I did not realize who it was, until Norman spoke up.

"It's your cousin, Dr. Drake."

"Oh. Hello, Oliver," I said, shaking hands.

I realized at once that this had not been an entirely fitting way to

respond to his dignified, almost pompous greeting. I find it hard not

to portray Oliver in caricature. He was so utterly foreign to the life

I was leading, so different from the people I knew that inevitably he

looked outlandish--at times comical. I have always regretted that

Browning did not write another poem, the reverse of "Bishop Blougram's

Apology," giving us the free thinker's account of that interview.

At first Oliver seemed to me appallingly affected. But as I got to see

more of him I changed the adjective to "adapted." Just as a practicing

physician must develop certain mannerisms so had Oliver adapted himself

to his _metier_. His voice was most impressive. It was his working

capital and he guarded it with infinite care. He was as much afraid of

a sore throat as an opera singer. He belonged to that sub-variety of

his species which is called "liberal." He had accepted the theory of

evolution end higher criticism. He prided himself on being abreast of

his time. He strove--successfully--to give the impression of a

broad-minded, cultured gentleman.

I think he enjoyed the flattery of success and he had the brains to win

it. His wife, whom I met later was, I think, dominated by "social"

ambitions. She also had brains. They were a strong team. Their

progress had been a steady upward curve. From a small town to a small

city, then from a mission chapel in Indianapolis to its biggest church,

from there to Chicago and at last to a fashionable charge in New York.

And when you saw Oliver this progress seemed inevitable.

Spirituality? I do not think he had need of any. It would have been an

impediment to his progress. It was very hard to remember that he was the

son of Josiah Drake.

"How long is it," he said in his suave, modulated voice, "since we saw

each other. Not since I left you at your prep. school--at least fifteen

years."

"More," I said, "twenty." I could think of nothing to say. His

presence was rather oppressive. But it was part of his profession never

to be awkward.

"Well. Now that we are in the same city, I trust we will see each other

more frequently. You were in Europe when we arrived. I wasn't quite

sure whether you were back yet or not. But I came in on the chance--I

got your address from your publishers"--he made a congratulatory

bow--"to see if we could have you for dinner next Friday. It's been a

great pleasure to meet Mr. and Mrs. Benson, I envy you such

friendship...."

"Nina," Norman interrupted, "has been chanting your praises for the last

half hour."

"Ah. You cannot dodge your responsibilities that way, Mr. Benson,"

Oliver remarked, with rather heavy playfulness. "You have been a most

effective chorus. Of course, Arnold,"--he turned to me--"your friends

will always be welcomed at our house. I would be very glad, and I am

sure Mrs. Drake would be also, if you could bring them with you on

Friday night."

Norman bounced off the divan, as if someone had exploded a bomb under

him.

"Oh, no," he said. "We're very much obliged to you. But Nina and I

never go out in society,"--as Oliver looked a bit taken aback, Norman

went on to explain. "You see our marriage was--well--picturesque. I've

forgotten the date, but you can find the details in the files of any of

our newspapers. Fortunately, my wife has no social ambitions, so we

don't have to risk embarrassing people who are kind enough to invite

us."

Oliver had regained his poise.

"Being a stranger to the city," he said, "I am of course ignorant of the

matter to which you refer but"--he gracefully took Nina's hand--"I am

quite sure that Mrs. Benson would honor any society. However if it would

expose you to any embarrassment, I cannot, of course, insist."

Nina's attitude to Oliver after he was gone was amusing. She had

evidently been impressed with his grandeur. But when Norman jokingly

accused her of having fallen in love with him, she shuddered.

"No," she said with real but ludicrous solemnity--"I wouldn't like to be

his wife."

Marie, who had had to undergo the ordeal of sitting on his knee,

remarked that he did not know how to play.

But in spite of the dislike she had taken to him Nina made me tell in

detail everything about the dinner party. It had, I am sure, been a

great success from Mrs. Drake's point of view. There had been two Wall

Street millionaires at the table, a great lawyer, a congressman and an

ambassador. Because French came to me easily I had to entertain the

latter's wife. The food and the wine had been exquisite. Socially a

success, but humanly a barren affair.

I made my duty call on Mrs. Drake and would never have gone near them

again, if it had not been for a letter I received from Oliver about a

month later. He asked me to come for lunch to talk over a scheme he was

working out for penal reform. It interested me immensely to see him and

his wife working together. He began with a sonorous peroration. The

reason the church was losing influence was that it did not take

sufficient interest in social problems. He was developing this idea at

some length when Mrs. Drake coughed.

"The idea is familiar," she said.

"Yes, my dear."

Coming, as he did, to the direction of one of New York's most

influential churches, a congregation which included many people of great

wealth, many people of great influence in the world of business and

politics.... Mrs. Blake coughed.

"I'm sure Cousin Arnold knows about the church."

"Yes, my dear. I was about to say...."

He was about to say that he felt it his duty to try to utilize this

great force in the cause of human betterment. In a few minutes Mrs.

Drake coughed again and said, "Naturally." He had given a good deal of

consideration, prayerful consideration, to the subject: personally he

was opposed to the church going into politics. He spoke of several

well-known clergymen who had gone into the fight against Tammany Hall,

he doubted their wisdom. Of course if one could be sure that all their

congregation were republicans.... The lunch was finished at this point

and we went into the sumptuous library. Mrs. Drake took the subject out

of his hand.

"You see, Cousin Arnold," she said, "we think that the role of the

church should be conciliating. It is our object to attract people--all

people to the church--not to alienate anyone. And the church cannot mix

in any of the issues which are vexed--which have partisans on each

side--without offending and driving people away. It is evident that the

church must interest itself in social questions, must show that it is a

power to overcome this horrible unrest. But it is very hard to find a

social problem which is consistent with the conciliatory role which the

church must preserve.

"When Oliver and I read your book, we both had the same inspiration.

Here is just the very problem. What you wrote about the prisons is

awful. And no one can object to the church taking a definite attitude

on this question. The Master, himself has instructed us to visit those

who are in prison."

"Exactly," Oliver put in.

