But he pulled himself up sharply as he thought how idle a day-dream it

was. As a fact, he was a struggling young author, he had come South for

two weeks' vacation, and on the first morning he was planning to live

here--he must be light-headed. With a touch of his heel and a word and a

quick pull on the curb, his good horse broke into a canter, and then,

under the loosened rein, into a rousing gallop, and Philip went dashing

down the country road, past the soft, rolling landscape, and under cool

caves of foliage, vivid with emerald greens of May, thoughts and dreams

all dissolved in exhilaration of the glorious movement, the nearest

thing to flying that the wingless animal, man, may achieve.

He opened his coat as the blood rushed faster through him, and a paper

fluttered from his pocket. He caught it, and as he pulled the horse to a

trot, he saw that it was his cousin's letter. So, walking now along the

brown shadows and golden sunlight of the long white pike, he fell to

wondering about the family he was going to visit. He opened the folded

letter and read:

"My dear Cousin," it said--the kinship was the first thought in John

Fairfield's mind--"I received your welcome letter on the 14th. I am

delighted that you are coming at last to Kentucky, and I consider that

it is high time you paid Fairfield, which has been the cradle of your

stock for many generations, the compliment of looking at it. We closed

our house in Lexington three weeks ago, and are settled out here now for

the summer, and find it lovelier than ever. My family consists only of

myself and Shelby, my one child, who is now twenty-two years of age. We

are both ready to give you an old-time Kentucky welcome, and Westerly is

ready to receive you at any moment you wish to come."

The rest was merely arrangement for meeting the traveller, all of which

was done away with by his earlier arrival.

"A prim old party, with an exalted idea of the family," commented Philip

mentally. "Well-to-do, apparently, or he wouldn't be having a winter

house in the city. I wonder what the boy Shelby is like. At twenty-two

he should be doing something more profitable than spending an entire

summer out here, I should say."

The questions faded into the general content of his mind at the glimpse

of another stately old pillared homestead, white and deep down its

avenue of locusts. At length he stopped his horse to wait for a ragged

negro trudging cheerfully down the road.

"Do you know a place around here called Fairfield?" he asked.

"Yessah. I does that, sah. It's that ar' place right hyeh, sah, by yo'

hoss. That ar's Fahfiel'. Shall I open the gate fo' you, boss?" and

Philip turned to see a hingeless ruin of boards held together by the

persuasion of rusty wire.

"The home of my fathers looks down in the mouth," he reflected aloud.

The old negro's eyes, gleaming from under shaggy sheds of eyebrows,

watched him, and he caught the words.

"Is you a Fahfiel', boss?" he asked eagerly. "Is you my young Marse?" He

jumped at the conclusion promptly. "You favors de fam'ly mightily, sah.

I heard you was comin'"; the rag of a hat went off and he bowed low.

"Hit's cert'nly good news fo' Fahfiel', Marse Philip, hit's mighty good

news fo' us niggers, sah. I'se b'longed to the Fahfiel' fam'ly a hund'ed

years, Marse--me and my folks, and I wishes yo' a welcome home,

sah--welcome home, Marse Philip."

Philip bent with a quick movement from his horse, and gripped the

twisted old black hand, speechless. This humble welcome on the highway

caught at his heart deep down, and the appeal of the colored people to

Southerners, who know them, the thrilling appeal of a gentle, loyal

race, doomed to live forever behind a veil and hopeless without

bitterness, stirred for the first time his manhood. It touched him to be

taken for granted as the child of his people; it pleased him that he

should be "Marse Philip" as a matter of course, because there had always

been a Marse Philip at the place. It was bred deeper in the bone of him

than he knew, to understand the soul of the black man; the stuff he was

made of had been Southern two hundred years.

The old man went off down the white limestone road singing to himself,

and Philip rode slowly under the locusts and beeches up the long drive,

grass-grown and lost in places, that wound through the woodland

three-quarters of a mile to his house. And as he moved through the park,

through sunlight and shadow of these great trees that were his, he felt

like a knight of King Arthur, like some young knight long exiled, at

last coming to his own. He longed with an unreasonable seizure of

desire to come here to live, to take care of it, beautify it, fill it

with life and prosperity as it had once been filled, surround it with

cheerful faces of colored people whom he might make happy and

comfortable. If only he had money to pay off the mortgage, to put the

place once in order, it would be the ideal setting for the life that

seemed marked out for him--the life of a writer.

