Before I recount our various conversations, perhaps you may

Transcriber Note

Text emphasis denoted as _Italics_.

[Illustration: FONTENELLE.]

CONVERSATIONS

ON THE

_PLURALITY OF WORLDS_.

══════════════

BY

BERNARD DE FONTENELLE,

One of the Forty belonging to the French Academy;

and Secretary to the Academy of Sciences.

══════════════

WITH NOTES,

AND A CRITICAL ACCOUNT OF THE AUTHOR'S WRITINGS,

BY

_JEROME DE LA LANDE_,

SENIOR DIRECTOR OF THE OBSERVATORY AT PARIS.

══════════════

Translated from a late Paris Edition, by

MISS ELIZABETH GUNNING.

══════════════

London:

PRINTED BY J. CUNDEE, IVY-LANE;

SOLD BY T. HURST, PATERNOSTER-ROW.

1803.

CRITICAL ACCOUNT

OF THE

_Life and Writings of the Author_,

BY

JEROME DE LA LANDE.

══════════════

Whenever I have entered into conversation with any sensible woman

on astronomy, I have always found that she had read Fontenelle's

Plurality of Worlds; and that his book had excited her curiosity on

the subject. As it has been so much read already, it must continue to

engage attention: I therefore thought it would be useful to point out

its faults; to add some observations, without which the reader would

be led into error with respect to the vortices; to make known the late

discoveries; and to shew what numbers, before our author, had written

on the plurality of worlds. But I have made no alterations in the text;

the reputation of Fontenelle renders him respectable, even in his

mistakes.

The Astronomy for Ladies, which I have published as a substitute for

this book, would be more instructive, but less amusing; therefore, as

it will be but little read, I shall endeavour to supply the defects of

Fontenelle's work, by adding to the original some ideas more exact than

his own.

M. Codrika has translated it into Greek, with explanations taken from

my Astronomy.

M. Bode has translated it into German; and his translation has already

gone through three editions: the last is that of 1798, Berlin, in

octavo, Bernard de Fontenelle, _Dialogen ueber die Mehrheit der

Welten_.

When Voltaire published, in 1738, his Essays on the Elements of Newton,

he began with these words: "Here is no Marchioness; no imaginary

philosophy." It was supposed that he here alluded to Fontenelle; this

he contradicts by saying: "so far from having his book in view, I

publicly declare that I consider it one of the best works that ever

were written." (Mem. de Trublet, p. 135).

This book has been printed a hundred times; the handsome edition of

Fontenelle's Works, in folio, published at the Hague in 1728,[1] with

figures by Bernard Pickart; the still more beautiful edition of the

Worlds alone, edited by Didot the younger, in 1797, in folio, are

master-pieces of typography; but in them nothing is found but the

original work; therefore I consider our edition far preferable.

[Footnote 1: That edition does not contain the account of the bees,

which is in the present edition.]

I shall here give a short account of the author of this work.

Bernard le Bovier[2] de Fontenelle was born at Bouen, February 11,

1657. He died January 9, 1757.

[Footnote 2: Lebeau writes the name le Bouyer, from the family name, in

the Mémoires de l'Académie des Inscriptions; but it is pronounced le

Bovier. (Mem. p. 19.)]

The first efforts of his genius were directed to poetry: at the age of

thirteen he had composed a Latin poem: about the year 1683 he devoted

himself to literature and philosophy. In 1699 he began l'Historie de

l'Académie des Sciences, which he continued with great success during

forty-two years. Few persons have contributed more to the progress of

the sciences than he has done, by accommodating them to every capacity,

and inspiring by his panegyrics, a love of study. For my part, I feel

a pleasure in acknowledging that I am indebted to him for the germ of

that insatiable activity of mind I have experienced ever since the

age of sixteen. I could find nothing in the world like the Academy of

Sciences, and ardently wished for the happiness of seeing it, long

before I had any idea of the possibility of one day belonging to it.

In 1727 he published his Elemens de la Géométrie de l'infini; this

was merely the amusement of a man of genius who had heard a little of

geometry, and chose to hazard his opinions on the subject.

We may find an eulogium on our author in l'Historie de l'Académie des

Sciences for 1757, in the Mémoires de l'Académie des Belles-Lettres,

and in a work written entirely on the subject, published by Trublet in

the year 1761, entitled Mémoires pour servir à l'Historie de la vie

et des Ouvrages de Fontenelle. In these memoirs a particular critique

shews us the various merits of Fontenelle's works: there is also an

article by Trublet in the edition of Moréri, published in 1759.

I have remarked in the twentieth book of my Astronomy, that in every

period of time it has been believed that the planets were inhabited, on

account of their resemblance to the earth. The idea of the plurality

of worlds is expressed in the Orphics, those ancient Grecian poems

attributed to Orpheus (_Plut. de Placitis Philosoph. l. 2, cap. 13_.)

