THE LITTLE BOY IN THE BALCONY

My special amusement in New York is riding on the elevated railway. It

is curious to note how little one can see on the crowded sidewalks of

this city. It is simply a rush of the same people--hurrying this way or

that on the same errands, doing the same shopping or eating at the same

restaurants. It is a [v]kaleidoscope with infinite combinations but the

same effects. You see it to-day, and it is the same as yesterday.

Occasionally in the multitude you hit upon a [v]_genre_ specimen, or an

odd detail, such as a prim little dog that sits upright all day and

holds in its mouth a cup for pennies for its blind master, or an old

bookseller, with a grand head and the deliberate motions of a scholar,

moldering in a stall--but the general effect is one of sameness and soon

tires and bewilders.

Once on the elevated road, however, a new world is opened, full of the

most interesting objects. The cars sweep by the upper stories of the

houses, and, running never too swiftly to allow observation, disclose

the secrets of a thousand homes, and bring to view people and things

never dreamed of by the giddy, restless crowd that sends its impatient

murmur from the streets below. In a course of several months' pretty

steady riding from Twenty-third Street, which is the station for the

Fifth Avenue Hotel, to Rector, which overlooks Wall Street, I have made

many acquaintances along the route, and on reaching the city my first

curiosity is in their behalf.

One of these is a boy about six years of age--akin in his fragile body

and his serious mien--a youngster that is very precious to me. I first

saw this boy on a little balcony about three feet by four, projecting

from the window of a poverty-stricken fourth floor. He was leaning over

the railing, his white, thoughtful head just clearing the top, holding a

short, round stick in his hand. The little fellow made a pathetic

picture, all alone there above the street, so friendless and desolate,

and his pale face came between me and my business many a time that day.

On going uptown that evening just as night was falling, I saw him still

at his place, white and patient and silent.

Every day afterward I saw him there, always with the short stick in his

hand. Occasionally he would walk around the balcony, rattling the stick

in a solemn manner against the railing, or poke it across from one

corner to another and sit on it. This was the only playing I ever saw

him do, and the stick was the only plaything he had. But he was never

without it. His little hand always held it, and I pictured him every

morning when he awoke from his joyless sleep, picking up his poor toy

and going out to his balcony, as other boys go to play. Or perhaps he

slept with it, as little ones do with dolls and whip-tops.

I could see that the room beyond the window was bare. I never saw any

one in it. The heat must have been terrible, for it could have had no

ventilation. Once I missed the boy from the balcony, but saw his white

head moving about slowly in the dusk of the room. Gradually the little

fellow became a burden to me. I found myself continually thinking of

him, and troubled with that remorse that thoughtless people feel even

for suffering for which they are not in the slightest degree

responsible. Not that I ever saw any suffering on his face. It was

patient, thoughtful, serious, but with never a sign of petulance. What

thoughts filled that young head--what contemplation took the place of

what should have been the [v]ineffable upspringing of childish

emotion--what complaint or questioning were living behind that white

face--no one could guess. In an older person the face would have

betokened a resignation that found peace in the hope of things

hereafter. In this child, without hope or aspiration, it was sad beyond

expression.

One day as I passed I nodded at him. He made no sign in return. I

repeated the nod on another trip, waving my hand at him--but without

avail. At length, in response to an unusually winning exhortation, his

pale lips trembled into a smile, but a smile that was soberness itself.

Wherever I went that day that smile went with me. Wherever I saw

children playing in the parks, or trotting along with their hands

nestled in strong fingers that guided and protected, I thought of that

tiny watcher in the balcony--joyless, hopeless, friendless--a desolate

mite, hanging between the blue sky and the gladsome streets, lifting his

wistful face now to the peaceful heights of the one, and now looking

with grave wonder on the ceaseless tumult of the other. At length--but

why go any further? Why is it necessary to tell that the boy had no

father, that his mother was bedridden from his birth, and that his

sister pasted labels in a drug-house, and he was thus left to himself.

It is sufficient to say that I went to Coney Island yesterday, and

watched the bathers and the children--listened to the crisp, lingering

music of the waves--ate a robust lunch on the pier--wandered in and out

among the booths, tents, and hub-bub--and that through all these

pleasures I had a companion that enjoyed them with a gravity that I can

never hope to [v]emulate, but with a soulfulness that was touching. As I

came back in the boat, the breezes singing through the [v]cordage, music

floating from the fore-deck, and the sun lighting with its dying rays

the shipping that covered the river, there was sitting in front of me a

very pale but very happy bit of a boy, open-eyed with wonder, but sober

and self-contained, clasping tightly in his little fingers a short,

battered stick. And finally, whenever I pass by a certain overhanging

balcony now, I am sure of a smile from an intimate and esteemed friend

who lives there.

The Literary World Seventh Reader · 第 47 / 142 题