DECEIT.

That darkness of character, where we can see no heart, those foldings of

art, through which no native affection is allowed to penetrate, present

an object unamiable in every season of life, but particularly odious in

youth. If at an age when the heart is warm, when the emotions are

strong, and when nature is expected to shew itself free and open, we can

already smile and deceive, what is to be expected, when we shall be

longer hackneyed in the ways of men, when interest shall have compleated

the obduration of our hearts, and experience shall have improved us in

all the arts of guile!

Dissimulation in youth is the forerunner of perfidy in old age: its

first appearance is the fatal omen of growing depravity and future

shame. It degrades parts and learning, obscures the lustre of every

accomplishment, and sinks us into contempt with God and man. The path of

falsehood is a perplexing maze. After the first departure from

sincerity, it is not in our power to stop. One artifice unavoidably

leads on to another: till, as the intricacy of the labyrinth increases,

we are left entangled in our own snare.

Deceit discovers a little mind, which stops at temporary expedients,

without rising to comprehensive views of conduct. It betrays a dastardly

spirit. It is the resource of one who wants courage to avow his designs,

or to rest upon himself. To set out in the world with no other principle

than a crafty attention to interest, betokens one who is destined for

creeping through the inferior walks of life. He may be fortunate, he

cannot be happy; the eye of a good man will weep at his error: he cannot

taste the sweets of confidential friendship, and his evening of life

will be embittered by universal contempt.

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The New-York Weekly Magazine, or Miscellaneous Repository Forming an Interesting Collection of Original and Select Literary Productions in Prose and Verse · 第 557 / 844 题