“In a raid. He was with a bombing party, and three men straggled up a

sap and got cornered. He’d taken two machine-guns and they’d used most

of the bombs, and his officer was knocked out, so he sent the rest of

his party back with the stuff and went to fetch his other men. One had

been hit and the other two were thinking of surrendering when he came

back to them. He stood right up on the parados, they say, and slung

bombs at the Germans, a whole crowd of them, until they went back. His

two chaps got the wounded man out and carried him back, and left him

still slinging bombs. He’d do that. He’d stand right up and bung bombs

at them until they seemed to lose their heads. Then he seems to have

spotted that this particular bunch of Germans had gone back into a sort

of blind alley. He was very quick at spotting a situation, and he

followed them up, and the sheer blank recklessness of it seems to have

put their wind up absolutely. They’d got bombs and there was an officer

with them. But they held up their hands—nine of them. Panic. He got them

right across to our trenches before the searchlights found him, and the

Germans got him and two of their own chaps with a machine-gun. That was

just the last thing he did. He’d been going about for months doing

stunts like that—sort of charmed life business. The way he slung bombs,

they say, amounted to genius.

“They say he’d let his hair grow long—perfect golliwog. When I saw him

it certainly _was_ long, but he’d got it plastered down. And there’s a

story that he used to put white on his face like a clown with a great

red mouth reaching from ear to ear—— Yes, painted on. It’s put the Huns’

wind up something frightful. Coming suddenly on a chap like that in the

glare of a searchlight or a flare.”

“Queer end,” said Peter.

“Queer chap altogether,” said Ames....

He thought for a time, and then went on to philosophize about Probyn.

“Clever chap he was,” said Ames, “but an absolute failure. Of course old

High Cross wasn’t anything very much in the way of a school, but

whatever there was to be learnt there he learnt. He was the only one of

us who ever got hold of speaking French. I heard him over there—regular

fluent. And he’d got a memory like an encyclopædia. I always said he’d

do wonders....”

Ames paused. “Sex was his downfall,” said Ames.

“I saw a lot of him altogether, off and on, right up to the time of the

war,” said Ames. “My people are furniture people, you know, in Tottenham

Court Road, and his were in the public-house fitting line—in Highbury.

We went about together. I saw him make three or four good starts, but

there was always some trouble. I suppose most of us were a bit—well,

_keen_ on sex; most of us young men. But he was ravenous. Even at

school. Always on it. Always thinking about it. I could tell you stories

of him.... Rum place that old school was, come to think of it. They left

us about too much. I don’t know how far you——.... Of course you were

about the most innocent thing that ever came to High Cross School,” said

Ames.

“Yes,” said Peter. “I suppose I was.”

“Curious how it gnaws at you once it’s set going,” said Ames....

Peter made a noise that might have been assent.

Ames remained thinking for a time, watching the swish and surge of the

black Channel waters. Peter pursued their common topic in silence.

“What’s the sense of it?” said Ames, plunging towards philosophy.

“It’s the system on which life goes—on this planet,” Peter contributed,

but Ames had not had a biological training, and was unprepared to take

that up.

“Too much of it,” said Ames.

“Over-sexed,” said Peter.

“Whether one ought to hold oneself in or let oneself go,” said Ames.

“But perhaps these things don’t bother you?”

Peter wasn’t disposed towards confidences with Ames. “I’m moderate in

all things,” he said.

“Lucky chap! I’ve worried about this business no end. One doesn’t want

to use up all one’s life like a blessed monkey. There’s other things in

life—if only this everlasting want-a-girl want-a-woman would let one get

at them.”

His voice at Peter’s shoulder ceased for a while, and then resumed.

“It’s the best chaps, seems to me, who get it worst. Chaps with

imaginations, I mean, men of vitality. Take old Probyn. He could have

done anything—anything. And he was eaten up. Like a fever....”

Ames went down into a black silence for a couple of minutes or more, and

came up again with an astonishing resolution. “I shall marry,” he said.

“Got the lady?” asked Peter.

“Near enough,” said Ames darkly.

“St. Paul’s method,” said Peter.

“I was talking to a fellow the other day,” said Ames. “He’d got a

curious idea. Something in it perhaps. He said that every one was

clean-minded and romantic, that’s how he put it, about sixteen or

seventeen. Even if you’ve been a bit dirty as a schoolboy you sort of

clean up then. Adolescence, in fact. And he said you ought to fall in

love and pair off then. Kind of Romeo and Juliet business. First love

and all that.”

“Juliet wasn’t exactly Romeo’s first love,” said Peter.

