A STOP AT SUZANNE'S

The author of this sketch, a young American aviator, a resident of

Richmond, Virginia, was killed in battle in August, 1918.

Suzanne is a very pretty girl, I was told, but the charm of "Suzanne's"

wasn't with her alone, for, always, one spoke of the deliciously-tasting

meal, how nice the old madame is, and how fine a chap is her _mari_, the

father of Suzanne. Then of the garden in the back--and before you had

finished listening you didn't know which was the most important thing

about "Suzanne's." All you knew was that it was the place to go when on

an aeroplane voyage.

At the pilotage office I found five others ahead of me; all of us were

bound in the same direction. We were given [v]barographs, altimeters and

maps and full directions as to forced landings and what to do when lost.

We hung around the voyage hangar until about eight in the morning, but

there was a low mist and cloudy sky, so we could not start out until

afternoon; and I didn't have luncheon at "Suzanne's."

After noon several of the others started out, but I wanted to plan my

supper stop for the second point, so I waited until about four o'clock

before starting.

Almost before I knew it a village, which on the map was twelve

kilometers away, was slipping by beneath me and then off to one side was

a forest, green and cool-looking and very regular around the edges.

Pretty soon I came to a deep blue streak bordered by trees, and was so

interested in it--it wound around under a railroad track, came up and

brushed by lots of back gates and, finally, fell in a wide splash of

silver over a little fall by a mill--that I forgot all about flying and

suddenly woke up to the fact that one wing was about as low as it could

get and that the nose of the machine was doing its best to follow the

wing.

Long before I came to the stopping point, I could see the little white

hangar. The field is not large, but it is strange, so you come down

rather anxiously, for if you can't make that field the first time, you

never will be able to fly, they tell you before leaving. I glided down

easily enough, for, after all, it is just that--either you can or you

can't--and made a good-enough landing. The sergeant signed my paper, and

a few minutes later away I went for "Suzanne's." The next stop is near a

little village--Suzanne's village--so when I came to the field and

landed I was sure to be too tired to go up again immediately. Instead,

off I went to town after making things right with the man in charge.

That wasn't a bit difficult, either, for all I did was to wink as hard

as I could, and he understood perfectly.

I knew where "Suzanne's" was, so I made directly for it. It was a little

early, but you should never miss the [v]_apertif_. With that first,

success is assured; without it, it is like getting out of bed on the

wrong foot.

Up I marched to the unimposing door and walked in to the main room--a

big room, with long, wooden tables and benches and a zinc bar at one

end, where all kinds of bottles rested. It isn't called "Suzanne's," of

course; it only has that name among us.

As I closed the door behind me and looked about, a _bonne_ was serving

several men at a corner table, and behind the bar a big, red-faced,

stout man was pouring stuff into bottles. He looked at me a moment and

then with a tremendous "_Tiens!_" he came out from behind the tables and

advanced toward me.

"_Bon jour_," he said; "do you come from far?"

"Oh, no," I answered, "only from ----."

"_Tiens!_" he repeated; then, "Ah, you are from the school." _L'ecole_,

he called it.

From _l'ecole_, I admitted, and, taking me by the arm, he led me to a

door at the rear. Through this he propelled me, and then in his huge

voice he called "_Suzanne, un [v]pilote!_" and I was introduced.

As he shut the door, I could just see the corner table with the three

old men staring open-mouthed, the wine before them forgotten, the bread

and cheese in their hands untasted; then, down the stairs came light

steps and a rustle of skirts, and Suzanne was before me with smiling

face and outstretched hand.

Her instant welcome, the genuine smile! Almost immediately, I understood

the fame of this little station, so far from everything but the air

route.

Her charm is indescribable. She is pretty, she is well dressed, but it

isn't that. It is a sincerity of manner, complete hospitality; at once

you are accepted as a bosom friend of the family--that is the charm of

Suzanne's.

After a few questions as to where I came from, how long I had been

there, and where I was going, Suzanne led me upstairs to be presented to

[v]"_Ma belle mere_," a white-haired old lady sitting in a big,

straight-backed chair. Then, after more courtesies had been extended to

me, Suzanne preceded me down to the garden and left me alone while she

went in to see that the supper was exceptionally good.

