The sentiment that the persons about us have life and feeling as well as

ourselves, cannot be of very late introduction. It may be forwarded by

cultivation, but it can scarcely at any rate be very much retarded. For

this sentiment to become perfectly clear and striking, and to be applied

in every case that may come before us, must undoubtedly be an affair

gradual in its progress. From thence to the feelings of right and wrong,

of compassion and generosity, there is but one step.

It has, I think, been fully demonstrated by that very elegant

philosopher Mr. Hutcheson, that self-love is not the source of all our

passions, but that disinterested benevolence has its seat in the human

heart. At present it is necessary for me to take this for granted. The

discussion would lead me too far from my subject. What I would infer

from it is, that benevolent affections are capable of a very early

commencement. They do not wait to be grafted upon the selfish. They have

the larger scope in youthful minds, as such have not yet learned those

refinements of interest, that are incident to persons of longer

experience.

Accordingly no observation is more common, than that mankind are more

generous in the earlier periods of their life, and that their affections

become gradually contracted the farther they advance in the vale of

years. Confidence, kindness, benevolence, constitute the entire temper

of youth. And unless these amiable dispositions be blasted in the bud by

the baneful infusions of ambition, vanity and pride, there is nothing

with which they would not part, to cherish adversity, and remunerate

favour.

Hence we may infer, that the general ideas of merit and character are

perfectly competent to the understanding of children of ten years. False

glory is the farthest in the world from insinuating its witchcraft into

the undepraved heart, where the vain and malignant passions have not yet

erected their standard. It is true, the peculiar sublimities of heroism

cannot be supposed perfectly within his comprehension. But something of

this sort, as we have already said, is incident to every step in the

scale of literature.

But the more perfectly to familiarise to my pupil the understanding and

digesting whatever he read, I would consider it as an indispensible part

of my business, to talk over with him familiarly the subjects, that

might necessarily demand our attention. I would lead him by degrees to

relate with clearness and precision the story of his author. I would

induce him to deliver his fair and genuine sentiments upon every action,

and character that came before us. I would frequently call upon him for

a plain and simple reason for his opinion. This should always be done

privately, without ostentation, and without rivalship. Thus, separate

from the danger of fomenting those passions of envy and pride, that

prepare at a distance for our youth so many mortifications, and at the

expence of which too frequently this accomplishment is attained, I would

train him to deliver his opinion upon every subject with freedom,

perspicuity and fluency. Without at any time dictating to him the

sentiments it became him to entertain, I might, with a little honed

artifice, mould his judgment into the form it was most desirable it

should take, at the same time that I discovered his genius, and

ascertained the original propensities of his mind.

It is unnecessary for me to say any thing respecting morals in the other

sense of the word, I mean as they are connected with the conduct, the

habits of which we should endeavour to cultivate in a pupil; as that

subject has been already exhausted. The vices of youth spring not from

nature, who is equally the kind and blameless mother of all her

children; they derive from the defects of education. We have already

endeavoured to shut up all the inlets of vice. We have precluded

servility and cowardice. We have taken away the motives to concealment

and falshood. By the liberal indulgence we have prescribed, we have

laid the foundation of manly spirit, and generous dignity. A continual

attention to history, accompanied with the cultivation of moral

discernment, and animated with the examples of heroic virtue, could not

fail to form the heart of the pupil, to all that is excellent. At the

same time, by assiduous care, the shoots of vanity and envy might be

crushed in the bud. Emulation is a dangerous and mistaken principle of

constancy. Instead of it I would wish to see the connection of pupils,

consisting only of pleasure and generosity. They should learn to love,

but not to hate each other. Benevolent actions should not directly be

preached to them, they should strictly begin in the heart of the

performer. But when actually done, they should receive the most

distinguished applause.

Let me be permitted in this place to observe, that the association of a

small number of pupils seems the most perfect mode of education. There

is surely something unsuitable to the present state of mankind, in the

wishing to educate our youth in perfect solitude. Society calls forth a

thousand powers both of mind and body, that must otherwise rust in

inactivity. And nothing is more clear from experience, than that there

is a certain tendency to moral depravation in very large bodies of this

kind, to which there has not yet been discovered a sufficient remedy.

