[Footnote 1: Charles Lillie, the perfumer, from whose shop at the corner
of Beaufort Buildings the original Spectators were distributed, left
behind him a book of receipts and observations, The British Perfumer,
Snuff Manufacturer, and Colourmans Guide, of which the MS. was sold
with his business, but which remained unpublished until 1822. He opens
his Part III. on Snuffs with an account of the Origin of Snuff-taking
in England, the practice being one that had become fashionable in his
day, and only about eight years before the appearance of the Spectator.
It dates from Sir George Rooke's expedition against Cadiz in 1702.
Before that time snuff-taking in England was confined to a few luxurious
foreigners and English who had travelled abroad. They took their snuff
with pipes of the size of quills out of small spring boxes. The pipes
let out a very small quantity upon the back of the hand, and this was
snuffed up the nostrils with the intention of producing a sneeze which,
says Lillie, I need not say forms now no part of the design or rather
fashion of snuff-taking; least of all in the ladies who took part in
this method of snuffing defiance at the public enemy. When the fleet,
after the failure of its enterprize against Cadiz, proceeded to cut off
the French ships in Vigobay, on the way it plundered Port St. Mary and
adjacent places, where, among other merchandize, seizure was made of
several thousand barrels and casks, each containing four tin canisters
of snuffs of the best growth and finest Spanish manufacture. At Vigo,
among the merchandize taken from the shipping there destroyed, were
prodigious quantities of gross snuff, from the Havannah, in bales,
bags, and scrows (untanned buffalo hides, used with the hairy-side
inwards, for making packages), which were designed for manufacture in
different parts of Spain. Altogether fifty tons of snuff were brought
home as part of the prize of the officers and sailors of the fleet. Of
the coarse snuff, called Vigo snuff, the sailors, among whom it was
shared, sold waggon-loads at Portsmouth, Plymouth, and Chatham, for not
more than three-pence or four-pence a pound. The greater part of it was
bought up by Spanish Jews, to their own very considerable profit. The
fine snuffs taken at Port St. Mary, and divided among the officers, were
sold by some of them at once for a small price, while others held their
stocks and, as the snuff so taken became popular and gave a patriotic
impulse to the introduction of a fashion which had hitherto been almost
confined to foreigners, they got very high prices for it. This accounts
for the fact that the ladies too had added the use of the perfumed
snuff-box to their other fashionable accomplishments.]
* * * * *
No. 345. Saturday, April 5, 1712. Addison.
Sanctius his animal, mentisque capacius altæ
Deerat adhuc, et quod dominari in coetera posset,
Natus homo est.
Ov. Met.
The Accounts which Raphael gives of the Battel of Angels, and the
Creation of the World, have in them those Qualifications which the
Criticks judge requisite to an Episode. They are nearly related to the
principal Action, and have a just Connexion with the Fable.
The eighth Book opens with a beautiful Description of the Impression
which this Discourse of the Archangel made on our first Parent[s]. Adam
afterwards, by a very natural Curiosity, enquires concerning the Motions
of those Celestial Bodies which make the most glorious Appearance among
the six days Works. The Poet here, with a great deal of Art, represents
Eve as withdrawing from this part of their Conversation, to Amusements
more suitable to her Sex. He well knew, that the Episode in this Book,
which is filled with Adams Account of his Passion and Esteem for Eve,
would have been improper for her hearing, and has therefore devised very
just and beautiful Reasons for her Retiring.
So spake our Sire, and by his Countenance seem'd
Entring on studious Thoughts abstruse: which Eve
Perceiving, where she sat retired in sight,
With lowliness majestick, from her Seat,
And Grace, that won who saw to wish her Stay,
Rose; and went forth among her Fruits and Flowers
To visit how they prosper'd, Bud and Bloom,
Her Nursery: they at her coming sprung,
And touch'd by her fair Tendance gladlier grew.
Yet went she not, as not with such Discourse
Delighted, or not capable her Ear
Of what was high: Such Pleasure she reserved,
Adam relating, she sole Auditress;
Her Husband the Relater she preferr'd
Before the Angel, and of him to ask
Chose rather: he, she knew, would intermix
Grateful Digressions, and solve high Dispute
With conjugal Caresses; from his Lip
Not Words alone pleas'd her. O when meet now
Such Pairs, in Love and mutual Honour join'd!
The Angels returning a doubtful Answer to Adams Enquiries, was not
only proper for the Moral Reason which the Poet assigns, but because it
would have been highly absurd to have given the Sanction of an Archangel
to any particular System of Philosophy. The chief Points in the
Ptolemaick and Copernican Hypothesis are described with great
Conciseness and Perspicuity, and at the same time dressed in very
pleasing and poetical Images.