Proclus has preserved some verses in which we find that the writer

of the Orphics places mountains, men, and cities in the moon. The

Pythagoreans, such as Philolaüs, Hicetas, Heraclides, taught that the

stars were all worlds. Several ancient philosophers even admitted an

infinity of worlds beyond the reach of our sight. Epicurus, Lucretius,

and all the Epicureans were of the same opinion; and Metrodorus thought

it as absurd to imagine but one world in the immensity of space, as to

say that only one ear of corn could grow in a great extent of country.

Zeno of Eleusis, Anaximenes, Anaximander, Leucippus, Democritus,

asserted the same thing: in short, there were some philosophers who,

although they did not consider the rest of the planets inhabited,

placed inhabitants in the moon; such were Anaxagorus, Xenophanes,

Lucian, Plutarch, (_De Oracular. defectu. De Facie in orbe Lunæ_,)

Eusebius, Stobius. We may see a long list of the ancients who have

treated on the subject, in Fabricius, (_Biblio. Græcæ, t. 1. cap.

20_.) and in the Mémoire de Bonamy (Acad. des Inscriptions, tom. ix.)

Hevelius appeared as firmly persuaded of this opinion in 1647, when he

talked of the difference between the inhabitants of the two hemispheres

of the moon: he calls them _selenitæ_, and examines at length all

the phœnomena observed in their planet, after the example of Kepler

(_Astron. Lunaris_.) It was maintained at Oxford, in certain themes

which are mentioned in the News of the Republic of Letters, June 1784,

that the system of Pythagoras on the inhabitants of the moon was well

founded: two years afterwards Fontenelle discussed this subject in his

agreeable work. There are farther details of the different astronomical

opinions at the end of Gregory's book. For the objections, we may refer

to Riccioli. (_Almagestum, tom. 1, p. 188, 204_). In 1686 the Plurality

of Worlds was adorned by Fontenelle with all the beauties of which a

philosophical work was susceptible. Huygens (who died in 1695) in his

book entitled Cosmothéoros, published in 1698, likewise enters largely

into the subject.

The resemblance between the earth and the other planets is so striking,

that if we allow the earth to have been formed for habitation, we

cannot deny that the planets were made for the same purpose; for if

there is, in the nature of things, a connection between the earth and

the men who inhabit it, a similar connexion must exist between the

planets and beings who inhabit them.

We see six planets around the sun, the earth is the third; they all

move in elliptical orbits; they have all a rotatory motion like the

earth, as well as spots, irregularities, mountains: some of them have

satellites, the earth has one satellite: Jupiter is flattened like our

world; in short there is every possible resemblance between the planets

and the earth: is it, then, rational to suppose the existence of living

and thinking beings is confined to the earth? From what is such a

privilege derived but the groveling minds of persons who can never rise

above the objects of their immediate sensations?

Lambert believed that even the comets were inhabited. (Systême du

Monde, Bouillon; 1770.) Buffon determines the period when each

planet became habitable, and when it will cease to be so, from its

refrigeration. (Suplèmens, in 4to. tom. 11.) What I have said of

planets that turn round the sun, will naturally extend to all the

planetary systems which environ the fixed stars; every star being an

immoveable and luminous body, having light in itself, may properly

be compared with our sun. We must conclude that if our sun serves to

attract and enlighten the planets which surround it, the fixed stars

have the same use. It is thought that the sun and fixed stars are

uninhabitable because they are composed of fire; yet M. Knight, in a

work written to explain all the phœnomena of nature, by attraction and

repulsion, endeavours to prove that the sun and stars may be habitable

worlds, and that the people in them may possibly suffer from extreme

cold. M. Herschel likewise thinks the sun is inhabited (Philos. Trans.

179. p. 155, et suiv.)

Some timid, superstitious writers have reprobated this system, as

contrary to religion: they little knew how to promote the glory of

their Creator. If the immensity of his works announce his power, can

any idea be more calculated than this to exhibit their magnificence and

sublimity? We see with the naked eye, several thousands of stars; in

every part of the firmament we discover with telescopes, innumerable

others; with more perfect telescopes, we still find a multitude more.

We compute, from the number seen through Herschel's telescopes in one

region of the sky, that there are a hundred millions. Imagination

pierces beyond the extent of vision, beholding multitudes of unknown

worlds, infinitely more in number than those which are visible to our

sight; and ranges unrestrained in the boundless space of creation.

Our only difficulty with respect to the inhabitants of so many millions

of planets, is the obscurity of the final causes, which it is difficult

to admit when we see into what errors the greatest philosophers have

fallen; for instance Fermat, Leibnitz, Maupertius, &c. in attempting

to employ these final causes or metaphysical suppositions of imagined

relations between effects that we see and the causes we assign them, or

the ends for which we believe them to exist.

