CHAPTER I.

Transcriber's Notes:

1. Page scan source: the Web Archive

https://archive.org/details/24181300.2250.emory.edu

(The Emory University--Robert W. Woodruff Library)

THE MAN WITH A SECRET.

A Novel.

BY

FERGUS HUME

Author of

"THE MYSTERY OF A HANSOM CAB," "MADAME MIDAS,"

"THE GIRL FROM MALTA," "THE PICCADILLY

PUZZLE," ETC., ETC.

There are those in this world whose egotism is so

profound, that they look upon creation as designed for

their sole benefit, and take advantage of all opportunities

furnished by Fate, to gain unto themselves exceeding riches

and honour, although prosperity to one may mean ruin to many.

_THIRD EDITION_.

LONDON:

F. V WHITE & CO.,

31, SOUTHAMPTON STREET, STRAND.

1892.

PRINTED BY

KELLY AND CO., LIMITED, GATE STREET, LINCOLN'S INN FIELDS,

AND KINGSTON-ON-THAMES.

CONTENTS.

CHAP.

I. An Unexpected Meeting

II. His Evil Genius

III. Village Gossip

IV. An Extraordinary Patient

V. The Family Circle

VI. A Morning Walk

VII. The Housekeeper

VIII. The Blind Organist

IX. The Views of a Cynic

X. The Ghost of a Dead Love

XI. Mr. Beaumont makes a Discovery

XII. The Parable of the Sower

XIII. Dick's Opinion

XIV. The Diplomacy of Basil Beaumont

XV. A Fantastic Theorist

XVI. The Village Concert

XVII. Anteros

XVIII. The Fall of Man

XIX. Jam, Jam efficaci do manus scientiae

XX. When in Doubt--Play Trumps

XXI. The Good Samaritan

XXII. Phantasmagoria

XXIII. The End of all Things

XXIV. Mr. Beaumont Wins his Case

XXV. A Dexterous Arrangement

XXVI. Una makes a Confession

XXVII. The Squire's Will

XXVIII. The Bitterness of Death

XXIX. From Dr. Nestley's Point of View

XXX. A Mother's Affection

XXXI. Psalm, cvii. 19

XXXII. London

XXXIII. Circe's Cup

XXXIV. A Word in Season

XXXV. A Voice from the Past

XXXVI. The Calm before the Storm

XXXVII. A Ruined Life

XXXVIII. Mater Dolorosa

XXXIX. Father and Son

XL. Beaumont Plays his Last Card

XLI. A Woman's Heart

XLII. The Dawn of a New Life

TO

My Dear Father,

JAMES HUME,

This Book is Affectionately Dedicated

By His Son,

FERGUS.

The mocking fiend who near us stands

Entices us to evil deeds;

He binds our souls in sensual bands

The mocking fiend who near us stands;

But some good woman-angel pleads

For mercy at Almighty hands;

With such for guide what mortal heeds

The mocking fiend who near us stands?

THE MAN WITH A SECRET.

CHAPTER I.

AN UNEXPECTED MEETING.

"With anxious dread have I avoided thee,

Thou haunting evil of my early days,

Yet by some trick of Fate we meet again;

I pray thee, sir, let me go far away.

And place the roaring seas between us twain,

There is but sorrow in our comradeship."

It was the high road to the village of Garsworth, wide, deeply rutted,

and somewhat grass-grown, with a tall hedge of yellow-blossomed gorse

on the one side, and on the other a ragged, broken fence, over which

leaned a man absorbed in meditation, his eyes fixed upon the setting

sun.

The fence, rotten and moss-tufted, ran along the edge of a little

hill, the slope of which had been lately reaped, and was now covered

with bristly yellow stubble, variegated by bare-looking patches of

brownish earth.

At the bottom of the hill flowed the narrow river Gar, with its

sluggish waters rolling lazily along between the low mud banks,

bordered by rows of pollard willows and lush rank grasses which hid

the burrows of the water-rats. Beyond, towards the distant hills,

stretched the damp, melancholy fen-lands, with their long lines of

slimy ditches, still pools of black water, and scattered clumps of

stunted trees. Still further away appeared a scanty fringe of forest,

above which could be seen the square, grey tower of a church, and over

all glared an angry red sky barred with thin lines of heavy clouds,

looming intensely black against the accentuating crimson light behind.

An evil-looking scene it was, for over the brooding loneliness and

desolation of the fen-lands flared the fierce scarlet of the sunset,

turning the slender line of the river and the sombre pools of water to

the tint of blood, as though they had been smitten with the Egyptian

plague.

A chill wind, heavy with the unwholesome miasma of the fens was

blowing over the moist earth, and across the plain floated a vaporous

white mist, making the stunted trees look weird and spectral behind

its shadowy veil.

The man, leaning over the fence, took a cigarette out of his mouth and

shivered slightly.

