Her breath caught. "That silly, cheap snapshot!"

She stopped. She had admitted everything already, and she had intended

to be a very sphinx with this strange Westerner.

"It was only a joke," she said. "I--I didn't really mean to--"

"Do you know what that joke did?" asked Ronicky. "It made two men fight,

then cross the continent together and get on the trail of a girl whose

name they didn't even know. They found the girl, and then she said she'd

forgotten--but no, I don't mean to blame you. There's something queer

behind it all. But I want to explain one thing. The reason that Bill

didn't get to that train wasn't because he didn't try. He did try. He

tried so hard that he got into a fight with a gent that tried to hold

him up for a few words, and Bill got shot off his hoss."

"Shot?" asked the girl. "Shot?"

Suddenly she was clutching his arm, terrified at the thought. She

recovered herself at once and drew away, eluding the hand of Ronicky. He

made no further attempt to detain her.

But he had lifted the mask and seen the real state of her mind; and she,

too, knew that the secret was discovered. It angered her and threw her

instantly on the aggressive.

"I tell you what I guessed from the window," said Ronicky. "You went

down to the street, all prepared to meet up with poor old Bill--"

"Prepared to meet him?" She started up at Ronicky. "How in the world

could I ever guess--"

She was looking up to him, trying to drag his eyes down to hers, but

Ronicky diplomatically kept his attention straight ahead.

"You couldn't guess," he suggested, "but there was someone who could

guess for you. Someone who pretty well knew we were in town, who wanted

to keep you away from Bill because he was afraid--"

"Of what?" she demanded sharply.

"Afraid of losing you."

This seemed to frighten her. "What do you know?" she asked.

"I know this," he answered, "that I think a girl like you, all in all,

is too good for any man. But, if any man ought to have her, it's the

gent that is fondest of her. And Bill is terrible fond of you, lady--he

don't think of nothing else. He's grown thin as a ghost, longing for

you."

"So he sends another man to risk his life to find me and tell me about

it?" she demanded, between anger and sadness.

"He didn't send me--I just came. But the reason I came was because I

knew Bill would give up without a fight."

"I hate a man who won't fight," said the girl.

"It's because he figures he's so much beneath you," said Ronicky. "And,

besides, he can't talk about himself. He's no good at that at all. But,

if it comes to fighting, lady, why, he rode a couple of hosses to death

and stole another and had a gunfight, all for the sake of seeing you,

when a train passed through a town."

She was speechless.

"So I thought I'd come," said Ronicky Doone, "and tell you the insides

of things, the way I knew Bill wouldn't and couldn't, but I figure it

don't mean nothing much to you."

She did not answer directly. She only said: "Are men like this in the

West? Do they do so much for their friends?"

"For a gent like Bill Gregg, that's simple and straight from the

shoulder, they ain't nothing too good to be done for him. What I'd do

for him he'd do mighty pronto for me, and what he'd do for me--well,

don't you figure that he'd do ten times as much for the girl he loves?

Be honest with me," said Ronicky Doone. "Tell me if Bill means anymore

to you than any stranger?"

"No--yes."

"Which means simply yes. But how much more, lady?"

"I hardly know him. How can I say?"

"It's sure an easy thing to say. You've wrote to him. You've had letters

from him. You've sent him your picture, and he's sent you his, and

you've seen him on the street. Lady, you sure know Bill Gregg, and what

do you think of him?"

"I think--"

"Is he a square sort of gent?"

"Y-yes."

"The kind you'd trust?"

"Yes, but--"

"Is he the kind that would stick to the girl he loved and take care of

her, through thick and thin?"

"You mustn't talk like this," said Caroline Smith, but her voice

trembled, and her eyes told him to go on.

"I'm going back and tell Bill Gregg that, down in your heart, you love

him just about the same as he loves you!"

"Oh," she asked, "would you say a thing like that? It isn't a bit true."

"I'm afraid that's the way I see it. When I tell him that, you can lay

to it that old Bill will let loose all holds and start for you, and, if

they's ten brick walls and twenty gunmen in between, it won't make no

difference. He'll find you, or die trying."

Before he finished she was clinging to his arm.

"If you tell him, you'll be doing a murder, Ronicky Doone. What he'll

face will be worse than twenty gunmen."

"The gent that smiles, eh?"