But she did not give him time to go on. She rapidly laid before me

their plan. Oliver was to call together a group of a dozen fellow

clergymen, the most influential--I presume she meant the most

fashionable--in each denomination. I was to speak to them and help him

to get them interested. They would organize a committee, they would

give out interviews to the newspapers, preach sermons on the subject,

get some good bills introduced into the legislature--and make a great

splash!

I sat back and listened to it with grim amusement. This was to be

Oliver's debut in New York. In vulgar phrase it was a "press agent

campaign." Oliver--the progressive, the fighting clergyman--was to get

columns of free advertising. There would surely be a great mass meeting

in one of the theaters and Oliver would get his chance to cast the spell

of his oratory over fashionable New York. It was an admirable scheme.

No attack on Tammany Hall, was not one of his deacons a director in the

street car company? Did not the real owner of the gas company rent the

most expensive pew in the church and did not complaisant Tammany Hall

arrange to have the gas company's ashes removed by the city's street

cleaning department? No support to the campaign for decent tenements,

some of the congregation were landlords. And of course no playing with

the dangerous subject of labor unions.

"J. H. Creet doesn't belong to your church, does he?" I asked.

"No," Mrs. Drake replied. "Why?"

"Well, he has a fat contract for manufacturing cloth for prison

uniforms."

"J. H. Creet?" Oliver said, making a note. "A queer name. I never

heard of it."

Their interest in the matter was evident, but where did I come in?

Well--after all--publicity is a great thing. It must be the basis of

every reform. I had very little faith in any real good coming from such

a campaign, but at least it would call people's attention to the issue.

It was not to be despised. So I fell in with the scheme.

Several outsiders have complimented me on the newspaper noise we made,

supposing that I was the motive power of it. The praise belongs to

Oliver--and his wife. It was remarkable the skill with which they

handled it. It was amusing to watch the suave manoeuvres by which

Oliver always secured the top line. For a month he worked hard, put in

hours of real study. His great speech in Daly's was masterful. And then

things fizzled out. None of the bills got past a second reading.

At one of the last conferences I had with Oliver, he asked me why I did

not go to Tennessee and visit the Father.

"Why don't you have him come on here for a vacation?" I asked. "He

hasn't been in New York since before the war."

Oliver shrugged his shoulders.

"I make a point of going out to see him every two years--but he'd be out

of place here. The world has moved a lot since his day. He would not

understand. He's the type of the old school. Progress is heresy. Why

I'm sure he'd be shocked at my wearing a collar like this. He'd accuse

me of papacy. I always put on mufti when I visit him."

It was the patronizing superiority of his tone that angered me. I

realized suddenly how lonely the Father must be. I had always thought

of him as quite happy in having a son who had followed in his footsteps.

I am not sure but that with all my outspoken heresy, I was more of a

true son to him than Oliver. I resolved to go out to Tennessee at my

first opportunity.

I am half sorry I went. It was an unsuccessful visit. The barren little

mountain village had changed not at all in the years I had been away.

There were a few more battle monuments on the hillside and the people

still talked of little beside the war. The big parsonage beside the

barn-like church was just as I had left it. The Father's wants were

looked after by the numerous progeny of Barnabas, the negro body servant

who had followed him through the war.

I had been thrown out for my Godlessness and had been expected to go to

the dogs. It was something of an affront to the traditions that I had

not. To have written a book was a matter of fame in that little

village. I found that the Father with childlike pride had boasted far

and wide of my having been chosen as delegate to the prison congress at

Rome. It was not to be accounted for that instead of coming back as the

prodigal I should return as a "distinguished son." The minor prophets

of the place were disappointed in me.

Even the Father was bewildered. He came down to the gateway to meet

me--a fine old figure, leaning on his ebony cane, his undimmed eyes

shining from under his shaggy white eyebrows. He put his arm over my

shoulder as we walked back to the house, as though he was glad of

someone to lean upon. And all through supper he talked to me about my

father and mother. He told me again how my father had died bravely at

the head of a dare-devil sortie out of Nashville. And he told me with

great charm about the time when they had been children. We sat out on

the porch for a while and he went on with his reminiscencing. Then

suddenly he stopped.

"Oh," he said, "how I ramble. You will be wanting to go and call on

Margot."

It was like visiting the ghosts. Margot had aged more than any of my

generation. We were still under forty but her hair was quite gray. Her

face had lost its beauty--pinched out by her narrow, empty life. And yet

as she stood on the porch to greet me, as I came up the walk to her

house, there was much of the old charm about her. There are few women

like her nowadays. I knew many in my childhood--the real heroes of the

great war. The women who in the bitter days of reconstruction, bound up

the wounds of defeat, bore almost all the burdens and laid the

foundations of the new South. They were gracious women, in spite of

their arrogant pride in their breed. They knew how to suffer and smile.

We sat side by side on the porch--leagues and leagues apart. I found it

strangely hard to talk with her. She told, in her quiet colorless voice,

all her news. Her mother had died several years before. Al was married

and established in Memphis and so forth. Just as the supply of news ran

out, a rooster awoke from some bad dream and crowed sleepily.

"Margot," I said, "do you still steal eggs?"

"O Arnold," she laughed, "haven't you forgotten that? I have--almost.

A long time ago I paid mother back and I saved fifteen dollars out of my

allowance and sent it to the Presbyterian church."

I had always considered myself a fairly honest man, but it had never

occurred to me to make restitution for these childish thefts.

"It was awful," she went on, "why did we do it?"

"Margot," I said, "haven't you ever committed a worse sin than that?"

She fell suddenly serious. It was several minutes before she replied.

"Yes, Arnold, I've been discontented and rebellious."

I looked out at the village street, at the uninteresting houses, at the

glare of the "general store" where liquor was sold and where doubtless

Col. Jennings, illumined by the moonshine whiskey of our mountains, was

recounting to a bored audience of loafers some details of one of

Stonewall Jackson's charges. It was needless to ask what it was that

made her discontented, against what she had been rebellious. And the

deadly torpor of that village life seemed to settle about me like a

cloud of suffocating smoke. There sat beside me this fine spirited

woman--useless. Her glorious potentiality of motherhood unused.