"Ugh!" he muttered, with an uneasy shudder, "it's like the Valley of

the Shadow of Death." Then, replacing the cigarette, he continued

contemplating the uncanny-looking landscape to which the term was

singularly applicable.

It was a curious face upon which shone the red sunlight, being long

and narrow, with lantern jaws and a thin, hawk-like nose. Thread-like

black eyebrows in a straight line above piercing dark eyes and a

scanty black moustache twisted jauntily at the ends over

tightly-closed lips. Curly hair, the colour of ebony, worn longer than

usual, and touched at the temples with grey, appeared from under his

soft wideawake, around which was twisted a blue handkerchief with

white spots. A livid, cadaverous-looking face, with the haggard

expression of one who had lived a fast life; nevertheless it appeared

full of animation and nervous energy.

He was tall, being much above the average height, with sloping

shoulders and a slender, well-knit figure, clad in a rough suit of

grey homespun, which he wore with a certain natural grace. His feet

were well-shaped and neatly shod in tan-coloured boots, and his hands,

long and slender, were those of an artist.

Not strictly handsome, perhaps, but with a certain insolent dash of

recklessness about him which suited his Spanish-looking face, and

stamped him at once as a Bohemian. A man who cared for no one so long

as his personal desires were gratified, a man who would stop at

nothing to gratify those desires, in short, a man who had lived

forty-five years in the world without making a single friend; which

fact speaks for itself. A thorough scamp, ever on the edge of an

abyss, yet by some miracle never losing his balance, Basil Beaumont

had fascinated many men and women, but they always found his

friendship too expensive to maintain; therefore the result was ever

the same, they retired, sooner or later, on some pretext or another,

leaving him solitary and alone.

Mr. Beaumont was smoking a cigarette--he was always smoking

cigarettes--morn, noon, and night those deadly little rolls of paper

were between his thin lips, and though doctors warned him of the

danger to his nerves, he laughed at their croakings.

"Nerves, my dear sir," he said lightly; "men in my position can't

afford to have nerves; they are a luxury for the rich and foolish. Why

should I have nerves? I don't drink; I don't run away with other men's

wives; I don't fret over the unavoidable--bah! smoking is my one

redeeming vice."

He had a number of other vices, however, as many young men found to

their cost. True, he himself did not drink, but he led others to do

so, nor did he covet his neighbour's wife, yet he was by no means

averse to playing the part of Sir Pandarus of Troy, provided it was to

his own interest to do so. Moreover, he gambled.

It was in this terrible passion--rarely, if ever conquered--that he

found his greatest delight. The green cloth-covered table, the painted

hieroglyphics of the cards, the hopes, the fears, the gains, the

losses, were all to him but a representation of his daily life on a

small scale. He gambled with men as he gambled with cards, meeting

varied fortunes in both, and risking his luck as recklessly in the

game of Life as in the game of baccarat. He was a scamp, a scoundrel,

a blackleg of the deepest dye, bankrupt in pocket and in illusions;

yet he always kept within the limits of the law, and, moreover, sinned

in an eminently gentlemanly manner, which robbed the sordid, feverish

life he was leading of its most repulsive features.

Why this artificial man, who lived only in the glare of the gas-lamps,

and, owl-like, shunned the searching light of the day, had come to

such an out-of-the-way village as Garsworth was a puzzle, but

nevertheless a puzzle easy of solution. His object was two-fold. In

the first place, he had left London to escape the demands of

persistent creditors, and in the second, being a native of the dull

little hamlet, he had returned to visit the scenes of his youth not

seen by him for three-and-twenty years.

It was not a sentimental longing--no, Mr. Beaumont and sentiment had

long since parted company; but Garsworth was a dead and alive place

where no one would think of looking for him, so he could stay there in

safety until he saw a chance of arranging his pecuniary affairs and

leaving the Arcadia he detested for the London he loved.

An artist by profession, though he had not touched a brush for years,

he found it necessary to resume his old employment as a reason for his

sojourn in Garsworth, for the honest rustics were somewhat suspicious

of Basil Beaumont, his character having been none of the best when he

left his native place to seek his fortune. So he lived quietly at the

principal inn of the village, dawdled about the fields, sketched

picturesque landscapes in a desultory manner, and in the meantime

corresponded with a dear brother hawk in Town as to his chances of

return to the metropolis.

His cigarette burnt down rapidly as he leaned over the fence

thinking of his future, so throwing away the stump, he took out his

tobacco-pouch and a little book of rice paper, in order to manufacture

another, talking to himself meanwhile as is the fashion of solitary

men.

"Two weeks," he said musingly, while he deftly rolled the tobacco in

his slender fingers, "two weeks in this blessed place--well, there's

one good thing, the rest will do me good, and I'll go back to Town as

steady as a rock; the medicine is disagreeable, but the result will be

excellent. What bad luck I've had lately--everything seems against me.

