XIX. THE DAY OF THE WEDDING

When Lord Bob reached Brussels on Friday he found affairs in a sorry

shape. His wife's never-failing serenity was in a sad state of

collapse. Quentin was showing wonderful signs of recuperation, and

it almost required lock and key to keep him from breaking forth into

the wildest indiscretions. Gradually and somewhat disconnectedly he

became acquainted with existing conditions. He first learned that

his wife had carried Quentin's banner boldly up to the walls of the

fortress, and then--well, Lady Saxondale's pride was very much hurt

by what happened there. Miss Garrison was exceedingly polite, but

quite ungrateful for the kindness that was being bestowed upon her.

She assured her ladyship that she was making no mistake in marrying

Prince Ravorelli, and, if she were, she alone would suffer.

“I am so furious with her, Bob, for marrying Prince Ugo that I am

not going to the wedding,” said Lady Saxondale.

“Whew! That's a bracer! But, by the way, my dear, did you introduce

any real proof that he is the scoundrel you say he is? Seems to me

the poor girl is right in the stand she takes. She wants proof, and

positive proof, you know. I don't blame her. How the deuce can she

break it off with the fellow on the flimsy excuse that Phil Quentin

and Lady Saxondale say he is a rascal? You've all been acting like a

tribe of ninnies, if you'll pardon my saying so.”

“She is sensible enough to know that we would not misrepresent

matters to her in such a serious case as this,” she retorted.

“What proof have you that Ravorelli is a villain?”

“Good heavens, Bob, did he not try to have Phil murdered?” she

exclaimed, pityingly.

“Do you know that to be a positive fact?”

“Phil and Mr. Savage are quite thoroughly convinced.”

“But if anyone asked you to go on to the witness stand and swear

that Prince Ugo tried to take the life of Philip Quentin, could you

do so?” he persisted.

“You goose, I was not an eye-witness. How could I swear to such a

thing?”

“Well, if I understand the situation correctly, Miss Garrison is the

judge, Ravorelli the accused, and you are one of the witnesses. Now,

really, dear, how far do you imagine your hearsay evidence--which is

no evidence at all--goes with the fair magistrate? What would be

your verdict if some one were to come to you and say, 'Saxondale is

a blackguard, a rascal, a cutthroat?'”

“I confess I'd say it was not true,” she said, turning quite red.

“The chances are you wouldn't even ask for proof. So, you see, Miss

Garrison behaved very generously when she condescended to hear your

assertions instead of instructing the servant to direct you to the

door.”

“She was above reproach, Bob. I never saw anyone so calm, so

composed and so frigidly agreeable. If she had shown the faintest

sign of anger, displeasure or even disgust, I could forgive her, but

she acted just as if she were tolerating me rather than to lower

herself to the point of seriously considering a word I uttered. I

know the prince is a villian. I believe every word Phil says about

him.” She took Lord Bob's hands in hers, and her deep, earnest eyes

burnt conviction into his brain.

“And so do I Frances I am as sure that

Ugo is a scoundrel as if I had personal knowledge of his

transactions. In fact, I have never believed in him. You and I will

stand together, dear, in this fight for poor old Phil, and, by the

Lord Harry, they'll find us worth backing to the finish. If there's

anything to be done that can be done, we'll do it, my girl.” And he

was amply repaid for his loyal declaration by the love that shone

refulgent from her eyes.

Quentin naturally chafed under the restraint. There was nothing he

could do, nothing his friends could do, to avert the disaster that

was daily drawing nearer. Lord Bob infused a momentary spark of hope

into the dying fire of his courage, but even the resourceful Briton

admitted that the prospect was too gloomy to warrant the slightest

encouragement. They could gain absolutely no headway against the

prince, for there was no actual proof to be had. To find the strange

woman who gave the first warning to Quentin was out of the question.

Turk had watched every movement of the prince and his aides in the

hope of in some way securing a clue to her identity or whereabouts.