Defrauded of her birth-right--wasted! I had an impulse to jump up and

shake my fist at it all. I wanted to tell her that her greatest sin had

been not to revolt more efficiently. But that would have been cruel now

that her hair was so gray.

"Do you know who has helped me most?" she asked. "Your uncle. He is a

saint, Arnold. We are great friends now. He came here one time when

father was sick. He has been a wonderful comfort to me. Sometimes I go

and call on him. He's very lonely. And he's such a gallant old

gentleman. When I see him drive by in his buckboard I always wave to

him and as soon as he's out of sight I go over to the house and scold

the niggers. They would never do any work if somebody did not fuss

them. And you know it makes me more contented to watch him. I say to

myself that if such a wonderful man, so wise and learned can find plenty

to do to serve the Master in this little village there must be quite

enough for just a woman like me. There's a heap of comfort in that

thought. But sometimes I read some story or think about you all out in

the big world and it seems very small here--and lonely."

There was nothing I could think to say, so again we were silent.

"Arnold," she said suddenly. "Do you ever read King Arthur stories any

more?"

"Whenever I get five minutes," I replied. "The people I live with have

a little girl--Marie. I'm teaching them to her."

"I'm so glad--and Froissart?"

She went into the house and brought out the old soiled volume. We

looked through it together and then she said that perhaps I would want

to take it East for Marie. But I had a feeling that she wished to keep

it. So I said Marie was too young for Froissart yet. Once more we fell

silent. I remember the open book on her thin knees, her thin

aristocratic hand between the pages, the profile of her face.

Lamp-light shone out through the window upon her and she looked almost

beautiful again.

I am never sure of what is in a woman's heart. But I could not explain

the constraint upon us except that perhaps she had always been waiting

for my homecoming, still nourishing in her heart our childish

love--still hoping. But there was nothing to hope. It was not in her

power to conceive what I was. I was battered and scarred by fights she

had never imagined, disillusioned of dreams she had never dreamed. I

had left the village years ago--irrevocably. She would have been

utterly lost in my world. At last, rather mournfully, I said "good

night."

The next day the Father was on the porch when I came down. He greeted

me with a sort of wistful expectancy in his eyes. And my cordial "good

morning" did not seem to satisfy him. I did not understand until at

breakfast.

"My son," he said, "I have often wished--it would have made me very

happy--if you had married Margot." So he at least had hoped that this

would be the result of my home-coming.

"She's a rare girl," he said, "a fine spirit. A good wife is a great

help to a man in leading an upright life. A pillar of strength."

"The fates have denied me that help," I said. And I did not realize

till too late the pagan form I had given my words.

But the match had been lighted. The Father did not believe that any

good could come to a man except from the religion of Christ. Try as

hard as I might I could not prevent the conversation from taking that

turn. If he had loved me less we might have been better friends. But

the only thing which mattered to him was the salvation of souls. And in

proportion to his love for me he must needs seek my conversion. On the

one point where we could not agree, his very affection made him

insistent.

We both tried very hard to be sweet tempered about it. But I was in a

difficult position. If I did not try to answer his arguments he thought

I was convinced but unwilling to admit it. If I argued, it angered him.

He would lose his temper and then be very apologetic about it. For an

hour or so we would talk pleasantly of other things. Then inevitably

the conversation would swing back to the subject he cared most about.

After supper he at last brought things to a pass from which there was

but one escape.

"My son," he said, "the day after to-morrow is the first Sunday in the

month--Communion Sunday. You are still a member of my church, you have

never asked to be relieved of the solemn responsibilities you took when

you united with us. Will you join the rest of the members at the

communion table?"

"I'm sorry, Father," I said, my heart suddenly hardening at the memory

of the way I had been pushed into church membership. "I'll have to

leave to-morrow night. I must be back at work early next week."

I had expected to stay longer. But for me to have gone to church and

refused communion, would have been almost an insult to him. To have

pretended to a faith I did not have, seemed to me a worse sort of a lie

than the one I used. And so--having been home but two nights--I

returned to the city and work.

*IX*

Except for my vacations, I have missed very few working days in the

Tombs since. And as the months have slipped along I have added steadily

to my writings on criminology. To some it might seem a dreary life. It

has not been so. There have been compensations.

The chief one has been the pleasant home in the Teepee. It would be

easy to fill pages about it. But those who have been part of a loving

family will know what I mean without my writing it. And it is past my

power to paint it for those who have not shared it.

I recall especially the Christmas Eve when Marie was nine years old.

Norman was at work at the table. Marie sat on my knee telling me some

wonderful story. Nina came in from the kitchen where she and Guiseppe

were concocting the morrow's feast. She sat down on the arm of my chair

and said she had a secret to whisper in my ear. Norman looked up from

his work and smiled.

"It's the one thing which has troubled her," he said. "Not having done

her duty by the birth-rate but once."

The startled wonder came back again to Nina's eyes in those days. Even

little Marie felt the "presence" among us and was awed.

But the fates had one more blow reserved for me. The year was just

turning into spring when it fell. One morning at the Tombs, a court

attendant called me to the telephone. It was Nina. Norman, she said in

a frightened voice, was very sick. He had complained the day before of

a cold and had gone to bed in the afternoon. I had not seen him that

morning. When I reached the Teepee, he was delirious, in a high fever.

We had no regular doctor, so I called up Ann on the telephone.

"It looks to me like pneumonia," I told her. "Can you send us a good

doctor and a nurse?"

Within half an hour Ann had come herself with one of the city's most

famous doctors.

Nina would not leave the bed-side. I waited for news in the library.

It reminded me of the time, years before, when I had waited for a

verdict on my eyes. I do not suppose that there are many friendships as

ours had been. It is hard to believe that such relationships can be

anything but permanent. It seemed impossible that I could lose Norman.

But Ann made no pretense of hope. There was almost no chance she said.

She telephoned out to her mother that she would be kept in town, and

went back to the sickroom.

All the afternoon and all night long they fought it out. Sometimes when

the suspense was too great I would go to the door. Nina sat with

staring eyes at the head of the bed. Ann and the doctor were busy with

ice-presses. At night-fall I gave Marie her supper and put her to bed

in my room. She had become suddenly frightened and I sat beside her a

long time, comforting her with stories of the Round Table, until at last

she fell asleep.

