GENTLEMEN,

Though tautology is allowable in practice, I don’t approve on’t

theoretically; therefore I shall plainly, fully, openly, and concisely,

I hope, acquit myself, without being critical, or political, or

satyrical, or mystical, or rhetorical, or schismatical, or chimerical,

or whimsical.--I’ll give no utterance to any arrogance, with dissonance

of deliverance, nor countenance any exorbitance of intemperance,

ignorance, or extravagance: what I communicate I shall authenticate, and

I beg you’ll compassionate: I will not exaggerate, nor contaminate, nor

depreciate, nor discriminate, an intemperate candidate, at any rate. But

I prognosticate he must be a profligate, reprobate, and illiterate, apt

to prevaricate, hesitate, and degenerate.--I’ll use no eloquence in this

conference, in confidence, the consequence of my diligence will evidence

the excellence of my innocence, with reference to your preference.

Let others, by a flourish of words, fancy it an accomplishment or an

embellishment, by the tongue’s blandishment, it is an astonishment that

some speakers are so impertinent to the detriment of every eminent

fundament of rudiment.

I take this opportunity without ambiguity, void of incongruity, with

perspicuity by narrative, to assert my prerogative without preparative,

or provocative.

I shall now conclude without a multitude of solicitude; for the aptitude

of men to ingratitude is too plain, so I’ll insist that Shakespeare, and

Milton, were sophistical scribblers, and bad luck to the man, who

invented the alphabet; oratory is composed of two parts, weeds and

flowers; the weeds of metaphor are the roots of Rhetorick; and the

flowers of phrase compose the nosegay of Eloquence. A set of

Philosophers are like a bundle of brushwood, when they are lighted up by

the fire of dispute, and put into the oven of altercation; then out

comes the crum and crust of fair argument.

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The New-York Weekly Magazine, or Miscellaneous Repository Forming an Interesting Collection of Original and Select Literary Productions in Prose and Verse · 第 430 / 844 题