A soft footstep on the gravel walk sounded behind me, and I turned to

see one of the most beautiful women I ever beheld. She was tall and

slender, and as she came gracefully across the lawn she swung a little

work bag from one arm. All in black she was, with a lace shawl over her

bare head. Like every one in that most charming and hospitable house,

there was no formality or show about her. She came, smiling, and sat on

the bench beside me, drawing open her work bag. I could not help

noticing, particularly, her beautiful eyes, for they told the story, a

story too common here, except that her eyes had changed now to an

expression of resigned peace. Then she told me about Suzanne.

Long before, ages and ages ago it seemed, but really only four years, a

huge, ungainly bird fell crashing to earth and from the wreck a man was

taken, unconscious. He was carried to "Suzanne's," and she nursed him

and cared for him until he was well again. "Suzanne was very happy

then," madame told me. And no wonder, for the daring aviator and Suzanne

were in love. She nursed him back to health, but when he went away he

left his heart forever with her.

They were engaged, and every little while he would fly over from his

station to see Suzanne. Those were in the early days and aviation--well,

even at that, it hasn't changed so much.

One day a letter came for Suzanne, and with a catch at her throbbing

heart she read that her _fiancé_ had been killed. [v]"_Mort pour la

patrie_," it said, and Suzanne was never the same afterward.

For many months the poor girl grieved, but, finally, she began to

realize that what had happened to her had happened to thousands of other

girls, too, and, gradually, she took up the attitude that you find

throughout this glorious country. Only her eyes now tell the sad story.

One evening two men walked into the café and from their talk Suzanne

knew they were from _l'ecole_. She sat down and listened to them. They

talked about the war, about aviation, about deeds of heroism, and

Suzanne drank in every word, for they were talking the language of her

dead lover. The two aviators stayed to dinner, but the big room was not

good enough. They must come back to the family dinner--to the intimacy

of the back room.

They stayed all night and left early next morning, but before they left

they wrote their names in a big book. To-day, Suzanne has the book,

filled full of names, many now famous, many names that are only a

memory--that is how it started.

When the two pilots went back to _l'ecole_, they spoke in glowing terms

of "Suzanne's," of the soft beds, of the delicious dinner, and, I think,

mostly of Suzanne.

Visitors came after that to eat at "Suzanne's," and to see her famous

book. They came regularly and, finally, "Suzanne's" became an

institution.

Always, a _pilote_ was taken into the back room; he ate with the family,

he told them all the news from _l'ecole_, and, in exchange, he heard

stories about the early days, stories that will never be printed, but

which embody examples of the heroism and intelligence that have done

their part to develop aviation.

Soon, we went in to dinner, and such a dinner! Truly, nothing is too

good for an aviator at "Suzanne's," and they give of their best to these

wandering strangers. They do not ask your name, they call every one

_Monsieur_, but before you leave you sign the book and they all crowd

around to look, without saying anything. Your name means nothing yet,

but a year from now, perhaps, who can tell? In the first pages are

names that have been bywords for years and some that are famous the

world over.

After dinner, Suzanne slipped away, presently to reappear with a special

bottle and glasses. I felt sure this was part of the entertainment

afforded all their winged visitors, for they went about it in a

practised manner; each was familiar with his or her part, but to me it

was all delightfully new.

Our glasses were filled, and Suzanne raised hers up first. Without a

word, she looked around the circle. Her eyes met them all, then rested

with madame. She had not said a word; it was "papa" who proposed my

health, and as the bottoms went up, Suzanne and madame both had a

struggle to repress a tear. They were drinking my health, but their

thoughts were far away, and in my heart I was wishing that happiness

might again come to them. Suzanne certainly deserves it.

When I returned to school, they asked, "Did you stop at 'Suzanne's'?"

And now to the others, just ready to make the voyage, I always say, "Be

sure to stop at 'Suzanne's'."

The Literary World Seventh Reader · 第 125 / 142 题