Norman slept a little, but most of the time, tossed about

deliriously--calling out to someone who was not there. "Oh Louise!" he

would moan, "How can you believe that about me? I'm not spotless--but

that isn't true. Don't think that of me. It's too cruel." But he got

no comfort. The woman of his delirium was obdurate.

The dawn was just breaking when Ann came and told me he was conscious.

It was the end. Nina was kneeling beside him weeping silently. He

smiled at me and tried to hold out his hand, but he was too weak.

"It's as though they had let me come back to say 'goodbye,'" he

whispered. "Be good to them, Arnold--to Nina and Marie and the one

that's coming. She's a good girl...." A look of wonder came into his

eyes, with his last strength he stroked her hair.

"It's funny. I thought she was--just a toy--but she's got a soul,

Arnold. Don't forget that, old man. Promise me"--I gripped his

hand--"Oh yes. I know you'll be good to her. I know--that's all right.

Poor little girl. I wish she wouldn't cry so.--I'd like to kiss her

once more"--Ann lifted her up so that he might kiss her. "There!

There! Little one. You mustn't cry. It's not so bad as all that.

Arnold'll take care of you. Good luck--all of you. Don't be afraid....

I'm...."

It was a queer funeral. Some of his relatives, who had cut him since

his marriage, came. It was on a Sunday so the Studenten Verein could

turn out. Mrs. O'Hara, whose coal he had bought for seven years, came

with her eight children. So did our washerwoman, Frau Zimmer, with her

epileptic son. Guiseppe rode in the front carriage with Nina, Marie and

I, and cried more than any of us. The Studenten Maenner Chor sang a

dirge. In the motley crowd I saw a man in the costume of an

Episcopalian clergyman. As they were dispersing, he came up to me.

"I am unknown to you, sir," he said, "I want to tell you that I believe

in immortality--and that I am sure your friend is sitting on the

right-hand of our Heavenly Father. I hope to be worthy to meet him

again. He was so good that I am surprised that he escaped crucifixion.

I am only one of many whom he pulled out of hell. I can not...."

He burst into tears and disappeared into the crowd. Somehow, out of all

the tributes to Norman which poured in on me in those days, the

incoherent words of this unknown clergyman touched me most. What his

story was, how Norman had helped him, I have no idea.

When we got back to the Teepee, we found Ann there, she had put things

in order for us. She took Nina to bed and gave her something to make

her sleep. Then she joined me in the library. She picked up her hat to

go away, but I detained her. And so we sat together through the

afternoon. As I remember we talked very little--except for some

directions she gave me about Nina's health. At twilight Guiseppe came

in with Marie, whom he had taken for a walk in the park. We all had

supper together. Ann helped me put Marie to bed and then she went away.

It was very comforting, having just lost one friend, to refind another.

There has been no ripple of estrangement between us since. Our love

relation has been the anchor--the steadfast thing--of my later life.

Norman's will left a comfortable annuity to Nina and the children, the

rest went into his educational endowment. I am a trustee of both sums.

I think they have both been administered as he would have wished.

The baby was a boy. Nina told me that long before its father died, they

had arranged, if it was a boy, to name it after me. I would have

preferred to have called it Norman. One evening, as I was writing in

the library, I glanced up from my paper. Nina was nursing the

youngster, there were tears on her cheeks.

"What's wrong?" I asked.

"Oh! I wish he could have lived to see the man-child. Sometimes I was

afraid he might grow tired of me. But he would have loved his

son--always. I wish he could have seen him."

But I wish that Norman could have lived to see Nina. I had always a

feeling that he did not entirely appreciate her. She has developed

greatly since his death. Not long afterwards I began to notice long and

serious Italian conversations between her and Guiseppe. And I asked him

one day, jokingly, what they found to talk about so earnestly.

"I am teaching her, Mister Arnold, how to be a lady. Now that their

father, who was a gentleman, is dead, it is necessary that the mother of

the children should be a lady."

Guiseppe is too much of a Republican and Nina too little of a snob for

these words to have anything but the noblest meanings.

"It is difficult for a simple man like me," he went on. "But have I not

been a soldier of liberty on two continents? I have seen many fine

ladies and I tell her about them. And also I have read books."

Nina as well has taken to reading. Painfully she has recalled the

lessons of her brief school days. Of course I have helped her all I

could. She has taken the responsibilities of motherhood in a way she

would scarcely have done if Norman had lived.

It was perhaps a year after his death, that I came home one evening and

found Nina in a great flurry. On tiptoe, her finger on her lips, she led

me into the library and closed the door.

"Oh! my friend," she said, "you will not be angry? There's a woman in my

room. Such a sad old woman. She is very drunk. I found her

downstairs--in the hallway. There were boys teasing her. At first I

was frightened and ran upstairs. Then I remembered how he would never

leave anyone so. I brought her up to my room. You will not be angry?"

She has turned the Teepee into an informal sort of a rescue mission. I

never know whom I will find in my favorite chair. Sometimes they have

delirium tremens and shriek all night. At first I was worried about the

effect on the children. But Nina and Ann said it would do them no harm.

I cannot see that it has. One thing about it has impressed me immensely.

It has often happened in my work that I have brought home a boy or a man

from the Tombs and let them sleep on the divan till some better place

was found for them. Not infrequently these guests have departed without

formalities, taking as mementoes any silver spoons they found at hand.

Not one of Nina's women have stolen anything. It passes my

understanding.

Nina has a great admiration for Ann, but does not understand her at all.

She cannot conceive of the reasons why Ann refuses to get married. It

is a thing to philosophize about, the attitude of these two women

towards matrimony. They are both good women, yet to one marriage seems

a degradation and serfdom, to the other marriage meant escape from the

mire, emancipation from the most abysmal slavery the world has ever

known. Watching them has helped me understand many of life's endless

paradoxes.

The only new thing which has come into my life since Norman's death has

been the children. I am legal guardian for Nina's two. And several

years ago, when Billy--Ann's nephew--grew to high school age, she turned

him over to me, fearing that all-woman household might not be the best

place for a growing boy. So he came to the Teepee, going to school in

the city, spending only his week-ends at Cromley.