The horse turned a corner and broke into a canter up the slope, and as

the shoulder of the hill fell away there stood before him the picture of

his childhood come to life, smiling drowsily in the morning sunlight

with shuttered windows that were its sleeping eyes--the great white

house of Fairfield. Its high pillars reached to the roof; its big wings

stretched away at either side; the flicker of the shadow of the leaves

played over it tenderly and hid broken bits of woodwork, patches of

paint cracked away, window-panes gone here and there. It stood as if too

proud to apologize or to look sad for such small matters, as serene, as

stately as in its prime. And its master, looking at it for the first

time, loved it.

He rode around to the side and tied his mount to an old horse-rack, and

then walked up the wide front steps as if each lift were an event. He

turned the handle of the big door without much hope that it would yield,

but it opened willingly, and he stood inside. A broom lay in a corner,

windows were open--his cousin had been making ready for him. There was

the huge mahogany sofa, horse-hair-covered, in the window under the

stairs, where his mother had read "Ivanhoe" and "The Talisman." Philip

stepped softly across the wide hall and laid his head where must have

rested the brown hair of the little girl who had come to be, first all

of his life, and then its dearest memory. Half an hour he spent in the

old house, and its walls echoed to his footsteps as if in ready homage,

and each empty room whose door he opened met him with a sweet half

familiarity. The whole place was filled with the presence of the child

who had loved it and left it, and for whom this tall man, her child,

longed now as if for a little sister who should be here, and whom he

missed. With her memory came the thought of the five-year-old uncle who

had made history for the family so disastrously. He must see the garden

where that other Philip had gone with his father to hide the money on

the fated Christmas morning. He closed the house door behind him

carefully, as if he would not disturb a little girl reading in the

window, a little boy sleeping perhaps in the nursery above. Then he

walked down the broad sweep of the driveway, the gravel crunching under

the grass, and across what had been a bit of velvet lawn, and stood for

a moment with his hand on a broken vase, weed-filled, which capped the

stone post of a gateway.

All the garden was misty with memories. Where a tall golden flower

nodded alone, from out of the tangled thicket of an old flower-bed, a

bright-haired child might have laughed with just that air of startled,

gay naughtiness, from the forbidden centre of the blossoms. In the

moulded tan-bark of the path was a vague print, like the ghost of a

footprint that had passed down the way a lifetime ago. The box, half

dead, half sprouted into high unkept growth, still stood stiffly against

the riotous overflow of weeds as if it yet held loyally to its business

of guarding the borders, Philip shifted his gaze slowly, lingering over

the dim contours, the shadowy shape of what the garden had been.

Suddenly his eyes opened wide. How was this? There was a hedge as neat,

as clipped, as any of Southampton in mid-season, and over it a glory of

roses, red and white and pink and yellow, waved gay banners to him in

trim luxuriance. He swung toward them, and the breeze brought him for

the first time in his life the fragrance of box in sunshine.

Four feet tall, shaven and thick and shining, the old hedge stood, and

the garnered sweetness of a hundred years' slow growth breathed

delicately from it toward the great-great-grandson of the man who

planted it. A box hedge takes as long in the making as a gentleman, and

when they are done the two are much of a sort. No plant in all the

garden has so subtle an air of breeding, so gentle a reserve, yet so

gracious a message of sweetness for all of the world who will stop to

learn it. It keeps a firm dignity under the stress of tempest when

lighter growths are tossed and torn; it shines bright through the snow;

it has a well-bred willingness to be background, with the well-bred gift

of presence, whether as background or foreground. The soul of the

box-tree is an aristocrat, and the sap that runs through it is the blue

blood of vegetation.