Adam, to detain the Angel, enters afterwards upon his own History, and
relates to him the Circumstances in which he found himself upon his
Creation; as also his Conversation with his Maker, and his first meeting
with Eve. There is no part of the Poem more apt to raise the Attention
of the Reader, than this Discourse of our great Ancestor; as nothing can
be more surprizing and delightful to us, than to hear the Sentiments
that arose in the first Man while he was yet new and fresh from the
Hands of his Creator. The Poet has interwoven every thing which is
delivered upon this Subject in Holy Writ with so many beautiful
Imaginations of his own, that nothing can be conceived more just and
natural than this whole Episode. As our Author knew this Subject could
not but be agreeable to his Reader, he would not throw it into the
Relation of the six days Works, but reserved it for a distinct Episode,
that he might have an opportunity of expatiating upon it more at large.
Before I enter on this part of the Poem, I cannot but take notice of two
shining Passages in the Dialogue between Adam and the Angel. The first
is that wherein our Ancestor gives an Account of the pleasure he took in
conversing with him, which contains a very noble Moral.
For while I sit with thee, I seem in Heavn,
And sweeter thy Discourse is to my Ear
Than Fruits of Palm-tree (pleasantest to Thirst
And Hunger both from Labour) at the hour
Of sweet Repast: they satiate, and soon fill,
Tho pleasant; but thy Words with Grace divine
Imbu'd, bring to their Sweetness no Satiety.
The other I shall mention, is that in which the Angel gives a Reason why
he should be glad to hear the Story Adam was about to relate.
For I that day was absent, as befel,
Bound on a Voyage uncouth and obscure;
Far on Excursion towards the Gates of Hell,
Squar'd in full Legion [such Command we had]
To see that none thence issued forth a Spy,
Or Enemy; while God was in his Work,
Lest he, incens'd at such Eruption bold,
Destruction with Creation might have mix'd.
There is no question but our Poet drew the Image in what follows from
that in Virgil's sixth Book, where Æneas and the Sibyl stand before the
Adamantine Gates, which are there described as shut upon the Place of
Torments, and listen to the Groans, the Clank of Chains, and the Noise
of Iron Whips, that were heard in those Regions of Pain and Sorrow.
--Fast we found, fast shut
The dismal Gates, and barricado'd strong;
But long ere our Approaching heard within
Noise, other than the Sound of Dance or Song,
Torment, and loud Lament, and furious Rage.
Adam then proceeds to give an account of his Condition and Sentiments
immediately after his Creation. How agreeably does he represent the
Posture in which he found himself, the beautiful Landskip that
surrounded him, and the Gladness of Heart which grew up in him on that
occasion?
--As new waked from soundest Sleep,
Soft on the flowry Herb I found me laid
In balmy Sweat, which with his Beams the Sun
Soon dried, and on the reaking Moisture fed.
Streight towards Heavn my wondring Eyes I turn'd,
And gazed awhile the ample Sky, till rais'd
By quick instinctive Motion, up I sprung,
As thitherward endeavouring, and upright
Stood on my Feet: About me round I saw
Hill, Dale, and shady Woods, and sunny Plains,
And liquid lapse of murmuring Streams; by these
Creatures that liv'd, and mov'd, and walked, or flew,
Birds on the Branches warbling; all things smil'd:
With Fragrance, and with Joy my Heart o'erflow'd.
Adam is afterwards describ'd as surprized at his own Existence, and
taking a Survey of himself, and of all the Works of Nature. He likewise
is represented as discovering by the Light of Reason, that he and every
thing about him must have been the Effect of some Being infinitely good
and powerful, and that this Being had a right to his Worship and
Adoration. His first Address to the Sun, and to those Parts of the
Creation which made the most distinguished Figure, is very natural and
amusing to the Imagination.
--Thou Sun, said I, fair Light,
And thou enlighten'd Earth, so fresh and gay,
Ye Hills and Dales, ye Rivers, Woods and Plains,
And ye that live and move, fair Creatures tell,
Tell if you saw, how came I thus, how here?
His next Sentiment, when upon his first going to sleep he fancies
himself losing his Existence, and falling away into nothing, can never
be sufficiently admired. His Dream, in which he still preserves the
Consciousness of his Existence, together with his removal into the
Garden which was prepared for his Reception, are also Circumstances
finely imagined, and grounded upon what is delivered in Sacred Story.
These and the like wonderful Incidents in this Part of the Work, have in
them all the Beauties of Novelty, at the same time that they have all
the Graces of Nature. They are such as none but a great Genius could
have thought of, tho, upon the perusal of them, they seem to rise of
themselves from the Subject of which he treats. In a word, tho they are
natural, they are not obvious, which is the true Character of all fine
Writing.
The Impression which the Interdiction of the Tree of Life left in the
Mind of our first Parent, is describ'd with great Strength and Judgment;
as the Image of the several Beasts and Birds passing in review before
him is very beautiful and lively.