My work in the Tombs goes on as ever. A new prison has been built, with

cleaner corridors, roomier cells, sanitary plumbing and so forth. But

the old tragedy goes on just the same. My title has been changed from

county detective to probation officer, and I have been given some

assistants. Certainly there has been improvement. The rougher edges of

justice have been worn off. But the bandage is still over the eyes of

the goddess. The names of the judges have changed, but the inherent

viciousness of their situation is unaltered. There is now, just as when

I started, ten times as much work as I can do to even alleviate the

manifold cruelties of the place. It is still--in spite of the new

building--called the Tombs.

And Suzanne? If anyone should ask me what has become of her, I would

have to reply by a question--"Which Suzanne?" I have seen very little

of the one who came back to America. Once or twice I have encountered

her in public meetings. Three years after I came back from Europe, I

received her wedding cards--an architect named Stone. I knew him

slightly. He seems to be very much in love with his wife. One comes

across their names in the papers quite frequently. They are active

socialists. But Mrs. Stone is a strange and rather unreal personality

to me.

But there is the other Suzanne, her of the slim, boyish form, who tried

to learn to throw stones like a man and was vexed when I laughed at her,

the Suzanne who loved the poppies, the Suzanne of our earnest

discussions, the Suzanne who was a prophetess, the enthusiastic apostle

of the new faith, who like Deborah of old, sang songs of the great

awakening to come, and the Suzanne of Moret--whom I loved. She still

lives. I cannot see that the passing years have in any way dimmed the

vision. Mrs. Stone is getting matronly, her hair is losing its luster.

Suzanne is still straight and slender. There are moments when she comes

to me out of the mystery of dreams and, sitting on the floor, rests her

head--her fearless head--on my knees. I run my fingers through her

amazing hair and try to capture the fitful light of the fire, which

glows there, now so golden, now so red.... And as the dream is sweet,

so is the awakening bitter.

*BOOK VII*

I come now to the last section of my book. There can be no doubt that

it must be about the children.

As I get older, in spite of my best intentions, the work in the Tombs

grows mechanical. Each new prisoner has of course his individual

peculiarities, but I find myself frequently saying: "It's like a case I

had back in 1900." And it is the same with my writing. It is mostly a

re-statement--I hope a continually better and more forceful

statement--of conclusions I have held for many years.

The light of these later yeans has been my vicarious parentage--these

three young adventurers who call me, "Daddy." I suppose I look at them

with an indulgent eye, magnifying their virtues, ignoring their

limitations. But they seem very wonderful to me. Thinking of them,

watching them, make me sympathize with Moses on Nebo's lonely mountain.

Through them I catch glimpses of a fairer land than I have known, which

I win never enter.

On his eighteenth birthday, Billy asked me why I was not a socialist. I

knew he was leaning that way. He is an artist. Ann wanted him to go to

college, but he broke away to the classes at Cooper Union. Now at

twenty-four he is bringing home prizes and gold medals which he pretends

to despise. Many of his artist chums are socialists. I tried to get

him into an argument on the subject, but, as is his way, he would not

argue. He would only ask me questions. What did I think about this?

What did I think about that?

About a week later at breakfast; he handed me a little red card, which

was his certificate of membership in the party.

"You can't join till you're eighteen," he said. "You see, Daddy, I

don't think a chap can ever paint anything, do anything worth while in

art, unless he believes in something besides himself--something bigger.

I don't know anything bigger than this faith in the people."

He had a pretty bad time of it the next Sunday at Cromley. His

grandmother is such a seasoned warrior for anarchism, that she has as

little tolerance for socialists as our "best people" would have for her.

Ann was neutral, for she holds that what one believes matters not half

so much as the way one believes it. And I would do nothing to dampen the

youngster's ardor. It is amazing to me. He has the faith to look at

our state legislature and believe in democracy, to look at the Tombs and

believe in justice.

In fact I have sometimes thought of joining his party. I would like to

enter as closely into his life as possible. But all this talk of

revolution repulses me. It is the impatience of youth. The world does

not move fast enough for them--they forget that it moves at all. But it

has spun a long, long way even in my life.

I recall our fight for a reformatory. It ended in fiasco. But it was

only the beginning of a movement. Baldwin was a man who held on. Before

long he had persuaded a western state to try his scheme. To-day there

are more than thirty of our states with reformatories for boys. The

later ones, better than Baldwin's dream. And then this probation

system. It is the biggest blow ever dealt to the old idea of the Tombs.

Of course it is having growing pains. The special advocates of the

system are distressed because of the hundreds of probation officers only

a few are efficient. Give it time.

And of broader import is the awakening of democracy in the land. It

will take a generation or more before historians can properly adjudge

this movement. To-day we see only sporadic demonstrations of it,

speeches here and there, in favor of referendum and so forth. The real

issue often veiled by the personalities of candidates. The noise is

only the effervescence of a great idea, a great aspiration, which is

taking form in the mind of the nation.

The country is ten times as thoughtful about social problems as it was

when my generation began. Recently the legislature made an

appropriation to give me a new assistant in the Tombs. I wrote to

several colleges and a dozen men applied for the job. I could take my

pick. Twelve men out of one year's college crop! I was a pioneer.

And young Fletcher, the man I chose, asked me the other day, what I

thought of Devine's book, "The Causes of Misery." He is beginning work

on the basis of that book. And Devine speaks of "The Abolition of

Poverty" as if it was a commonplace. No one dared to dream that poverty

could be abolished when I was a young man. We thought it was an

indivisible part of civilization. I remember when I first heard Jacob

Riis talk of abolishing the slums! I thought he was a dreamer. The

tenement house department reports that a million new homes have been

built in the city--under the new law--with no dark rooms. And the

abolition of tuberculosis! Why I can remember a cholera epidemic!

These young socialists do not realize what we have done.

Last summer I took Nina and Marie and young Arnold, he is ten now, down

on the Maine coast to an island where Billy and some of his artist

friends have a camp. As I mingled with this colony of ardent young

people, in spite of the sympathy, which real friendship with Billy has

given me for them, I felt like a stranger. I am sure they think I am an

old fogey. My mind kept jumping back to my own youth, comparing them

with what I had been at their age. In so many ways they were better men

than I was, better equipped for life.

