Thou sawest, in thine old singing season, brother,

Secrets and sorrows unbeheld of us:

Fierce loves, and lovely leaf-buds poisonous,

Bare to thy subtler eye, but for none other

Blowing by night in some unbreathed-in clime;

The hidden harvest of luxurious time,

Sin without shape, and pleasure without speech;

And where strange dreams in a tumultuous sleep

Make the shut eyes of stricken spirits weep;

And with each face thou sawest the shadow on each,

Seeing as men sow men reap.

IV

O sleepless heart and sombre soul unsleeping,

That were athirst for sleep and no more life

And no more love, for peace and no more strife!

Now the dim gods of death have in their keeping

Spirit and body and all the springs of song,

Is it well now where love can do no wrong,

Where stingless pleasure has no foam or fang

Behind the unopening closure of her lips?

Is it not well where soul from body slips

And flesh from bone divides without a pang

As dew from flower-bell drips?

V

It is enough; the end and the beginning

Are one thing to thee, who art past the end.

O hand unclasped of unbeholden friend,

For thee no fruits to pluck, no palms for winning,

No triumph and no labour and no lust,

Only dead yew-leaves and a little dust.

O quiet eyes wherein the light saith nought,

Whereto the day is dumb, nor any night

With obscure finger silences your sight,

Nor in your speech the sudden soul speaks thought,

Sleep, and have sleep for light.

VI

Now all strange hours and all strange loves are over,

Dreams and desires and sombre songs and sweet,

Hast thou found place at the great knees and feet

Of some pale Titan-woman like a lover,

Such as thy vision here solicited,

Under the shadow of her fair vast head,

The deep division of prodigious breasts,

The solemn slope of mighty limbs asleep,

The weight of awful tresses that still keep

The savour and shade of old-world pine-forests

Where the wet hill-winds weep?

VII

Hast thou found any likeness for thy vision?

O gardener of strange flowers, what bud, what bloom,

Hast thou found sown, what gathered in the gloom?

What of despair, of rapture, of derision,

What of life is there, what of ill or good?

Are the fruits grey like dust or bright like blood?

Does the dim ground grow any seed of ours,

The faint fields quicken any terrene root,

In low lands where the sun and moon are mute

And all the stars keep silence? Are there flowers

At all, or any fruit?

VIII

Alas, but though my flying song flies after,

O sweet strange elder singer, thy more fleet

Singing, and footprints of thy fleeter feet,

Some dim derision of mysterious laughter

From the blind tongueless warders of the dead,

Some gainless glimpse of Proserpine's veiled head,

Some little sound of unregarded tears

Wept by effaced unprofitable eyes,

And from pale mouths some cadence of dead sighs--

These only, these the hearkening spirit hears,

Sees only such things rise.

IX

Thou art far too far for wings of words to follow,

Far too far off for thought or any prayer.

What ails us with thee, who art wind and air?

What ails us gazing where all seen is hollow?

Yet with some fancy, yet with some desire,

Dreams pursue death as winds a flying fire,

Our dreams pursue our dead and do not find.

Still, and more swift than they, the thin flame flies,

The low light fails us in elusive skies,

Still the foiled earnest ear is deaf, and blind

Are still the eluded eyes.

X

Not thee, O never thee, in all time's changes,

Not thee, but this the sound of thy sad soul,

The shadow of thy swift spirit, this shut scroll

I lay my hand on, and not death estranges

My spirit from communion of thy song--

These memories and these melodies that throng

Veiled porches of a Muse funereal--

These I salute, these touch, these clasp and fold

As though a hand were in my hand to hold,

Or through mine ears a mourning musical

Of many mourners rolled.

XI

I among these, I also, in such station

As when the pyre was charred, and piled the sods,

And offering to the dead made, and their gods,

The old mourners had, standing to make libation,

I stand, and to the gods and to the dead

Do reverence without prayer or praise, and shed

Offering to these unknown, the gods of gloom,

And what of honey and spice my seedlands bear,

And what I may of fruits in this chilled air,

And lay, Orestes-like, across the tomb

A curl of severed hair.

XII

But by no hand nor any treason stricken,

Not like the low-lying head of Him, the King,

The flame that made of Troy a ruinous thing,

Thou liest, and on this dust no tears could quicken

There fall no tears like theirs that all men hear

Fall tear by sweet imperishable tear

Down the opening leaves of holy poets' pages.

Thee not Orestes, not Electra mourns;

But bending us-ward with memorial urns

The most high Muses that fulfil all ages

Weep, and our God's heart yearns.