If, by the pursuit of principles like these, the powers of the

understanding and the heart might be developed in concert; if the pupils

were trained at once to knowledge and virtue; if they were enabled to

look back upon the period of their education, without regretting one

instance of anxious terror, or capricious severity; if they recollected

their tutor with gratitude, and thought of their companions, as of those

generous friends whom they would wish for the associates of their

life,--in that case, the pains of the preceptor would not be thrown

away.

FINIS.

THE

HERALD OF LITERATURE.

[PRICE TWO SHILLINGS.]

THE

HERALD OF LITERATURE;

OR,

A REVIEW

OF THE

MOST CONSIDERABLE PUBLICATIONS

THAT WILL BE MADE IN THE

COURSE OF THE ENSUING WINTER:

WITH

EXTRACTS.

* * * * *

LONDON: PRINTED FOR J. MURRAY, NO. 32, FLEET-STREET.

M DCC LXXXIV.

TO THE AUTHORS OF THE MONTHLY AND CRITICAL REVIEWS.

GENTLEMEN,

In presenting the following sheets to the public, I hope I shall not be

considered as encroaching upon that province, which long possession has

probably taught you to consider as your exclusive right. The labour it

has cost me, and the many perils I have encountered to bring it to

perfection, will, I trust, effectually plead my pardon with persons of

your notorious candour and humanity. Represent to yourselves, Gentlemen,

I entreat you, the many false keys, bribes to the lacqueys of authors

that can keep them, and collusions with the booksellers of authors that

cannot, which were required in the prosecution of this arduous

undertaking. Imagine to yourselves how often I have shuddered upon the

verge of petty larceny, and how repeatedly my slumbers have been

disturbed with visions of the King's-Bench Prison and Clerkenwell

Bridewell. You, gentlemen, sit in your easy chair, and with the majesty

of a Minos or an Aeacus, summon the trembling culprits to your bar. But

though you never knew what fear was, recollect, other men have snuffed a

candle with their fingers.

But I would not be misunderstood. Heroical as I trust my undertaking

proves me, I fear no man's censure, and court no man's applause. But I

look up to you as a respectable body of men, who have long united your

efforts to reduce the disproportioned members of an ancient republic to

an happy equality, to give wings to the little emmet of Grub-street, and

to hew away the excrescences of lawless genius with a hatchet. In this

character I honour you. That you have assumed it uncompelled and

self-elected, that you have exercised it undazzled by the _ignis fatuus_

of genius, is your unfading glory.

Having thus cleared myself from the suspicion of any sinister view, I

cannot here refrain from presenting you with a peace-offering. Had it

been in my power to procure gums more costly, or incense more fragrant,

I would have rendered it more worthy your acceptance.

It has been a subject upon which I have often reflected with

mortification, that the world is too apt to lay aside your lucubrations

with the occasions that gave birth to them, and that if they are ever

opened after, it is only with old magazines by staid matrons over their

winter fire. Such persons are totally incapable of comparing your

sentences with the maturer verdict of the public; a comparison that

would redound so much to your honour. What I design at present, is in

some measure to remedy an evil, that can never perhaps be entirely

removed. As the field which is thus opened to me is almost unbounded, I

will confine myself to two of the most striking examples, in Tristram

Shandy, and the Rosciad of Churchill.

In the Monthly Review, vol. 24, p, 103, I find these words:

"But your indiscretion, good Mr. Tristram, is not all we complain of in

the volumes before us. We must tax you with what you will dread above

the most terrible of all insinuations--nothing less than DULLNESS. Yes,

indeed, Mr. Tristram, you are dull, _very dull_. Your jaded fancy seems

to have been exhausted by two pigmy octavos, which scarce contained the

substance of a twelve-penny pamphlet, and we now find nothing new to

entertain us."

The following epithets are selected at random. "We are sick--we are

quite tired--we can no longer bear corporal Trim's

insipidity--thread-bare--stupid and unaffecting--absolutely

dull--misapplication of talents--he will unavoidably sink into

contempt."