There was but one proposition left; the purchase of Courant.

This plan seemed feasible until Turk reported, after diligent

search, that the French detective could not be found. Dickey was for

buying the two Italian noblemen, but that seemed out of the

question, and it was unreasonable to suspect that the other

hirelings recognized the prince as their real employer. The

slightest move to approach the two noblemen might prove disastrous,

and wisdom cut off Dickey's glorious scheme to give each of them “a

hundred dollars to tell the whole truth and nothing but the truth.”

Quentin at last burst all bonds, and, finding himself out of the

doctor's hands, determined to make a last desperate appeal to

Dorothy Garrison. If that appeal failed, he would then give up the

struggle; he would at least end the suspense. He knew how difficult

it would be to obtain an audience with her, but he went ahead with

the confidence of the drowning man, the boldness of the man who is

wounded to the death but does not know it.

It was the Wednesday just one week before the wedding that saw the

pale-faced, tall and somewhat unsteady American deliberately leave

his cab and stride manfully up the steps of a certain mansion in the

Avenue Louise. Miss Garrison was “not at home,” and her mother was

“not at home.” So said the obsequious footman.

“Take my card to Miss Garrison,” said Quentin, coolly. The man

looked bewildered and was protesting that his young mistress was not

in the house when the lady herself appeared at the top of the broad

stairway. Phil stood in the center of the hall watching her as she

slowly descended the steps. At the bottom of the steps she paused.

Neither spoke, neither smiled, for the crisis was upon them. If he

were pale from the loss of blood, she was white with the aches from

a fever-consumed heart.

“Why have you come?” she asked, at last, her voice so low that the

words scarcely reached his ears.

“Dorothy,” was all he said.

“You knew what I must say to you before you entered the door. Will

you let me tell you how deeply I have grieved over your misfortune?

Are you quite wise in coming out before you have the strength? You

are so pale, so weak. Won't you go back to your--to your hotel and

save yourself all the pain that will come to you here?” There was

pity in her eyes, entreaty in her voice, and he was enveloped in the

tender warmth of her sincerity. Never had she seemed so near as now,

and yet never so far away.

“Dorothy, you must know what manner of love it is that brings me to

plead for the smallest crumb of what has been once refused. I come

simply, in all humility, with outstretched hands to ask your love.”

He drew nearer, and she did not retreat.

“Oh, it is so useless--so hopeless, Phil,” she said, softly. “Why

will you persist? I cannot grant even the crumb.”

“I love you, Dorothy,” he cried passionately.

“Oh! Phil; you must understand that I can give you

nothing--absolutely nothing. For God's sake--for my sake, for the

sake of that dear friendship we own together, go away and

forget--forget everything,” she said, piteously.

A half-hour later he slowly descended the steps, staggering like a

man sick unto death. She sat where he left her, her wide, dry eyes

seeing nothing, her ears hearing nothing but the words his love had

forced her to utter. These words:

“Yes, heaven help me, I do care for you. But, go! Go! I can never

see you again. I shall keep the bargain I have made, if I die at the

altar. I cannot break my promise to him.” And all his pleading could

not break down that decision--not even when she found herself for

one brief, terrible instant in his straining arms, his lips upon

hers.

It was all over. He calmly told his friends, as he had told her,

that he would sail for New York on the first steamer, and Turk

reluctantly began to pack the things. The night before he was to

leave for Hamburg, the Saxondales, Lady Jane and Savage sat with him

long into the night. Prince Ugo's watchdogs were not long in

discovering the sudden turn affairs had taken, and he was gleefully

celebrating the capitulation.

The next day the Saxondales accompanied the two Americans to the

railway station, bade them a fond farewell and hastened back to the

home of the Baron St. Auge with new resolutions in their hearts. The

forepart of the ensuing week saw their departure from Brussels.