“Young beggar!” said Ames. “But, anyhow, that was only by way of

illustration. His idea was that we’d sort of put off marriage and all

that sort of thing later and later. Twenty-eight. Thirty. Thirty-five

even. And that put us wrong. We kind of curdled and fermented. Spoilt

with keeping. Larked about with girls we didn’t care for. Demi-vierge

stunts and all that. Got promiscuous. Let anything do. His idea was

you’d got to pair off with a girl and look after her, and she look after

you. And keep faith. And stop all stray mucking about. ’Settle down to a

healthy sexual peace,’ he said.”

Ames paused. “Something in it?”

“Ever read the Life of Lord Herbert of Cherbury?” asked Peter.

“Never.”

“He worked out that theory quite successfully. Married before he went up

to Oxford. There’s a lot in it. Sex. Delayed. Fretting. Overflowing.

Getting experimental and nasty.... But that doesn’t exhaust the

question. The Old Experimenter sits there——”

“_What_ experimenter?”

“The chap who started it all. There’s no way yet of fitting it up

perfectly. We’ve got to make it fit.”

Peter was so interested that he forgot his aversion from confiding in

Ames. The subject carried him on.

“Any healthy young man,” Peter generalized, “could be happy and

contented with any pretty girl, so far as love-making goes. It doesn’t

strike you—as a particularly recondite art, eh? But you’ve got to be in

love with each other generally. That’s more difficult. You’ve got to

talk together and go about together. In a complicated artificial world.

The sort of woman it’s easy and pleasant to make love to, may not be the

sort of woman you really think splendid. It’s easier to make love to a

woman you don’t particularly respect, who’s good fun, and all that.

Which is just the reason why you wouldn’t be tied up with her for ever.

No.”

“So we worship the angels and marry the flappers,” said Ames.... “I

shan’t do that, anyhow. The fact is, one needs a kind of motherliness in

a woman.”

“By making love too serious, we’ve made it not serious enough,” said

Peter with oracular profundity, and then in reaction, “Oh! _I_ don’t

know.”

“_I_ don’t know,” said Ames.

“Which doesn’t in the least absolve us from the necessity of going on

living right away.”

“I shall marry,” said Ames, in a tone of unalterable resolve.

They lapsed into self-centred meditations....

“Why! there’s the coast,” said Ames suddenly. “Quite close, too. _Dark._

Do you remember, before the war, how the lights of Folkestone used to

run along the top there like a necklace of fire?”

§ 19

The powers that were set over Peter’s life played fast and loose with

him in the matter of leave. They treated him at first as though he was a

rare and precious hero—who had to be saved from his friends. They put

him to mend at Broadstairs, and while he was at Broadstairs he had three

visits from Hetty, whose days were free, and only one hasty Sunday

glimpse of Joan, who was much in demand at the Ministry of Munitions.

And Oswald could not come to see him because Oswald himself was a

casualty mending slowly at Pelham Ford. Hetty and Joan and returning

health fired the mind of Peter with great expectations of the leave that

was to come. These expectations were, so to speak, painted in panels.

Forgetful of the plain fact that a Joan who was not available at

Broadstairs would also not be available at Pelham Ford, the panels

devoted to the latter place invariably included Joan as a principal

figure, they represented leave as a glorious escape from war to the

space, the sunshine, the endlessness of such a summer vacation as only

schoolboys know. He would be climbing trees with Joan, “mucking about”

in the boats with Joan, lying on the lawn just on the edge of the

cedar’s shadow with Joan, nibbling stems of grass. The London scenes

were narrower and more intense. He wanted the glitter and fun of

lunching in the Carlton grill-room or dining at the Criterion, in the

company of a tremendous hat and transparent lace, and there were scenes

in Hetty’s studio, quite a lot of fantastic and elemental scenes in

Hetty’s studio.

But the Germans have wiped those days of limitless leisure out of the

life of mankind. Even our schoolboys stay up in their holidays now to

make munitions. Peter had scarcely clambered past the approval of a

medical board before active service snatched him again. He was wanted

urgently. Peter was no good as a pilot any more, it was true; his right

wrist was doomed to be stiff and weak henceforth, and there were queer

little limitations upon the swing of his arm, but the powers had

suddenly discovered other uses for him. There was more of Peter still

left than they had assumed at first. For one particular job, indeed, he

was just the man they needed. They docked him a wing—it seemed in

mockery of the state of his arm—and replaced the two wings that had

adorned him by one attached to the letter O, and they marked him down to

join “balloons” at the earliest possible moment, for just then they were

developing kite balloons very fast for artillery observation, and were

eager for any available men. Peter was slung out into freedom for

one-and-twenty days, and then told to report himself for special

instruction in the new work at Richmond Park.

