Vonnie came to the flat the next Sunday. The moment might have
embarrassed Peter if it had been anybody else.
But Vonnie had such an imperious and lofty way of rising above all
things traditionally embarrassing to Peter and snooting down at them
that she carried him with her. At least part way.
"Why haven't you got the young Giant in his ball park over there," said
Vonnie pointing to the Stockade.
"I'm changing him."
"No game," said Vonnie, "wet grounds."
"Get out of that. Never had a baby in my life," she continued, briskly
rapping her knuckles on the woodwork above her head, "but I can't be
worse at that job than you are."
She pushed Peter away, but did not begin on the business in hand
immediately. "He's a good kid. A fine husky kid. I know now why you
asked me here. You figured if I wanted one for myself you'd let me know
where to apply."
"Never mind the compliments," said Peter. "Change his diapers."
Vonnie had brought the new freedom into his life.
"No doubt about his being yours," she went on. "Everything up to the
chin is you--of course I'm just guessing--but Maria left him those eyes
and that nose. Maybe she left him more than that. He's marked for the
show business. You might as well make up your mind to that."
"He's going to be a newspaper man," cut in Peter sharply.
"Oh, I see. Got it all fixed. If he begins to bust out singing or
playing the piano or something you won't let him. That's it, isn't it?"
"I'm going to shape him in that direction."
"Just shape him, hey? Boy, didn't you ever bust bang into the artistic
temperament? I played a season once with William Faversham. Shape him?
You can't beat him out of it with a club. I don't know yet what way he's
going to jump but I want to put down a little bet this kid of yours is
going to be some kind of an artist."
"Don't keep saying that. I tell you he's coming on the Bulletin. His
name's Peter Neale."
"You could name him Rosenberg and that wouldn't make him a pawnbroker."
"But this is in his blood just like in mine. He can't help himself. He's
just got to be a newspaper man."
"All right we won't fight about it. You say he's going to be a newspaper
man and I tell you he's going to be an artist. Maybe he won't be
anything but a moving picture actor."
Peter saw Vonnie frequently throughout the summer. She went to the ball
games with him almost every afternoon except matinee days. The dispute
about George Browne and Sandow Mertes persisted. There could be no
question but that Browne had the speed. Even when he hit straight to an
infielder it took a fast throw to nail him at first. But Peter didn't
like him because his cap almost always fell off whenever he beat out a
slow roller. Somebody would have to carry it down to first for him and
while Browne was waiting he had a trick of bending his head back and
shaking his long hair out of his eyes.
"He looks like a Goddamn violinist," said Peter.
"Yes," replied Vonnie, "and your friend Mertes looks like a piccolo
player. Do you know the story about the piccolo player?"
"Not in the press box," interrupted Peter fearfully. He felt obliged to
interrupt Vonnie a good deal. She was much given to tantalizing him by
beginning in a loud clear voice, "It seems there was a travelling
salesman came to a hotel," or "This fellow, you see, started to take his
girl out for a ride."
"I don't want to hear it," Peter would say half in jest and half hoping
to be effectual.
"But it's a nice story."
"It isn't a nice story or it wouldn't begin that way" was the agreed
formula for Peter's reply, whereupon Vonnie would disturb his gravity
and dignity by digging him in the ribs with her elbow. Another favorite
device of hers was sedulously to brush an imaginary spot on Peter's coat
lapel and when he looked down bring up her hand and flip him under the
nose. Peter never seemed to remember not to look down. Perhaps he liked
to have his nose flipped.
"It isn't necessary," he would object, "for everybody around here to
know you're a chorus girl."
"Chorus girl, nothing. I got the song hit of the piece. 'Any little
thing for you dear, any little thing for you,'" Vonnie indicated the
tempo by scruffing her feet against the concrete floor of the press box.
"Cut it out. Pay attention to the game."
Sometimes the admonition was unnecessary. The day George Browne took a
real cut at the ball and banged it over the ropes in right field Vonnie
hopped into a chair and shouted, "The blessed lamb! Oh, you Georgie boy!
Watch that kid go. Look at him, Peter, he runs just like my Michael."
Michael was Vonnie's white dog, said to be a Highland terrier. When
Peter took Vonnie home to One Hundred and Sixty-eighth Street it had
become the custom for him to wait down in the street while she got
Michael and took him a turn around the block before saying good night to
Peter. Vonnie had a good deal to say about Michael from time to time,
which was calculated to embarrass Peter. "You got to get me a book for
Michael," she told Peter.
"What sort of a book?"
"Well, I guess it's called 'What a Young Dog Ought to Know.' He don't
know any of the facts about life. I can take that dog past a million
lamp-posts and ten minutes after I get him back in the flat I've got to
lick him. Maybe you could give him a little plain talk, Peter. Coming
from a man, you know, it'd carry more weight with him."
After Peter had known Vonnie for two months she did move to Two Hundred
and Forty-second Street. Peter took her out to supper a week later and
made the long journey up town. She was more subdued than usual as they
stood at the door of the apartment house. He put both hands on her
shoulders and leaned down to kiss her good night.
"Don't you like me, Peter?" she said.
"Of course I do. You know that."
"I don't want you to go away, now. I don't want you to go away tonight."
"I've got to."
"Why have you got to?"
"I think I ought to go."
"Oh, if it's just morals, forget it. There's nothing to be afraid of.
You're not in love with me and I'm not in love with you. I just like
you. And I'm lonely. They won't let me keep Michael in this place, but I
guess I can sneak you in if you don't bark as we go up the stairs."
"Maybe this'll spoil everything," said Peter. "It's been so nice and
easy and pleasant going around with you, Vonnie. If I get in love with
you something will happen to me sure. I can't stand anything like that
again. I do like you a lot. That's the trouble."
"Oh, Hell! nothing like that's going to happen. I'm a tough bird. I'll
make you a promise, Peter. The minute I see you're falling in love with
me any I'll tell you that story about the tattooed man and the girl from
Oshkosh and shock it right out of you. Don't make any noise, Peter. I've
found the janitor's a light sleeper. And don't be so awful solemn. Try
and think up something worse that could have happened to you."
Still when Vonnie kissed him again after they had tiptoed up two flights
and into her flat, Peter noticed that this time she did not laugh.