CHAPTER XIX.

OCTAVIAN’S INVASION OF EGYPT AND THE DEATH OF ANTONY.

The historian must feel some reluctance in discrediting the romantic

story of the attachment of Cleopatra and Antony at this period; but

nevertheless the fact cannot be denied that they had now decided to

live apart from one another, and there seems very little doubt that

each regarded the other with distrust and suspicion. Antony had lived

so long alone in his Timonium that he was altogether out of touch with

his wife’s projects; and she, on her part, had not, for many a month,

admitted him fully into her confidence. Their relationship was marked,

on his side, by mistrust, and on hers, by disdainful pity; and I can

find no indication of that romantic passage, hand-in-hand to their

doom, which has come to be regarded as the grand finale of their tragic

tale. In its place, however, I would offer the spectacle of the lonely

and courageous fight made by the little Queen against her fate, which

must surely command the admiration of all men. Her husband having so

signally failed her, the whole burden of the government of her country

and of the organisation of her defence seems to have fallen upon

her shoulders. Day and night she must have been harassed by fearful

anxieties, and haunted by the thought of her probable doom; yet she

conducted herself with undaunted courage, never deigning to consider

the question of flight, and never once turning from the pathway of that

personal and dynastic ambition which seems to me hardly able to be

distinguished from her real duty to her country.

When Octavian was preparing in Syria, during the month of June B.C.

30, to invade Egypt, both Cleopatra and Antony attempted to open

negotiations with him. They sent a certain Greek named Euphronius, who

had been a tutor to one of the young princes, to the enemy bearing

messages from them both. Cleopatra asked that, in return for her

surrender, her son Cæsarion might be allowed to retain the throne of

Egypt; but Antony prayed only that he might be allowed to live the life

of a private man, either at Alexandria or else in Athens. With this

embassy Cleopatra sent her crown, her sceptre, and her state-chariot,

in the hope that Octavian would bestow them again upon her son, if not

upon herself. The mission, however, was a partial failure. Octavian

would not listen to any proposals in regard to Antony; but to Cleopatra

he sent a secret message, conveyed by one of his freedmen, named

Thyrsus, indicating that he was well-disposed towards her, and would

be inclined to leave her in possession of Egypt, if only she would

cause Antony to be put to death. Actually, Octavian had no intention

of showing any particular mercy to Cleopatra, and his suggestions were

intended to deceive her. He seems to have made up his mind how to act.

Antony would have to be murdered or made to take his own life: it would

be awkward to have to condemn him to death and formally to execute

him. Cæsarion, his rival, would also have to meet with a violent end.

Cleopatra ought to be captured alive so that he might display her

in his Triumph, after which she would be sent into exile, while her

country and its wealth would fall into his hands, the loot serving for

the payment of his troops. In all his subsequent dealings with the

Queen we shall observe his anxiety to take her alive, while towards

Antony he will be seen to show a relentless hostility.

The freedman Thyrsus was a personage of tact and understanding, and

with Cleopatra he was able to discuss the situation in all its aspects.

The Queen was striving by every means to retain her throne, and she

was quite capable of paying Octavian back in his own coin, deceiving

him and leading him to suppose that she would trust herself to his

mercy. She showed great attention to Thyrsus, giving him lengthy

audiences, and treating him with considerable honour; and Antony, not

being admitted to their secret discussions, grew daily more angry and

suspicious. It is not likely that Cleopatra consented to the proposed

assassination of her husband, but the situation was such that she could

have had no great objection to the thought of his suicide, and I dare

say she discussed quite frankly with Thyrsus the means of reminding

him of his honourable obligations. It is said by Dion Cassius that

Octavian actually conveyed messages of an amorous nature to Cleopatra,

but this is probably incorrect, though Thyrsus may well have hinted

that his master’s heart had been touched by the brave manner in which

she had faced her misfortunes, and that he was eager to win her regard.