If the plurality of worlds be admitted without difficulty; if the

planets are believed to be inhabited, it is because the earth is

considered merely as a habitation for man, from which it is inferred

that were the planets uninhabited they would be useless: but I

will venture to assert that such a mode of reasoning is confined,

unphilosophic, and at the same time, presumptuous. What are we in

comparison of the universe? Do we know the extent, the properties, the

destination, and the connexions of nature? Is our existence, formed

as we are, of a few frail atoms, to be considered any thing when we

think of the greatness of the whole? Can _we_ add to the perfection

and grandeur of the universe? These ideas are expressed by Saussure,

who in speaking of a traveller to Mont-blanc says: "if, during his

meditations, the thought of the insignificant beings that move on the

face of the earth offers itself to his mind, if he compares their

duration with the grand epochs of nature, how great will be his

astonishment that man, occupying so small a space, existing so short

a time, can ever imagine that his being is the only end for which the

universe was created."

From these considerations d'Alembert, in the Encyclopedia, (art. World)

after examining the arguments for supposing the planets inhabited,

concludes by saying: _the subject is enveloped in total obscurity_.

But Buffon affirms that wherever there is a certain degree of heat, the

motion produces organized beings; we need not enquire in what way, but

imagine these to be the inhabitants of the planets: if that should be

the case, we may conclude it highly probable that they are inhabited,

notwithstanding the preceding objections.

_LA LANDE._

1802.

_LINES ON FONTENELLE._

[Illustration]

Muse! if thou canst, this picture's truth excel;

Strive to pourtray the _soul_ of Fontenelle:

Him, to whose works, with wit and judgment warm,

Indulgent Nature, gave a magic charm.--

'Twas his to strew with flowers the toilsome road,

Which leads to Science in her dark abode;

And while he touch'd the pastoral reed, to prove,

That courtly pomp, must yield to rural love.

A Lucian rising from the silent tomb,

'Twas his, to pierce through Error's doubtful gloom;

And, with resistless eye, at once to dart

Full on the hidden secrets of the heart.--

Union divine!--in Fontenelle we find

A glowing genius, and a gentle mind!

_PREFACE_

BY

BERNARD DE FONTENELLE.

_I find myself nearly in the situation of Cicero, when he undertook to

write in his own language on philosophical subjects, that, till then,

had never been treated of but in Greek. He tells us that his works

were said to be useless, because those who delighted in philosophy,

having taken the pains to study the books written in Greek, would not

afterwards think of examining his Latin ones, which were not originals;

and that persons who had no taste for philosophy, would neither care

for the Greek nor the Latin._

_To which he answers, that exactly the contrary would happen; that the

unlearned would be allured to philosophy by the facility of reading

Latin works; and that the well-informed, after studying the Greek

authors, would be pleased to see how the subjects were handled in

Latin._

_Cicero might with propriety speak in this manner; his superior genius

and great celebrity assured him success in this untried project, but

I have not the same advantages to inspire me with confidence, in a

similar undertaking. I was desirous of representing philosophy in a

way that was not philosophical; I have attempted to compose a book that

shall neither be too abstruse for the gay, nor too amusive for the

learned. But if what was said to Cicero should be repeated to me, I

could not venture to answer as he did: possibly in attempting to find

a middle way which would accommodate philosophy to every class, I have

chosen one that will not be agreeable to any. It is very difficult to

maintain a medium, and I think I shall never be inclined to make a

second attempt of this nature._

_I should warn those that have some knowledge of natural philosophy,

that I do not suppose this book capable of giving them any information;

it will merely afford them some amusement, by presenting in a lively

manner what they have already become acquainted with by dint of study.

