ILLUSTRATIONS OF CHAUCER.

(Vol. iii., pp. 131. 133.)

I am glad to perceive that some of the correspondents of "NOTES AND

QUERIES" are turning their attention to the elucidation of Chaucer. The

text of our father-poet, having remained as it were in fallow since the

time of Tyrwhitt, now presents a rich field for industry; and, in offering

free port and entry to all comments and suggestions, to be there sifted and

garnered up, the pages of "NOTES AND QUERIES" may soon become a depository

from which ample materials may be obtained for a new edition of Chaucer,

now become an acknowledged desideratum.

One excellent illustration has lately been added, at page 133., in a note

without signature upon "Nettle in, dock out." If _confirmed_[1], it will

furnish not only a most satisfactory explanation of that hitherto

incomprehensible phrase, but also a curious example of the faithful

preservation of an exact form of words through centuries of oral tradition.

And if the note which precedes it, at page 131., upon a passage in Palamon

and Arcite, is less valuable, it is because it is deficient in one of the

most essential conditions which such communications ought to possess--that

of originality. No suggestion ought to be offered which had been previously

published in connexion with the same subject: at least in any _very

obvious_ place of reference, such as notes or glossaries already appended

to well-known editions of the text.

Now the precise explanation of the planetary distribution of the

twenty-four hours of the day, given by [Greek: e]. in the first portion of

his communication, was anticipated seventy or eighty years ago by Tyrwhitt

in his note upon the same passage of Palamon and Arcite. And with respect

to [Greek: e].'s second explanation of the meaning of "houre inequal," that

expression also has been commented upon by Tyrwhitt, who attributes it to

the well-known expansive duration of ancient hours, the length of which was

regulated by that of the natural day at the several seasons of the year:

hence an _inequality_ always existed; except at the equinoxes, between

hours before, and hours after, sunrise. This is undoubtedly the true

explanation, since Chaucer was, at the time, referring to hours before and

after sunrise upon the same day. On the contrary, [Greek: e].'s ecliptic

hours, if they ever existed at all (he has cited no authority), would be

obviously incompatible with the planetary disposition of the hours first

referred to.

I shall now, in my turn, suggest explanations of the two new difficulties

in Chaucer's text, to {202} which, at the conclusion of his note, [Greek:

e]. has drawn attention.

The first is, that, "with respect to the time of year at which the

tournament takes place, there seems to be an inconsistency." Theseus fixes

"this day fifty wekes" from the fourth of May, as the day on which the

final contention must come off, and yet the day previous to the final

contention is afterwards alluded to as "the lusty seson of that May,"

which, it is needless to say, would be inconsistent with an interval of

fifty _ordinary_ weeks.

But fifty weeks, if taken in their literal sense of 350 days, would be a

most unmeaning interval for Theseus to fix upon,--it would almost require

explanation as much as the difficulty itself: it is therefore much easier

to suppose that Chaucer meant to imply the interval of a solar year. Why he

should choose to express that interval by fifty, rather than by fifty-two,

weeks, may be surmised in two ways: first, because the latter phrase would

be unpoetical and unmanageable; and, secondly, because he might fancy that

the week of the Pagan Theseus would be more appropriately represented by a

lunar quarter than by a Jewish hebdomad.

Chaucer sometimes makes the strangest jumble--mixing up together Pagan

matters and Christian, Roman and Grecian, ancient and modern; so that

although he names Sunday and Monday as two of the days of the week in

Athens, he does so evidently for the purpose of introducing the allocation

of the hours, alluded to before, to which the planetary names of the days

of the week were absolutely necessary. But in the fifty weeks appointed by

Theseus, the very same love of a little display of erudition would lead

Chaucer to choose the _hebdomas lunæ_, or lunar quarter, which the Athenian

youth were wont to mark out by the celebration of a feast to Apollo on

every seventh day of the moon. But after the first twenty-eight days of

every lunar month, the weekly reckoning must have been discontinued for

about a day and a half (when the new moon was what was called "in coitu,"

or invisible), after which a new reckoning of sevens would recommence.

Hence there could be but four hebdomades in each lunar month; and as there

are about twelve and a half lunar months in a solar year, so must there

have been fifty lunar weeks in one solar year.

It will explain many anomalies, even in Shakspeare, if we suppose that our

early writers were content to show their knowledge of a subject in a few

particulars, and were by no means solicitous to preserve, what moderns

would call _keeping_, in the whole performance.

The next difficulty, adverted to by [Greek: e]., is the mention of the

THIRD as the morning upon which Palamon "brake his prison," and Arcite went

into the woods "to don his observaunce to May."

There is not perhaps in the whole of Chaucer's writings a more exquisite

passage than that by which the latter circumstance is introduced; it is

well worth transcribing:--

"The besy larke, the messager of day,

Sal[=e]weth in hire song the morw[=e] gray;

And firy Phebus riseth up so bright,

That all the orient laugheth at the sight;

And with his strem[=e]s drieth in the greves

The silver drop[=e]s hanging on the leves."

Such is the description of the morning of the "thridde of May;" and

perhaps, if no other mention of that date were to be found throughout

Chaucer's works, we might be justified in setting it down as a random

expression, to which no particular meaning was attached. But when we find

it repeated in an entirely different poem, and the same "observaunce to

May" again associated with it, the conviction is forced upon us that it

cannot be without some definite meaning.

This repetition occurs in the opening of the second book of _Troilus and

Creseide_, where "the thridde" has not only "observaunce to May" again

attributed to it, but also apparently some peculiar virtue in dreams. No

sooner does Creseide behold Pandarus on the morning of the third of May,

than "_by the hond on hie, she tooke him fast_," and tells him that she had

thrice dreamed of him that night. Pandarus replies in what appears to have

been a set form of words suitable to the occasion--

"Yea, nece, ye shall faren well the bet,

If God wull, all this yeare."

Now unless the third of May were supposed to possess some unusual virtue,

the dreaming on that morning could scarcely confer a whole year's welfare.

But, be that as it may, there can at least be no doubt that Chaucer

designedly associated _some_ celebration of the advent of May with the

morning of the third of that month.

Without absolutely asserting that my explanation is the true one, I may

nevertheless suggest it until some better may be offered. It is, that the

association may have originated in the invocation of the goddess Flora, by

Ovid, on that day (_Fasti_, v.), in order that she might inspire him with

an explanation of the Floralia, or Floral games, which were celebrated in

Rome from the 28th of April to the _third_ of May.

These games, if transferred by Chaucer to Athens, would at once explain the

"gret feste" and the "lusty seson of that May."

Supposing, then, that Chaucer, in the _Knight's Tale_, meant, as I think he

meant, to place the great combat on the anniversary of the fourth of

May--that being the day on which Theseus had intercepted the duel,--then

the entry into Athens of the rival companies would take place on {203}

(Sunday) the second, and the sacrifices and feasting on the _third of May_,

the last of the Floralia.

Notes and Queries, Number 72, March 15, 1851 A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc. · 第 3 / 73 题