REMARKS ON MUSIC.

(Continued from page 91.)

The present universal passion for this art, and the fashion of making it

a necessary part of education, induces me to consider it as relating to

the fair sex, more particularly. Parents are naturally inclined to make

their children partake of those amusements the most prevailing and

fashionable. As music in this age comes under that denomination, it is

no wonder we find every attention paid to this qualification at the

earliest period of life. The most eminent masters are obtained; and much

time and expence bestowed to acquire this accomplishment. The fond

parent, anxious to embellish the darling child, and render her fit for

polite company, compels her to perseverance, without discriminating the

propensity of her own nature, but vainly imagines, that a proficiency is

certainly to be obtained in proportion to the reputation of her

instructor. Under this delusion the young lady is too often brought into

public company, and exhibits her own performance, to the well-bred,

amidst the admiration and astonishment of the ignorant many, and the

silent pity of the judicious few. Here again let us call to mind the

observation of Plutarch, and consider how far the manners of a people

are denoted by the state of their music. The present state of

dissipation in the fashionable world, and the agitation of spirits ever

attendant on crouded assemblies and pleasurable pursuits, elevate the

mind and taste above the standard of sober thoughts. Every thing is

sought which can assist the temporary frenzy, and nothing deemed worth

our knowing but how to forget ourselves. This unhappy situation renders

the generality of our fashionable people lost to any serious examination

of true or false impression, while they are indiscriminately led to

approve or condemn whatever the multitude of fashion establishes by its

sanction. It is not now sought as a repose for the mind after its

fatigues, but to support its tumults; and the imagination is now to be

surprised with the wonderful execution of the performer, whilst the

effect is totally neglected.

Since the supreme Being has formed many of his most beautiful works

according to the principles of harmony, from whence some of our most

pure and affecting pleasures arise, can it be looked upon as unbecoming,

that our youth of both sexes should bestow some portion of their time to

the study of what was manifestly intended by Providence to allure us to

love of order, according to the Platonic doctrine quoted by Plutarch?

surely not; the younger part of the female sex, who discover the least

propensity to music, or shew any signs of having a good ear, should

certainly learn music, not for the sake of rendering these fit for the

fashionable world, nor for parade and ostentation; but should so learn

as to amuse their own family, and for that domestic comfort they were by

Providence designed to promote; and to relieve the anxieties and cares

of this life, to inspire cheerfulness, and elevate the mind to a sense

of love of order, virtue and religion.

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