Each one of us in a lifetime has a day of days, when external event is

lively, and our inner mood dances to the tune. Some of us will perhaps

always feel that we spent our day on October 21, 1914. For we were

allowed to go into a town that fell in that one afternoon and to come

out again alive. It was the afternoon when Dixmude was leveled from a

fair upstanding city to a heap of scorched brick and crumbled plaster.

The enemy guns from over the Yser were accurate on its houses.

We received our first taste of the dread to come, while we were yet a

little way out. In the road ahead of us, a shell had just splashed an

artillery convoy. Four horses, the driver, and the splintered wood of

the wagon were all worked together into one pulp, so that our car

skidded on it. We entered the falling town of Dixmude. It was a thick

mess into which we rode, with hot smoke and fine masonry dust blowing

into the eyes. Houses around us crumpled up at one blast, and then shot

a thick brown cloud of dust, and out of the cloud a high central flame

that leaped and spread. With the wailing of shells in the air, every

few seconds, the thud and thunder of their impact, the scattering of the

shattered metal, it was one of the hot, thorough bombardments of the

war. It cleared the town of troops, after tearing their ranks. But it

left wounded men in the cellar of the Hotel de Ville. The Grand Place

and the Hotel were the center of the fire. Here we had to wait fifteen

minutes, while the wounded were made ready for our two cars. It was then

we turned to tobacco as to a friend. I remember the easement that came

when I found I had cigars in my waistcoat pocket. The act of lighting a

cigar, and pulling at it briskly, was a relief.

There was a second of time when we could hear a shell, about to burst

close, before it struck. It came, sharpening its nose on the air, making

a shrill whistle with a moan in it, that gathered volume as it neared.

There was a menace in the sound. It seemed to approach in a vast

enveloping mass that can't be escaped, filling all out-doors, and sure

to find you. It was as if the all-including sound were the missile

itself, with no hiding place offered. And yet the shell is generally a

little three-or-four inch thing, like a flower-pot, hurtling through

the scenery. But bruised nerves refuse to listen to reason, and again

and again I ducked as I heard that high wail, believing I was about to

be struck.

[Illustration: DOOR CHALKED BY THE GERMANS.

One of the 100 houses in Termonde with the direction "Do not Burn"

written in German. One thousand one hundred houses were burned, house by

house. Photograph by Radclyffe Dugmore.]

In that second of tension, it was a pleasant thing to draw in on a

butt--to discharge the smoke, a second later, carelessly, as who should

say, "It is nothing." The little cylinder was a lightning conductor to

lead away the danger from a vital part. It let the nervousness leak off

into biting and puffing, and making a play of fingering the stub,

instead of striking into the stomach and the courage. It gave the

troubled face something to do, and let the writhing hand busy itself. It

saved me from knowing just how frightened I was.

But what of the wounded themselves? They have to endure all that

dreariness of long waiting, and the pressure of danger, and then, for

good measure, a burden of pain. So I come to the men who are revealing

human nature at a higher pitch than any others in the war. The

trench-digging, elderly chaps are patient and long-enduring, and the

fighting men are as gallant as any the ballad-mongers used to rime

about.

But it is of the wounded that one would like to speak in a way to win

respect for them rather than pity. I think some American observers have

missed the truth about the wounded. They have told of the groaning and

screaming, the heavy smells, the delays and neglect. It is a picture of

vivid horror. But the final impression left on me by caring for many

hundred wounded men is that of their patience and cheeriness. I think

they would resent having a sordid pen picture made of their suffering

and letting it go at that. After all, it is their wound: they suffered

it for a purpose, and they conquer their bodily pain by will power and

the Gallic touch of humor. Suffering borne nobly merits something more

than an emphasis on the blood and the moan. To speak of these wounded

men as of a heap of futile misery is like missing the worthiness of

motherhood in the details of obstetrics.

It was thought we moderns had gone soft, but it seems we were storing up

reserves of stoic strength and courage. This war has drawn on them more

heavily than any former test, and they have met all its demands.