One-and-twenty days! He had never been so inordinately greedy for life,

free to live and go as you please, in all his days before. Something

must happen, he was resolved, something bright and intense, on every one

of those days. He snatched at both sides of life. He went down to Pelham

Ford, but he had a little list of engagements in town in his pocket.

Joan was not down there, and never before had he realized how

tremendously absent Joan could be. And then at the week-end she couldn’t

come. There were French and British G.H.Q. bigwigs to take down to some

experiments in Sussex, but she couldn’t even explain that, she had to

send a telegram at the eleventh hour: “_Week-end impossible._” To Peter

that seemed the most brutally offhand evasion in the world. Peter was

disappointed in Pelham Ford. It was altogether different from those

hospital dreams; even the weather, to begin with, was chilly and

unsettled. Oswald had had a set-back with his knee, and had to keep his

leg up on a deck chair; he could only limp about on crutches. He seemed

older and more distant from Peter than he had ever been before; Peter

was obsessed by the idea that he ought to be treated with solicitude,

and a further gap was opened between them by Peter’s subaltern habit of

saying “Sir” instead of the old familiar “Nobby.” Peter sat beside the

deck chair through long and friendly, but very impatient hours; and he

talked all the flying shop he could, and Oswald talked of his Africans,

and they went over the war and newspapers again and again, and they

reverted to Africa and flying shop, and presently they sat through

several silences, and at the end of one of them Oswald inquired: “Have

you ever played chess, Peter—or piquet?”

Now chess and piquet are very good pastimes in their way, but not good

enough for the precious afternoons of a very animated and greedy young

man keenly aware that they are probably his last holiday afternoons on

earth.

Sentiment requires that Peter should have gone to London and devoted

himself to adorning the marginal freedom of Joan’s days. He did do this

once. He took her out to dinner to Jules’, in Jermyn Street; he did her

well there; but she was a very tired Joan that day; she had driven a

good hundred and fifty miles, and, truth to tell, in those days Peter

did not like Joan and she did not like herself in London, and more

especially in smart London restaurants. They sat a little aloof from one

another, and about them all the young couples warmed to another and

smiled. She jarred with this atmosphere of meretricious ease and

indulgence. She had had no time to get back to Hampstead and change; she

was at a disadvantage in her uniform. It became a hair shirt, a Nessus

shirt as the evening proceeded. It emphasized the barrier of seriousness

between them cruelly. She was a policeman, a prig, the harshest thing in

life; all those pretty little cocottes and flirts, with their little

soft brightnesses and adornments, must be glancing at her coarse,

unrevealing garments and noting her for the fool she was. She felt ugly

and ungainly; she was far too much tormented by love to handle herself

well. She could get no swing and forgetfulness into the talk. And about

Peter, too, was a reproach for her. He talked of work and the war—as if

in irony. And his eyes wandered. Naturally, his eyes wandered.

“Good-night, old Peter,” she said when they parted.

She lay awake for two hours, exasperated, miserable beyond tears,

because she had not said: “Good night, old Peter _dear_.” She had

intended to say it. It was one of her prepared effects. But she was a

weary and a frozen young woman. Duty had robbed her of the energy for

love. Why had she let things come to this pass? Peter was her business,

and Peter alone. She damned the Woman’s Legion, Woman’s Part in the War,

and all the rest of it, with fluency and sincerity.

And while Joan wasted the hours of sleep in this fashion Peter was also

awake thinking over certain schemes he had discussed with Hetty that

afternoon. They involved some careful and deliberate lying. The idea was

that for the purposes of Pelham Ford he should terminate his leave on

the fourteenth instead of the twenty-first, and so get a clear week

free—for life in the vein of Hetty.

He lay fretting, and the hot greed of youth persuaded him, and the clean

honour of youth reproached him. And though he knew the way the decision

would go, he tossed about and damned as heartily as Joan.

He could not remember if at Pelham Ford he had set a positive date to

his leave, but, anyhow, it would not be difficult to make out that there

had been some sort of urgent call.... It could be done.... The

alternative was Piquet.

Peter returned to Pelham Ford and put his little fabric of lies upon

Oswald without much difficulty. Then at the week-end came Joan,

rejoicing. She came into the house tumultuously; she had caught a train

earlier than the one they had expected her to come by. “I’ve got all

next week. Seven days, Petah! Never mind how, but I’ve got it. I’ve got

it!”

