CHAPTER XVI.

THE CANDLE CALLED PATIENCE.

The burning of the house completely prostrated Mrs. Clementine

Churchill Chadwick Greenwood, who, it is true, had the actual shock of

the conflagration to upset her nervous system, though she suffered no

financial loss.

Mr. Greenwood was heard to remark that he wished he could have foreseen

that the house would burn down, for now he should have to move anyway,

and if he had known that a few months before, why--

Here the sentence always ended mysteriously, and the neighbors finished

it as they liked.

The calamity affected Polly, on the other hand, very much like a tonic.

She felt the necessity of "bracing" to meet the fresh responsibilities

that seemed waiting for her in the near future; and night and day, in

sleeping and waking, resting and working, a plan was formulating itself

in the brain just roused from its six months' apathy,--a novel,

astonishing, enchanting, revolutionary plan, which she bided her time

to disclose.

The opportunity came one evening after dinner, when Mrs. Bird, and her

brother, Edgar and herself, were gathered in the library.

The library was a good place in which to disclose plans, or ask advice,

or whisper confidences. The great carved oak mantel held on the broad

space above the blazing logs the graven motto, "Esse Quod Opto." The

walls were lined with books from floor half-way to ceiling, and from

the tops of the cases Plato, Socrates, Marcus Aurelius, and the Sage of

Concord looked down with benignant wisdom. The table in the centre was

covered with a methodical litter of pamphlets and magazines, and a soft

light came from the fire and from two tall, shaded lamps.

Mr. Bird, as was his wont, leaned back in his leather chair, puffing

delicate rings of smoke into the air. Edgar sat by the centre table,

idly playing with a paper-knife. Mrs. Bird sat in her low

rocking-chair with a bit of fancy-work, and Polly, on the hearth rug,

leaned cosily back against her Fairy Godmother's knees.

The clinging tendrils in Polly's nature, left hanging so helplessly

when her mother was torn away, reached out more and more to wind

themselves about lovely Mrs. Bird, who, notwithstanding her three manly

sons, had a place in her heart left sadly vacant by the loss of her

only daughter.

Polly broke one of the pleasant silences. An open fire makes such

delightful silences, if you ever noticed. When you sit in a room

without it, the gaps in the conversation make everybody seem dull; the

last comer rises with embarrassment and thinks he must be going, and

you wish that some one would say the next thing and keep the ball

rolling. The open fire arranges all these little matters with a

perfect tact and grace all its own. It is acknowledged to be the

centre of attraction, and the people gathered about it are only

supernumeraries. It blazes and crackles and snaps cheerily, the logs

break and fall, the coals glow and fade and glow again, and the dull

man can always poke the fire if his wit desert him. Who ever feels

like telling a precious secret over a steam-heater?

Polly looked away from everybody and gazed straight into the blaze.

"I have been thinking over a plan for my future work," she said, "and I

want to tell it to you and see if you all approve and think me equal to

it. It used to come to me in flashes, after this Fairy Godmother of

mine opened an avenue for my surplus energy by sending me out as a

story-teller; but lately I have n't had any heart for it. Work grew

monotonous and disagreeable and hopeless, and I 'm afraid I had no wish

to be useful or helpful to myself or to anybody else. But now

everything is different. I am not so rich as I was (I wish, Mr. Bird,

you would not smile so provokingly when I mention my riches!), and I

must not be idle any longer; so this is my plan, I want to be a

story-teller by profession. Perhaps you will say that nobody has ever

done it; but surely that is an advantage; I should have the field to

myself for a while, at least. I have dear Mrs. Bird's little poor

children as a foundation. Now, I would like to get groups of other

children together in somebody's parlor twice a week and tell them

stories,--the older children one day in the week and the younger ones

another. Of course I have n't thought out all the details, because I

hoped my Fairy Godmother would help me there, if she approved of my

plan; but I have ever so many afternoons all arranged, and enough

stories and songs at my tongue's end for three months. Do you think it

impossible or nonsensical, Mr. Bird?"

"No," said he thoughtfully, after a moment's pause. "It seems on the

first hearing to be perfectly feasible. In fact, in one sense it will

not be an experiment at all. You have tried your powers, gained

self-possession and command of your natural resources; developed your

ingenuity, learned the technicalities of your art, so to speak,

already. You propose now, as I understand, to extend your usefulness,

widen your sphere of action, address yourself to a larger public, and

make a profession out of what was before only a side issue in your

life. It's a new field, and it 's a noble one, taken in its highest

aspect, as you have always taken it. My motto for you, Polly, is

Goethe's couplet:--

"'What you can do, or dream you can, begin it.