I remember especially one conversation with Billy. He had just finished

a canvas as the twilight was falling. I think it is the finest thing he

has done yet. There is a stretch of surf in the foreground and beyond

the islands rise higher and higher to the peak of Mount Desert. I

cannot describe it beyond these barren details. Somehow he has

accentuated the rising upward lines, by some magic of his color he has

infused the thing with immense emotion.

"What are you going to call it?" I asked as he was putting up his tubes.

"It hasn't any name," he said. "It's just a feeling I get sometimes--up

here with the sea and the mountains." He pondered it a moment, seeking

words. He is not a ready talker. "I think it's one of the psalms," he

said at last, "you know the one that begins: 'I will lift up mine eyes

unto the hills, from whence cometh my help.' It's sort of

religious--being all by one's self and looking up."

"What is your religion, Billy?" I asked.

He sat silent, stopped arranging his brushes and looked off at the last

of the sunlight on the summit of the mountain.

"Have you got one?" I persisted.

"Oh, yes," he said quickly. "Yes--at least sometimes it comes to me.

There are days on end when it doesn't come--barren days. And then again

it comes very strong. I haven't any name for it. I think the trouble

with most religions is that people try to define them. It doesn't seem

to fit into words."

Again he was busy with his kit. But when everything was ready, instead

of starting home, he sat down again.

"It's funny," he said, "I'm quite sure you can't talk about religion

satisfactorily. But we all want to. And as soon as you try to put it

into words some of it escapes--the best part of it. I think that's why

painting appeals to me. You can say things with colors you can't with

words.

"You remember those reproductions, I showed you, of Felicien Rops, the

Belgium etcher. You didn't like them. I don't either. He's

wonderfully clever--My God! I wish I could draw like that man--but I

don't think it's art. I don't think he ever looked upward--lifted up

his eyes to the hills. I guess my religion is just that indescribable

something which changes craftsmanship into art. I want to draw well, I

want my color to be right, I want technique--all I can get of it. But

even if I was perfect in all these, I would have to lift up my eyes unto

the hills for help before I could do the real thing--the thing I want to

do."

"And when you lift up your eyes, Billy," I asked, "who is it that gives

you help?"

He spoke rather reluctantly after a moment's pause.

"That's the trouble with talking religion. You get mixed up between the

figurative and the literal. Does it really matter Who--or Where? I

don't think of any person up there in the afterglow on the mountain top.

There doesn't have to be any hills even. Sometimes I get 'help' in my

studio--with nothing to look up to but the white-washed lights and the

rafters.

"We all need 'help' and when we get it--we've 'got religion.' It's all

so vague that we have to use symbols. One person has associated 'help'

with high mass and choir boys and tawdry images. Another gets his

connection by listening to a village quartet murder 'Nearer my God to

Thee.' When Nelson was over illustrating that book on Egypt he learned

the Mohammedan 'Call to Prayer.' It's a weird sing-song thing. There

are millions of people who, when they hear that, get the feeling that

they need 'help' and chase round to the Mosque. I haven't found

anything more suggestive than those words of King David.

"Sometimes my pictures are rotten and I sign them 'William Barton.'

Once in a long while I paint one that is better,--better than my brush

tricks, better than my technique, better than just me--and I always put

a little star after my name. It means 'this picture was painted by

William Barton and God.' That's my religion."

"It's all summed up in that old Jewish song--'I will lift up mine eyes

unto the hills, from whence cometh my help.' Do you know it?"

Yes. I knew it. I sat in the Father's study, all one fine afternoon,

when the other boys were playing ball, and learned that song by rote, in

punishment for upsetting his inkwell. It seems very wonderful to me

that the Bible should seem a thing of beauty to a youngster. It was at

best an unpleasant piece of drudgery for me--more often a form of

chastisement. What stirs the deepest emotions in Billy's heart, only

reminds me of a blot of ink on the Father's desk and the shouts of the

boys out in the street whom I might not join.

I had been suspecting for some time that although Billy and Marie both

call me "Daddy," they were coming to realize that they are not brother

and sister. My suspicions were confirmed the other day by Nina. She

asked me solemnly what I thought of Billy. And when I declared that he

was the straightest, cleanest, finest youngster I knew, she said.

"Perhaps. But he is not as fine as Norman was."

I said that God had apparently mislaid the mold in which He had cast

Norman.

"I wish that Marie could have as good a husband as I did--she's a better

girl."

Nina has immense respect for her daughter. And Marie deserves it. A

habit of philosophizing forces me to realize that the greatest part of

the world has failed to appreciate, has in fact utterly ignored the

existence of, this marvelous foster daughter of mine. There are,

doubtless, many parents who even if they had had the good fortune to

know Marie would stubbornly prefer their own daughters. But if I were

twenty years younger, I would certainly enter the race against Billy.

She gets her looks from her mother--pure Lombard--but she has inherited

Norman's irreverent, incisive vision and his tricks of speech. She

decided to follow her father's chief interest and now, at nineteen, is

attending a kindergarten normal school.

But the thing, for which I give Marie my highest reverence is her

attitude to her mother. She knows the truth. I found that they had

talked this over before Norman died. It was his wish that she should

not be told by strangers. And so nothing was hidden from her, no

questions were evaded and she grew into the knowledge of her mother's

story, with as little shock as she learned the multiplication table. It

is very sweet to watch them together, this quiet, sad eyed old woman,

who can write with difficulty and this superbly modern girl, who has had

every advantage of education. Marie has sense enough to know that very,

very few people have been blest with finer mothers.

A few nights after this talk with Nina, I found Marie alone in the

library reading a red paper covered book by Earl Krautsky--"The Road to

Power." Across the corner, in his big, boyish handwriting, was

scrawled, "William Barton."

"Marionette," I said, thinking of what her mother had said, "Do you

believe in free love?"

"Not for a minute," she snapped, "it's just another of your man tricks

to get the better of your superiors."

Marie is a suffragette. But her jibe at me did not satisfy her. The

thing was evidently on her mind. She came over and sat on the arm of my

chair.

