L.

[Footnote 1: First published in 1690.]

[Footnote 2: Dryden accounted among critics the greatest of his age to

be Boilean and Rapin. Boileau was the great master of French criticism.

René Rapin, born at Tours in 1621, taught Belles Lettres with

extraordinary success among his own order of Jesuits, wrote famous

critical works, was one of the best Latin poets of his time, and died at

Paris in 1687. His Whole Critical Works were translated by Dr. Basil

Kennett in two volumes, which appeared in 1705. The preface of their

publisher said of Rapin that

he has long dictated in this part of letters. He is acknowledged as

the great arbitrator between the merits of the best writers; and

during the course of almost thirty years there have been few appeals

from his sentence.

(See also a note on p. 168, vol. i. [Footnote 3 of No. 44.]) René le

Bossu, the great French authority on Epic Poetry, born in 1631, was a

regular canon of St. Genevieve, and taught the Humanities in several

religious houses of his order. He died, subprior of the Abbey of St.

Jean de Cartres, in 1680. He wrote, besides his Treatise upon Epic

Poetry, a parallel between the philosophies of Aristotle and Descartes,

which appeared a few months earlier (in 1674) with less success. Another

authority was Father Bouhours, of whom see note on p. 236, vol. i.

[Footnote 4 of No. 62.] Another was Bernard le Bovier de Fontenelle.

called by Voltaire the most universal genius of his age. He was born at

Rouen in 1657, looking so delicate that he was baptized in a hurry, and

at 16 was unequal to the exertion of a game at billiards, being caused

by any unusual exercise to spit blood, though he lived to the age of a

hundred, less one month and two days. He was taught by the Jesuits, went

to the bar to please his father, pleaded a cause, lost it, and gave up

the profession to devote his time wholly to literature and philosophy.

He went to Paris, wrote plays and the Dialogues of the Dead, living

then with his uncle, Thomas Corneille. A discourse on the Eclogue

prefixed to his pastoral poems made him an authority in this manner of

composition. It was translated by Motteux for addition to the English

translation of Bossu on the Epic, which had also appended to it an Essay

on Satire by another of these French critics, André Dacier. Dacier, born

at Castres in 1651, was educated at Saumur under Taneguy le Févre, who

was at the same time making a scholar of his own daughter Anne. Dacier

and the young lady became warmly attached to one another, married,

united in abjuring Protestantism, and were for forty years, in the

happiest concord, man and wife and fellow-scholars. Dacier and his wife,

as well as Fontenelle, were alive when the Spectator was appearing; his

wife dying, aged 69, in 1720, the husband, aged 71, in 1722. André

Dacier translated and annotated the Poetics of Aristotle in 1692, and

that critical work was regarded as his best performance.]

[Footnote 3: Annus Mirabilis, st. 39.]

[Footnote 4: Ad Brutum. Orator. Towards the beginning:

Facile est enim verbum aliquod ardens (ut ita dicam) notare, idque

restinctis jam animorum incendiis, irridere.]

[Footnote 5: On the Sublime, § 36.]

[Footnote 6: Trajan Boccalini, born at Rome in 1554, was a satirical

writer famous in Italy for his fine criticism and bold satire. Cardinals

Borghese and Cajetan were his patrons. His Ragguagli di Parnasso and

la Secretaria di Parnasso, in which Apollo heard the complaints of the

world, and dispensed justice in his court on Parnassus, were received

with delight. Afterwards, in his Pietra di Parangone, he satirized the

Court of Spain, and, fearing consequences, retired to Venice, where in

1613 he was attacked in his bed by four ruffians, who beat him to death

with sand-bags. Boccalini's Ragguagli di Parnasso has been translated

into English, in 1622, as News from Parnassus. Also, in 1656, as

Advertisements from Parnassus, by H. Carey, Earl of Monmouth. This

translation was reprinted in 1669 and 1674, and again in 1706 by John

Hughes, one of the contributors to the Spectator.]

[Footnote 7: To this number of the Spectator, and to several numbers

since that for January 8, in which it first appeared, is added an

advertisement that, The First and Second Volumes of the SPECTATOR in 8vo

are now ready to be delivered to the subscribers by J. Tonson, at

Shakespeare's Head, over-against Catherine Street in the Strand.]

* * * * *

No. 292. Monday, February 4, 1712.

Illam, quicquid agit, quoquo Vestigia flectit,

Componit furlim, subsequiturque decor.

Tibull. L. 4.

As no one can be said to enjoy Health, who is only not sick, without he

feel within himself a lightsome and invigorating Principle, which will

not suffer him to remain idle, but still spurs him on to Action: so in

the Practice of every Virtue, there is some additional Grace required,

to give a Claim of excelling in this or that particular Action. A

Diamond may want polishing, though the Value be still intrinsically the

same; and the same Good may be done with different Degrees of Lustre. No

man should be contented with himself that he barely does well, but he

should perform every thing in the best and most becoming Manner that he

is able.

Tully tells us he wrote his Book of Offices, because there was no Time

of Life in which some correspondent Duty might not be practised; nor is

there a Duty without a certain Decency accompanying it, by which every

Virtue tis join'd to will seem to be doubled. Another may do the same

thing, and yet the Action want that Air and Beauty which distinguish it

from others; like that inimitable Sun-shine Titian is said to have

diffused over his Landschapes; which denotes them his, and has been

always unequalled by any other Person.

