Mr. Spectator, [1]

You, who are no Stranger to Publick Assemblies, cannot but have

observed the Awe they often strike on such as are obliged to exert any

Talent before them. This is a sort of elegant Distress, to which

ingenuous Minds are the most liable, and may therefore deserve some

remarks in your Paper. Many a brave Fellow, who has put his Enemy to

Flight in the Field, has been in the utmost Disorder upon making a

Speech before a Body of his Friends at home: One would think there was

some kind of Fascination in the Eyes of a large Circle of People, when

darting altogether upon one Person. I have seen a new Actor in a

Tragedy so bound up by it as to be scarce able to speak or move, and

have expected he would have died above three Acts before the Dagger or

Cup of Poison were brought in. It would not be amiss, if such an one

were at first introduced as a Ghost or a Statue, till he recovered his

Spirits, and grew fit for some living Part.

As this sudden Desertion of ones self shews a Diffidence, which is

not displeasing, it implies at the same time the greatest Respect to

an Audience that can be. It is a sort of mute Eloquence, which pleads

for their Favour much better than Words could do; and we find their

Generosity naturally moved to support those who are in so much

Perplexity to entertain them. I was extremely pleased with a late

Instance of this Kind at the Opera of _Almahide_, in the Encouragement

given to a young Singer, [2] whose more than ordinary Concern on her

first Appearance, recommended her no less than her agreeable Voice,

and just Performance. Meer Bashfulness without Merit is awkward; and

Merit without Modesty, insolent. But modest Merit has a double Claim

to Acceptance, and generally meets with as many Patrons as Beholders.

_I am_, &c.

It is impossible that a Person should exert himself to Advantage in an

Assembly, whether it be his Part either to sing or speak, who lies under

too great Oppressions of Modesty. I remember, upon talking with a Friend

of mine concerning the Force of Pronunciation, our Discourse led us into

the Enumeration of the several Organs of Speech which an Orator ought to

have in Perfection, as the Tongue, the Teeth [the Lips,] the Nose, the

Palate, and the Wind-pipe. Upon which, says my Friend, you have omitted

the most material Organ of them all, and that is the Forehead.

But notwithstanding an Excess of Modesty obstructs the Tongue, and

renders it unfit for its Offices, a due Proportion of it is thought so

requisite to an Orator, that Rhetoricians have recommended it to their

Disciples as a Particular in their Art. _Cicero_ tells us that he never

liked an Orator who did not appear in some little Confusion at the

Beginning of his Speech, and confesses that he himself never entered

upon an Oration without Trembling and Concern. It is indeed a kind of

Deference which is due to a great Assembly, and seldom fails to raise a

Benevolence in the Audience towards the Person who speaks. My

Correspondent has taken notice that the bravest Men often appear

timorous on these Occasions, as indeed we may observe, that there is

generally no Creature more impudent than a Coward.

--_Linguá melior, sedfrigida bello

Dextera_--

A bold Tongue and a feeble Arm are the Qualifications of _Drances_ in

_Virgil_; as _Homer_, to express a Man both timorous and sawcy, makes

use of a kind of Point, which is very rarely to be met with in his

Writings; namely, that he had the Eyes of a Dog, but the Heart of a

Deer. [3]

A just and reasonable Modesty does not only recommend Eloquence, but

sets off every great Talent which a Man can be possessed of. It

heightens all the Virtues which it accompanies like the Shades in

Paintings, it raises and rounds every Figure, and makes the Colours more

beautiful, though not so glaring as they would be without it.

Modesty is not only an Ornament, but also a Guard to Virtue. It is a

kind of quick and delicate _Feeling_ in the Soul, which makes her shrink

and withdraw her self from every thing that has Danger in it. It is such

an exquisite Sensibility, as warns her to shun the first Appearance of

every thing which is hurtful.

I cannot at present recollect either the Place or Time of what I am

going to mention; but I have read somewhere in the History of Ancient

_Greece_, that the Women of the Country were seized with an

unaccountable Melancholy, which disposed several of them to make away

with themselves. The Senate, after having tried many Expedients to

prevent this Self-Murder, which was so frequent among them, published an

Edict, That if any Woman whatever should lay violent Hands upon her

self, her Corps should be exposed naked in the Street, and dragged about

the City in the most publick Manner. This Edict immediately put a Stop

to the Practice which was before so common. We may see in this Instance

the Strength of Female Modesty, which was able to overcome the Violence

even of Madness and Despair. The Fear of Shame in the Fair Sex, was in

those Days more prevalent than that of Death.

If Modesty has so great an Influence over our Actions, and is in many

Cases so impregnable a Fence to Virtue; what can more undermine Morality

than that Politeness which reigns among the unthinking Part of Mankind,

and treats as unfashionable the most ingenuous Part of our Behaviour;

which recommends Impudence as good Breeding, and keeps a Man always in

Countenance, not because he is Innocent, but because he is Shameless?

_Seneca_ thought Modesty so great a Check to Vice, that he prescribes to

us the Practice of it in Secret, and advises us to raise it in ourselves

upon imaginary Occasions, when such as are real do not offer themselves;

for this is the Meaning of his Precept, that when we are by ourselves,

and in our greatest Solitudes, we should fancy that _Cato_ stands before

us, and sees every thing we do. In short, if you banish Modesty out of

the World, she carries away with her half the Virtue that is in it.

After these Reflections on Modesty, as it is a Virtue; I must observe,

that there is a vicious Modesty, which justly deserves to be ridiculed,

and which those Persons very often discover, who value themselves most

upon a well-bred Confidence. This happens when a Man is ashamed to act

up to his Reason, and would not upon any Consideration be surprized in

the Practice of those Duties, for the Performance of which he was sent

into the World. Many an impudent Libertine would blush to be caught in a

serious Discourse, and would scarce be able to show his Head, after

having disclosed a religious Thought. Decency of Behaviour, all outward

Show of Virtue, and Abhorrence of Vice, are carefully avoided by this

Set of Shame-faced People, as what would disparage their Gayety of

Temper, and infallibly bring them to Dishonour. This is such a Poorness

of Spirit, such a despicable Cowardice, such a degenerate abject State

of Mind, as one would think Human Nature incapable of, did we not meet

with frequent Instances of it in ordinary Conversation.

There is another Kind of vicious Modesty which makes a Man ashamed of

his Person, his Birth, his Profession, his Poverty, or the like

Misfortunes, which it was not in his Choice to prevent, and is not in

his Power to rectify. If a Man appears ridiculous by any of the

afore-mentioned Circumstances, he becomes much more so by being out of

Countenance for them. They should rather give him Occasion to exert a

noble Spirit, and to palliate those Imperfections which are not in his

Power, by those Perfections which are; or to use a very witty Allusion

of an eminent Author, he should imitate _Cæsar_, who, because his Head

was bald, cover'd that Defect with Laurels.

The Spectator, Volume 2. · 第 66 / 384 题