Possibly a rumour of the nature of their conferences reached Antony, or

maybe his jealousy was aroused by the freedman’s confidential attitude

to the Queen; for he became even more suspicious than he had been

before, and he appears to have conducted himself as though his mind

were in a condition of extreme exasperation. Suddenly he caused Thyrsus

to be seized by some of his men, and soundly thrashed, after which he

sent him back to Octavian with a letter explaining his action. “The

man’s inquisitive, impertinent ways provoked me,” he wrote, “and in my

circumstances I cannot be expected to be very patient. But if it offend

you, you have got my freedman, Hipparchus, with you: hang him up and

whip him to make us even.” Hipparchus had probably deserted from Antony

to Octavian, and the whipping of Thyrsus and the suggested retaliation

constituted a piece of grim humour which seems to have appealed at

once to Cleopatra’s instincts. The audacity of the action was of the

kind which most delighted her; and she immediately began to pay more

respect to her husband, who, she thus found, was still capable of

asserting himself in a kingly manner. Plutarch tells us that to clear

herself of his suspicions, which were quite unfounded, she now paid

him more attention and humoured him in every way; and it seems that

her change of attitude put new courage into his heart, substituting

a brave bearing for that dejection of carriage which had lately been

so noticeable. She seemed anxious to prove to him that she would not

play him false, and to make her attitude clear to Octavian. When the

anniversary of her birthday had occurred in the previous winter she had

celebrated it very quietly; but Antony’s birthday, which fell at about

this time of year, she celebrated in the most elaborate manner, giving

great presents to all those who had enjoyed her hospitality. It was as

though she desired all men to know that so long as Antony played the

man, and entered into this last fight with that spirit of adventure

which always marked her own actions, she would stand by him to the

last; but that if he lacked the spirit to make a bid for success, then

she could but wish him well out of her way. The thrashing of Thyrsus

proved to be the occasion of a temporary reconciliation between the

Queen and her husband,[135] and for a time Antony acted with something

of his old energy and courage.

Hearing that the army under Cornelius Gallus was marching through

Cyrenaica, the modern Tripoli, towards the western frontier of Egypt,

he hastened with a few ships to Parætonium in order to secure the

defence of that place. But on landing and approaching the walls of the

fortress and calling upon the commander to come out to him, his voice

was drowned by a blare of trumpets from within. A few minutes later the

garrison made a sortie, chased him and his men back to the harbour,

set fire to some of his ships, and drove him with considerable loss

from their shores. On returning to Alexandria he heard that Octavian

was approaching Pelusium, the corresponding fortress on the eastern

frontier of Egypt, which was under the command of a certain officer

named Seleucus; and shortly after this, towards the middle of July, the

news arrived that that stronghold had surrendered.

Thereupon Antony, whose nerves were in a very highly-strung condition,

furiously accused Cleopatra of having betrayed him by arranging

secretly with Seleucus to hand over the fortress to Octavian in

the hope of placating the approaching enemy. Cleopatra denied the

accusation, and, to prove the truth of her words, she caused the wife

and children of Seleucus to be arrested and handed over to her husband,

that he might put them to death if it were shown that she had had any

secret correspondence with the traitor,[136] a fact which seems to

prove her innocence conclusively.

Antony’s suspicions, however, unnerved him once more, and drove the

flickering courage from his heart. Dispirited and agitated, he sent

Euphronius to Octavian a second time, accompanied on this occasion

by the young Antyllus, and provided with a large sum of money with

which he hoped to placate his enemy. Octavian took the money but would

not listen to the pleading of Antyllus on behalf of his father. The

embassy must have been most distasteful to Cleopatra, who could not

easily understand how a man could fall so low as to attempt to buy

off his enemy with gold--and gold, let it be remembered, belonging

to his wife. Her surprise and pain, however, must have been greatly

increased when she discovered that Antony had next sent in chains to

Octavian a certain ex-senator, named Turullius, who had been one of the

murderers of Julius Cæsar, and was, in fact, the last survivor of all

the assassins, each one of the others having met his death as though

by the hand of a vengeful Providence. Turullius had now come into

Antony’s power, and, since Cleopatra’s son was Julius Cæsar’s heir,

the man ought to have been handed over to the Queen for punishment.