XIII

For, sparing of his sacred strength, not often

Among us darkling here the lord of light

Makes manifest his music and his might

In hearts that open and in lips that soften

With the soft flame and heat of songs that shine.

Thy lips indeed he touched with bitter wine,

And nourished them indeed with bitter bread;

Yet surely from his hand thy soul's food came,

The fire that scarred thy spirit at his flame

Was lighted, and thine hungering heart he fed

Who feeds our hearts with fame.

XIV

Therefore he too now at thy soul's sunsetting,

God of all suns and songs, he too bends down

To mix his laurel with thy cypress crown,

And save thy dust from blame and from forgetting.

Therefore he too, seeing all thou wert and art,

Compassionate, with sad and sacred heart,

Mourns thee of many his children the last dead,

And hallows with strange tears and alien sighs

Thine unmelodious mouth and sunless eyes,

And over thine irrevocable head

Sheds light from the under skies.

XV

And one weeps with him in the ways Lethean,

And stains with tears her changing bosom chill:

That obscure Venus of the hollow hill,

That thing transformed which was the Cytherean,

With lips that lost their Grecian laugh divine

Long since, and face no more called Erycine;

A ghost, a bitter and luxurious god.

Thee also with fair flesh and singing spell

Did she, a sad and second prey, compel

Into the footless places once more trod,

And shadows hot from hell.

XVI

And now no sacred staff shall break in blossom,

No choral salutation lure to light

A spirit sick with perfume and sweet night

And love's tired eyes and hands and barren bosom.

There is no help for these things; none to mend

And none to mar; not all our songs, O friend,

Will make death clear or make life durable.

Howbeit with rose and ivy and wild vine

And with wild notes about this dust of thine

At least I fill the place where white dreams dwell

And wreathe an unseen shrine.

XVII

Sleep; and if life was bitter to thee, pardon,

If sweet, give thanks; thou hast no more to live;

And to give thanks is good, and to forgive.

Out of the mystic and the mournful garden

Where all day through thine hands in barren braid

Wove the sick flowers of secrecy and shade,

Green buds of sorrow and sin, and remnants grey,

Sweet-smelling, pale with poison, sanguine-hearted,

Passions that sprang from sleep and thoughts that started,

Shall death not bring us all as thee one day

Among the days departed?

XVIII

For thee, O now a silent soul, my brother,

Take at my hands this garland, and farewell.

Thin is the leaf, and chill the wintry smell,

And chill the solemn earth, a fatal mother,

With sadder than the Niobean womb,

And in the hollow of her breasts a tomb.

Content thee, howsoe'er, whose days are done;

There lies not any troublous thing before,

Nor sight nor sound to war against thee more,

For whom all winds are quiet as the sun,

All waters as the shore.

MEMORIAL VERSES

ON THE DEATH OF THEOPHILE GAUTIER

Death, what hast thou to do with me? So saith

Love, with eyes set against the face of Death;

What have I done, O thou strong Death, to thee,

That mine own lips should wither from thy breath?

Though thou be blind as fire or as the sea,

Why should thy waves and storms make war on me?

Is it for hate thou hast to find me fair,

Or for desire to kiss, if it might be,

My very mouth of song, and kill me there?

So with keen rains vexing his crownless hair.

With bright feet bruised from no delightful way,

Through darkness and the disenchanted air,

Lost Love went weeping half a winter's day.

And the armed wind that smote him seemed to say,

How shall the dew live when the dawn is fled,

Or wherefore should the Mayflower outlast May?

Then Death took Love by the right hand and said,

Smiling: Come now and look upon thy dead.

But Love cast down the glories of his eyes,

And bowed down like a flower his flowerless head.

And Death spake, saying: What ails thee in such wise,

Being god, to shut thy sight up from the skies?

If thou canst see not, hast thou ears to hear?

Or is thy soul too as a leaf that dies?

Even as he spake with fleshless lips of fear,

But soft as sleep sings in a tired man's ear,

Behold, the winter was not, and its might

Fell, and fruits broke forth of the barren year.

And upon earth was largess of great light,

And moving music winged for worldwide flight,

And shapes and sounds of gods beheld and heard,

And day's foot set upon the neck of night.

And with such song the hollow ways were stirred

As of a god's heart hidden in a bird,

Or as the whole soul of the sun in spring

Should find full utterance in one flower-soft word,

And all the season should break forth and sing

From one flower's lips, in one rose triumphing;

Such breath and light of song as of a flame

Made ears and spirits of them that heard it ring.

And Love beholding knew not for the same

The shape that led him, nor in face nor name,

For he was bright and great of thews and fair,

And in Love's eyes he was not Death, but Fame.

