Chinese economists might possibly defend polygamy and concubinage on the

ground that these tend to produce a sturdier race than would be

otherwise possible; for the concubines of the wealthier classes are

usually taken from among the stronger working people, whose superior

physical vigor is constantly adding fresh blood to the more delicate

classes. But the moral evils of the system undoubtedly more than

counterbalance any physical advantage that may accrue to society through

its existence.

The birth of an infant works a marked transformation in a Chinese

woman's life. So long as she is childless, she is expected to serve.

When she becomes a mother, she at once takes up the sceptre. Wives,

therefore, pray to their deities for the coming of a son; and when the

object of their hearts' desire is realized, the delighted parents pay

their devotions to the god who has sent the new joy into their lives.

The sway of the woman over all the household, with the exception of her

liege lord and her sons, is complete. The _Shi King_ puts this in poetic

form in describing the bride's entrance upon her new estate:

"Graceful and young the peach-tree stands,

Its foliage clustering green and full,

This bride to her new home repairs,

Her household will attend her rule."

But remember that first she must become a mother. The brightest feature

in the life of Chinese women, the one thing that brings them most

comfort, is their boys. It is these which most surely lift women into a

position of respect. And this is true, even though, according to the

teaching of China's sages, the mother must be subject to her son as well

as to her husband. "The one bright spot in the lives of Chinese women,"

an educated Chinaman has recently said, "is their resignation, their

willingness to endure, to make the best of their circumstances." Indeed,

of the Chinese as a race, this is true, though it is more emphatically

true of the women. Certainly their lot is far harder than that of the

men. From the cradle to the grave, in the view of one from the Occident,

the Chinese woman's way is a dark and cheerless one. Few of the outer

rays of the world's joy penetrate the seclusion of their lives. And

while Chinese girls and women are amply capable of being made the

intellectual and social equals of the opposite sex, the fact is they are

not in any true sense companions of their brothers and husbands.

It is the lack of training that makes the Chinese woman, as a rule,

uncompanionable. There are exceptions, to be sure. In their present lack

of real preparation for the wider sphere of womanly usefulness, it is

doubtless well that the women have no larger freedom. Wherever the

Western school has gone, however, there has been given to the girls of

China an opportunity for a broader outlook upon life through education

and training.

"Of all others," says Confucius, in the _Analects_, "women servants and

men servants are the most difficult people to have the care of. Approach

them in a familiar manner, and they take liberties; keep them at a

distance, and they grumble." These words throw some light, by way of

illustration at least, upon woman's place in China as respects freedom

to mingle with the outside world. The sex probably enjoys as much

liberty as conditions justify. And yet keeping them from the world

without does not tend to develop the most genial temperament; their

faces do not evince cheerfulness or hope.

What is the attitude of a Chinese husband toward his wife? Of course,

she is regarded as his inferior; and, as a rule, she actually is.

Because of the limitations which from infancy have everywhere been

thrown about her life, it could not be otherwise. When the girls must be

married off to get rid of the craving of another mouth; and when wives

are largely looked upon as but a means of rearing children, that these

may do the pious duties in behalf of the ancestral dead, it could not be

expected that the idea of the equality of the sexes should ever be

conceived.

In China, as elsewhere in the broad world, wives are often neglected.

From early Chinese literature, as well as from modern life, expressions

of the wife's sad lament are heard. As one of the poets puts it in the

mouth of a neglected spouse, whose husband comes not to her comfort:

"Cloudy the sky and dark--the thunders roll;

Such outward signs well mark my troubled soul.

I wake, and sleep no more comes to my rest,

His cause I sad deplore, in anguished breast."

Second marriages, though often made are not highly regarded in China.

Naturally love is less likely to spring up as in the earlier

affiliation. The _yengo_, a species of wild goose is, among the Chinese,

the emblem of love between the sexes. This bird especially stands for

strong and undying attachment. For it is said that when once its mate is

dead, it never pairs again. For this reason an image of it is worshipped

by the newly married couples of China. There is a popular saying among

the Chinese that a second husband to a second wife are husband and wife

so long as the poor supply holds out. When this fails the partners fly

apart, and self is the care of each. While it would be entirely unjust

not to recognize the presence of genuine love on the part of many a

husband, yet a wife may be handled severely by her spouse if for any

reason he may think her deserving of such treatment. This is more true

of concubines, whose lot is indeed a hard one. Whenever there is in the

household more than one wife, jealousy, bickering, strife, and plotting

are almost certain. The _Shi King_ sets these forth in a little poem on

the jealousy of a wife:

"When the upper robe is green,

With a yellow lining seen,

There we have a certain token

Right is wronged and order broken."

The Chinese have a saying that it is impossible to be more jealous than

a woman; and in the word for "jealous" there is an intended suggestion

of another word of the same sound, but of different intonation, meaning

"poisonous;" which play upon the word reminds one of the remark of the

Hebrew sage that "jealousy is cruel as the grave."

The wife is not seen upon the streets with her husband. Nor does she, as

a rule, eat with him. After the men of the family have finished their

meals, the women take their turn at the board. Too little is the

sympathy they get in their ailments; for generally scant is the

attention paid to their suffering, and poverty often prevents a

physician's care. Much, too, that goes for healing is hideously cruel

and permeated with the wildest superstition.

