“Only a wretch, an enemy of yours could have written it. Who can it have

been?” Her eyes were ablaze and her voice trembled with anger.

“I wrote it,” he said.

He did not dare to look at her for a few seconds. Then, with a flimsy

mask of pretended calmness only the more clearly revealing self-contempt

and cowardice, he faced her amazed eyes, her pale cheeks, her parted

lips--and dropped his gaze to the floor.

“You?” she whispered. “You?”

“Yes, I.”

She sat so still that he reached over and touched her hand. It was cold.

She shivered and drew it away. They were silent for a long time--several

minutes. She was looking at his face. It was old and sad and

feeble--pitiful, contemptible. She had never seen those lines of

weakness about his mouth before. She had never before noted that his

features had lost the expression of exalted character, the light of free

and independent manhood which made her look again the first time she saw

him. When had the man she loved departed? When had the new man come? How

long had she been giving herself to a stranger--and _such_ a stranger?

“Yes--I,” he repeated. “I have come over to your side.” He laughed and

she shivered again. “Well--what do you think?”

“Think?--I?--Oh, I think----”

She burst into tears, flung herself down at his feet and buried her head

in his lap.

“I think nothing,” she sobbed, “except that I--I love you.”

He fell to smoothing her hair, slowly, gently, patronisingly. His face

was composed and he was looking down at her trembling head and agitated

shoulders with an absent-minded smile. How easily this once

dreaded crisis had passed! How he had overestimated her! How he had

underestimated himself!

His glance and his thoughts soon fastened upon the copy of his newspaper

which she had thrown aside--_his_ newspaper indeed, his creation and his

creature, the epitome of his intellect and character, of his strength

and his weakness. Half a million circulation daily, three quarters of a

million on Sunday--how mighty as a direct influence upon the people! Its

clearness and vigour, its intelligence, its truth-like sophistry--how

mighty as an indirect influence upon the minds of other editors and of

public men! “Power--Success,” he repeated to himself in an exaltation of

vanity and arrogance.

Marian lifted her head and, turning, put it against his knee. She

reached out for his hand. He began to speak at once in a low persuasive

voice:

“Trust me, dear, can’t you? You do not--have not been reading the paper

until recently. You are not interested in politics. There have been many

changes in the few last years. And I too have changed. I am no longer

without responsibilities. They have sobered me, have given me

an appreciation of property, stability, conservatism. Youth is

enthusiastic, theoretical. I have--”

“Ah, but I do trust you,” she interrupted eagerly, fearful lest his

explanations would make it the more difficult for her to convince

herself of what she felt she must believe if life were to go on. “And

you--I don’t want you to excite yourself. You must be quiet--must get

well.”

Each avoided meeting the other’s eyes as she arranged the pillows for

him before leaving him alone to rest.

The longer she juggled with her discovery the less appalling it seemed.

His line of action fitted too closely to her own ambitions of social

distinction, social leadership. If he had been her lover, the shock

would have killed love and set up contempt in its stead. But he was

not her lover, had not been for years; and to find that her husband was

doing a husband’s duty, was winning position and power for himself and

therefore for his wife--that was a disclosure with mitigating aspects at

least. Besides, might she not be in part mistaken? Surely any course so

satisfactory in its results could not be wholly wrong, might perhaps be

the right in an unexpected, unaccustomed form.

XXVIII.

SUCCESS.

French had made a portrait of the new American ambassador to the Court

of St. James and it was shown at the spring exhibition of the Royal

Academy. The ambassador and his wife wished to see how it had been

hung, but they did not wish to be seen. So they chose an early hour of

a chill, rainy May morning to drive in a hansom from their place in Park

Lane to Burlington House.

They found the portrait in Room VI, on the line, in a corner, but where

it had the benefit of such light as there was. When they entered no one

was there; but, as they were standing close to the picture, admiring

the energy and simplicity of the strokes of the master’s brush, a crowd

swept in and enclosed them.

“Let us go,” Howard said in a low tone.

Just then a man, almost at his shoulder because of the pressure of those

behind, said: “Wonderful, isn’t it? I’ve never seen a better example of

his work. He had a subject that suited him perfectly.”

“No, let us stay,” Marian whispered in reply to her husband. “They can’t

see our faces and I’d like to hear.”

“Yes, it is superb,” came the answer to the man behind them in a voice

unmistakably American. “Now, tell me, Saverhill, what sort of a person

would you say the ambassador is from that picture? You don’t know him?”

“Never heard of him until I read of his appointment,” replied the first

voice.

“I’ve heard of him often enough,” came in the American voice. “But I’ve

never seen him.”

“You know him now,” resumed the Englishman, “inside as well as out.

French always paints what he sees and always sees what he’s painting.”

“Well, what is it?”

“Let us go,” whispered Marian. But Howard did not heed her.

“I see--a fallen man. He was evidently a real man once; but he sold

himself.”

“Yes? Where does it show?”

“He’s got a good mind, this fellow-countryman of yours. There are the

eyes of a thinker and a doer. Nothing could have kept him down. His face

is almost as relentless as Kitchener’s and fully as aggressive, except

that it shows intellect, and Kitchener’s doesn’t. Now note the corners

of his eyes, Marshall, and his mouth and nostrils and chin, and you’ll

see why he sold himself, and the--the consequences.”

Howard and Marian, fascinated, compelled, looked where the unknown

requested.

“I think I see what you mean,” came in Marshall’s voice, laughingly.

“But go on.”

“Ah, there it all is--hypocrisy, vanity, lack of principle, and,

plainest of all, weakness. It’s a common enough type among your

successful men. The man himself is the fixed market price for a certain

kind of success. But, according to French, this ambassador of yours

seems to know what he has paid; and the knowledge doesn’t make him more

content with his bargain. He has more brains than vanity; therefore he’s

an unhappy hypocrite instead of a happy self-deceiver.”

Howard and Marian shrunk together with their heads close in the effort

to make sure of concealing their faces. She was suffering for herself,

but more acutely for him. She knew, as if she were looking into his

mind, his frightful humiliation. “Hereafter,” she thought, “whenever any

one looks at him he will feel the thought behind the look.”

“How nearly did I come to him?” asked Saverhill.

Howard started and Marian caught the rail for support.

“A centre-shot,” replied Marshall, “if the people who know him and have

talked to me about him tell the truth.”

“Oh, they’re ‘on to’ him, as you say, over there, are they?”

“No, not everybody. Only his friends and the few who are on the inside.

There’s an ugly story going about privately as to how he got the

ambassadorship. They say he was bought with it. But--he’s admired and

envied even by a good many who know or suspect that he’s only an article

of commerce. He’s got the cash and he’s got position; and his paper

gives him tremendous power. Then too, as you say, all about him there

are men like himself. The only punishment he’s likely to get is the

penalty of having to live with himself.”

“A good, round price if French is not mistaken,” replied Saverhill.

The two men passed on. Howard and Marian looked guiltily about, then

slipped away in the opposite direction. He helped her into the waiting

hansom. As they were driven homeward she cast a stealthy side-glance at

him.

“Yes,” she thought, “the portrait is a portrait of his face; and his

face is a portrait of himself.”

He caught her glance in the little mirror in the side of the

hansom--caught it and read it. And he began to hate her, this instrument

to his punishment, this constant remembrancer of his downfall.

The Great God Success: A Novel · 第 14 / 14 段