Not that grey ghost whose life is empty and bare

And his limbs moulded out of mortal air,

A cloud of change that shifts into a shower

And dies and leaves no light for time to wear:

But a god clothed with his own joy and power,

A god re-risen out of his mortal hour

Immortal, king and lord of time and space,

With eyes that look on them as from a tower.

And where he stood the pale sepulchral place

Bloomed, as new life might in a bloodless face,

And where men sorrowing came to seek a tomb

With funeral flowers and tears for grief and grace,

They saw with light as of a world in bloom

The portal of the House of Fame illume

The ways of life wherein we toiling tread,

And watched the darkness as a brand consume.

And through the gates where rule the deathless dead

The sound of a new singer's soul was shed

That sang among his kinsfolk, and a beam

Shot from the star on a new ruler's head.

A new star lighting the Lethean stream,

A new song mixed into the song supreme

Made of all souls of singers and their might,

That makes of life and time and death a dream.

Thy star, thy song, O soul that in our sight

Wast as a sun that made for man's delight

Flowers and all fruits in season, being so near

The sun-god's face, our god that gives us light.

To him of all gods that we love or fear

Thou amongst all men by thy name wast dear,

Dear to the god that gives us spirit of song

To bind and burn all hearts of men that hear.

The god that makes men's words too sweet and strong

For life or time or death to do them wrong,

Who sealed with his thy spirit for a sign

And filled it with his breath thy whole life long.

Who made thy moist lips fiery with new wine

Pressed from the grapes of song, the sovereign vine,

And with all love of all things loveliest

Gave thy soul power to make them more divine.

That thou might'st breathe upon the breathless rest

Of marble, till the brows and lips and breast

Felt fall from off them as a cancelled curse

That speechless sleep wherewith they lived opprest.

Who gave thee strength and heat of spirit to pierce

All clouds of form and colour that disperse,

And leave the spirit of beauty to remould

In types of clean chryselephantine verse.

Who gave thee words more golden than fine gold

To carve in shapes more glorious than of old,

And build thy songs up in the sight of time

As statues set in godhead manifold:

In sight and scorn of temporal change and clime

That meet the sun re-risen with refluent rhyme

--As god to god might answer face to face--

From lips whereon the morning strikes sublime.

Dear to the god, our god who gave thee place

Among the chosen of days, the royal race,

The lords of light, whose eyes of old and ears

Saw even on earth and heard him for a space.

There are the souls of those once mortal years

That wrought with fire of joy and light of tears

In words divine as deeds that grew thereof

Such music as he swoons with love who hears.

There are the lives that lighten from above

Our under lives, the spheral souls that move

Through the ancient heaven of song-illumined air

Whence we that hear them singing die with love.

There all the crowned Hellenic heads, and there

The old gods who made men godlike as they were,

The lyric lips wherefrom all songs take fire,

Live eyes, and light of Apollonian hair.

There, round the sovereign passion of that lyre

Which the stars hear and tremble with desire,

The ninefold light Pierian is made one

That here we see divided, and aspire,

Seeing, after this or that crown to be won;

But where they hear the singing of the sun,

All form, all sound, all colour, and all thought

Are as one body and soul in unison.

There the song sung shines as a picture wrought,

The painted mouths sing that on earth say nought,

The carven limbs have sense of blood and growth

And large-eyed life that seeks nor lacks not aught.

There all the music of thy living mouth

Lives, and all loves wrought of thine hand in youth

And bound about the breasts and brows with gold

And coloured pale or dusk from north or south.

Fair living things made to thy will of old,

Born of thy lips, no births of mortal mould,

That in the world of song about thee wait

Where thought and truth are one and manifold.

Within the graven lintels of the gate

That here divides our vision and our fate,

The dreams we walk in and the truths of sleep,

All sense and spirit have life inseparate.

There what one thinks, is his to grasp and keep;

There are no dreams, but very joys to reap,

No foiled desires that die before delight,

No fears to see across our joys and weep.

There hast thou all thy will of thought and sight,

All hope for harvest, and all heaven for flight;

The sunrise of whose golden-mouthed glad head

To paler songless ghosts was heat and light.

Here where the sunset of our year is red

Men think of thee as of the summer dead,

Gone forth before the snows, before thy day,

With unshod feet, with brows unchapleted.

Couldst thou not wait till age had wound, they say,

Round those wreathed brows his soft white blossoms? Nay,

Why shouldst thou vex thy soul with this harsh air,

Thy bright-winged soul, once free to take its way?

Nor for men's reverence hadst thou need to wear

The holy flower of grey time-hallowed hair;

Nor were it fit that aught of thee grew old,

Fair lover all thy days of all things fair.