Saluting him bravely in the hot sunshine with its myriad shining

sword-points, the old hedge sent out to Philip on the May breeze its

ancient welcome of aromatic fragrance, and the tall roses crowded gayly

to look over its edge at the new master. Slowly, a little dazed at this

oasis of shining order in the neglected garden, he walked to the opening

and stepped inside the hedge. The rose garden! The famous rose garden of

Fairfield, and as his mother had described it, in full splendor of

cared-for, orderly bloom. Across the paths he stepped swiftly till he

stood amid the roses, giant bushes of Jacqueminot and Maréchal Niel; of

pink and white and red and yellow blooms in thick array. The glory of

them intoxicated him. That he should own all of this beauty seemed too

good to be true, and instantly he wanted to taste his ownership. The

thought came to him that he would enter into his heritage with strong

hands here in the rose garden; he caught a deep-red Jacqueminot almost

roughly by its gorgeous head and broke off the stem. He would gather a

bunch, a huge, unreasonable bunch of his own flowers. Hungrily he broke

one after another; his shoulders bent over them, he was deep in the

bushes.

"I reckon I shall have to ask you not to pick any more of those roses,"

a voice said.

Philip threw up his head as if he had been shot; he turned sharply with

a great thrill, for he thought his mother spoke to him. Perhaps it was

only the Southern inflection so long unheard, perhaps the sunlight that

shone in his eyes dazzled him, but, as he stared, the white figure

before him seemed to him to look exactly as his mother had looked long

ago. Stumbling over his words, he caught at the first that came.

"I--I think it's all right," he said.

The girl smiled frankly, yet with a dignity in her puzzled air. "I'm

afraid I shall have to be right decided," she said. "These roses are

private property and I mustn't let you have them."

"Oh!" Philip dropped the great bunch of gorgeous color guiltily by his

side, but still held tightly the prickly mass of stems, knowing his

right, yet half wondering if he could have made a mistake. He stammered:

"I thought--to whom do they belong?"

"They belong to my cousin, Mr. Philip Fairfield Beckwith"--the sound of

his own name was pleasant as the falling voice strayed through it. "He

is coming home in a few days, so I want them to look their prettiest for

him--for his first sight of them. I take care of this rose garden," she

said, and laid a motherly hand on the nearest flower. Then she smiled.

"It doesn't seem right hospitable to stop you, but if you will come over

to Westerly, to our house, father will be glad to see you, and I will

certainly give you all the flowers you want." The sweet and masterful

apparition looked with a gracious certainty of obedience straight into

Philip's bewildered eyes.

[Illustration: "I reckon I shall have to ask you not pick any more of

those roses," a voice said.]

"The boy Shelby!" Many a time in the months after Philip Beckwith

smiled to himself reminiscently, tenderly, as he thought of "the boy

Shelby" whom he had read into John Fairfield's letter; "the boy Shelby"

who was twenty-two years old and the only child; "the boy Shelby" whom

he had blamed with such easy severity for idling at Fairfield; "the boy

Shelby" who was no boy at all, but this white flower of girlhood,

called--after the quaint and reasonable Southern way--as a boy is

called, by the surname of her mother's people.

Toward Westerly, out of the garden of the old time, out of the dimness

of a forgotten past, the two took their radiant youth and the brightness

of to-day. But a breeze blew across the tangle of weeds and flowers as

they wandered away, and whispered a hope, perhaps a promise; for as it

touched them each tall stalk nodded gayly and the box hedges rustled

delicately an answering undertone. And just at the edge of the woodland,

before they were out of sight, the girl turned and threw a kiss back to

the roses and the box.

"I always do that," she said. "I love them so!"

Two weeks later a great train rolled into the Grand Central Station of

New York at half-past six at night, and from it stepped a monstrosity--a

young man without a heart. He had left all of it, more than he had

thought he owned, in Kentucky. But he had brought back with him memories

which gave him more joy than ever the heart had done, to his best

knowledge, in all the years. They were memories of long and sunshiny

days; of afternoons spent in the saddle, rushing through grassy lanes

where trumpet-flowers flamed over gray farm fences, or trotting slowly

down white roads; of whole mornings only an hour long, passed in the

enchanted stillness of an old garden; of gay, desultory searches through

its length and breadth, and in the park that held it, for buried

treasure: of moonlit nights; of roses and June and Kentucky--and always,

through all the memories, the presence that made them what they were,

that of a girl he loved.