The Critical Review, vol II, p. 212, has the following account of the

Rosciad:

"It is _natural_ for young authors to conceive themselves the

cleverest fellows in the world, and withal, that there is not

the least degree of merit subsisting but in their own works: It

is _natural_ likewise for them to imagine, that they may conceal

themselves by appearing in different shapes, and that they are

not to be found out by their stile; but little do these

_Connoisseurs_ in writing conceive, how easily they are

discovered by a veteran in the service. In the title-page to

this performance we are told (by way of quaint conceit), that it

was written by _the author_; what if it should prove that the

Author and the Actor[A] are the same! Certain it is that we meet

with the _same_ vein of peculiar humour, the same turn of

thought, the same _autophilism_ (there's a new word for you to

bring into the next poem) which we meet with in the other;

insomuch that we are ready to make the conclusion in the

author's own words:

[Footnote A: _The Actor, a Poem, by Robert Lloyd, Esq._]

Who is it?------LLOYD.

"We will not pretend however absolutely to assert that Mr. L----

wrote this poem; but we may venture to affirm, that it is the

production, jointly or separately, of the new triumvirate of

wits, who never let an opportunity slip of singing their own

praises. _Caw me, caw thee_, as Sawney says, and so to it they

go, and _scratch_ one another like so many Scotch pedlars."

In page 339, I find a passage referred to in the Index, under the head

of "a notable instance of their candour," retracting their insinuations

against Lloyd and Colman, and ascribing the poem in a particular vein of

pleasantry to Mr. Flexney, the bookseller, and Mr. Griffin, the printer.

Candour certainly did not require that they should acknowledge Mr.

Churchill, whose name was now inserted in the title-page, as the author,

or if author of any, at least not of a considerable part of the poem.

That this was their sense of the matter, appears from their account of

the apology for the Rosciad, p. 409.

"This is another _Brutum Fulinen_ launched at the Critical Review by one

Churchill, who it seems is a clergyman, and it must be owned has a knack

at versification; a bard, who upon the strength of having written a few

good lines in a thing called _The Rosciad_, swaggers about as if he were

game-keeper of Parnassus."

P. 410. "This apologist has very little reason to throw out behind

against the Critical Reviewers, who in mentioning _The Rosciad_, of

which he calls himself author, commended it in the lump, without

specifying the bald lines, the false thoughts, and tinsel frippery from

which it is not entirely free." They conclude with contrasting him with

Smollet, in comparison of whom he is "a puny antagonist, who must write

many more poems as good as the Rosciad, before he will be considered as

a respectable enemy."

Upon these extracts I will beg leave to make two observations.

1. Abstracted from all consideration of the profundity of criticism that

is displayed, no man can avoid being struck with the humour and

pleasantry in which they are conceived, or the elegant and gentlemanlike

language in which they are couched. What can be more natural or more

ingenuous than to suppose that the persons principally commended in a

work, were themselves the writers of it? And for that allusion of the

Scotch pedlars, for my part, I hold it to be inimitable.

2. But what is most admirable is the independent spirit, with which they

stemmed the torrent of fashion, and forestalled the second thoughts of

their countrymen. There was a time when Tristram Shandy was applauded,

and Churchill thought another Dryden. But who reads Tristram now? There

prevails indeed a certain quaintness, and something "like an affectation

of being immoderately witty, throughout the whole work." But for real

humour not a grain. So said the Monthly Reviewers, (v. 21. p. 568.) and

so says the immortal Knox. Both indeed grant him a slight knack at the

pathetic; but, if I may venture a prediction, his pretensions to the

latter will one day appear no better founded, than his pretentions to

the former.

And then poor Churchill! His satire now appears to be dull and

pointless. Through his tedious page no modern student can labour. We

look back, and wonder how the rage of party ever swelled this _thing_

into a poet. Even the great constellation, from whose tribunal no

prudent man ever appealed, has excluded him from a kingdom, where Watts

and Blackmore reign. But Johnson and Knox can by no means compare with

the Reviewers. These attacked the mountebanks in the very midst of their

short-lived empire. Those have only brought up the rear of public

opinion, and damned authors already forgotten. They fought the battles a

second time, and "again they slew the slain."