Sometimes, being tired, I would drop my corner of the stretcher, a few

inches suddenly. This would draw a quick intake of the breath from the

hurt man and an "aahh"--but not once a word of blame. I should want to

curse the careless hand that wrenched my wound, but these soldiers of

France and Belgium whom I carried had passed beyond littleness.

Once we had a French Zouave officer on the stretcher. He was wounded in

the right arm and the stomach. Every careen of the ambulance over cobble

and into shell-hole was a thrust into his hurt. We had to carry him all

the way from the Nieuport cellar to Zuydcoote Hospital, ten miles. The

driver was one more of the American young men who have gone over into

France to pay back a little of what we owe her. I want to give his name,

Robert Cardell Toms, because it is good for us to know that we have

brave and tender gentlemen. On this long haul, as always, he drove with

extreme care, changing his speed without the staccato jerk, avoiding

bumps and holes of the trying road. When we reached the hospital, he

ran ahead into the ward to prepare the bed. The officer beckoned me to

him. He spoke with some difficulty, as the effort caught him in the

wound of his stomach.

"Please be good enough," he said, "to give my thanks to the chauffeur.

He has driven me down with much consideration. He cares for wounded

men."

Where other races are grateful and inarticulate, the French are able to

put into speech the last fine touch of feeling.

My friend kept a supply of cigarettes for his ambulance cases, and as

soon as the hour-long drive began we dealt them out to the bandaged men.

How often we have started with a groaning man for the ride to Zuydcoote,

and how well the trip went, when we had lighted his cigarette for him.

It brought back a little of the conversation and the merriment which it

had called out in better days. It is such a relief to be wounded. You

have done your duty, and now you are to have a little rest. With a clear

conscience, you can sink back into laziness, far away from noise and

filth. Luck has come along and pulled the pack off your back, and the

responsibility from your sick mind. No weary city clerk ever went to his

seashore holiday with more blitheness than some of our wounded showed as

they came riding in from the Nieuport trenches at full length on the

stretcher, and singing all the way. What is a splintered forehead or a

damaged leg compared to the happiness of an honorable discharge? Nothing

to do for a month but lie quietly, and watch the wholesome, clean-clad

nurse. I am not forgetting the sadness of many men, nor the men hurt to

death, who lay motionless and did not sing, and some of whom died while

we were on the road to help. I am only trying to tell of the one man in

every four who was glad of his enforced rest, and who didn't let a

little thing like agony conquer his gaiety. Those men were the Joyous

Wounded. I have seldom seen men more light hearted.

Word came to my wife one day that several hundred wounded were

side-tracked at Furnes railway station. With two nurses she hurried to

them, carrying hot soup. The women went through the train, feeding the

soldiers, giving them a drink of cold water, and bringing some of them

hot water for washing. Then, being fed, they were ready for a smoke, and

my wife began walking down the foul-smelling ambulance car with boxes of

supplies, letting each man take out a cigarette and a match. The car was

slung with double layers of stretcher bunks. Some men were freshly

wounded, others were convalescent. A few lay in a stupor. She provided

ten or a dozen soldiers with their pleasure, and they lighted up and

were well under way. She had so many patients that day that she was not

watching the individual man in her general distribution. She came half

way down the car, and held out her store to a soldier without looking at

him. He glanced up and grinned. The men in the bunks around him laughed

heartily. Then she looked down at him. He was flapping the two stumps of

his arms and was smiling. His hands had been blown off. She put the

cigarette in his mouth and lit it for him. Only his hands were gone.

Comradeship was left for him, and here was the lighted cigarette

expressing that comradeship.

WAS IT REAL?

The man was an old-time friend. In the days of our youth, we had often

worked together. He was small and nervous, with a quick eye. He always

wore me down after a few hours, because he was restless and untiring. He

was named Romeyn Rossiter--one of those well-born names. We had met in

times before the advent of the telescopic lens, and he used a box

camera, tuned to a fiftieth of a second. Together we snapped polo

ponies, coming at full tilt after the ball, riding each other off, while

he would stand between the goal-posts, as they zigzagged down on him. I

had to shove him out of the way, at the last tick, when the hoofs were

loud. I often wondered if those ponies didn't look suddenly large and

imminent on the little glass rectangle into which he was peering. That

was the kind of person he was. He was glued to his work. He was a

curious man, because that nerve of fear, which is well developed in most

of us, was left out of his make-up. No credit to him. It merely wasn't

there. He was color-blind to danger. He had spent his life everywhere by

bits, so he had the languages. I used to admire that in him, the way he

could career along with a Frenchman, and exchange talk with a German

waiter: high speed, and a kind of racy quality.