I would also inform those who are ignorant of these subjects that it

has been my design to amuse and instruct them at the same time: the

former will counteract my intention if they here expect improvement,

and the latter, if they here only seek for entertainment._

_I need not say that of all philosophical subjects I have chosen that

which is most calculated to excite curiosity: surely nothing ought to

interest us more than to know how our own world is formed; and whether

there be other worlds similar to it, and inhabited in the same way: but

let no one be disquieted if unable to answer these enquiries; they who

have time to spare may examine such subjects; many have it not in their

power._

_In these Conversations I have represented a woman receiving

information on things with which she was entirely unacquainted. I

thought this fiction would enable me to give the subject more ornament,

and would encourage the female sex in the pursuit of knowledge, by the

example of a woman who though ignorant of the sciences, is capable of

understanding all she is told, and arranging in her ideas the worlds

and vortices. Why should any woman allow the superiority of this

imaginary Marchioness, who only believes what she could not avoid

understanding?_

_'Tis true, she gives some attention to the subject, but what sort of

attention is requisite? Not such as will laboriously penetrate into an

obscure thing, or a thing that is spoken of in an obscure manner; it is

needful only to read with sufficient application to render the ideas

familiar. Women may understand this system of philosophy by giving it

as much attention as they would bestow on the Princess of Cleves, in

order to understand the story and see all the beauties of the work. I

do not deny that the ideas contained in this book are less familiar to

the generality of females than those in the Princess of Cleves, but

they are not more abstruse, and I am convinced that on a second perusal

they would be perfectly understood._

_As I did not wish to establish an imaginary system that had no

foundation, I have employed true philosophical arguments, and as many

of them as were necessary to establish my opinions; but fortunately the

ideas connected with natural philosophy are in themselves beautiful,

and whilst they satisfy the understanding, give as much pleasure as if

formed only to charm the imagination._

_To such parts of my subjects as did not possess these beauties

I have given extraneous ornaments; Virgil has done this in his

Georgics, where he renders a dry subject interesting by frequent and

agreeable digressions: Ovid likewise in his Art of Love has pursued

the same plan, although the matter of his poem was far more pleasing

than any thing he could add to it: he seems to think it tiresome to

speak constantly of one subject--even of love. I have more need of

embellishments than he, yet I have used them sparingly. I have only

given such as the freedom of conversation authorised; I have only

placed them in parts that I thought required them; I have inserted most

of them in the commencement of the work to accustom the mind by degrees

to the objects I wish to present to its attention, in short, I have

derived them from my subject, or formed them as much as possible to

resemble my subject._

_I did not venture to give any opinions on the inhabitants of the

different worlds, since they must have been entirely chimerical; I

have endeavoured to express all that might reasonably be imagined,

and even the conjectures that are added are not without foundation.

Truth and fiction are in some measure blended, but always so as to be

distinguishable from each other: I do not undertake to justify such a

composition; the union of philosophy and amusement is the chief aim of

this work, but I know not whether I have adopted the right method._

_It only remains for me now to address one class of persons; they are

perhaps the most difficult to satisfy, not because my reasoning is

inconclusive, but because they feel themselves privileged to disregard

the best arguments: I am speaking of scrupulous people who may imagine

religion is endangered by placing inhabitants any where but on the

earth. I respect even an excessive scrupulosity when it arises from

piety, nor would I willingly hurt the feelings of any one from whom I

differed: but by rectifying a little error of the imagination we shall

find that this objection cannot affect my system of giving inhabitants

to an infinite number of worlds. When you are told that the moon is

peopled, you immediately figure to yourself men like ourselves, and

then a variety of theological difficulties occur. The posterity of

Adam cannot have colonized the moon; therefore the inhabitants of that

planet are not descendants of our first parents; now it would be a

difficult point in theology to account for the existence of men who had

any other ancestor. No more need be said; every imaginable difficulty

is included in this, and the expressions that would be necessary for a

more full explanation are too worthy of reverence to be employed in a

work containing so little of the serious as this. The objection then

turns on the existence of men in the moon, but it is the objectors

themselves who talk of men as its inhabitants; I have asserted no such

thing: I say there are inhabitants, and I likewise say they may not at

all resemble us. What are they then?--I have never seen them; I do not

speak from acquaintance with them._

_Do not consider it a subterfuge, to rid myself of the objection,

when I affirm that the moon is not peopled by men; you will see that

according to the idea I entertain of the endless diversity of the works

of nature, it is impossible such beings as we, should be placed there.

This opinion is supported throughout the book, and it is an opinion

which no philosopher can deny: I think, therefore, on this ground, the

following conversations will be objected to only by those who have

never read them. But will this consideration suffice to deliver me

from the fear of censure? No; it rather gives me cause to apprehend

objections from every side._

_FONTENELLE._

CONVERSATIONS

ON THE

_PLURALITY OF WORLDS_.

TO MR. L----.

You desire me, dear Sir, to give you a particular account of the manner

in which my time has been spent whilst at the Marchioness of G--'s[3]

in the country. To obey your injunctions strictly, I shall be obliged

to fill a volume, and what is still more formidable, a volume of

philosophy.

[Footnote 3: The lady here mentioned was Madame de la Mesangire of

Rouen. She was a beautiful brunette; but in compliance with her desire

to be concealed, the author has spoken of her in the following pages,

as having a fair complexion. The park belonging to her residence, is

described in the "First Evening."]

You expect to be entertained with a history of splendid feasts,

hunting, and card-parties; and you will hear of nothing, but planets,

worlds, and vortexes:[4] for the discussion of these latter subjects,

formed our principal amusement. Fortunately _you_ are a philosopher,

therefore I have the less reason to dread raillery from such a quarter;

on the reverse, I may even hope for your congratulations, on having

rendered the Marchioness sensible to the charms of philosophy: we could

not have made a more valuable acquisition; for youth and beauty, in

every cause holds such power, that if wisdom herself were desirous of

being welcomed by mortals, and would assume the form of this lovely

woman, surely with such an exterior, and such fascinating eloquence,

she could not fail to attract every heart.

[Footnote 4: The Vortexes of Descartes, occupied the attention of the

learned, for nearly a century; but this hypothesis was superceded by

a discovery of the laws of attraction. Although Newton's famous book

on principles was published in 1687, Fontenelle always retained his

educational prejudice in favour of the Vortexes. A few years before his

death, he consulted me on a little work he had some time since composed

on the subject. I endeavoured to dissuade him from making it public;

but Falconet was afterwards weak enough to do so. The book is entitled

"Theory of the Cartesian Vortexes, with Reflections on Attraction." The

author's name was never affixed to the work.]