Instead, however, Antony had sent him on to his enemy in a manner

which could only suggest that he admitted Octavian’s right to act

as the Dictator’s representative. Octavian at once put Turullius to

death, thereby performing the last necessary act of vengeance in behalf

of the murdered Cæsar; but to Antony he did not so much as send an

acknowledgment of the prisoner’s reception. Receiving no assurance of

mercy, Antony appears for a time to have thought of flying to Spain or

to some other country where he could hide, or could carry on a guerilla

warfare, until some change in the politics of Rome should enable him

to reappear. His nobler nature, however, at length asserted itself,

owing to the example set by Cleopatra, who was determined now to defend

her capital; and once more he pulled himself together, as though to

stand by the Queen’s side until the end. Their position, though bad,

was not desperate. Alexandria was a strongly fortified city. The four

Roman legions which had been left in Egypt during the war in Greece

were still in the city; the Macedonian household troops were also

stationed there; and no doubt a considerable body of Egyptian soldiers

were garrisoned within the walls; while in the harbour lay the fleet

which had retired from Actium, together with numerous other ships of

war. Thus a formidable force was in readiness to defend the metropolis,

and these men were so highly paid with the never-ending wealth of the

Egyptian treasury that they were in much happier condition than were

the legionaries of Octavian, whose wages were months overdue.

Cleopatra, nevertheless, did not expect to come through the ordeal

alive; and although Octavian continued to send her assurances of his

goodwill, the price which he asked for her safety was invariably the

head of Antony, and this she was not prepared to pay. I do not think

that the Queen’s temptation in this regard has been properly observed.

Dion Cassius emphatically states that Octavian promised her that if she

would kill Antony he would grant her both personal safety and the full

maintenance of her undiminished authority; and Plutarch, with equal

clearness, says that Octavian told her that there was no reasonable

favour which she might not expect from him if only she would put Antony

to death, or even expel him from his safe refuge in Egypt. Antony had

proved himself a broken reed; he had acted in a most cowardly manner;

he was generally drunk and always unreliable; and he appeared to be of

no further use to her or to her cause. Yet, although his removal meant

immunity to herself, she was too loyal, too proud, to sanction his

assassination; and her action practically amounted to this, that she

defied Octavian, telling him that if he wanted her drunken husband’s

useless head he must break down the walls of her city and hunt for it.

In accordance with the custom of the age the Queen had built herself,

during recent years, a tomb and mortuary temple wherein her body should

rest after death and her spirit should receive the usual sacrifices

and priestly ministrations. This mausoleum, according to Plutarch,

was surrounded by other buildings, apparently prepared for the royal

family and for members of the court. They were not set up within

the precincts of the Sema, or royal necropolis, which stood at the

side of the Street of Canopus, but were erected beside the temple of

Isis-Aphrodite, a building rising at the edge of the sea on the eastern

side of the Lochias Promontory. I gather from the remarks of Plutarch

that the Queen’s tomb actually formed part of the temple buildings;

and, if this be so, Cleopatra must have had it in mind to be laid to

rest within the precincts of the sanctuary of the goddess with whom

she was identified. Thus, after her death, the worshippers in the

temple of Isis would make their supplications, as it were, to her own

spirit, and her mortal remains would become holy relics of their patron

goddess.[137] The mausoleum was remarkable for its height and for the

beauty of its workmanship. It was probably constructed of valuable

marbles, and appears to have consisted of several chambers. On the

ground floor I should imagine that a pillared hall, entered through a

double door of decorated cedar-wood, led to an inner shrine wherein the

sarcophagus stood ready to receive the Queen’s body; and that from this

hall a flight of stone stairs ascended to the upper chambers, whose

flooring was formed of the great blocks of granite which constituted

the roofing of the hall below. There was, perhaps, a third storey, the

chambers of which, like those on the floor below, were intended to

be used by the mortuary priests for the preparation of the incense,

the offerings, and the vestments employed in their ceremonies. The

large open casements in the walls of these upper chambers must have

overlooked the sea on the one side and the courts of the Temple of

Isis on the other; but, as was usual in Egyptianised buildings, there

were no windows of any size in the lower hall and sanctuary, the light

being admitted through the doorway and through small apertures close

to the ceiling. The heat of these July days did not penetrate to any

uncomfortable degree into this stone-built mausoleum, and the cool

sea-wind must have blown continuously through the upper rooms, while

the brilliant sunlight outside was here subdued and softened in its

reflection upon the marble walls. The rhythmic beat of the breakers

upon the stone embankment below the eastern windows, and the shrill

cries of the gulls, echoed through the rooms; while from the western

side the chanting of the priests in the adjoining temple, and the more

distant hubbub of the town, intruded into the cool recesses of these

wind-swept chambers like the sounds of a forsaken world.