"Don't laugh at me, Daddy. It's so serious. I think it's all wrapped

up in the big woman question. How can there be any real freedom except

among equals? In the bottom of my heart I think it is a beautiful ideal.

If I were in love with a man, I'd just want to be with him. It seems a

little degrading to take a justice of the peace into one's confidence in

so private a matter. I would feel ashamed to tell a stranger I was

going to love my sweetheart. And in a sense I like the idea of freedom.

It would be horrible to have my husband kiss me because it was the law;

because he'd promised to--if he didn't really want to.

"But that's only a private personal view of it. It doesn't seem to me

the important thing, what the politicians call 'the main issue.' This

trying to be individually free, this fussing over individual rights,

seems sort of early Victorian...."

"What," I interrupted, "you wouldn't call Ann--one of the first women to

win distinction in a profession--you wouldn't call her Early Victorian?"

"Well. I don't mean Ann. She's an exception. No, she isn't either. I

mean her, too. Nowadays we think of things socially. It doesn't matter

so much whether I'm free, whether I get justice, it's the others--the

race--we must work for. Ann's wonderful. You know how much I love her.

But she don't look at things the way we do.

"We must think not only of the few women, here and there, the giants

like Ann, who are strong enough to stand alone, but of all the

women--and the children. That's just the point. We're trying to learn

how not to stand alone--how to stand together. We've got to ignore our

own preferences and rights and learn to fight for woman's rights.

"Doesn't most of the prostitution come from the free love of weak girls?

Even when the cadets go after them just to make money, isn't it love on

the girl's part? What they think is love? We must fight and fight and

fight to make women realize that they mustn't love just for themselves.

That it isn't right towards the race for them to love blindly--that it's

a sin, a social sin, for us to love until we're sure of ourselves, sure

of the man, sure for the children. It's a sin for a woman to sacrifice

herself to a man just because she loves him--a sin even to take risks.

"Somehow, until we've won freedom and equality and independence, we've

got to insist on guarantees. I don't see how we can get them except

through laws, through old-fashioned marriages. We women who are

stronger, and better educated and able to support ourselves and

children, we must always think of the others who are less fortunate.

And as long as you men take advantage of any of our sisters, we won't

listen to your free love talk. So there!"

"Daddy," she said after she had rested her cheek against mine for a

while. "I'll tell you a secret. Ssh! Don't you ever breathe it! Do

you know whom we suffragists have to fight? It's women! If it was only

you men, we'd have won long ago. It isn't the men who enslave us. It's

tradition and habit. Long training had made us selfish--divided--weak.

"Just take the worst case. It's mother's story all over again--all the

time. She tried to get away. Half a dozen men, instinctively, acted

together, for their common interest--and were strong. They didn't

reason it out. Blackie did not have to say to them, you help me beat my

girl, and I'll help you beat yours and so we'll keep them all scared.

It's a long inherited tradition with men to act together like that,

second nature--almost an instinct. But when a cadet beats a girl, do

the other girls rush together like that and fight for their common

interest? No. Each one for herself sneaks off and tries to placate her

man. It's just the same with 'respectable' people. If a woman tries to

be free, the men are all against her with their legislatures and courts

and all that. Do the other women stand together to help her? Oh, no.

They cut her. Just like the prostitutes, they try to ingratiate

themselves with their husbands by spitting at the one who tried to be

free.

"If we women were only civilized enough really to co-operate, to stick

together, shoulder to shoulder--oh, we'd put you men in your place quick

enough. Individualism, trying to stand alone, is the worst enemy women

can have to-day. We've got to learn how to use our united strength.

"And we are learning--too. Remember that big shirtwaist strike? It was

wonderful the way the girls stuck together. I don't believe that any

time before in the history of this old world women have stood by each

other like that--with such loyalty. A lot of your stupid men-papers,

had editorials wondering why up-town society women took so much interest

in the strike. Why, even the rich suffragists have sense enough to know

that solidarity is ten times more important than the vote. If you men

only give us a long, hard fight for it, make us throw stones and slap

policemen and go to jail and all that, we'll learn this lesson of

standing together and then we'll know how to use the franchise when we

get it. Oh! The time is coming, Daddy. Watch out."

"I'm not frightened." I said, "If I was as near to thirty as I am to

fifty, I guess I would be an enthusiastic suffragetter. Anything you

wanted would look good to me. Do you think I would have had any chance

if I had encountered you when I was young enough to be your lover?"

"I wonder what you were like, Daddy, twenty years ago--just when I WAS

beginning. Oh, I guess I would have liked you. But even if I did, I

would have sent a lawyer to you with a long contract, specifying my

various and sundry privileges and your corresponding duties. Then I

would have led you down to the City Hall and made you sign each and

every article with a big oath. How would you have liked that?"

"I'd have submitted joyfully."

Her arm tightened about my neck.

"And do you know what I would have done then, Daddy?" she asked after a

moment's silence. "I guess--just as soon as we were alone--I'd have

torn up that contract into little pieces. And I'd have said, 'Oh, My

Lord and Master, be humble to me in public, for the sake of all my poor

sisters who are afraid--but here in private, please, trample on me some.

And oh! if you love me--make me darn your socks.'

"Oh Daddy, that's the heart-break of it all"--there was a catch in her

voice--"That's what's hard. We know that we must fight for our freedom

and equality--for the other women's sake. And all the while--if we are

in love--what our heart cries out for is a ruler. We want to serve."

I think when I get a chance I will tell Billy to show his muscle now and

then.

So this is where I am today. My experiment in ethics? It has failed.

I can no more surely distinguish right from wrong today, than when I was

a boy in school.

My best efforts landed Jerry--innocent--in prison. The one time when I

violated every rule I had laid down for my guidance in the Tombs, when I

lied profusely, played dirty politics, compounded a felony, and went on

a man-hunt, with hate in my heart, I disposed of the pimp Blackie, freed

Nina, gave happiness to Norman. Marie is the result.

Certainly one of the best things in my life has been Ann's love. It

came to me without any striving on my part, it has been in no way a

reward for effort or aspiration. Step by step it has seemed to me

wrong. I do not believe in free love. I cannot justify it any more

than I could stealing eggs when I was a boy. It was something I wanted

and which I took. Yet I am quite sure it has been good.