No word of love had been spoken, but the two weeks had made over his

life; and he went back to his work with a definite object, a hope

stronger than ambition, and, set to it as music to words, came

insistently another hope, a dream that he did not let himself dwell

on--a longing to make enough money to pay off the mortgage and put

Fairfield in order, and live and work there all his life--with Shelby.

That was where the thrill of the thought came in, but the place was very

dear to him in itself.

The months went, and the point of living now were the mails from the

South, and the feast days were the days that brought letters from

Fairfield. He had promised to go back for a week at Christmas, and he

worked and hoarded all the months between with a thought which he did

not formulate, but which ruled his down-sitting and his up-rising, the

thought that if he did well and his bank account grew enough to justify

it he might, when he saw her at Christmas, tell her what he hoped; ask

her--he finished the thought with a jump of his heart. He never worked

harder or better, and each check that came in meant a step toward the

promised land; and each seemed for the joy that was in it to quicken his

pace, to lengthen his stride, to strengthen his touch. Early in November

he found one night when he came to his rooms two letters waiting for

him with the welcome Kentucky postmark. They were in John Fairfield's

handwriting and in his daughter's, and "_place aux dames_" ruled rather

than respect to age, for he opened Shelby's first. His eyes smiling, he

read it.

"I am knitting you a diamond necklace for Christmas," she wrote. "Will

you like that? Or be sure to write me if you'd rather have me hunt in

the garden and dig you up a box of money. I'll tell you--there ought to

be luck in the day, for it was hidden on Christmas and it should be

found on Christmas; so on Christmas morning we'll have another look, and

if you find it I'll catch you 'Christmas gif'' as the darkies do, and

you'll have to give it to me, and if I find it I'll give it to you; so

that's fair, isn't it? Anyway--" and Philip's eyes jumped from line to

line, devouring the clear, running writing. "So bring a little present

with you, please--just a tiny something for me," she ended, "for I'm

certainly going to catch you 'Christmas gif'.'"

Philip folded the letter back into its envelope and put it in his

pocket, and his heart felt warmer for the scrap of paper over it. Then

he cut John Fairfield's open dreamily, his mind still on the words he

had read, on the threat--"I'm going to catch you 'Christmas gif'.'" What

was there good enough to give her? Himself, he thought humbly, very far

from it. With a sigh that was not sad he dismissed the question and

began to read the other letter. He stood reading it by the fading light

from the window, his hat thrown by him on a chair, his overcoat still

on, and, as he read, the smile died from his face. With drawn brows he

read on to the end, and then the letter dropped from his fingers to the

floor and he did not notice; his eyes stared widely at the high building

across the street, the endless rows of windows, the lights flashing into

them here and there. But he saw none of it. He saw a stretch of quiet

woodland, an old house with great white pillars, a silent, neglected

garden, with box hedges sweet and ragged, all waiting for him to come

and take care of them--the home of his fathers, the home he had meant,

had expected--he knew it now--would be some day his own, the home he

had lost! John Fairfield's letter was to tell him that the mortgage on

the place, running now so many years, was suddenly to be foreclosed;

that, property not being worth much in the neighborhood, no one would

take it up; that on January 2nd, Fairfield, the house and land, were to

be sold at auction. It was a hard blow to Philip Beckwith. With his

hands in his overcoat pockets he began to walk up and down the room,

trying to plan, to see if by any chance he might save this place he

loved. It would mean eight thousand dollars to pay the mortgage. One or

two thousand more would put the estate in order, but that might wait if

he could only tide over this danger, save the house and land. An hour he

walked so, forgetting dinner, forgetting the heavy coat which he still

wore, and then he gave it up. With all he had saved--and it was a fair

and promising beginning--he could not much more than half pay the

mortgage, and there was no way, which he would consider, by which he

could get the money. Fairfield would have to go, and he set his teeth

and clinched his fists as he thought how he wanted to keep it. A year

ago it had meant nothing to him, a year from now if things went his way

he could have paid the mortgage. That it should happen just this

year--just now! He could not go down at Christmas; it would break his

heart to see the place again as his own when it was just slipping from

his grasp. He would wait until it was all over, and go, perhaps, in the

spring. The great hope of his life was still his own, but Fairfield had

been the setting of that hope; he must readjust his world before he saw

Shelby again. So he wrote them that he would not come at present, and

then tried to dull the ache of his loss with hard work.