Notwithstanding all this, you must not expect to be transported with

admiration, whilst I repeat the conversations I have held with her

ladyship: my genius should be equal with her's, to relate what she

said, in her own delightful manner. Conscious of inability, I must

relinquish the attempt, and leave you to discern through the recital,

that rapidity of apprehension, which characterizes the mind of the

Marchioness. From the wonderful quickness with which she comprehends

the most abstruse subjects, I consider her already learned: at least,

I may be allowed to say, that after a little study, she might attain

the heights of science; when many, who spend their lives amid the dull

disputes of vast libraries, remain for ever in the deepest ignorance.

Before I recount our various conversations, perhaps you may expect some

description of their scene; some picture of the romantic country, under

whose shades the Marchioness is enjoying the autumn. If so, you will be

disappointed: so many people have exercised their talents on this gay

species of writing, that I shall dispense with the ceremony, and merely

say, that on my arrival I had the pleasure of finding myself the only

visitor.

The two first days were passed in relating the news of Paris, which

I had just quitted. When that subject was exhausted, an evening walk

in the park, suggested the discussion of those learned topics, the

commencement of which you will find in the next page.

_FIRST EVENING._[5]

[Footnote 5: This first book has been translated into a variety of

languages; it is the best eclogue that has been composed in the last

fifty years: the descriptions and imagery it contains are perfectly

suited to the style of pastoral poetry; indeed many of the images would

not have disgraced the pen of a Virgil.

_Dubos. Reflections on Poetry and Painting._

]

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THE EARTH IS A PLANET WHICH TURNS ON ITS AXIS, AND GOES ROUND THE SUN.

═══════════

After supper we went to take a walk in the park. We felt the fragrant

breeze of evening peculiarly delightful, as the heat had been intense

during the day: the silvery rays of the moon, gleaming through the

foliage, formed an agreeable contrast with the darkened shadows of

the landscape. Not a cloud intercepted or veiled the smallest star.

Every orb appeared a mass of pure gold, rendered more brilliant by

the rich blue of the sky. The beauty of the scenery produced a gentle

reverie, from which, had not the Marchioness been with me, I should

not have been easily roused; but in the company of so interesting a

woman I could not long abandon myself to the influence of the moon

and stars. Do you not think, said I, addressing myself to her, that

the charms of a fine night greatly exceed those of the day? Yes, she

replied, the splendour of day resembles a fair and dazzling beauty,

but the milder radiance of night may be compared to a woman of less

brilliancy of complexion, and more sweetness of expression. You are

very generous, resumed I, in giving the preference to the brunette,

whilst you are so fair. It is however true, that an unclouded sun

is the most glorious object in nature; and it is equally true, that

the heroines of romance, the most beautiful objects imagination can

depict, have almost invariably been represented with fair complexions.

Beauty, answered my companion, is nothing, unless it interests our

feelings. You will not deny that the finest day never had the power of

inspiring so delightful a reverie as you were falling into just now in

contemplating the loveliness of the evening. You are right, said I, but

the loveliest night I ever beheld, with all it's shadowy beauty, would

fail to give me such enchanting sensations as the contemplation of the

fair face of the Marchioness de G----. I should not be satisfied with

your compliment, she replied, did I even believe you sincere, since the

brightness of day, with which we have been comparing fair women, has

so little influence on your heart. Why do lovers, who undoubtedly can

judge of what is most touching, address all their poetic effusions to

the night? To the ear of day they neither confide their transports nor

their sorrows--why is it so entirely excluded from their confidence?

Probably, I answered, because it is not calculated to inspire that

delicious sentiment, at once impassioned and melancholy, which we feel

in the stillness of night, whilst all nature seems to repose. The stars

appear to move with more silent progress than the sun: every object

that decorates the heavens is soft, and attractive to the eye: in

short, we resign ourselves more easily to reverie because we feel as

if no other being was at that time enjoying the pensive pleasure that

expands our soul. Perhaps, too, the uniformity of day, in which the sky

presents no other object than the sun, is less favourable to the wild

and pleasing illusions of fancy than the view of innumerable stars,

scattered with sportive irregularity, over the boundless space. I have

always felt what you describe, said she, I love to see the stars, and

am almost inclined to reproach the sun for hiding them. Ah! cried I, I

cannot forgive him for concealing so many worlds from my sight! Worlds!

she exclaimed, turning to me with surprise, what do you mean? Forgive

me, said I, you touched the wildest chord of my imagination--I forget

myself in a romantic idea. And what is this romantic idea? enquired

the Marchioness. Ah! replied I, I am half ashamed of owning it:--I

have taken it in my head that every star may be a world. I would not

positively assert the truth of my opinion, but I believe it because it

affords me pleasure; it has possessed my mind with irresistible force;

and I consider pleasure a needful accessary to truth. Well, said she,

since your whim is such a pleasant one, make me a partaker of it; I'll

believe any thing you chuse about the stars, provided it contributes

to my happiness. Ah! madam, I replied, 'tis not such an enjoyment as

you would find in seeing one of Molière's comedies: it is an idea which

can only give delight to the understanding. What! exclaimed she, do you

think I am not susceptible of pleasures which depend only on reason? I

will convince you of your mistake. Teach me your system. No, answered

I, I will not subject myself to the reproach of having talked of

philosophy, in such an enchanting walk as this, to the most interesting

woman of my acquaintance. No, seek for pedants elsewhere.