I used to write the text around his pictures, captions underneath them,

and then words spilled out over the white paper between his six by tens.

We published in the country life magazines. They gave generous big

display pages. In those days people used to read what I wrote, because

they wanted to find out about the pictures, and the pictures were fine.

You must have seen Rossiter's work--caribou, beavers, Walter Travis

coming through with a stroke, and Holcombe Ward giving a twist delivery.

We had the field to ourselves for two or three years, before the other

fellows caught the idea, and broke our partnership. I turned to

literature, and he began drifting around the world for long shots. He'd

be gone six months, and then turn up with big game night pictures out of

Africa--a lion drinking under a tropical moon. Two more years, and I

had lost him entirely. But I knew we should meet. He was one of those

chaps that, once in your life, is like the _motif_ in an opera, or like

the high-class story, which starts with an insignificant loose brick on

a coping and ends with that brick smiting the hero's head.

It was London where I ran into him at last.

"Happy days?" I said, with a rising inflection.

"So, so," he answered.

He was doing the free-lance game. He had drifted over to England with

his $750 moving-picture machine to see what he could harvest with a

quiet eye, and they had rung in the war on him. He wasn't going to be

happy till he could get the boys in action. Would I go to Belgium with

him? I would.

Next day, we took the Channel ferry from Dover to Ostend, went by train

to Ghent, and trudged out on foot to the battle of Alost.

Those were the early days of the war when you could go anywhere, if you

did it nicely. The Belgians are a friendly people. They can't bear to

say No, and if they saw a hard-working man come along with his eye on

his job, they didn't like to turn him back, even if he was mussing up an

infantry formation or exposing a trench. They'd rather share the risk,

as long as it brought him in returns.

When we footed it out that morning, we didn't know we were in for one of

the Famous Days of history. You never can tell in this war. Sometimes

you'll trot out to the front, all keyed up, and then sit around among

the "Set-Sanks" for a month playing pinochle, and watching the flies

chase each other across the marmalade. And then a sultry dull day will

suddenly show you things....

Out from the Grand Place of Alost radiate narrow little streets that run

down to the canal, like spokes of a wheel. Each little street had its

earthworks and group of defenders. Out over the canal stretched

footbridges, and these were thickly sown with barbed wire.

"Great luck," said Rossiter. "They're making an old-time barricade. It's

as good as the days of the Commune. Do you remember your street-fighting

in Les Miserables?"

"I surely do," I replied. "Breast high earthworks, and the 'citizens'

crouched behind under the rattle of bullets."

"This is going to be good," he went on in high enthusiasm. The soldiers

were rolling heavy barrels to the gutter, and knocking off the heads.

The barrels were packed with fish, about six inches long, with scales

that went blue and white in the fresh morning light. The fish slithered

over the cobbles, and the soldiers stumbled on their slippery bodies.

They set the barrels on end, side by side, and heaped the cracks between

and the face with sods of earth, thick-packed clods, with grass growing.

The grass was bright green, unwilted. A couple of peasant hand-carts

were tilted on end, and the flooring sodded like the barrels.

"Look who's coming," pointed Rossiter, swiveling his lens sharply

around.

Steaming gently into our narrow street from the Grand Place came a great

Sava mitrailleuse--big steel turret, painted lead blue, three men

sitting behind the swinging turret. One of the men, taller by a head

than his fellows, had a white rag bound round his head, where a bullet

had clipped off a piece of his forehead the week before. His face was

set and pale. Sitting on high, in the grim machine, with his bandage

worn as a plume, he looked like the presiding spirit of the fracas.

"It's worth the trip," muttered Romeyn, grinding away on his crank.