I'll have to make a big effort to get some cash, or I'll end my days

in a workhouse--ugh!" shivering again, "not that--God, how I dread

poverty! Never mind," he went on gaily, shrugging his shoulders,

"there are plenty of fools in this world, and as everything was

created for a special purpose, I presume _le bon Dieu_ made fools to

feather clever men's nests."

He laughed softly at this cynicism, then, lighting the cigarette,

placed it in his mouth and resumed his soliloquy.

"Forty-five and still living on my wits. Ah, Basil, my friend, you've

been an awful fool, and yet, if I had to live my life over again, I

don't know that I would act differently. Circumstances have been too

strong for me. With a certain income I might have been an honest man,

but Fate--pish!--why do I blame that unhappy deity whom men always

make a scapegoat for their own shortcomings? It's myself, and none

other, I should curse. Well, well, rich or poor, honest man or

scoundrel, I'll go with all the rest of my species through the valley

of the shadow."

He raised his eyes once more to the melancholy scene before him, when

suddenly his quick ear caught the sound of footsteps coming briskly

along the road, and he smiled to himself as the invisible pedestrian

began to whistle "Garryowen."

"Plenty of spirits," he muttered, flicking the ash off his cigarette,

"or perhaps not enough, seeing he has to cheer himself with Irish

melodies."

The footsteps came nearer, and shortly afterwards a man paused in the

centre of the road as he saw the still figure leaning indolently

against the fence. A fair-haired ruddy-faced man, of medium height,

arrayed in a walking suit, with a knapsack on his shoulder, and a

heavy stick in his hand.

"Hullo!" he cried, tapping his stick on the ground, "how far is it to

the village?"

Basil Beaumont started slightly when he heard the voice, then an evil

smile crossed his face as he turned lazily round to answer the

question.

"About one mile, Nestley," he replied distinctly.

As he spoke the pedestrian gave a cry, and with a muttered oath sprang

forward to where the other stood.

"Beaumont!" he whispered, recoiling at the sight of that mocking,

Mephistophelean countenance smiling at his emotion.

"At your service," said Beaumont, carelessly putting his hands in his

pockets. "And what are you doing in this part of the country, Doctor

Duncan Nestley?"

Nestley did not answer, but stared fixedly at the artist as if he were

turned into stone, but the other met his gaze steadily and seemed

rather amused at the scrutiny.

"You take a long time to recognise an old friend," he observed at

length, blowing a thin wreath of smoke.

"Friend," echoed Nestley, with a deep sigh, recovering himself. "Yes,

you were my friend, Basil Beaumont."

"Why 'were'?" asked the artist coolly.

"Because it was you who so nearly ruined my life," replied Nestley in

a deep voice.

Beaumont smiled in a saturnine manner.

"I," he said in a gibing tone. "My good fellow you do me too much

honour. I would never dare to ruin so celebrated an individual as

Duncan Nestley, F.R.C.S., and deuce knows what other letters of the

alphabet."

The pedestrian turned on him fiercely, and, stepping forward,

confronted him with clenched fists. The artist never blenched, but

eyed his angry antagonist steadily. So Nestley, with all the wrath

dying out of his face, fell back into his former position with a

dreary laugh.

"You have the one virtue of a scoundrel, I see," he said bitterly.

"Courage."

"Man of one virtue and ten thousand crimes," quoted Beaumont, easily.

"Faith, it's something to have even one virtue in this degenerate age.

Where are you going?" he added, as Nestley turned away.

"Going?" echoed the doctor, fiercely. "Anywhere, so long as it is away

from you."

Beaumont raised his eyebrows in affected surprise, then, shrugging his

shoulders, took out his watch.

"It is now between five and six o'clock," he said, putting it back

again, "and it will be dark by the time we reach Garsworth, which is

the nearest village. I am staying there, but if you choose to go back

again in order to avoid the moral leper, I daresay you'll reach

Shunton by twelve o'clock."

"I'm not going with you," reiterated Nestley, resolutely, as the

artist stepped into the road.

"'Nobody axed you, sir,' she said," retorted Beaumont, with a sneer,

sauntering on. "Good-bye; a pleasant journey."

Nestley looked at the sky, out of which the red light was rapidly

dying. A few stars glimmered in the pale flush of colour, and the

chill breeze was growing colder while the mists lay over the fen lands

like a thick white veil. He was cold and hungry, so the prospect of

getting something to eat and a night's rest instead of trudging back

wearily to Shunton, decided him. He shook himself impatiently, made a

few steps forward, then paused irresolutely.

"Bah! Why should I mind?" he said angrily to himself. "Beaumont can do

me no harm now. After five years I hardly see how his influence can

affect me. I'll chance it, anyhow."

Away in the distance he could see the tall form of the artist

strolling easily along, so, having paused a moment to light his pipe,

he strode rapidly after him. Even as he did so there flashed across

his mind, with the rapidity of lightning, the phrase, "Lead us not

into temptation," and a shiver, not caused by the chill wind, passed

over his body, but he dismissed the warning with an uneasy laugh and

walked on quickly in the track of his evil genius.

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