[Illustration:

_Glyptothek, Munich._] [_Photograph by Bruckmann._

OCTAVIAN]

Here Cleopatra decided to take up her residence so soon as Octavian

should lay successful siege to the walls of the city. She had

determined that in the event of defeat she would destroy herself; and,

with this prospect in view, she now caused her treasures of gold,

silver, ebony, ivory, and cinnamon, and her jewellery of pearls,

emeralds, and precious stones, to be carried into the mausoleum, where

they were laid upon a pyre of faggots and tow erected on the stone

floor of one of the upper rooms. If it should be necessary for her to

put an end to her miseries, she had decided to set the fangs of the

deadly asp into her flesh, and, with her last efforts, to fire the

tow, thus consuming her body and her wealth in a single conflagration.

Meanwhile, however, she remained in the Palace, and busied herself in

the preparations of the defence of the city.

In the last days of July Octavian’s forces arrived before the walls,

and took up their quarters in and around the Hippodromos, which stood

upon rocky ground to the east of the city. Faced with the crisis,

Antony once more showed the flickering remnants of his former courage.

Gathering his troops together he made a bold sortie from the city,

and attacking Octavian’s cavalry, routed them with great slaughter

and chased them back to their camp. He then returned to the Palace,

where, meeting Cleopatra while still he was clad in his dusty and

blood-stained armour, he threw his arms about her small form and kissed

her in the sight of all men. He then commended to her especial favour

one of his officers who had greatly distinguished himself in the fight;

and the Queen at once presented the man with a magnificent helmet and

breastplate of gold. That very night this officer donned his golden

armour and fled to the camp of Octavian.

Upon the next morning Antony, with somewhat boyish effrontery, sent

a messenger to Octavian challenging him to single combat, as he had

done before the battle of Actium; but to this his enemy replied with

the scathing remark that “he might find several other ways of ending

his life.” He thereupon decided to bring matters to a conclusion by

a pitched battle on land and sea, rather than await the issue of a

protracted siege; and, Cleopatra having agreed to this plan, orders

were given for a general engagement upon August 1st. On the night

before this date Antony, whose courage did not now fail him, bade the

servants help him liberally at supper and not to be sparing with the

wine, for that on the morrow they might be serving a new master, while

he himself, the incarnation of Bacchus, the god of wine and festivity,

lay dead upon the battlefield. At this his friends who were around him

began to weep, but Antony hastily explained to them that he did not

in the least expect to die, but hoped rather to lead them to glorious

victory.

Late that night, when complete stillness had fallen upon the star-lit

city, and the sea-wind had dropped, giving place to the hot silence of

the summer darkness, on a sudden was heard the distant sound of pipes

and cymbals, and of voices singing a rollicking tune. Nearer they

came, and presently the pattering of dancing feet could be heard, while

the shouts and cries of a multitude were blended with the wild music of

a bacchanal song. The tumultuous procession, as Plutarch described it,

seemed to take its course right through the middle of the city towards

the Gate of Canopus; and there the commotion was most loudly heard.

Then, suddenly, the sounds passed out, and were heard no more. But all

those who had listened in the darkness to the wild music were assured

that they had heard the passage of Bacchus as he and his ghostly

attendants marched away from the army of his fallen incarnation, and

joined that of the victorious Octavian.[138]