For a long while I attempted, in vain, to excuse myself; I was at last

obliged to yield: I insisted, however, for my reputation's sake, on a

promise of secrecy. Every objection being removed, I wished to begin

the subject, but found the commencement extremely difficult; for, with

a person who was ignorant of natural philosophy, it was necessary to

converse in a very circuitous manner, to prove that the earth was a

planet, the other planets similar to the earth, and all the stars so

many suns which enlightened a number of worlds. I once more assured her

it would be much better to talk on such trifles as other people, in our

situation, would amuse themselves with. In the end, however, to give

her a general idea of philosophy, I pursued the following plan.

All philosophy, said I, is founded on two things; an inquisitive mind,

and defective sight; for if your eyes could discern every thing to

perfection you would easily perceive whether each star is a sun, giving

light to a number of worlds; on the other hand, had you less curiosity,

you would hardly take the trouble to inform yourself about the matter,

and consequently remain in equal ignorance; but the difficulty consists

in our wanting to become acquainted with more than we see: besides, it

is out of our power to understand much of what is even within the reach

of our sight, because objects appear to us very different from what

they are. Thus philosophers pass their lives in disbelieving what they

see, and endeavouring to conjecture what is concealed from them; such a

state of mind is not very enviable.

In thinking on this subject, nature always appears to me in the same

point of view as theatrical representations. In the situation you

occupy at the opera you do not see the whole of its arrangements:

the machinery and decorations are so disposed as to produce an

agreeable effect at a distance, and at the same time the weights and

wheels are hidden by which every motion is effected. You behold all

that is passing, without concerning yourself about the causes; and

so perhaps do all the other spectators, unless among the number some

obscure student of mechanics is puzzling himself to account for an

extraordinary motion which he cannot understand. You see the case of

this mechanical genius resembles that of the philosopher studying the

structure of the universe. What, however, augments the difficulty

with respect to philosophers is, that nature so conceals from us the

means by which her scenery is produced, that for a long time we were

unable to discover the causes of her most simple movements. Figure

yourself, as spectators of an opera, the Pythagorases, the Platos,

the Aristotles; all these men whose names are so celebrated. Let us

suppose them viewing the flight of Phæton, rising on the wind; ignorant

at the same time of the construction of the theatre, and the cords

by which the figure is put in motion. One to explain the phenomenon,

says, _it is some hidden virtue in Phæton which causes him to rise_;

another replies, _Phæton is composed of certain numbers which produce

his elevation_. A third says, _Phæton has a love for the top of

the stage; he is uneasy at any other part_. The fourth thinks, _it

is not essential to the nature of Phæton to rise in the air, but he

prefers flying up to leaving a vacuum at the top of the stage_. Such

were the ridiculous notions of the ancient philosophers, which to my

astonishment have not ruined the reputation of antiquity. After all

Descartes and some other moderns appear: they tell you that _Phæton

rises in consequence of being drawn by cords, fastened to a descending

weight, which is heavier than himself_. It is no longer believed that

a body can have motion, unless acted upon by another body; that it

can rise and descend without a counterbalancing weight; thus, whoever

examines the mechanism of nature is only going behind the scenes of

a theatre. If that be the case, answered the Marchioness, philosophy

is a very mechanical affair! So much so, I replied, that I am afraid

it will fall into disrepute. In short, the universe is but a watch on

a larger scale; all its motions depending on determined laws and the

mutual relation of its parts. Confess the truth, have you not hitherto

entertained a more exalted idea of the works of nature? Have you not

considered them with more veneration than they deserve? I have known

some people esteem them less as their knowledge encreased. For my part,

said she, I contemplate the universe with more awful delight now I

find that such wonderful order is produced by principles so simple.

I know not, rejoined I, how you have acquired such rational ideas,

for, to say the truth, they are not very common. The generality are

affected only by the obscure and marvellous. They admire nature merely

because they consider it a sort of magic; something too occult for the

understanding to reach: to them a thing appears contemptible as soon as

they find the possibility of explaining its nature: but you, madam, can

reason so clearly, that I have only to draw aside the veil, and present

the world to your inspection.

What we behold at the greatest distance from our earth is the azure

heaven, that immense arch to which the stars seem firmly to adhere.