Gentlemen,

It would have been easy to add twenty articles to this list. I might

have selected instances from the later volumes of your entertaining

works, in which your deviations from the dictates of imaginary taste are

still more numerous. But I could not have confronted them with the

decisive verdict of time. The rage of fashion has not yet ceased, and

the ebullition of blind wonder is not over. I shall therefore leave a

plentiful crop for such as come after me, who admire you as much as I

do, and will be contented to labour in the same field.

I have the honour to be,

Gentlemen,

With all veneration,

Your indefatigable reader,

And the humblest of your panegyrists.

CONTENTS.

ARTICLE I.

_The History of the Decline and Fall of the Roman Empire. By Edward

Gibbon, Esq. Vols._ iv, v, vi, vii. 4to.

ARTICLE II.

_The History of America. By William Robertson, D.D. &c. Vols._ iii,

_and_ iv. 4to.

ARTICLE III.

_Secret History of Theodore Albert Maximilian, Prince of Hohenzollern

Sigmaringen_. 12mo.

ARTICLE IV.

_Louisa, or Memoirs of a Lady of Quality. By the Author of Evelina and

Cecilia. Three vols._ 12mo.

ARTICLE V.

_The Peasant of Bilidelgerid, a Tale. Two vols. Shandean._

ARTICLE VI.

_An Essay on Novel, in Three Epistles, inscribed to the Right Honourable

Lady Craven. By William Hayley, Esq._ 4to.

ARTICLE VII.

_Inkle and Yarico, a Poem. By James Beattie, L.L.D._ 4to.

ARTICLE VIII.

_The Alchymist, a Comedy, altered from Ben Jonson, by Richard Brinsley

Sheridan, Esq._

ARTICLE IX.

_Reflexions upon the present State of the United States of America. By

Thomas Paine, M.A. &c._ 8vo.

ARTICLE X.

_Speech of the Right Honourable Edmund Burke, on a Motion for an Address

of Thanks to his Majesty (on the 28th of November, 1783) for his

gracious Communication of a Treaty of Commerce concluded between George

the Third, King, &c. and the United States of America._

THE

HERALD

OF

LITERATURE, &C.

* * * * *

ARTICLE I.

THE HISTORY OF THE DECLINE AND FALL OF THE ROMAN EMPIRE. BY EDWARD

GIBBON, ESQ. VOLS. IV, V, VI, VII. 4TO.

We are happy to have it in our power thus early to congratulate the

public upon the final accomplishment of a work, that must constitute one

of the greatest ornaments of the present age. We have now before us, in

one view, and described by the uniform pencil of one historian, the

stupendous and instructive object of the gradual decline of the greatest

empire; circumscribed by degrees within the narrow walls of a single

city; and at length, after the various revolutions of thirteen

centuries, totally swallowed up in the empire of the Turks. Of this

term, the events of more than nine hundred years are described in that

part of our author that now lies before us. It cannot therefore be

expected, that in the narrow limits we have prescribed to ourselves, we

should enter into a regular synopsis of the performance, chapter by

chapter, after the laudable example of our more laborious brother

reviewers. We will pay our readers the compliment, however unauthorised

by the venerable seal of custom, of supposing them already informed,

that Anastasius succeeded Zeno, and Justin Anastasius; that Justinian

published the celebrated code that is called by his name; and that his

generals, Belisarius and Narses, were almost constantly victorious over

the Barbarians, and restored, for a moment, the expiring lustre of the

empire. We shall confine ourselves to two extracts, relating to subjects

of the greatest importance, and which we presume calculated, at once to

gratify and excite the curiosity of the public.

The reign of the emperor Heraclius is perhaps more crowded with events

of the highest consequence, than that of any other prince in the series.

It has therefore a proportionable scope allotted it in the plan of Mr.

