MISCELLANY.

In no way, can we so certainly captivate mankind, as by appeals to their

senses.

Rich banquets, the singing of eunuchs, riding, dancing, pantomime,

ballooning, have a thousand more attractions for the vulgar, than all

the didactic lessons of reason and understanding; than all the wit and

humour of Cervantes, Sterne, and Wolcott. Such a reproach, is familiar

to old governments; we fondly anticipate, that our youthful

establishments may, by the timely exertions of men of taste and science,

for a long time escape it.

The increased fondness for theatric amusements, for frivolity, noise and

show, demands the animadversions of the moralist, and of the friends of

literary pursuits.

Under our forms of governments, we may have an opportunity to rival the

celebrated schools of Greece. Republics are the peculiar soil of

liberty, of genius, of talents; for in them, merit is not exclusively

attributed to wealth and birth. How important then, to excite the

generous emulation of talents. What mean more effectual, than to

encourage literary enterprises, stamped with genius and industry.

Where there is so little leisure, but so much general ease and

affluence; they, who can instruct and entertain the public, deserve, and

will receive its generous patronage.

The _cacoethes scribendi_, is as strong as the love of money, and we

need not apprehend, but America may produce her Poets, Critics,

Historians, if an enlightened and liberal community will, sometimes, wet

with _Peruvian dew_, the tender buds of genius, which poverty often

attends, and neglect more frequently blasts.

Need I say, that GENIUS, like Charity, is timid, not obtrusive---hopeth

all things, believeth all things,---That it utterly disclaims all

consanguinity with that bronz’d dame, Impudence; but is tenderly knit

with its fair counterpart, Modesty. It loves retirement and tranquility;

seek it therefore in desarts and cottages, where it is too commonly left

to bemoan its untoward fate, where it enjoys now and then, but a few

rays of hope through the glimmering lattice or gale: go then quickly and

place the pillow of ease and content under its desponding head, and save

the child of Fear and Fancy from despair.

But I hesitate and doubt---some Vandal will here reply, that Ignorance

is happiest; that Genius is a curse. For some moments I almost surrender

my enthusiasm for Genius, and agree with the position, that it is so,

that all who wish to be arrayed in scarlet and fine linen, and fare

sumptuously every day, who prefer brisk champagne to the Heliconian

beverage, and a fat sirloin to a flimsy sonnet, will deprecate it with

the Vandal, and strangle in the cradle every future Homer, Virgil, Livy,

and Cæsar.

I will not deny that poets are querimonious: after allowing to excessive

sensibility a due share of spleen, much is left to lament of real

misfortune.

That they frequently enjoy posthumous fame, and justice done to merit,

though late.

But yonder ghosts will testify, that when on earth, the flush of health

never glowed in their pallid cheeks, the fire wasted in their eyes, and

strength in their bodies, when the friendly tomb, received them from a

frowning world.

Homer, by his immortal Iliad; Shakespeare, by his Lear, Macbeth, and

Hamlet; have enriched, and in the phrase of the world, aggrandised

thousands. We buy a bud of the one, and a fragment of the mulberry-tree

of the other, and sit down satisfied, that We have amply discharged our

duty and conscience.

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