From the effect of great objects on the human mind, we may trace the
origin of every useful and pleasing art. The painter, whose
susceptibility is peculiarly irritable in viewing majestic heights and
the variegated foliage of nature, infuses the happiest effect in his
productions; the poet’s flight of fancy has its birth in streams, in
hills, in vales, &c. The philosopher, in contemplating the heavens and
earth, unfolds the omnipotence of the Deity, and conveys the sublime
information to surrounding millions, engaging them in pursuits
interesting to the present, and necessary to an existence
hereafter.--From these observations, how necessary is it to form our
minds to the study of nature.