On the other hand, the time when I strove hardest to reach a higher

plane, when I was most anxious to be upright and honorable, those days I

spent in France with Suzanne, resulted in the most bitter pain, the most

dismal failure of my life. This is not a little thing to me, even after

all these years. The days come when I must open my trunk, take out her

rucksac and the map--the only mementos I have of her--they are days of

anguish. Why should it not have been? My life seems bitter and of

small worth when I think of what it might have been with her.

I am as much at a loss today in regard to moral values as I ever was. I

have little hope left of succeeding in my experiment. This is the sad

thing. The good fight has been a long one. From the continued

campaigning, I am prematurely spent. Under fifty, I am prematurely old.

The _elan_ of youth is gone.

At the Hotel des Invalides in Paris they tell the story of a war-scarred

crippled veteran of the Napoleonic wars. His breast was covered with

service medals. At one of the annual inspections a young commander

complimented on his many decorations. "My General," the old soldier

replied, "I can no longer carry a musket, it would have been better to

have died gloriously at Austerlitz."

I am far from the sad pass of this decrepit veteran, yet his story

touches me nearly. The best days have flown. I have lived intensely.

Into each combat whether the insignificant skirmish of my daily work, or

the more decisive battles--I have thrown myself with spendthrift energy.

I do not regret this attitude towards life. I am glad I met its

problems face to face--with passionate endeavor. But the price must be

paid. Nowadays I have little ardor left. The youthful questing spirit

is gone--and I have not found the Holy Grail.

Perhaps these young people are right. I may have started wrong--in

trying to find the truth for myself alone. Perhaps there are no

individualistic ethics. They may find the answer expressed in social

terms. Perhaps. But I have no energy left to begin the experiment

again.

But once more I must repeat, I do not regret my manner of life. We are

offered but two choices; to accept things as they are or to strive

passionately for new and better forms. Defeat is not shameful. But

supine complaisance surely is.

Out of the lives of all my generation a little increment of wisdom has

come to the race. Neither the renaissance, nor the reformation seem to

me as fundamental changes as we have wrought. We have made the nation

suddenly conscious of itself. We have not cured its ills, but at least

we have made great strides in diagnosis. And my experiment--in its

tiny, coral-insect way--has been an integral part in this increment of

wisdom.

I am more optimistic today than ever before. And if I wish to live

on--as I surely do--it is to watch these youngsters in their struggle

for the better form. How much better equipped they are than we were,

how much clearer they see!

I think of myself as I left college--so afraid of life that I was glad

to find shelter among old books. I recall how strange seemed that first

dinner in the Children's House with Norman. And then I think of Billy.

Why! The knowledge of life those pioneer settlement workers were just

beginning to discover are conversational commonplaces among Billy's

friends. The abolition of poverty!

The vision comes to me of Margot, delicate, fragile, ignorant--too

ignorant to be afraid. All the wisdom of the ages--past and

future--seemed to her to be bound up in the King James version. I

compare her with Marie. She is as strong as a peasant girl. I have

given up playing tennis with her, she beats me too easily. And the

certain, fearless way she looks out at life takes my breath, leaves me

panting just as her dashing net play does. She speaks of Ann as early

Victorian, she would I fear place Margot as Elizabethan.

Most wonderful of all, these youngsters have never had to fight with

God, never had to tear themselves to pieces escaping from the deadly

formalism and tyranny of Church Dogma. They never had to call

themselves Atheists.

And then I think of how Billy and Marie are facing this biggest problem

of all--this business of love. They will have their squalls no doubt

and run into shoal water perhaps. But they are not blindfolded as I

was, as Norman was--as all my generation was. Pure luck was all that

could save us. They are steering--not drifting.

Yes. My story is ended. The old troupe has been crowded off the stage.

There would be little interest in writing of the work left me--brushing

the wigs of the leading man, packing the star's trunk,--pushing the swan

for Lohengrin, currying the horses of the Walkyrie--it will all be

behind the scene.

And how I envy them their faith!

Ave--Juventas--morituri salutamus!

* * * * * * * *

*The following pages contain advertisements of a few

of the Macmillan novels.*

*The Friar of Wittenberg*

BY WILLIAM STEARNS DAVIS, author of "A Friend of Caesar," "God Wills

it."

In the character of Martin Luther, William Stearns Davis has found

admirable material around which to build an historical novel of more

than ordinary importance. He has succeeded above all else in making the

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as never before the conditions leading to the religious revolt of which

the Friar of Wittenberg was so powerful a leader.

"In the tale the stirring episodes in which Luther played a part are

invested with so much reality that one may clearly visualize the

conditions leading to the religious revolt of which the Friar of

Wittenberg was so powerful a leader."--_North American, Philadelphia,

Pa_.

"The story includes scenes and events so compelling and thrilling as to

give to this master story-teller a great opportunity to use a mighty

event in human progress as the splendid foundation for a great

novel."--_Salt Lake Tribune_.

"Verily it is a remarkable book."--_Philadelphia Public Ledger_.

"No stronger picture has ever been painted than this of the German

people who welcomed Luther's appeal to all that was best in them."--_San

Francisco Chronicle_.

"'The Friar of Wittenberg' is written with power and earnest intention,

and should prove a deep delight to those who wish even for their summer

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* * * * *

*MR. JAMES LANE ALLEN'S NOVELS*

*The Choir Invisible*

*The Reign Of Law -- A Tale of the Kentucky Hempfields*

*The Mettle of the Pasture*

*Summer in Arcady -- A Tale of Nature*

*MR. JAMES LANE ALLEN'S SHORTER STORIES*

*The Blue Grass Region of Kentucky*

*Flute and Violin and other Kentucky Tales and Romances*

*A Kentucky Cardinal*

*Aftermath -- A Sequel to "A Kentucky Cardinal"*

*A Kentucky Cardinal and Aftermath*

*Two Gentlemen of Kentucky*

*MR. JAMES LANE ALLEN'S*

*The Doctor's Christmas Eve*

* * * * *

_*New Fiction*_

*The Man in the Shadow*

A Man's World · 第 17 / 18 题