Deliberately they turned their backs on the great wedding that was

to come, and as if scorning it completely, journeyed to Lord Bob's

ruins in Luxemburg, preferring the picturesque solitude of the

tumbledown castle to the empty spectacle at St. Gudule. Brussels may

have wondered at their strange leave-taking on the eve of the

wedding, but no explanation was offered by the departing ones.

When Dorothy Garrison heard that Philip Quentin had started for the

United States she felt a chill of regret sink suddenly into her

soul, and it would not be driven forth. She went on to the very

night that was to make her a princess, with the steel in her heart,

but the world did not know it was there. There was no faltering, no

wavering, no outward sign of the emotions which surged within. She

was to be a princess! But when the Saxondales turned their faces

from her, spurning the invitation to her wedding, the pride in her

heart suffered. That was a blow she had not expected. It was like an

accusation, a reproach.

Little Lady Jane blissfully carried with her to the valley of the

Alzette the consciousness that Richard Savage was very much in love

with her, even though he had not found courage to tell her so in

plain words. A telegram from him stating that he and Quentin had

taken passage for New York and would sail on the following day

dispelled the hope that he might return.

Brussels was full of notables. The newspapers of two continents were

fairly blazing with details of the wedding. There were portraits of

the bride and groom, and the bishop, and pictures of the gowns, the

hats, the jewels; there were biographies of the noted beauty and the

man she was to marry. The Brussels papers teemed with the arrivals

of distinguished guests.

Overcoming Mrs. Garrison's objections, Dorothy had insisted on and

obtained special permission to have a night wedding. She had dreamed

of the lights, the splendor, the brilliancy of an after-sunset

wedding and would not be satisfied until all barriers were put

aside.

Dorothy's uncle, Henry Van Dykman, her mother's brother, and a

number of elated New York relatives came to the Belgian capital,

shedding their American opulence as the sun throws out its light.

The skill of a general was required to direct, manage and control

the pageant of the sixteenth. Thousands of dollars were tossed into

the cauldron of social ambition by the lavish mother, who, from

behind an army of lieutenants, directed the preliminary maneuvers.

The day came at last and St. Gudule's presented a scene so

bewilderingly, so dazzlingly glorious that all Brussels blinked its

eyes and was awed into silence. The church gleamed with the wealth

of the universe, it seemed, and no words could describe the

brilliancy of the occasion. The hour of this woman's triumph had

come, the hour of the Italian conqueror had come, the hour of the

victim had come.

In front of the house in the Avenue Louise, an hour before the

beginning of the ceremony, there stood the landau that was to take

the bride to the cathedral. Carriage after carriage passed, bearing

the visitors from the new world, to the church. All were gone save

the bride, her mother and her uncle. Down the carpeted steps and

across to the door of the carriage came Dorothy and her uncle,

followed by the genius of the hour. At the last moment Dorothy

shuddered, turned sick and faint for an instant, as she thought of a

ship far out at sea.

The footman swung up beside the driver, and they were off by quiet

streets toward the church where waited all impatient, the vast

assemblage and the triumphant prince. The silence inside the

carriage was like that of the tomb. What were the thoughts of the

occupants could not well be described.

“Are we not almost there, Dorothy?” nervously asked her mother,

after many minutes. “Good heavens! We are late! O, what shall we

do?” cried she in despair. In an instant the somber silence of the

cab's interior was lost. The girl forgot her prayer in the horror of

the discovery that there was to be a hitch in the well-planned

arrangements. Her mother frantically pulled aside the curtains and

looked out, fondly expecting to see the lights of St. Gudule on the

hill. Uncle Henry dropped his watch in his nervousness and was all

confusion.

“We are not near the church, my--why, where are we? I have never

seen these houses before. Henry, Henry, call to the driver! He has

lost his way. My heavens, be quick!”

It was not necessary to hail the driver, for at that instant the

carriage came to a sudden standstill. The door opened quickly, and

before the eyes of the astonished occupants loomed the form of a

masked man. In his hand he held a revolver.

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