They are called fixed, because they appear to have no other motion than

that of their sky, carrying them from east to west. Between the earth

and the remote firmament are suspended, at various distances, the sun,

moon, and the other five stars, denominated planets; Mercury, Venus,

Mars, Jupiter and Saturn.[6] These planets not being stationary at one

point in the heavens, but having unequal motions, vary with respect

to their relative situations; the fixed stars, on the contrary, always

bear the same local relation to each other. The chariot, for instance,

that you may distinguish, formed of those seven stars, has always had

that configuration, and is likely to retain it; but the moon sometimes

approaches nearer to the sun; sometimes retreats farther from it; the

same is observed of the other planets. Such were the observations made

by the Chaldean shepherds whose continual leisure enabled them to give

so much attention to the heavenly bodies as to form the rudiments of

astronomy, for we learn that that science took its rise in Chaldea,[7]

as Geometry was first studied in Egypt, where the inundations of the

Nile destroyed the boundaries of different possessions, made the

inhabitants desirous of exact measures by which they could again

separate their own lands from those of their neighbours. Thus astronomy

is the offspring of idleness, geometry of interest; and if we enquire

into the origin of poetry, we shall probably find that she is the

daughter of love.

[Footnote 6: In 1781, M. Herschel discovered a sixth. Astronomy by

Lalande, third edition, 1792, Vol. 1, Art. 116.]

[Footnote 7: Perhaps in Ethiopia. Astronomy, Art. 260.]

I am glad, said the Marchioness, you have given me this genealogy of

the sciences; astronomy is the only one that will suit me: geometry,

according to your account of it, requires a more selfish heart than

mine; and I have not susceptibility enough to attempt poetry with

success; I have, however, as much leisure as can be needful for the

study of astronomy; it is another favourable circumstance that we are

in the country, leading a pastoral life. Do not mistake madam, answered

I, talking of planets and fixed stars is not all that constitutes a

pastoral life. Was the conversation of the shepherds, in the golden

age, confined to astronomy? Ah, said she, but it would be dangerous to

conform one's mode of life to their's. No, that of the other shepherds

you mention appears preferable to me; therefore let us converse, if you

please, in the Chaldean style. After this disposition of the stars was

remarked, what followed? The next thing, I replied, was to imagine the

arrangement of the different parts of the universe; that is what the

learned call making a system. But before I explain to you the first

of these systems, give me leave to premise that we are all naturally

disposed to the same sort of madness as a certain Athenian of whom you

have heard, who had taken it in his head that every vessel which went

into the port of Pyreum belonged to him. We chuse to believe that every

thing in creation is destined to our service; and when we enquire of

some philosophers the use of such a prodigious number of fixed stars,

of which a smaller proportion would have been sufficient for all the

offices they appear to perform; they coolly answer, they were made to

gratify our sight. On this selfish principle it was for a long time

supposed that the earth was motionless in the midst of the universe,

whilst all the heavenly bodies were created for the sole purpose of

journeying round, and distributing their light to her. Next to the

earth they placed the moon, after the moon, Mercury, then Venus, the

Sun, Mars, Jupiter, Saturn; beyond all these the firmament of fixed

stars. It was imagined that the earth was stationed exactly in the

middle of the circles described by these planets which extended in

proportion to their distance from the earth, and that consequently

the most remote planets required a longer time to perform their

revolutions, which certainly is true. But, interrupted the Marchioness,

I can't see why you should disapprove such an arrangement of the

universe, it appears to me sufficiently commodious and intelligible, I

really feel quite satisfied with it. I have taken pains, answered I,

to represent this system in the most favourable point of view; if I

were to explain it exactly as it was conceived by Ptolemy the author of

it, and his disciples, you would be quite shocked. As the motions of

the planets are irregular, being sometimes quicker, sometimes slower;

going sometimes in one direction, sometimes in another; now nearer to

the earth, then at a greater distance from it; the ancients figured

to themselves an endless number of circles intersecting each other, by

which they endeavoured to understand the great variety of movements.

The confusion, however, caused by such an infinity of circles was so

perplexing that, at the time no better system was known, one of the

kings of Castile,[8] a profound mathematician, was daring enough to

say, that if the supreme Being had consulted him when he created the

world, he would have given him some good advice. We are filled with

horror at the impiety of this expression, but it serves to shew us how

absurd must have been the hypothesis which could prompt it. The advice

this man wished to have given, undoubtedly regarded the suppression

of so many circles, which did but prevent the planetary motions from

being understood. Probably he would likewise have expunged from the

system two or three superfluous firmaments, supposed to be above the

fixed stars. The philosophers, to explain some particular motion of

the heavenly bodies, placed, beyond the heaven that bounds our view,

a sky of crystal, which communicated this motion to the lower sky.

Was a new movement discovered? they had nothing to do but to form

a second crystal firmament. In short skies of crystal were made

without any trouble. Why did they always chuse crystal? enquired the

Marchioness; would nothing else have answered the purpose as well? No,

answered I, it was necessary to have a substance, at once transparent

and solid, for it was Aristotle's opinion that solidity was essential

to the dignity of their nature, and as this was believed by a great

man, nobody thought of doubting it. But since that time comets have

been seen which, being higher than was formerly imagined, must have

broken all the crystal of these skies, in passing through them, and by

that mean, thrown the universe into confusion; it was therefore found

necessary to change the matter of which these firmaments were composed,

into a fluid, such as air.

[Footnote 8: Alphonsus, king of Castile died in 1284.]