There was a suggestion as of some desperate battle away there in London

from which Joan had snatched these fruits of victory. She was so

radiantly glad to have them that Peter recoiled from an immediate reply.

“I didn’t seem to see you in London somehow,” said Joan. “I don’t think

you were really there. Let’s have a look at you, old Petah. Tenshun!...

Lift the arm.... Rotate the arm.... It isn’t so bad, Petah, after all.

Is tennis possible?”

“I’d like to try.”

“Boats certainly. No reason why we shouldn’t have two or three long

walks. A week’s a long time nowadays.”

“But I have to go back on Monday,” said Peter.

Joan stood stock still.

“Pity, isn’t it?” said Peter weakly.

“But why?” she asked at last in a little flat voice.

“I have to go back.”

“But your leave——?”

“Ends on Monday,” lied Peter.

For some moments it looked as though Joan meant to make that last

week-end a black one. “That doesn’t give us much time together,” said

Joan, and her voice which had soared now crawled the earth.... “I’m

sorry.”

Just for a moment she hung, a dark and wounded Joan, downcast and

thoughtful; and then turned and put her arms akimbo, and looked at him

and smiled awry. “Well, old Peter, then we’ve got to make the best use

of our time. It’s your Birf Day, sort of; it’s your Bank Holiday, dear;

it’s every blessed thing for you—such time as we have together. Before

they take you off again. I think they’re greedy, but it can’t be helped.

Can it, Peter?”

“It can’t be helped,” said Peter. “No.”

They paused.

“What shall we do?” said Joan. “The program’s got to be cut down. Shall

we still try tennis?”

“I want to. I don’t see why this wrist——” He held it out and rotated it.

“Good old arm!” said Joan, and ran a hand along it.

“I’ll go and change these breeches and things,” said Joan. “And get

myself female. Gods, Peter! the craving to get into clothes that are

really flexible and translucent!”

She went to the staircase and then turned on Peter.

“Peter,” she said.

“Yes.”

“Go out and stand on the lawn and tighten up the net. Now.”

“Why?”

“Then I can see you from my window while I’m changing. I don’t want to

waste a bit of you.”

She went up four steps and stopped and looked at him over her shoulder.

“I want as much as I can get of you, Petah,” she said.

“I wish I’d known about that week,” said Peter stupidly.

“_Exactly!_” said Joan to herself, and flitted up the staircase.

§ 20

Joan, Mrs. Moxton perceived that afternoon, had a swift and angry fight

with her summer wardrobe. Both the pink gingham and the white drill had

been tried on and flung aside, and she had decided at last upon a rather

jolly warm blue figured voile with a belt of cherry-coloured ribbon that

suited her brown skin and black hair better than those weaker supports.

She had evidently opened every drawer in her room in a hasty search for

white silk stockings.

When she came out into the sunshine of the garden Peter’s eyes told her

she had guessed the right costume.

Oswald was standing up on his crutches and smiling, and Peter was

throwing up a racquet and catching it again with one hand.

“Thank God for a left-handed childhood!” said Peter. “I’m going to smash

you, Joan.”

“I forgot about that,” said Joan. “But you aren’t going to smash me, old

Petah.”

When tea-time came they were still fighting the seventh vantage game,

and Joan was up.

They came and sat at the tea-table, and Joan as she poured the tea

reflected that a young man in white flannels, flushed and a little out

of breath, with his white silk shirt wide open at the neck, was a more

beautiful thing than the most beautiful woman alive. And her dark eyes

looked at the careless and exhausted Peter, that urgent and insoluble

problem, while she counted, “Twenty-four, thirty-six, forty-one—about

forty-one hours. How the devil shall I do it?”

It wasn’t to be done at tennis anyhow, and she lost the next three games

running without apparent effort, and took Peter by the arm and walked

him about the garden, discoursing on flying. “I must teach you to fly,”

said Peter. “Often when I’ve been up alone I’ve thought, ’Some day I’ll

teach old Joan.’”

“That’s a promise, Petah.”

“Sure,” said Peter, who had not suffered next to two Americans for

nothing.

“I’ve got it in writing,” said Joan.

“I’d rather learn from you than any one,” said she.

Peter discoursed of stunts....

They spent a long golden time revisiting odd corners in which they had

played together. They went down the village and up to the church and

round the edge of the wood, and there they came upon and devoured a lot

of blackberries, and then they went down to the mill pond and sat for a

time in Baker’s boat. Then they got at cross purposes about dressing for

dinner. Joan wanted to dress very much. She wanted to remind Peter that

there were prettier arms in the world than Hetty Reinhart’s, and a

better modelled neck and shoulders. She had a new dress of ivory silk

with a broad belt of velvet that echoed the bright softness of her eyes

and hair. But Peter would not let her dress. He did not want to dress

himself. “And you couldn’t look prettier, Joan, than you do in that blue

thing. It’s so _like_ you.”