Gibbon; who seems to understand better than almost any historian, what

periods to sketch with a light and active pen, and upon what to dwell

with minuteness, and dilate his various powers. While we pursue the

various adventures of Cosroes II., beginning his reign in a flight from

his capital city; suing for the protection and support of the Greek

emperor; soon after declaring war against the empire; successively

conquering Mesopotamia, Armenia, Syria, Palestine, Egypt, and the

greater part of Natolia; then beaten; a fugitive; and at last murdered

by his own son; we are unable to conceive of a story more interesting,

or more worthy of our attention. But in contemplating the rife of the

Saracen khalifate, and the religion of Mahomet, which immediately

succeeded these events, we are compelled to acknowledge a more

astonishing object.

The following is the character of the impostor, as sketched by the

accurate and judicious pencil of our historian. We will leave it to the

judgment of our readers, only observing, that Mr. Gibbon has very

unnecessarily brought Christianity into the comparison; and has perhaps

touched the errors of the false prophet with a lighter hand, that the

disparity might be the less apparent.

"But Heraclius had a much more formidable enemy to encounter in

the latter part of his reign, than the effeminate and divided

Persian. This was the new empire of the Saracens. Ingenious and

eloquent, temperate and brave, as had been invariably their

national character, they had their exertions concentred, and

their courage animated by a legislator, whose institutions may

vie, in the importance of their consequences, with those of

Solon, Lycurgus, or Numa. Though an impostor, he propagated a

religion, which, like the elevated and divine principles of

Christianity, was confined to no one nation or country; but even

embraced a larger portion of the human race than Christianity

itself.

"Mahomet, the son of Abdallah, was born on the 9th of April,

571, in the city of Mecca. Having been early left an orphan by

both parents, he received an hardy and robust education, not

tempered by the elegancies of literature, nor much allayed by

the indulgencies of natural affection. He was no sooner able to

walk, than he was sent naked, with the infant peasantry, to

attend the cattle of the village; and was obliged to seek the

refreshment of sleep, as well as pursue the occupations of the

day, in the open air[A]. He even pretended to be a stranger to

the art of writing and reading. But though neglected by those

who had the care of his infancy, the youth of this extraordinary

personage did not pass away without some of those incidents,

which might afford a glimpse of the sublimity of his genius; and

some of those prodigies, with which superstition is prompt to

adorn the story of the founders of nations, and the conquerors

of empires. In the mean time, his understanding was enlarged by

travel. It is not to be supposed that he frequented the

neighbouring countries, without making some of those profound

observations upon the decline of the two great empires of the

East and of Persia, which were calculated to expand his views,

and to mature his projects. The energies of his mind led him to

despise the fopperies of idolatry; and he found the Christians,

in the most unfavourable situation, torn into innumerable

parties, by the sectaries of Athanasius, Arius, Eutyches,

Nestorius. In this situation, he extracted that from every

system that bordered most nearly upon the dictates of reason,

and framed to himself a sublime doctrine, of which the unity of

God, the innocence of moderate enjoyment, the obligation of

temperance and munificence, were the leading principles. But it

would have contributed little to his purpose, if he had stopped

here. Enthusiastically devoted to his extensive designs, and

guided by the most consummate art, he pretended to divine

communications, related a thousand ridiculous and incredible

adventures; and though he constantly refused a prodigy to the

importunities of his countrymen, laid claim to several frivolous

miracles, and a few thinly scattered prophecies. One of his most

artful devices was the delivering the system of his religion,

not in one entire code, but in detached essays. This enabled him

more than once to new mould the very genius of his religion,

without glaringly subjecting himself to the charge of

inconsistency. From these fragments, soon after his death, was

compiled the celebrated Alcoran. The style of this volume is

generally turgid, heavy, monotonous. It is disfigured with

childish tales and impossible adventures. But it is frequently

figurative, frequently poetical, sometimes sublime. And amidst

all its defects, it will remain the greatest of all monuments of

uncultivated and illiterate genius.

[Footnote A: "Abuleda, Chron. p. 27. Boulainvilliers, Vie de

Mahomet, b. ii. p. 175. This latter writer exhibits the singular

phenomenon of the native of a Christian country, unreasonably

prejudiced in favour of the Arabian impostor. That he did not

live, however, to finish his curious performance, is the

misfortune of the republic of letters." ]

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