There is no one Action in which this Quality I am speaking of will be

more sensibly perceived, than in granting a Request or doing an Office

of Kindness. Mummius, by his Way of consenting to a Benefaction, shall

make it lose its Name; while Carus doubles the Kindness and the

Obligation: From the first the desired Request drops indeed at last, but

from so doubtful a Brow, that the Obliged has almost as much Reason to

resent the Manner of bestowing it, as to be thankful for the Favour it

self. Carus invites with a pleasing Air, to give him an Opportunity of

doing an Act of Humanity, meets the Petition half Way, and consents to a

Request with a Countenance which proclaims the Satisfaction of his Mind

in assisting the Distressed.

The Decency then that is to be observed in Liberality, seems to consist

in its being performed with such Cheerfulness, as may express the

God-like Pleasure is to be met with in obliging ones Fellow-Creatures;

that may shew Good-nature and Benevolence overflowed, and do not, as in

some Men, run upon the Tilt, and taste of the Sediments of a grutching

uncommunicative Disposition.

Since I have intimated that the greatest Decorum is to be preserved in

the bestowing our good Offices, I will illustrate it a little by an

Example drawn from private Life, which carries with it such a Profusion

of Liberality, that it can be exceeded by nothing but the Humanity and

Good-nature which accompanies it. It is a Letter of Pliny's[1] which I

shall here translate, because the Action will best appear in its first

Dress of Thought, without any foreign or ambitious Ornaments.

PLINY to QUINTILIAN.

Tho I am fully acquainted with the Contentment and just Moderation of

your Mind, and the Conformity the Education you have given your

Daughter bears to your own Character; yet since she is suddenly to be

married to a Person of Distinction, whose Figure in the World makes it

necessary for her to be at a more than ordinary Expence in Cloaths and

Equipage suitable to her Husbands Quality; by which, tho her

intrinsick Worth be not augmented, yet will it receive both Ornament

and Lustre: And knowing your Estate to be as moderate as the Riches of

your Mind are abundant, I must challenge to my self some part of the

Burthen; and as a Parent of your Child. I present her with Twelve

hundred and fifty Crowns towards these Expences; which Sum had been

much larger, had I not feared the Smallness of it would be the

greatest Inducement with you to accept of it. Farewell.

Thus should a Benefaction be done with a good Grace, and shine in the

strongest Point of Light; it should not only answer all the Hopes and

Exigencies of the Receiver, but even out-run his Wishes: Tis this happy

manner of Behaviour which adds new Charms to it, and softens those Gifts

of Art and Nature, which otherwise would be rather distasteful than

agreeable. Without it, Valour would degenerate into Brutality, Learning

into Pedantry, and the genteelest Demeanour into Affectation. Even

Religion its self, unless Decency be the Handmaid which waits upon her,

is apt to make People appear guilty of Sourness and ill Humour: But this

shews Virtue in her first original Form, adds a Comeliness to Religion,

and gives its Professors the justest Title to the Beauty of Holiness. A

Man fully instructed in this Art, may assume a thousand Shapes, and

please in all: He may do a thousand Actions shall become none other but

himself; not that the Things themselves are different, but the Manner of

doing them.

If you examine each Feature by its self, Aglaura and Callidea are

equally handsome; but take them in the Whole, and you cannot suffer the

Comparison: Tho one is full of numberless nameless Graces, the other of

as many nameless Faults.

The Comeliness of Person, and Decency of Behaviour, add infinite Weight

to what is pronounced by any one. Tis the want of this that often makes

the Rebukes and Advice of old rigid Persons of no Effect, and leave a

Displeasure in the Minds of those they are directed to: But Youth and

Beauty, if accompanied with a graceful and becoming Severity, is of

mighty Force to raise, even in the most Profligate, a Sense of Shame. In

Milton, the Devil is never described ashamed but once, and that at the

Rebuke of a beauteous Angel.

So spake the Cherub, and his grave Rebuke,

Severe in youthful Beauty, added Grace

Invincible: Abash'd the Devil stood,

And felt how awful Goodness is, and saw

Virtue in her own Shape how lovely I saw, and pin'd

His Loss. [2]

The Care of doing nothing unbecoming has accompanied the greatest Minds

to their last Moments. They avoided even an indecent Posture in the very

Article of Death. Thus Cæsar gathered his Robe about him, that he might

not fall in a manner unbecoming of himself: and the greatest Concern

that appeared in the Behaviour of Lucretia, when she stabbed her self,

was, that her Body should lie in an Attitude worthy the Mind which had

inhabited it.

Ne non procumbat honeste

Extrema hæc etiam cura, cadentis erat. [3]

Twas her last Thought, How decently to fall.

Mr. SPECTATOR,

I am a young Woman without a Fortune; but of a very high Mind: That

is, Good Sir, I am to the last degree Proud and Vain. I am ever

railing at the Rich, for doing Things, which, upon Search into my

Heart, I find I am only angry because I cannot do the same my self. I

wear the hooped Petticoat, and am all in Callicoes when the finest are

in Silks. It is a dreadful thing to be poor and proud; therefore if

you please, a Lecture on that Subject for the Satisfaction of

Your Uneasy Humble Servant,

JEZEBEL.

The Spectator, Volume 2. · 第 159 / 384 题