PROSE PASTELS

by Clark Ashton Smith

_5. The Passing of Aphrodite_

In all the lands of Illarion, from mountain-valleys rimmed with

unmelting snow, to the great cliffs of sand whose reflex darkens a

sleepy, tepid sea, were lit as of old the green and amethyst fires

of summer. Spices were on the wind that mountaineers had met in the

high glaciers; and the eldest wood of cypress, frowning on a sky-clear

bay, was illumined by scarlet orchids.... But the heart of the poet

Phaniol was an urn of black jade overfraught by love with sodden ashes.

And because he wished to forget for a time the mockery of myrtles,

Phaniol walked alone in the waste bordering upon Illarion; in a place

that great fires had blackened long ago, and which knew not the pine

or the violet, the cypress or the myrtle. There, as the day grew old,

he came to an unsailed ocean, whose waters were dark and still under

the falling sun, and bore not the memorial voices of other seas. And

Phaniol paused, and lingered upon the ashen shore; and dreamt awhile of

that sea whose name is Oblivion.

Then, from beneath the westering sun, whose bleak light was prone on

his forehead, a barge appeared and swiftly drew to the land: albeit

there was no wind, and the oars hung idly on the foamless wave. And

Phaniol saw that the barge was wrought of ebony fretted with curious

anaglyphs, and carved with luxurious forms of gods and beasts, of

satyrs and goddesses and women; and the figurehead was a black Eros

with full unsmiling mouth and implacable sapphire eyes averted, as if

intent upon things not lightly to be named or revealed. Upon the deck

of the barge were two women, one pale as the northern moon, and the

other swart as equatorial midnight. But both were clad imperially, and

bore the mien of goddesses or of those who dwell near to the goddesses,

without word or gesture, they regarded Phaniol; and, marvelling, he

inquired, "What seek ye?"

Then, with one voice that was like the voice of hesperian airs among

palms at evening twilight in the Fortunate Isles, they answered, saying:

"We wait the goddess Aphrodite, who departs in weariness and sorrow

from Illarion, and from all the lands of this world of petty loves and

pettier mortalities. Thou, because thou art a poet, and hast known the

great sovereignty of love, shall behold her departure. But they, the

men of the court, the market-place and the temple, shall receive no

message nor sign of her going-forth, and will scarcely dream that she

is gone.... Now, O Phaniol, the time, the goddess and the going-forth

are at hand."

Even as they ceased, One came across the desert; and her coming was

a light on the far hills; and where she trod the lengthening shadows

shrunk, and the grey waste put on the purple asphodels and the deep

verdure it had worn when those queens were young, that now are a

darkening legend and a dust of mummia. Even to the shore she came and

stood before Phaniol, while the sunset greatened, filling sky and

sea with a flush as of new-blown blossoms, or the inmost rose of that

coiling shell which was consecrate to her in old time. Without robe or

circlet or garland, crowned and clad only with the sunset, fair with

the dreams of man but fairer yet than all dreams: thus she waited,

smiling tranquilly, who is life or death, despair or rapture, vision or

flesh, to gods and poets and galaxies unknowable. But, filled with a

wonder that was also love, or much more than love, the poet could find

no greeting.

"Farewell, O Phaniol," she said, and her voice was the sighing of

remote waters, the murmur of waters moon-withdrawn, forsaking not

without sorrow a proud island tall with palms. "Thou hast known me

and worshipped all thy days till now, but the hour of my departure is

come: I go, and when I am gone, thou shalt worship still and shalt

not know me. For the destinies are thus, and not forever to any man,

to any world or to any god, is it given to possess me wholly. Autumn

and spring will return when I am past, the one with yellow leaves, the

other with yellow violets; birds will haunt the renewing myrtles; and

many little loves will be thine. Not again to thee or to any man will

return the perfect vision and the perfect flesh of the goddess."

Ending thus, she stepped from that ashen strand to the dark prow of the

barge; and even as it had come, without wafture of wind or movement of

oar, the barge put out on a sea covered with the fallen, fading petals

of sunset. Quickly it vanished from view, while the desert lost those

ancient asphodels and the deep verdure it had worn again for a little.

Darkness, having conquered Illarion, came slow and furtive on the path

of Aphrodite; shadows mustered innumerably to the grey hills; and the

heart of the poet Phaniol was an urn of black jade overfraught by love

with sodden ashes.

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The Fantasy Fan, Volume 2, Number 4, December 1934 · 第 15 / 21 题