
were dragging Odo back to the beliefs and traditions of his caste.
The Duke listened in silence; then he said: "Discussion is idle. I have
no answer to give but that which I have already given." He rose from his
seat in token of dismissal.
The moment was painful to both men. Gamba drew nearer and fell at the
Duke's feet.
"Your Highness," he said, "consider what this means. We hold the state
in our hands. If you are against us you are powerless. If you are with
us we can promise you more power than you ever dreamed of possessing."
The Duke looked at him with a musing smile. "It is as though you offered
me gold in a desert island," he said. "Do not waste such poor bribes on
me. I care for no power but the power to wipe out the work of these last
years. Failing that, I want nothing that you or any other man can give."
Gamba was silent a moment. He turned aside into the embrasure of the
window, and when he spoke again it was in a voice broken with grief.
"Your Highness," he said, "if your choice is made, ours is made also. It
is a hard choice, but these are fratricidal hours. We have come to the
parting of the ways."
The Duke made no sign, and Gamba went on with gathering anguish: "We
would have gone to the world's end with your Highness for our leader!"
"With a leader whom you could lead," Odo interposed. He went up to Gamba
and laid a hand on his shoulder. "Speak out, man," he said. "Say what
you were sent to say. Am I a prisoner?"
The hunchback burst into tears. Odo, with his arms crossed, stood
leaning against the window. The other's anguish seemed to deepen his
detachment.
"Your Highness--your Highness--" Gamba stammered.
The Duke made an impatient gesture. "Come, make an end," he said.
Gamba fell back with a profound bow.
"We do not ask the surrender of your Highness's person," he said.
"Not even that?" Odo returned with a faint sneer.
Gamba flushed to the temples, but the retort died on his lips.
"Your Highness," he said, scarce above a whisper, "the gates are
guarded; but the word for tonight is 'Humilitas.'" He knelt and kissed
Odo's hand. Then he rose and passed out of the room...
* * * * *
Before dawn the Duke left the palace. The high emotions of the night had
ebbed. He saw himself now, in the ironic light of morning, as a fugitive
too harmless to be worth pursuing. His enemies had let him keep his
sword because they had no cause to fear it. Alone he passed through the
gardens of the palace, and out into the desert darkness of the streets.
Skirting the wall of the Benedictine convent where Fulvia had lodged, he
gained a street leading to the marketplace. In the pallor of the waning
night the ancient monuments of his race stood up mournful and deserted
as a line of tombs. The city seemed a grave-yard and he the ineffectual
ghost of its dead past. He reached the gates and gave the watchword. The
gates were guarded, as he had been advised; but the captain of the watch
let him pass without show of hesitation or curiosity. Though he made no
effort at disguise he went forth unrecognised, and the city closed her
doors on him as carelessly as on any passing wanderer.
Beyond the gates a lad from the ducal stables waited with a horse. Odo
sprang into the saddle and rode on toward Pontesordo. The darkness was
growing thinner, and the meagre details of the landscape, with its
huddled farm-houses and mulberry-orchards, began to define themselves as
he advanced. To his left the field stretched, grey and sodden; ahead, on
his right, hung the dark woods of the ducal chase. Presently a bend of
the road brought him within sight of the keep of Pontesordo. His way led
past it, toward Valsecca; but some obscure instinct laid a detaining
hand on him, and at the cross-roads he bent to the right and rode across
the marshland to the old manor-house.
The farmyard lay hushed and deserted. The peasants who lived there would
soon be afoot; but for the moment Odo had the place to himself. He
tethered his horse to a gate-post and walked across the rough
cobble-stones to the chapel. Its floor was still heaped with farm-tools
and dried vegetables, and in the dimness a heavier veil of dust seemed
to obscure the painted walls. Odo advanced, picking his way among broken
ploughshares and stacks of maize, till he stood near the old marble
altar, with its sea-gods and acanthus volutes. The place laid its
tranquillising hush on him, and he knelt on the step beneath the altar.
Something stirred in him as he knelt there--a prayer, yet not a
prayer--a reaching out, obscure and inarticulate, toward all that had
survived of his early hopes and faiths, a loosening of old founts of
pity, a longing to be somehow, somewhere reunited to his old belief in
life.
How long he knelt he knew not; but when he looked up the chapel was full
of a pale light, and in the first shaft of the sunrise the face of Saint
Francis shone out on him...He went forth into the daybreak and rode away
toward Piedmont.