--Each Bird and Beast behold
Approaching two and two, these cowring low
With Blandishment; each Bird stoop'd on his Wing:
I nam'd them as they pass'd--
Adam, in the next place, describes a Conference which he held with his
Maker upon the Subject of Solitude. The Poet here represents the supreme
Being, as making an Essay of his own Work, and putting to the tryal that
reasoning Faculty, with which he had endued his Creature. Adam urges, in
this Divine Colloquy, the Impossibility of his being happy, tho he was
the Inhabitant of Paradise, and Lord of the whole Creation, without the
Conversation and Society of some rational Creature, who should partake
those Blessings with him. This Dialogue, which is supported chiefly by
the Beauty of the Thoughts, without other poetical Ornaments, is as fine
a Part as any in the whole Poem: The more the Reader examines the
Justness and Delicacy of its Sentiments, the more he will find himself
pleased with it. The Poet has wonderfully preserved the Character of
Majesty and Condescension in the Creator, and at the same time that of
Humility and Adoration in the Creature, as particularly in the following
Lines:
Thus I presumptuous; and the Vision bright,
As with a Smile more bright-tied, thus reply'd, &c.
--I, with leave of Speech implor'd
And humble Deprecation, thus reply d:
Let not my Words offend thee, Heavnly Power,
My Maker, be propitious while I speak, &c.
Adam then proceeds to give an account of his second Sleep, and of the
Dream in which he beheld the Formation of Eve. The new Passion that was
awaken'd in him at the sight of her, is touch'd very finely.
Under his forming Hands a Creature grew,
Manlike, but different Sex: so lovely fair,
That what seem'd fair in all the World, seemed now
Mean, or in her summ'd up, in her contained,
And in her Looks; which from that time infused
Sweetness info my Heart, unfelt before:
And into all things from her Air inspired
The Spirit of Love and amorous Delight.
Adams Distress upon losing sight of this beautiful Phantom, with his
Exclamations of Joy and Gratitude at the discovery of a real Creature,
who resembled the Apparition which had been presented to him in his
Dream; the Approaches he makes to her, and his Manner of Courtship; are
all laid together in a most exquisite Propriety of Sentiments.
Tho this Part of the Poem is work'd up with great Warmth and Spirit,
the Love which is described in it is every way suitable to a State of
Innocence. If the Reader compares the Description which Adam here gives
of his leading Eve to the Nuptial Bower, with that which Mr. Dryden has
made on the same occasion in a Scene of his Fall of Man, he will be
sensible of the great care which Milton took to avoid all Thoughts on so
delicate a Subject, that might be offensive to Religion or Good-Manners.
The Sentiments are chaste, but not cold; and convey to the Mind Ideas of
the most transporting Passion, and of the greatest Purity. What a noble
Mixture of Rapture and Innocence has the Author join'd together, in the
Reflection which Adam makes on the Pleasures of Love, compared to those
of Sense.
Thus have I told thee all my State, and brought
My Story to the sum of earthly Bliss,
Which I enjoy; and must confess to find
In all things else Delight indeed, but such
As us'd or not, works in the Mind no Change
Nor vehement Desire; these Delicacies
I mean of Taste, Sight, Smell, Herbs, Fruits, and Flowers,
Walks, and the Melody of Birds: but here
Far otherwise, transported I behold,
Transported touch; here Passion first I felt,
Commotion strange! in all Enjoyments else
Superiour and unmov'd, here only weak
Against the Charms of Beauty's powerful Glance.
Or Nature fail'd in me, and left some Part
Not Proof enough such Object to sustain;
Or from my Side subducting, took perhaps
More than enough; at least on her bestowed
Too much of Ornament in outward shew
Elaborate, of inward less exact.
--When I approach
Her Loveliness, so absolute she seems
And in herself compleat, so well to know
Her own, that what she wills to do or say
Seems wisest, vertuousest, discreetest, best:
All higher Knowledge in her Presence falls
Degraded: Wisdom in discourse with her
Loses discountenanced, and like Folly shews;
Authority and Reason on her wait,
As one intended first, not after made
Occasionally: and to consummate all,
Greatness of Mind, and Nobleness their Seat
Build in her loveliest, and create an Awe
About her, as a Guard angelick plac'd.
These Sentiments of Love, in our first Parent, gave the Angel such an
Insight into Humane Nature, that he seems apprehensive of the Evils
which might befall the Species in general, as well as Adam in
particular, from the Excess of this Passion. He therefore fortifies him
against it by timely Admonitions; which very artfully prepare the Mind
of the Reader for the Occurrences of the next Book, where the Weakness
of which Adam here gives such distant Discoveries, brings about that
fatal Event which is the Subject of the Poem. His Discourse, which
follows the gentle Rebuke he received from the Angel, shews that his
Love, however violent it might appear, was still founded in Reason, and
consequently not improper for Paradise.
Neither her outside Form so fair, nor aught
In Procreation common to all kinds,
(Tho higher of the genial Bed by far,
And with mysterious Reverence I deem)
So much delights me, as those graceful Acts,
Those thousand Decencies that daily flow
From all her Words and Actions, mixt with Love
And sweet Compliance, which declare unfeign'd
Union of Mind, or in us both one Soul;
Harmony to behold in--wedded Pair!
Adams Speech, at parting with the Angel, has in it a Deference and
Gratitude agreeable to an inferior Nature, and at the same time a
certain Dignity and Greatness suitable to the Father of Mankind in his
State of Innocence.