"Yes, John Mark. No, no, I didn't mean--"

"But you did, and I knew it, too. It's John Mark that's between you and

Bill. I seen you in the street, when you were talking to poor Bill, look

back over your shoulder at that devil standing in the window of this

house."

"Don't call him that!"

"D'you know of one drop of kindness in his nature, lady?"

"Are we quite alone?"

"Not a soul around."

"Then he is a devil, and, being a devil, no ordinary man has a chance

against him--not a chance, Ronicky Doone. I don't know what you did in

the house, but I think you must have outfaced him in some way. Well, for

that you'll pay, be sure! And you'll pay with your life, Ronicky. Every

minute, now, you're in danger of your life. You'll keep on being in

danger, until he feels that he has squared his account with you. Don't

you see that if I let Bill Gregg come near me--"

"Then Bill will be in danger of this same wolf of a man, eh? And, in

spite of the fact that you like Bill--"

"Ah, yes, I do!"

"That you love him, in fact."

"Why shouldn't I tell you?" demanded the girl, breaking down suddenly.

"I do love him, and I can never see him to tell him, because I dread

John Mark."

"Rest easy," said Ronicky, "you'll see Bill, or else he'll die trying to

get to you."

"If you're his friend--"

"I'd rather see him dead than living the rest of his life, plumb

unhappy."

She shook her head, arguing, and so they reached the corner of Beekman

Place again and turned into it and went straight toward the house

opposite that of John Mark. Still the girl argued, but it was in a

whisper, as if she feared that terrible John Mark might overhear.

* * * * *

In the home of John Mark, that calm leader was still with Ruth Tolliver.

They had gone down to the lower floor of the house, and, at his request,

she sat at the piano, while Mark sat comfortably beyond the sphere of

the piano light and watched her.

"You're thinking of something else," he told her, "and playing

abominably."

"I'm sorry."

"You ought to be," he said. "It's bad enough to play poorly for someone

who doesn't know, but it's torture to play like that for me."

He spoke without violence, as always, but she knew that he was intensely

angry, and that familiar chill passed through her body. It never failed

to come when she felt that she had aroused his anger.

"Why doesn't Caroline come back?" she asked at length.

"She's letting him talk himself out, that's all. Caroline's a clever

youngster. She knows how to let a man talk till his throat is dry, and

then she'll smile and tell him that it's impossible to agree with him.

Yes, there are many possibilities in Caroline."

"You think Ronicky Doone is a gambler?" she asked, harking back to what

he had said earlier.

"I think so," answered John Mark, and again there was that tightening of

the muscles around his mouth. "A gambler has a certain way of masking

his own face and looking at yours, as if he were dragging your thoughts

out through your eyes; also, he's very cool; he belongs at a table with

the cards on it and the stakes high."

The door opened. "Here's young Rose. He'll tell us the truth of the

matter. Has she come back, Rose?"

The young fellow kept far back in the shadow, and, when he spoke, his

voice was uncertain, almost to the point of trembling. "No," he managed

to say, "she ain't come back, chief."

Mark stared at him for a moment and then slowly opened a cigarette case

and lighted a smoke. "Well," he said, and his words were far more

violent than the smooth voice, "well, idiot, what did she do?"

"She done a fade-away, chief, in the house across the street. Went in

with that other gent."

"He took her by force?" asked John Mark.

"Nope. She slipped in quick enough and all by herself. He went in last."

"Damnation!" murmured Mark. "That's all, Rose."

His follower vanished through the doorway and closed the door softly

after him. John Mark stood up and paced quietly up and down the room. At

length he turned abruptly on the girl. "Good night. I have business that

takes me out."

"What is it?" she asked eagerly.

He paused, as if in doubt as to how he should answer her, if he answered

at all. "In the old days," he said at last, "when a man caught a poacher

on his grounds, do you know what he did?"

"No."

"Shot him, my dear, without a thought and threw his body to the wolves!"

"John Mark! Do you mean--"

"Your friend Ronicky, of course."

"Only because Caroline was foolish are you going to--"

"Caroline? Tut, tut! Caroline is only a small part of it. He has done

more than that--far more, this poacher out of the West!"

He turned and went swiftly through the door. The moment it was closed

the girl buried her face in her hands.

Ronicky Doone · 第 19 / 36 题