Boldness has genius, power, and magic in it.'"

"Make way for the story-teller!" cried Edgar. "I will buy season

tickets for both your groups, if you will only make your limit of age

include me. I am only five feet ten, and I 'll sit very low if you 'll

admit me to the charmed circle. Shall you have a stage name? I would

suggest 'The Seraphic Sapphira.'"

"Now, don't tease," said Polly, with dignity; "this is in sober

earnest. What do you think, Fairy Godmother? I 've written to my dear

Miss Mary Denison in Santa Barbara, and she likes the idea."

"I think it is charming. In fact, I can hardly wait to begin. I will

be your business manager, my Pollykins, and we 'll make it a success,

if it is possible. If you 'll take me into your confidence and tell me

what you mean to do, I will plan the hows and whens and wheres."

"You see, dear people," continued Polly, "it is really the only thing

that I know how to do; and I have had several months' experience, so

that I 'm not entirely untrained. I 'm not afraid any more, so long as

it is only children; though the presence of one grown person makes me

tongue-tied. Grown-up people never know how to listen, somehow, and

they make you more conscious of yourself. But when the children gaze

up at you with their shining eyes and their parted lips,--the smiles

just longing to be smiled and the tear-drops just waiting to

glisten,--I don't know what there is about it, but it makes you wish

you could go on forever and never break the spell. And it makes you

tremble, too, for fear you should say anything wrong. You seem so

close to children when you are telling them stories; just as if a

little, little silken thread spun itself out from one side of your

heart through each of theirs, until it came back to be fastened in your

own again; and it holds so tight, so tight, when you have done your

best and the children are pleased and grateful."

For days after this discussion Polly felt as if she were dwelling on a

mysterious height from which she could see all the kingdoms of the

earth. She said little and thought much (oh, that this should come to

be written of Polly Oliver!). The past which she had regretted with

such passionate fervor still fought for a place among present plans and

future hopes. But she was almost convinced in these days that a

benevolent Power might after all be helping her to work out her own

salvation in an appointed way, with occasional weariness and tears,

like the rest of the world.

It was in such a softened mood that she sat alone in church one Sunday

afternoon at vespers. She had chosen a place where she was sure of

sitting quietly by herself, and where the rumble of the organ and the

words of the service would come to her soothingly. The late afternoon

sun shone through the stained-glass windows, bringing out the tender

blue on the Madonna's gown, the white on the wings of angels and robes

of newborn innocents, the glow of rose and carmine, with here and there

a glorious gleam of Tyrian purple. Then her eyes fell on a memorial

window opposite her. A mother bowed with grief was seated on some

steps of rough-hewn stones. The glory of her hair swept about her

knees. Her arms were empty; her hands locked; her head bent. Above

stood a little child, with hand just extended to open a great door,

which was about to unclose and admit him. He reached up his hand

fearlessly ("and that is faith," thought Polly), and at the same time

he glanced down at his weeping mother, as if to say, "Look up, mother

dear! I am safely in."

Just then the choir burst into a grand hymn which was new to Polly, and

which came to her with the force of a personal message:--

"The Son of God goes forth to war,

A kingly crown to gain;

His blood-red banner streams afar--

Who follows in His train?

Who best can drink his cup of woe,

Triumphant over pain,

Who patient bears his cross below,

He follows in His train."

Verse after verse rang in splendid strength through the solemn aisles

of the church, ending with the lines:--

"O God, to us may strength be given

To follow in His train!"

Dr. George's voice came to Polly as it sounded that gray October

afternoon beside the sea; "When the sun of one's happiness is set, one

lights a candle called 'Patience,' and guides one's footsteps by that."

She leaned her head on the pew in front of her, and breathed a prayer.

The minister was praying for the rest of the people, but she needed to

utter her own thought just then.

"Father in heaven, I will try to follow; I have lighted my little

candle, help me to keep it burning! I shall stumble often in the

darkness, I know, for it was all so clear when I could walk by my

darling mother's light, which was like the sun, so bright, so pure, so

strong! Help me to keep the little candle steady, so that it may throw

its beams farther and farther into the pathway that now looks so dim."

* * * * *

Polly sank to sleep that night in her white bed in the Pilgrim Chamber;

and the name of the chamber was Peace indeed, for she had a smile on

her lips,--a smile that looked as if the little candle had in truth

been lighted in her soul, and was shining through her face as though it

were a window.

Polly Oliver's Problem · 第 16 / 18 章