And as Joan couldn’t explain that the frock kept her a jolly girl he

knew while the dress would have shown him the beautiful woman he had to

discover, she lost that point in the game. And tomorrow was Sunday, when

Pelham Ford after the good custom of England never dressed for dinner.

Afterwards she thought how easily she might have overruled him.

Joan’s plans for the evening were dashed by this costume failure. She

had relied altogether on the change of personality into something rich

and strange, that the ivory dress was to have wrought. She could do

nothing to develop the situation. Everything seemed to be helping to

intensify her sisterliness. Oswald was rather seedy, and the three of

them played Auction Bridge with a dummy. She had meant to sit up with

Peter, but it didn’t work out like that.

“Good night, Petah dear,” she said outside her bedroom door with the

candlelight shining red between the fingers of her hand.

“Good night, old Joan,” he said from his door-mat, with an infinite

friendliness in his voice.

You cannot kiss a man good night suddenly when he is fifteen yards

away....

She closed the door behind her softly, put down her candle, and began to

walk about her room and swear in an entirely unladylike fashion. Then

she went over to the open window, wringing her hands. “How am I to _do_

it?” she said. “How am I to _do_ it? The situation’s preposterous. He’s

mine. And I might be his sister!”

“Shall I make a declaration?”

“I suppose Hetty did.”

But all the cunning of Joan was unavailing against the invisible

barriers to passion between herself and Peter. They spent a long Sunday

of comradeship, and courage and opportunity alike failed. The dawn on

Monday morning found a white and haggard Joan pacing her floor, half

minded to attempt a desperate explanation forthwith in Peter’s bedroom

with a suddenly awakened Peter. Only her fear of shocking him and

failing restrained her. She raved. She indulged in absurd soliloquies

and still absurder prayers. “Oh, God, give me my Peter,” she prayed.

“__Give me my Peter!__”

§ 21

Monday broke clear and fine, with a September freshness in the sunshine.

Breakfast was an awkward meal; Peter was constrained, Oswald was worried

by a sense of advice and counsels not given; Joan felt the situation

slipping from her helpless grasp. It was with a sense of relief that at

last she put on her khaki overcoat to drive Peter to the station. “This

is the end,” sang in Joan’s mind. “This is the end.” She glanced at the

mirror in the hall and saw that the fur collar was not unfriendly to her

white neck and throat. She was in despair, but she did not mean to let

it become an unbecoming despair—at least until Peter had departed. The

end was still incomplete. She had something stern and unpleasant to say

to Peter before they parted, but she did not mean to look stern or

unpleasant while she said it. Peter, she noted with a gleam of

satisfaction, was in low spirits. He was sorry to go. He was ashamed of

himself, but also he was sorry. That was something, at any rate, to have

achieved. But he was going—nevertheless.

She brought round the little Singer to the door. She started the engine

with a competent swing and got in. The maids came with Peter’s

portmanteau and belongings. “This is the end,” said Joan to herself,

touching her accelerator and with her hand ready to release the brake.

“All aboard?” said Joan aloud.

Peter shook hands with Oswald over the side of the car, and glanced from

him to the house and back at him. “I wish I could stay longer, sir,”

said Peter.

“There’s many days to come yet,” said Oswald. For we never mention death

before death in war time; we never let ourselves think of it before it

comes or after it has come.

“So long, Nobby!”

“Good luck, Peter!”

Joan put the car into gear, and steered out into the road.

“The water-splash is lower than ever I’ve seen it,” said Peter.

They ran down the road to the station almost in silence. “These poplars

have got a touch of autumn in them already,” said Peter.

“It’s an early year,” said Joan.

“The end, the end!” sang the song in Joan’s brain. “But I’ll tell him

all the same.”...

But she did not tell him until they could hear the sound of the

approaching train that was to cut the thread of everything for Joan.

They walked together up the little platform to the end.

“I’m sorry you’re going,” said Joan.

“I’m infernally sorry. If I’d known you’d get this week——”

“Would that have altered it?” she said sharply.

“No. I suppose it wouldn’t,” he fenced, just in time to save himself.

The rattle of the approaching train grew suddenly loud. It was round the

bend.

Joan and Peter: The story of an education · 第 43 / 49 段