THE MOST MODERN METHOD OF GAINING PUBLICITY.

_To Members of Parliament, Mayors, Lecturers and other Public Men

and Women._

"The Cinema has become the cheapest, the surest and most rapid road

to publicity. It is estimated that a third of the population attend

the Cinema once a week. Messrs. Mump and Gump have therefore fitted

up a special studio for film work, in which you can now have your

own film taken, representing you in any action you may desire. This

method of publicity is specially recommended to Members of

Parliament. For instance one can be filmed writing a letter, which

can be closed down and handed to a messenger, which action can be

followed by the letter itself being thrown on the screen.... Think

what this means to a prospective Candidate when he goes to a

constituency where he is unknown. He takes with him twenty or more

films. Your constituents must see and know you before you can hope

for their vote. The Cinema introduces your personality and your

policy.

"Your film will cost you--

First reel ... Three guineas.

Each extra reel. One guinea."

The more I see of business-men the less they seem to me to know about

business. I never read an advertisement without thinking, "How much

better I (or even you) could have done that!" Yet they will tell you

that it is their advertisements which make the money. It only shows....

However. Messrs. Mump and Gump, for instance, have scarcely skimmed the

surface possibilities of their brilliant notion. This invention is going

to make politics tolerable at last. No man minds being in the House of

Commons; it is being in his constituency which is so dreadful. _And now

he need never go there._

For instance, when the constituency is tired of the letter-film, he can

be filmed making a speech, which can be taken down and handed to a

typist, which action can be followed by the speech itself being thrown

on the screen--in instalments. The constituency will enjoy this, because

it will take much less time to read it than it would to listen to it,

and they can argue out loud about the meaning of Early English phrases

like Datum-line and Functional Representation. In fact they can go on

arguing during the _Whips of Sin_ which will follow.

As for the public man, it won't take him two minutes to be filmed making

the speech, unless, of course, he has any very complicated gestures; and

it won't take him any time at all to compose it, because the private

secretary will do that; and the private secretary will be able to make

sure that his joke about JEREBOAM is not turned into a joke about

JEHOSHAPHAT at the last minute, or simply shelved in favour of a

peroration on rainbows. After the speech the M.P. can be filmed opening

a flowershow and, if necessary, writing a cheque to the local

hortiphilist society, which cheque can be thrown on the screen amid loud

applause, but need not, of course, go any further.

There is one other point, but it is rather a delicate matter: Messrs.

Mump and Gump say to the prospective Candidate, "Your constituents must

see and know you before you can hope for their vote." Are they quite

right? I have seen a good many Candidates in my time, and I can think of

some to whom I should have said, "Your constituents must _never_ see you

if you hope for a single vote." I mean, when one looks round the present

House of Commons, one really marvels how.... But perhaps I had better

not go on with that. The point is that a Candidate of that kind never

_need_ be seen by his constituents now. A handsome young private

secretary, uniformed and beribboned, and the film does the rest.

Then I rather resent the assumption that Members of Parliament, Mayors,

Lecturers and Actors are the only people who require publicity. I should

have thought that those who spend their time writing things in the

public Press, which are read by the public (if anybody), might have had

at least the courtesy title of Public Man. Anyhow, I am going to have

three guineas' worth. The only question is, what sort of picture will

most thoroughly "get" my personality before a third of the population

once a week? The moment when I am most characteristic is when I am lying

in a hot bath, and to-morrow is Sunday; but I doubt if even a sixth of

the population would be really keen on that. I don't mind writing a

letter or two, only, if it meant an extra reel every time I decided to

write it to-morrow instead, it would be rather a costly advertisement.

Really, I suppose, one ought to be done _At Work in His Study_; but even

that would require a good deal of faking. Ought one, for instance, to

remove the golf-balls and the cocoa-cup (and the rhyming dictionary)

from The Desk? Then I always write with a decayed pencil, and that would

look so bad. Messrs. Mump and Gump would have to throw in a quill-pen.

And I have no Study. I work in the drawingroom, when the children are

not playing in it. To go into The Study I simply walk over to my table

and put up a large notice: "THE STUDY. DO NOT SPEAK TO ME. I AM

THINKING." Do you think that had better be in the film?

Or I wonder if a Comic would be more effective--a Shaving reel or a

Dressing reel? It is the small incidents of every-day life that one

should look to for the key to the character of a Public Man; and once a

whole third of the population had seen for themselves what pain it gives

me to put links and studs and all those things in a clean shirt, they

would understand the strange note of melancholy which runs through this

article.

But of course an author should have several different reels

corresponding to the different kinds of work which he wants to

publicitise. (That is a new word which I have just invented, but you

will find it in common use in a month or two.) People like Mr. BELLOC

will probably require the full politician's ration of twenty or more,

but the ordinary writer might rub along with four or five.

When his _Pug, Wog and Pussy_ is on the market there will be a Family

reel, in which he is pretending to be a tree and the children are

climbing it. And when he has just published _The Cruise of the Cow_;

or, _Seven Hours at Sea_, he will be seen with an intense expression

tying a bowline on a bight or madly hauling on the throat-halyard--at

Messrs. Mump and Gump's specially-equipped ponds. And for his

passionate romance, _The Borrowed Bride_---- But I don't know what he

will do then.

And even now we have not exhausted the list of Public Men. There are

clergymen. Don't you feel that some of those sermons might be thrown on

the screen--and left there? A. P. H.

* * * * *

The Merry Bishop.

The Dean of CAPE TOWN with a critical frown

To the jests of St. Albans' gay Bishop demurs;

But the Bishop denies the offence and implies

'Tis the way of all asses to nibble at FURSE.

* * * * *

"Harvest Festival celebrations took place at St. John's Church on

Sunday evening, when the choir rendered the anthem 'Praise the young

ladies of the choir.'"--_Yorkshire Paper._

And we have no doubt they deserved it.

* * * * *

[Illustration: _Butcher_ (_at conclusion of scathing criticism of

horse_). "WELL, THAT'S MY OPINION, ANYWAY. AND I OUGHT TO KNOW SOMETHING

BY NOW ABOUT A BIT OF 'ORSEFLESH WHEN I SEES IT."

_Groom._ "YES--AND SO OUGHT YOUR CUSTOMERS TOO."]

* * * * *

Punch, or the London Charivari, Volume 159, October 27, 1920 · 第 33 / 34 题