It is now discovered with certainty, by the researches of later ages,

that Venus and Mercury turn round the Sun, and not round the earth,

on this subject the ancient system is absolutely exploded. I will

now acquaint you with another which provides for every difficulty,

one that does not require any amendments of the king of Castile,

for its simplicity is so charming that one cannot refuse to believe

it. Yours, interrupted the Marchioness, seems a sort of bargaining

philosophy; whoever offers a system that is effected at the least

expense, has the preference. 'Tis true, said I; we have no other

chance of understanding the plan by which the operations of nature

are carried on. Nature is a wonderful economist; if a work is to be

effected, and two ways are practicable, we may be sure she will adopt

that which costs her the least, however trifling the difference.

This economy is notwithstanding in every respect consistent with

the surprising magnificence which appears in all her productions.

Magnificence is employed in the design, and frugality in the execution

of it. Nothing should excite our admiration so much as a stupendous

project effected by simple means: but we are apt to cherish ideas

of a very different kind. We place the frugality in the designs of

nature, and her grandeur in the execution. We imagine her forming a

contracted plan, and executing it with ten times the labour that is

requisite: what can be so ridiculous? I hope, she replied, that the

system you are going to explain will strictly imitate nature; the

simplicity you so admire will spare me a great deal of trouble in

comprehending your instructions. Your hope will be realized, said I,

we have now no useless incumbrances. At the appearance of a certain

German named Copernicus,[9] astronomy became simplified; he destroyed

all the unnecessary circles, and crushed to pieces the crystalline

firmaments.[10] Animated with philosophic enthusiasm, he dislodged the

earth from the central situation which had been assigned it, and in its

room placed the sun, who was more worthy of such a mark of distinction.

The planets were no longer supposed to perform their revolutions round

the earth, and enclose it in the centre of their orbits. If they afford

us light it is as it were by chance, and in consequence of passing

us in their course. They all turn around the sun; the earth itself

not excepted; and as a punishment for the indolent repose it had been

thought to enjoy, Copernicus made it take an ample share of the general

activity: in short of all these celestial attendants, appointed for the

service of our little globe, the moon alone is left to move round it.

Stop a moment, said the Marchioness, your imagination is so elevated

with your subject, you have explained it in such pompous language,

that I believe I have scarcely understood you. The sun, you say, is

immoveable in the centre of the universe; which of the planets is

next in succession? 'Tis Mercury, I replied. Mercury goes regularly

round the Sun in nearly a circular orbit, of which that luminary is

the central point. Next to Mercury is Venus, which turns in the same

manner round the Sun. Afterwards comes the Earth, and being higher

than Mercury and Venus, describes a larger circle round the Sun than

either of those planets. Then follow Mars, Jupiter and Saturn, in the

order I have named them; thus you see the circle of Saturn must be the

most extensive of all; it likewise requires a longer time than the

other planets to perform its revolution. But, exclaimed she, you have

forgotten the moon. I shall recollect it presently, said I; the moon

never abandons the earth, but is constantly going round it; but as the

earth is continually moving onwards in a circle round the sun, the

moon at once follows its motion, and revolves round it; this attendant

planet, therefore only goes round the sun in consequence of invariably

continuing near to the earth.

[Footnote 9: He was born in 1472, at Thorn, in Prussia Royal: he died

in 1543.]

[Footnote 10: Several of the ancients were of opinion that we should

admit the motion of the earth. Astron. Art. 1075.]

I understand you, said she, and I love the moon for remaining attached

to us when we were forsaken by all the other planets. Confess that

if your German could have alienated that too, he would have done it

without regret; for one may see, in every part of his hypothesis, that

he was but little inclined to favour the earth. He did well, I replied,

to humble the vanity of men who chuse to claim the best situation in

the universe; 'tis with pleasure I consider the world mixing in the

crowd of planets. Pshaw! cried the Marchioness; do you think vanity

can have any thing to do with a system of astronomy? Do you suppose I

feel humbler for knowing that the earth goes round the sun? I assure

you I esteem myself just as highly as I did before. Certainly, madam,

I answered, men would be less concerned about the rank they held in

the universe than that they enjoyed amongst their associates; neither

would the disputes of two planets, for precedence, be so important

in their judgement as those of two ambassadors. Nevertheless, the

same disposition which induces a man of the world to aspire after the

most honourable place in a room, will make a philosopher desirous of

placing the globe on which he lives in the most distinguished situation

in the universe. He likes to consider every thing made for his use;

he encourages, without being aware of his vanity, so flattering an

opinion, and his heart becomes deeply engaged about an affair of

mere speculation. Upon my word, she exclaimed, you are calumniating

human nature--how happened it that the opinions of Copernicus were

received, since they are so very humiliating? Copernicus, answered I,

was himself very doubtful of the reception they would meet with: it

was a long while before he could resolve to publish his system; at

last, however, he yielded to the entreaty of several distinguished

characters; but what do you think was the consequence?--on the day they

took him the first printed copy of his book, he died: so he made use

of the shortest way to escape from all the contradictions he had been

anticipating.

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