The next morning, as soon as it was light, Antony marched his troops

out of the eastern gates of the city, and formed them up on rising

ground between the walls and the Hippodromos, a short distance back

from the sea. From this position he watched his fleet sail out from

the Great Harbour and make towards Octavian’s ships, which were

arrayed near the shore, two or three miles east of the city; but, to

his dismay, the Alexandrian vessels made no attempt to deliver an

attack upon the enemy as he had ordered them to do. Instead, they

saluted Octavian’s fleet with their oars, and, on receiving a similar

salutation in response, joined up with the enemy, all sailing thereupon

towards the Great Harbour. Meanwhile, from his elevated position Antony

saw the whole of his cavalry suddenly gallop over to Octavian’s lines,

and he thus found himself left only with his infantry, who, of course,

were no match for the enemy. It was useless to struggle further,

and, giving up all hope, he fled back into the city, crying out that

Cleopatra had betrayed him. As he rushed into the Palace, followed by

his distracted officers, smiting his brow and calling down curses on

the woman who, he declared, had delivered him into the hands of enemies

made for her sake, the Queen fled before him from her apartments, as

though she feared that in his fury and despair he might cut her down

with his sword. Alone with her two waiting-women, Iras and Charmion,

she ran as fast as she could through the empty halls and corridors

of the Palace, and at length, crossing the deserted courtyard, she

reached the mausoleum adjoining the temple of Isis. The officials,

servants, and guards, it would seem, had all fled at the moment when

the cry had arisen that the fleet and the cavalry had deserted; and

there were probably but a few scared priests in the vicinity of the

temple, who could hardly have recognised the Queen as she panted to

the open door of the tomb, deserted by the usual custodians. The three

women rushed into the dimly-lighted hall, bolting and barring the door

behind them, and no doubt barricading it with benches, offering-tables,

and other pieces of sacerdotal furniture. They then made their way to

the habitable rooms on the upper floor, where they must have flung

themselves down upon the rich couches in a sort of delirium of horror

and excitement, Cleopatra herself preparing for immediate suicide. From

the window they must have seen some of Antony’s staff hastening towards

them, for presently they were able to send a message to tell him that

the Queen was on the point of killing herself. After a short time,

however, when the tumult in her brain had somewhat subsided, Cleopatra

made up her mind to wait awhile before taking the final step, so

that she might ascertain Octavian’s attitude towards her; and, having

determined upon this course of action, she seems to have composed

herself as best she could, while through the eastern windows, her eyes

staring over the summer sea, she watched the Egyptian ships and those

of the enemy rowing side by side into the Great Harbour.

There is no reason to suppose that Cleopatra had betrayed her husband,

or that she was in any way a party to the desertions which had just

taken place. The sudden collapse of their resistance, while yet it

was but mid-morning, must have come to her as a staggering shock; and

Antony’s accusations were doubtless felt to be only in keeping with

the erratic behaviour which had characterised his last years. On the

previous day Antony had offered a large sum of money to every one of

Octavian’s legionaries who should desert; and it is more than likely

that Octavian had made a similar offer to the Egyptian sailors and

soldiers. Only a year previously these sailors had fraternised with

the Romans of the Antonian party in the Gulf of Ambracia, and the

latter, having deserted to Octavian after the battle of Actium, were

now present in large numbers amongst the opposing fleet. The Egyptians

were thus called upon to fight with their friends whose hospitality

they had often accepted, and whose fighting qualities, now that they

were combined with Octavian’s victorious forces, they had every reason

to appreciate. Their desertion, therefore, needed no suggestion on the

part of Cleopatra: it was almost inevitable.

Antony, however, was far too distracted and overwrought to guard his

tongue, and he seems to have paced his apartments in the Palace in a

condition bordering upon madness, cursing Cleopatra and her country,

and calling down imprecations upon all who had deserted him. Presently

those of his staff who had followed the Queen to her mausoleum brought

him the news that she had killed herself, for so they had interpreted

her message; and instantly Antony’s fury seems to have left him, the

shock having caused a collapse of his energy. At first he was probably

dazed by the tidings; but when their full significance had penetrated

to his bewildered brain there was no place left for anger or suspicion.

