CHAPTER X

SORE TRIALS FOR PEOPLE IN LOVE--WILL LOVE TRIUMPH OVER THE AFFLICTIONS

OF THE BODY?

A pathetic story--Could you whisper words of love through an

ear-trumpet?--The case presented on the stage--Take care of the

woman you love.

The following reflections were suggested to me by a pitiful story that

I heard a few days ago only. A young, beautiful girl, belonging to the

best society, was engaged to be married. During her lover's absence she

had typhoid fever. She recovered and is now quite well, but (the 'but'

is terrible) she has not a single hair left on her head. Of course, she

wears a wig, but she has tried every possible thing, consulted the most

eminent specialists, to no avail. Her lover is returning very soon. He

knew she was ill, but does not know the terrible misfortune which has

befallen his beautiful _fiancee_. Will he marry her? Will his love be

powerful enough to overlook the loss of woman's best ornament on his

sweetheart's head? Will he be able to behold her with the wig off, and

say to her: 'I love you just the same?' In a melodrama he would, but

will _he_? I dare not answer the question. We do not live in heroic

times nowadays, and you must not ask too much of man.

As physical beauty is an appanage far more precious to a woman than a

man, the question may perhaps be better put in the following manner: If

a man loves a woman, will her disfigurement--the loss of a limb, the

loss of her hair, deafness, blindness, or any other calamity of this

sort which may afflict her--destroy the love of that man for that

woman?

It is all very well to say that love is the yearning of the soul, but

it must be admitted that the man himself is closely associated with it,

and that the face is the means of expressing what the soul feels. You

can softly whisper 'I love you' in a woman's ear; but if the poor thing

is deaf, you cannot shout these three words at her, much less blow them

through a trumpet. If you doubt me, try it in a play, and you will see

the effect it will infallibly produce on the audience. Why, they will

roar. Deafness is terrible, so dull, so prosaic, so suggestive of old

age; I have sometimes heard men wish their wives were dumb, but deaf

never.

I remember once seeing a play at a Paris Boulevard theatre, frequented

by the emotional portion of the Parisian public, in which the heroine,

in the fourth act, appears with a thick veil over her face. She has had

small-pox and she is sadly disfigured for life; she expects her lover,

who is returning from the war. A year has elapsed since the curtain

went down over the third act; she has just received a letter announcing

his arrival safe and sound. She is happy, radiant; then she looks at

herself in a glass and weeps bitterly; she has told him of her illness,

but not of her misfortune; he knows nothing about it. Will he love her

still when he sees her, or will he go away from her? The suspense is

awful, and the situation dramatic. At last he appears on the threshold

of the door, and stretches out his arms to her; she remains speechless,

motionless, and the audience breathless. He rushes up to her to take

her in his arms. With a dramatic gesture of the hands she bids him

stand back. Then she tells him what has happened; but he is one of

those worthy, undaunted heroes of the Boulevard melodramas whose love

can triumph over all obstacles. He swears that it will make no

difference to his sentiments; she lifts up her veil; then he falls at

her feet and exclaims from the depths of his heart: 'I love you just

the same, my darling.' (Tableau, cheers, and applause.) Of course he

does not say to her that he finds her more beautiful than ever, and

that the marks suit her style of beauty and all that sort of thing, but

he swears again that his love has not altered, and the audience applaud

this lofty sentiment, and the women say: 'That's a man!'

H'm! is it, though?

A friend who was with me on that occasion, and who is a bit of a cynic,

said to me: 'There was only one possible _denouement_ for that play to

give satisfaction to an audience that must go home perfectly persuaded

that the hero and the heroine will be happy and in love with each other

for ever and ever. The author missed a fine dramatic curtain. As the

small-pox marks cannot be taken away, that man should have carried his

love for that girl further than he did. He should have torn his eyes

out in her presence. The sacrifice would have gone straight to her

heart, and would have made the continuation of his love possible.'

'Well,' I said, 'yes, I see what you mean, but how do you know that the

girl would have cared to marry a blind man? Maybe her love would not

triumph over the difficulty.'

I may tell you that I knew a loving married couple who ceased to love

each other, he because her hair turned white, and she because his

turned outwards.

This is a psychological subject that may well puzzle the best

sociologist.

I have not tried to answer the question, but merely intended to offer

it for discussion.

However, this I will say to my fellow-men: 'I know how truly and deeply

you love your wives and sweethearts, but let me advise you: Don't try

the experiment; don't put your love to so severe a test. Take the

greatest care of the said wives and sweethearts, and see that no

accident happens to them, that no disease disfigures them or

permanently injures their health. This is wisdom.'

Her Royal Highness Woman · 第 10 / 45 章