And hear we not thy words of molten gold

Singing? or is their light and heat acold

Whereat men warmed their spirits? Nay, for all

These yet are with us, ours to hear and hold.

The lovely laughter, the clear tears, the call

Of love to love on ways where shadows fall,

Through doors of dim division and disguise,

And music made of doubts unmusical;

The love that caught strange light from death's own eyes,[1]

And filled death's lips with fiery words and sighs,

And half asleep let feed from veins of his

Her close red warm snake's mouth, Egyptian-wise:

And that great night of love more strange than this,[2]

When she that made the whole world's bale and bliss

Made king of all the world's desire a slave,

And killed him in mid kingdom with a kiss;

Veiled loves that shifted shapes and shafts, and gave,[3]

Laughing, strange gifts to hands that durst not crave,

Flowers double-blossomed, fruits of scent and hue

Sweet as the bride-bed, stranger than the grave;

All joys and wonders of old lives and new

That ever in love's shine or shadow grew,

And all the grief whereof he dreams and grieves,

And all sweet roots fed on his light and dew;

All these through thee our spirit of sense perceives,

As threads in the unseen woof thy music weaves,

Birds caught and snared that fill our ears with thee,

Bay-blossoms in thy wreath of brow-bound leaves.

Mixed with the masque of death's old comedy

Though thou too pass, have here our flowers, that we

For all the flowers thou gav'st upon thee shed,

And pass not crownless to Persephone.

Blue lotus-blooms and white and rosy-red

We wind with poppies for thy silent head,

And on this margin of the sundering sea

Leave thy sweet light to rise upon the dead.

[Footnote 1: _La Morte Amoureuse._]

[Footnote 2: _Une Nuit de Cleopatre._]

[Footnote 3: _Mademoiselle de Maupin._]

SONNET

(WITH A COPY OF _Mademoiselle de Maupin_)

This is the golden book of spirit and sense,

The holy writ of beauty; he that wrought

Made it with dreams and faultless words and thought

That seeks and finds and loses in the dense

Dim air of life that beauty's excellence

Wherewith love makes one hour of life distraught

And all hours after follow and find not aught.

Here is that height of all love's eminence

Where man may breathe but for a breathing-space

And feel his soul burn as an altar-fire

To the unknown God of unachieved desire,

And from the middle mystery of the place

Watch lights that break, hear sounds as of a quire,

But see not twice unveiled the veiled God's face.

AGE AND SONG

(TO BARRY CORNWALL)

I

In vain men tell us time can alter

Old loves or make old memories falter,

That with the old year the old year's life closes.

The old dew still falls on the old sweet flowers,

The old sun revives the new-fledged hours,

The old summer rears the new-born roses.

II

Much more a Muse that bears upon her

Raiment and wreath and flower of honour,

Gathered long since and long since woven,

Fades not or falls as fall the vernal

Blossoms that bear no fruit eternal,

By summer or winter charred or cloven.

III

No time casts down, no time upraises,

Such loves, such memories, and such praises,

As need no grace of sun or shower,

No saving screen from frost or thunder

To tend and house around and under

The imperishable and fearless flower.

IV

Old thanks, old thoughts, old aspirations,

Outlive men's lives and lives of nations,

Dead, but for one thing which survives--

The inalienable and unpriced treasure,

The old joy of power, the old pride of pleasure,

That lives in light above men's lives.

IN MEMORY OF BARRY CORNWALL

(October 4, 1874)

I

In the garden of death, where the singers whose names are deathless

One with another make music unheard of men,

Where the dead sweet roses fade not of lips long breathless,

And the fair eyes shine that shall weep not or change again,

Who comes now crowned with the blossom of snow-white years?

What music is this that the world of the dead men hears?

II

Beloved of men, whose words on our lips were honey,

Whose name in our ears and our fathers' ears was sweet,

Like summer gone forth of the land his songs made sunny,

To the beautiful veiled bright world where the glad ghosts meet,

Child, father, bridegroom and bride, and anguish and rest,

No soul shall pass of a singer than this more blest.

III

Blest for the years' sweet sake that were filled and brightened,

As a forest with birds, with the fruit and the flower of his song;

For the souls' sake blest that heard, and their cares were lightened,

For the hearts' sake blest that have fostered his name so long;

By the living and dead lips blest that have loved his name,

And clothed with their praise and crowned with their love for fame.

IV

Ah, fair and fragrant his fame as flowers that close not,

That shrink not by day for heat or for cold by night,

As a thought in the heart shall increase when the heart's self knows not,

Shall endure in our ears as a sound, in our eyes as a light;

Shall wax with the years that wane and the seasons' chime,

As a white rose thornless that grows in the garden of time.