“Now Antony,” he cried, “why delay longer? Fate has taken away the only

thing for which you could say you still wanted to live.” And with these

words he rushed into his bedchamber, eagerly tearing off his armour,

and calling upon his slave Eros to assist him. Then, as he bared the

upper part of his body, he was heard to talk aloud to the Queen, whom

he believed to be dead. “Cleopatra,” he said, “I am not sad to be

parted from you now, for I shall soon be with you; but it troubles me

that so great a general should have been found to have slower courage

than a woman.” Not long previously he had made Eros solemnly promise

to kill him when he should order him to do so; and now, turning to

him, he gave him that order, reminding him of his oath. Eros drew his

sword, as though he intended to do as he was bid, but suddenly turning

round, he drove the blade into his own breast, and fell dying upon

the floor. Thereupon Antony bent down over him and cried to him as he

lost consciousness, “Well done, Eros! Well done!” Then, picking up the

sword, he added, “You have shown your master how to do what you had not

the heart to do yourself;” and so saying, he drove the sword upwards

into his breast from below the ribs, and fell back upon his bed.

The wound, however, was not immediately mortal, and presently, the

flow of blood having ceased, he recovered consciousness. Some of the

Egyptian servants had gathered around him, and now he implored them to

put him out of his pain. But when they realised that he was not dead

they rushed from the room, leaving him groaning and writhing where he

lay. Some of them must have carried the news to the Queen as she sat

at the window of the mausoleum, for, a few moments later, a certain

Diomedes, one of her secretaries, came to Antony telling him that

she had not yet killed herself, and that she desired his body to be

brought to her. Thereupon Antony eagerly gave orders to the servants

to carry him to her, and they, lifting him in their arms, placed him

upon an improvised stretcher and hurried with him to the mausoleum.

A crowd seems now to have collected around the door of the building,

and when the Queen saw the group of men bringing her husband to her,

she must have feared lest some of them, seeking a reward, would seize

her as soon as they had entered her stronghold and carry her alive to

Octavian. Perhaps, also, it was a difficult matter to shoot back the

bolts of the door which in her excitement she had managed to drive

deep into their sockets. She, therefore, was unable to admit Antony

into the mausoleum; and there he lay below her window, groaning and

entreating her to let him die in her arms. In the words of Plutarch,

Cleopatra thereupon “let down ropes and cords to which Antony was

fastened; and she and her two women, the only persons she had allowed

to enter the mausoleum, drew him up. Those who were present say that

nothing was ever more sad than this spectacle, to see Antony, covered

all over with blood and just expiring, thus drawn up, still holding up

his hands to her, and raising up his body with the little force he had

left. And, indeed, it was no easy task for the women; for Cleopatra,

with all her strength clinging to the rope and straining at it with

her head bent towards the ground, with difficulty pulled him up, while

those below encouraged her with their cries and joined in all her

efforts and anxiety.” The window must have been a considerable distance

from the ground, and I do not think that the three women could ever

have succeeded in raising Antony’s great weight so far had not those

below fetched ladders, I suppose, and helped to lift him up to her,

thereafter, no doubt, watching the terrible scene from the head of

these ladders outside the window.

Dragging him through the window the women carried him to the bed,

upon which he probably swooned away after the agonies of the ascent.

Cleopatra was distracted by the pitiful sight, and fell into

uncontrolled weeping. Beating her breast and tearing her clothes, she

made some attempts, at the same time, to stanch the scarlet stream

which flowed from his wound; and soon her face and neck were smeared

with his blood. Flinging herself down by his side she called him her

lord, her husband, and her emperor. All her pity and much of her old

love for him was aroused by his terrible sufferings, and so intent

was she upon his pain that her own desperate situation was entirely

forgotten. At last Antony came to his senses, and called for wine to

drink; after which, having revived somewhat, he attempted to soothe

the Queen’s wild lamentations, telling her to make her terms with

Octavian, so far as might honourably be done, and advising her to trust

only a certain Proculeius amongst all the friends of the conqueror.

With his last breath, he begged her, says Plutarch, “not to pity him in

this last turn of fate, but rather to rejoice for him in remembrance

of his past happiness, who had been of all men the most illustrious

and powerful, and in the end had fallen not ignobly, a Roman by a

Roman vanquished.” With these words he lay back upon the bed, and soon

had breathed his last in the arms of the woman whose interests he had

so poorly served, and whom now he left to face alone the last great

struggle for her throne and for the welfare of her son.

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