There was something silent and efficient in the look of the big man and

the big car, with its slim-waisted, bright brass gun shoving through.

"Here, have a cigarette," said Rossiter, as the powerful thing glided

by.

He passed up a box to the three gunners.

"_Bonne chance_," said the big man, as he puffed out rings and fondled

the trim bronze body of his Lady of Death. They let the car slide down

the street to the left end of the barricade, where it came to rest.

Over the canal, out from the smoke-misted houses, came a peasant

running. In his arms he carried a little girl. Her hair was light as

flax, and crested with a knot of very bright red ribbon. Hair and gay

ribbon caught the eye, as soon as they were borne out of the doomed

houses. The father carried the little one to the bridge at the foot of

our street, and began crossing towards us. The barbed wire looked angry

in the morning sun. He had to weave his way patiently, with the child

held flat to his shoulder. Any hasty motion would have torn her face on

the barbs. Shrapnel was sailing high overhead between the two forces,

and there, thirty feet under the crossfire, this man and his child

squirmed their way through the barrier. They won through, and were

lifted over the barricade. As the father went stumbling past me, I

looked into the face of the girl. Her eyes were tightly closed. She

nestled contentedly.

"Did you get it, man? Did you get it?" I asked Rossiter.

"Too far," he replied, mournfully, "only a dot at that distance."

Now, all the parts had fitted into the pattern, the gay green grass

growing out of the stacked barrels and carts, and the sullen, silent,

waiting mitrailleuse which can spit death in a wide swathe as it

revolves from side to side, like the full stroke of a scythe on nodding

daisies. The bark of it is as alarming as its bite--an incredibly rapid

rat-tat that makes men fall on their faces when they hear, like

worshipers at the bell of the Transubstantiation.

"She talks three hundred words to the minute," said Romeyn to me.

"How are you coming?" I asked.

"Great," he answered, "great stuff. Now, if only something happens."

He had planted his tripod fifty feet back of the barricade, plumb

against a red-brick, three-story house, so that the lens raked the

street and its defenses diagonally. Thirty minutes we waited, with shell

fire far to the right of us, falling into the center of the town with a

rumble, like a train of cars heard in the night, when one is half

asleep. That was the sense of things to me, as I stood in the street,

waiting for hell to blow off its lid. It was a dream world, and I was

the dreamer, in the center of the strange unfolding sight, seeing it all

out of a muffled consciousness.

Another quarter hour, and Rossiter began to fidget.

"Do you call this a battle?" he asked.

"The liveliest thing in a month," replied the lieutenant.

"We've got to brisk it up," Rossiter said. "Now, I tell you what we'll

do. Let's have a battle that looks something like. These real things

haven't got speed enough for a five-cent house."

In a moment, all was action. Those amazing Belgians, as responsive as

children in a game, fell to furiously to create confusion and swift

event out of the trance of peace. The battered giant in the Sava

released a cloud of steam from his car. The men aimed their rifles in

swift staccato. The lieutenant dashed back and forth from curb to curb,

plunging to the barricade, and then to the half dozen boys who were

falling back, crouching on one knee, firing, and then retreating. He

cheered them with pats on the shoulder, pointed out new unsuspected

enemies. Then, man by man, the thirty perspiring fighters began to

tumble. They fell forward on their faces, lay stricken on their backs,

heaved against the walls of houses, wherever the deadly fire had caught

them. The street was littered with Belgian bodies. There stood Rossiter

grinding away on his handle, snickering green-clad Belgians lying strewn

on the cobbles, a half dozen of them tense and set behind the barricade,

leveling rifles at the piles of fish. Every one was laughing, and all of

them intent on working out a picture with thrills.

The enemy guns had been growing menacing, but Rossiter and the Belgians

were very busy.

"The shells are dropping just back of us," I called to him.

"Good, good," he said, "but I haven't time for them just yet. They must

wait. You can't crowd a film."

Ten minutes passed.

"It is immense," began he, wiping his face and lighting a smoke, and

turning his handle. "Gentlemen, I thank you."

"Gentlemen, we thank you," I said.

