CHAPTER V.

On the fifth anniversary of my father's death, when I was fifteen years

of age, I went to visit (as I always did upon that day) the fatal room.

Although this chamber had been so long unused, the furniture was allowed

to remain; and I insisted passionately that it should be my charge.

What had seemed the petulance of a child was now the strong will of a

thoughtful girl.

I took the key from my bosom, where I always kept it, and turned it in

the lock. No mortal had entered that door since I passed it in my last

paroxysm, three weeks and a day before. I saw a cobweb reaching from

the black finger-plate to the third mould of the beading. The weather

had been damp, and the door stuck fast to the jamb, then yielded with a

crack. Though I was bold that day, and in a mood of triumph, some awe

fell on me as I entered. There hung the heavy curtain, last drawn by

the murderer's hand; there lay the bed-clothes, raised for the blow, and

replaced on death; and there was the pillow where sleep had been so

prolonged. All these I saw with a forced and fearful glance, and my

breath stood still as the wind in a grave.

Presently a light cloud floated off the sun, and a white glare from the

snow of the morning burst across the room. My sight was not so dimmed

with tears as it generally was when I stood there, for I had just read

the history of a long-hidden crime detected, and my eyes were full of

fierce hope. But stricken soon to the wonted depth of sadness, with the

throbs of my heart falling like the avenger's step, I went minutely

through my death-inspection. I felt all round the dusty wainscot,

opened the wardrobes and cupboards, raised the lids of the deep-bayed

window-seats, peered shuddering down the dark closet, where I believed

the assassin had lurked, started and stared at myself in the mirror, to

see how lone and wan I looked, and then approached the bed, to finish my

search in the usual place, by lying and sobbing where my father died. I

had glanced beneath it and round the pillars, and clutched the curtain

as if to squeeze out the truth, and was just about to throw myself on

the coverlet and indulge the fit so bitterly held at bay, when something

on the hangings above the head-board stopped me suddenly. There I saw a

narrow line of deep and glowing red. It grew so vivid on the faded

damask, and in the white glare of the level sun, that I thought it was

on fire. Hastily setting a chair by the pillar, for I would not tread

on that bed, I leaped up, and closely examined the crimson vein.

Without thinking, I knew what it was--the heart-blood of my father.

There were three distinct and several marks, traced by the reeking

dagger. The first on the left, which had caught my glance, was the

broadest and clearest to read. Two lines, meeting at a right angle,

rudely formed a Roman L. Rudely I say, for the poniard had been too

rich in red ink, which had clotted where the two strokes met. The

second letter was a Roman D, formed also by two bold strokes, the

upright very distinct, the curve less easily traced at the top, but the

lower part deep and clear. The third letter was not so plain. It

looked like C at first, but upon further examination I felt convinced

that it was meant for an O, left incomplete through the want of more

writing fluid; or was it then that my mother had seized the dark author

by the hair, as he stooped to incline his pen that the last drop might

trickle down?

Deciphering thus with fingers and eyes, I traced these letters of blood,

one by one, over and over again, till they danced in my gaze like the

northern lights. I stood upon tiptoe and kissed them; I cared not what

I was doing: it was my own father's blood, and I thought of the heart it

came from, not of the hand which shed it. When I turned away, the

surprise, for which till then I had found no time, broke full upon me.

How could these letters, in spite of all my vigilance, so long have

remained unseen? Why did the murderer peril his life yet more by

staying to write the record, and seal perhaps the conviction of his

deed? And what did these characters mean? Of these three questions,

the first was readily solved. The other two remained to me as new

shadows of wonder. Several causes had conspired to defer so long this

discovery. In the first place, the damask had been of rich lilac, shot

with a pile of carmine, which, in the waving play of light, glossed at

once and obscured the crimson stain, until the fading hues of art left

in strong contrast nature's abiding paint. Secondly, my rapid growth and

the clearness of my eyes that day lessened the distance and favoured

perception. Again--and this was perhaps the paramount cause--the winter

sun, with rays unabsorbed by the snow, threw his sheer dint upon that

very spot, keen, level, and uncoloured--a thing which could happen on

few days in the year, and for few minutes each day, and which never had

happened during my previous search. Perhaps there was also some

chemical action of the rays of light which evoked as well as showed the

colour; but of this I do not know enough to speak. Suffice it that the

letters were there, at first a great shock and terror, but soon a strong

encouragement to me.

My course was at once to perpetuate the marks and speculate upon them at

leisure, for I knew not how fleeting they might be. I hurried

downstairs, and speaking to no one procured some clear tissue paper.

Applying this to the damask, and holding a card behind, I carefully

traced with a pencil so much of the letters as could be perceived

through the medium, and completed the sketch by copying most carefully

the rest; It was, however, beyond my power to keep my hand from

trembling. A shade flitted over my drawing--oh, how my heart leaped!

When I had finished the pencil-sketch, and before it was inked over (for

I could not bring myself to paint it red), I knelt where my father died

and thanked God for this guidance to me. By the time I had dried my

eyes the sun was passed and the lines of blood were gone, even though I

knew where to seek them, having left a pin in the damask. By measuring

I found that the letters were just three feet and a quarter above the

spot where my father's head had been. The largest of them, the L, was

three inches long and an eighth of an inch in width; the others were

nearly as long, but nothing like so wide.

Trembling now, for the rush of passion which stills the body was past,

and stepping silently on the long silent floor, I went to the deep

dark-mullioned window and tried to look forth. After all my lone

tumult, perhaps I wanted to see the world. But my jaded eyes and brain

showed only the same three letters burning on the snow and sky.

Evening, a winter evening, was fluttering down. The sun was spent and

stopped by a grey mist, and the landscape full of dreariness and cold.

For miles, the earth lay white and wan, with nothing to part life from

death. No step was on the snow, no wind among the trees; fences,

shrubs, and hillocks were as wrinkles in a winding-sheet, and every

stark branch had like me its own cold load to carry.

But on the left, just in sight from the gable-window, was a spot, black

as midnight, in the billowy snow. It was the spring which had stored

for me the footprints. Perhaps I was superstitious then; the omen was

accepted. Suddenly a last gleam from the dauntless sun came through the

ancient glass, and flung a crimson spot upon my breast. It was the red

heart, centre of our shield, won with Coeur de Lion.

Oh scutcheons, blazonments, and other gewgaws, by which men think to

ennoble daylight murders, how long shall fools account it honour to be

tattooed with you? Mercy, fellow-feeling, truth, humility, virtues that

never flap their wings, but shrink lest they should know they stoop,

what have these won? Gaze sinister, and their crest a pillory.

With that red pride upon my breast, and that black heart within, and my

young form stately with revenge, I was a true descendant of Crusaders.

Clara Vaughan, Volume 1 (of 3) · 第 5 / 19 章