V

The same year calls, and one goes hence with another,

And men sit sad that were glad for their sweet songs' sake;

The same year beckons, and elder with younger brother

Takes mutely the cup from his hand that we all shall take.[1]

They pass ere the leaves be past or the snows be come;

And the birds are loud, but the lips that outsang them dumb.

VI

Time takes them home that we loved, fair names and famous,

To the soft long sleep, to the broad sweet bosom of death;

But the flower of their souls he shall take not away to shame us,

Nor the lips lack song for ever that now lack breath.

For with us shall the music and perfume that die not dwell,

Though the dead to our dead bid welcome, and we farewell.

[Footnote 1: Sydney Dobell died August 22, 1874.]

EPICEDE

(James Lorimer Graham died at Florence, April 30, 1876)

Life may give for love to death

Little; what are life's gifts worth

To the dead wrapt round with earth?

Yet from lips of living breath

Sighs or words we are fain to give,

All that yet, while yet we live,

Life may give for love to death.

Dead so long before his day,

Passed out of the Italian sun

To the dark where all is done,

Fallen upon the verge of May;

Here at life's and April's end

How should song salute my friend

Dead so long before his day?

Not a kindlier life or sweeter

Time, that lights and quenches men,

Now may quench or light again,

Mingling with the mystic metre

Woven of all men's lives with his

Not a clearer note than this,

Not a kindlier life or sweeter.

In this heavenliest part of earth

He that living loved the light,

Light and song, may rest aright,

One in death, if strange in birth,

With the deathless dead that make

Life the lovelier for their sake

In this heavenliest part of earth.

Light, and song, and sleep at last--

Struggling hands and suppliant knees

Get no goodlier gift than these.

Song that holds remembrance fast,

Light that lightens death, attend

Round their graves who have to friend

Light, and song, and sleep at last.

TO VICTOR HUGO

He had no children, who for love of men,

Being God, endured of Gods such things as thou,

Father; nor on his thunder-beaten brow

Fell such a woe as bows thine head again,

Twice bowed before, though godlike, in man's ken,

And seen too high for any stroke to bow

Save this of some strange God's that bends it now

The third time with such weight as bruised it then.

Fain would grief speak, fain utter for love's sake

Some word; but comfort who might bid thee take?

What God in your own tongue shall talk with thee,

Showing how all souls that look upon the sun

Shall be for thee one spirit and thy son,

And thy soul's child the soul of man to be?

_January 3, 1876._

INFERIAE

Spring, and the light and sound of things on earth

Requickening, all within our green sea's girth;

A time of passage or a time of birth

Fourscore years since as this year, first and last.

The sun is all about the world we see,

The breath and strength of very spring; and we

Live, love, and feed on our own hearts; but he

Whose heart fed mine has passed into the past.

Past, all things born with sense and blood and breath;

The flesh hears nought that now the spirit saith.

If death be like as birth and birth as death,

The first was fair--more fair should be the last.

Fourscore years since, and come but one month more

The count were perfect of his mortal score

Whose sail went seaward yesterday from shore

To cross the last of many an unsailed sea.

Light, love and labour up to life's last height,

These three were stars unsetting in his sight;

Even as the sun is life and heat and light

And sets not nor is dark when dark are we.

The life, the spirit, and the work were one

That here--ah, who shall say, that here are done?

Not I, that know not; father, not thy son,

For all the darkness of the night and sea.

_March 5, 1877_

A BIRTH-SONG

(For Olivia Frances Madox Rossetti, born September 20, 1875)

Out of the dark sweet sleep

Where no dreams laugh or weep

Borne through bright gates of birth

Into the dim sweet light

Where day still dreams of night

While heaven takes form on earth,

White rose of spirit and flesh, red lily of love,

What note of song have we

Fit for the birds and thee,

Fair nestling couched beneath the mother-dove?

Nay, in some more divine

Small speechless song of thine

Some news too good for words,

Heart-hushed and smiling, we

Might hope to have of thee,

The youngest of God's birds,

If thy sweet sense might mix itself with ours,

If ours might understand

The language of thy land,

Ere thine become the tongue of mortal hours:

Ere thy lips learn too soon

Their soft first human tune,

Sweet, but less sweet than now,

And thy raised eyes to read

Glad and good things indeed,

But none so sweet as thou:

Ere thought lift up their flower-soft lids to see

What life and love on earth

Bring thee for gifts at birth,

But none so good as thine who hast given us thee:

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