"There's been nothing like it," he went on. "Those Liège pictures of

Wilson's at the Hippodrome were tame."

He'd got it all in, and was wasting a few feet for good measure.

Sometimes you need a fringe in order to bring out the big minute in your

action.

[Illustration: STREET FIGHTING IN ALOST.

This is part of the motion-picture which we took while the Germans were

bombarding the town.]

Suddenly, we heard the wailing overhead and louder than any of the other

shells. Louder meant closer. It lasted a second of time, and then

crashed into the second story of the red house, six feet over Rossiter's

head. A shower of brown brick dust, and a puff of gray-black smoke

settled down over the machine and man, and blotted him out of sight for

a couple of seconds. Then we all coughed and spat, and the air cleared.

The tripod had careened in the fierce rush of air, but Rossiter had

caught it and was righting it. He went on turning. His face was streaked

with black, and his clothes were brown with dust.

"Trying to get the smoke," he called, "but I'm afraid it won't

register."

Maybe you want to know how that film took. We hustled it back to London,

and it went with a whizz. One hundred and twenty-six picture houses

produced "STREET FIGHTING IN ALOST." The daily illustrated

papers ran it front page. The only criticism of it that I heard was

another movie man, who was sore--a chap named Wilson.

"That picture is faked," he asserted.

"I'll bet you," I retorted, "that picture was taken under shell fire

during the bombardment of Alost. That barricade is the straight goods.

The fellow that took it was shot full of gas while he was taking it.

What's your idea of the real thing?"

"That's all right," he said; "the ruins are good, and the smoke is

there. But I've seen that reel three times, and every time the dead man

in the gutter laughed."

"CHANTONS, BELGES! CHANTONS!"

Here at home I am in a land where the wholesale martyrdom of Belgium is

regarded as of doubtful authenticity. We who have witnessed widespread

atrocities are subjected to a critical process as cold as if we were

advancing a new program of social reform. I begin to wonder if anything

took place in Flanders. Isn't the wreck of Termonde, where I thought I

spent two days, perhaps a figment of the fancy? Was the bayoneted girl

child of Alost a pleasant dream creation? My people are busy and

indifferent, generous and neutral, but yonder several races are living

at a deeper level. In a time when beliefs are held lightly, with tricky

words tearing at old values, they have recovered the ancient faiths of

the race. Their lot, with all its pain, is choicer than ours. They at

least have felt greatly and thrown themselves into action. It is a stern

fight that is on in Europe, and few of our countrymen realize it is our

fight that the Allies are making.

Europe has made an old discovery. The Greek Anthology has it, and the

ballads, but our busy little merchants and our clever talkers have never

known it. The best discovery a man can make is that there is something

inside him bigger than his fear, a belief in something more lasting than

his individual life. When he discovers that, he knows he, too, is a man.

It is as real for him as the experience of motherhood for a woman. He

comes out of it with self-respect and gladness.

The Belgians were a soft people, pleasure-loving little chaps, social

and cheery, fond of comfort and the café brightness. They lacked the

intensity of blood of unmixed single strains. They were cosmopolitan,

often with a command over three languages and snatches of several

dialects. They were easy in their likes. They "made friends" lightly.

They did not have the reserve of the English, the spiritual pride of the

Germans. Some of them have German blood, some French, some Dutch. Part

of the race is gay and volatile, many are heavy and inarticulate; it is

a mixed race of which any iron-clad generalization is false. But I have

seen many thousands of them under crisis, seen them hungry, dying, men

from every class and every region; and the mass impression is that they

are affectionate, easy to blend with, open-handed, trusting.

This kindly, haphazard, unformed folk were suddenly lifted to a national

self-sacrifice. By one act of defiance Albert made Belgium a nation. It

had been a mixed race of many tongues, selling itself little by little,

all unconsciously, to the German bondage. I saw the marks of this

spiritual invasion on the inner life of the Belgians--marks of a

destruction more thorough than the shelling of a city. The ruins of

Termonde are only the outward and visible sign of what Germany has

attempted on Belgium for more than a generation.

Golden Lads · 第 4 / 10 段