But three days before Christmas, out of the unknown forces beyond his

reasoning swept a wave of desire to go South, which took him off his

feet. Trained to trust his brain and deny his impulse as he was, yet

there was a vein of sentiment, almost of superstition, in him which the

thought of the old place pricked sharply to life. This longing was

something beyond him--he must go--and he had thrown his decisions to the

winds and was feverish until he could get away.

As before, he rode out from the Phoenix Hotel, and at ten o'clock in

the morning he turned into Fairfield. It was a still, bright Christmas

morning, crisp and cool, and the air like wine. The house stood bravely

in the sunlight, but the branches above it were bare and no softening

leafage hid the marks of time; it looked old and sad and deserted

to-day, and its master gazed at it with a pang in his heart. It was his,

and he could not save it. He turned away and walked slowly to the

garden, and stood a moment as he had stood last May, with his hand on

the stone gateway. It was very silent and lonely here, in the hush of

winter; nothing stirred; even the shadows of the interlaced branches

above lay almost motionless across the walks.

Something moved to his left, down the pathway--he turned to look. Had

his heart stopped, that he felt this strange, cold feeling in his

breast? Were his eyes--could he be seeing? Was this insanity? Fifty feet

down the path, half in the weaving shadows, half in clear sunlight,

stood the little boy of his life-long vision, in the dress with the

black velvet squares, his little uncle, dead forty years ago. As he

gazed, his breath stopping, the child smiled and held up to him, as of

old, a key on a scarlet string, and turned and flitted as if a flower

had taken wing, away between the box hedges. Philip, his feet moving as

if without his will, followed him. Again the baby face turned its

smiling dark eyes toward him, and Philip knew that the child was calling

him, though there was no sound; and again without volition of his own

his feet took him where it led. He felt his breath coming difficultly,

and suddenly a gasp shook him--there was no footprint on the unfrozen

earth where the vision had passed. Yet there before him, moving through

the deep sunlit silence of the garden, was the familiar, sturdy little

form in its old-world dress. Philip's eyes were open; he was awake,

walking; he saw it. Across the neglected tangle it glided, and into the

trim order of Shelby's rose garden; in the opening between the box walls

it wheeled again, and the sun shone clear on the bronze hair and fresh

face, and the scarlet string flashed and the key glinted at the end of

it. Philip's fascinated eyes saw all of that. Then the apparition

slipped into the shadow of the beech trees and Philip quickened his step

breathlessly, for it seemed that life and death hung on the sight. In

and out through the trees it moved; once more the face turned toward

him; he caught the quick brightness of a smile. The little chap had

disappeared behind the broad tree-trunk, and Philip, catching his

breath, hurried to see him appear again. He was gone. The little spirit

that had strayed from over the border of a world--who can say how far,

how near?--unafraid in this earth-corner once its home, had slipped away

into eternity through the white gate of ghosts and dreams.

Philip's heart was pumping painfully as he came, dazed and staring, to

the place where the apparition had vanished. It was a giant beech tree,

all of two hundred and fifty years old, and around its base ran a broken

wooden bench, where pretty girls of Fairfield had listened to their

sweethearts, where children destined to be generals and judges had

played with their black mammies, where gray-haired judges and generals

had come back to think over the fights that were fought out. There were

letters carved into the strong bark, the branches swung down

whisperingly, the green tent of the forest seemed filled with the memory

of those who had camped there and gone on. Philip's feet stumbled over

the roots as he circled the veteran; he peered this way and that, but

the woodland was hushed and empty; the birds whistled above, the grasses

rustled below, unconscious, casual, as if they knew nothing of a

child-soul that had wandered back on Christmas day with a Christmas

message, perhaps, of good-will to its own.

The Militants Stories of Some Parsons, Soldiers, and Other Fighters in the World · 第 10 / 15 段