It must seem the grimmest irony in one of Goldsmith's Chinese letters

from his _Citizen of the World_, when he makes Lien Chi Altangi, while

writing of his purpose to open a school for young women, say: "In this I

intended to instruct the ladies in all the conjugal mysteries; wives

should be taught the art of managing their husbands, and maids the skill

of properly choosing them; I would teach a wife how far she might

venture to be sick without giving disgust; she should be acquainted with

the great benefits of cholic in the stomach, and all the thoroughbred

insolence of fashion; maids should learn the secret of nicely

distinguishing every competitor; they should be able to know the

difference between a pedlar and a scholar, a citizen and a prig, a

squire and his horse, a beau and his monkey; but chiefly they should be

taught the art of managing their smiles, from the contemptuous simper to

the long laborous laugh."

One of the cornerstones of Confucius's teaching was "reciprocity." But

this doctrine he does not seem to apply to the practical relations of

married life, about which he had little or nothing to say. Suicides of

young wives would be far less frequent in China were this doctrine of

the great lawgiver applied to marital life. A cruel husband may, almost

with perfect impunity, greatly injure his wife, or even kill her,

especially if he can make good a claim before the authorities that she

had been unfilial to _his_ parents.

The Chinese wife is, of course, not free from the evils of divorce. If

she be guilty of such faults as scolding, disobedience, lasciviousness,

or theft, which is next to murder in its heinousness, or if she be the

victim of such misfortune as leprosy or barrenness, she may be sent back

to her parents, if they be still alive. Among the causes for which

divorce is possible, the failure to bear sons is the first. Widows

sometimes remarry. In some parts of China the _suttee_, or

"self-immolation," of widows is not unknown, the unfortunate woman being

compelled to strangle herself, after which her body is burned.

The maternal instincts are seldom stronger than in the attitude toward

the helplessness of infancy; yet, in China infanticide is of

extraordinary prevalence. The greatest danger that besets a Chinese

woman is at her birth. In an already overpopulated country, it is not

strange that the custom of killing the female infant, for whom it is

difficult to provide sustenance, should have gained ground. Besides,

while the congested condition of the population is somewhat relieved by

emigration of the men to other lands, the women do not leave; hence,

there is a tendency toward a surplus of women. It frequently happens

that if a Chinese mother has not yet been blessed with the birth of a

boy, she will destroy her female offspring, with the thought that in

this way she may hope the sooner to bear a son. If, on the other hand,

she has one or more sons, she may allow two or three daughters to live.

After this, many mothers will not hesitate to smother the girls at their

birth. "By the accident of sex," says a recent writer, "the infant is a

family divinity; by the accident of sex, she is a dreaded burden, liable

to be destroyed, and certain to be despised." The Chinese officials have

tried earnestly to break up this frightful custom of infanticide. Books

have been written and circulated condemning the practice. Foundling

hospitals have also been established, in order that this kind of murder

might be checked and the rejected little ones cared for. Stone tablets

have been erected on river banks, by pools, and in places at which the

killing of girls might probably occur, or where their dead bodies are

likely to be deposited. During a period of rebellion, and of dire

poverty, so many desperate mothers throw their babes by the roadside for

the dogs and birds of prey to devour, that "baby towers" were

constructed at certain points, where the tiny dead bodies might be

thrown, to avoid the dangerous offensiveness to the population.

But if in infancy the girl is not killed, she is allowed to live. Should

pinching poverty come, she may be sold or given away. In some districts

baby merchants are not unknown. When the little girls grow up they

become serviceable in numerous ways in the domestic life; but many of

them are sold to a life of shame.

A wise Chinese writer, Hwei Kwo, in discussing infanticide among his

people, says: "Before you drown the infants you ought to think, 'I thus

harshly violate propriety. But there are gods above; how can I deceive

them? My ancestors are beside me; how can I present myself before them?'

Before long the babe will call _kwa, kwa_, and want some nourishment;

before many months she will call _ya yah_, and begin to talk, first

calling _year-niang_ (father, mother), and walk carefully about your

knees. Before many years she will be helping you in all your hard work,

and when she is married and bears a son, how very pleased you will be.

If you get a good son-in-law, and their children are well to do, how

much admiration and glory. 'If I endure present trouble, I may by and by

eat my daughter's rice.'" But even these low and selfish motives are not

sufficient to destroy the prevalence of infanticide, which is more

particularly practised in southern China. It is almost, if not quite,

unknown in the north.

Woman's standing before the law in China would not be regarded as high

in a country where woman's rights have been agitated. Her property

rights are practically _nil_, except as she enjoys them through male

relatives. And yet, with all her limitations, the woman of China is in

some respects in advance of her sisters of many other Oriental lands.

She is not shut up in a harem, as she is in Turkey; she is not bound

down by the harsh caste system, as in India; she is not looked upon as

devoid of spiritual existence, as in Burmah; she is not degraded by the

curse of polyandry, as in Thibet. In no Eastern land, with the exception

of Japan, has woman a better opportunity to exert power and develop

character than in China.

The dress of Chinese women might be thought by women of some other

lands to be lacking in beauty and grace; and yet, it is in many respects

highly sensible, being at least modest, healthful, and economical. It

hides the contour of the person effectually, and this, among the

Chinese, is its chief design. Being loose, it gives full play to the

vital parts, as well as to the limbs, and the same thickness of

materials prevails over the whole body. There is no waste in the

cutting, and no unnecessary ornaments or appendages, eight yards of

yard-wide goods being sufficient for a complete set of winter garments.

The mental worry that comes to the woman of the West in selecting

patterns, in cutting, and in fitting, is all done away with in China,

since the Chinese lady always selects the same pattern,--or has had it

selected for her by her great-grandmother,--and there is little need for

fitting. Figures that would look unattractive in Western attire can wear

the Chinese dress without disadvantage. Some have attributed the great

age to which Chinese women so frequently attain--notwithstanding the

often unsanitary condition of their homes, often floorless and

windowless--to the hygienic character of their clothing. The winter

clothes in the more northerly sections are padded garments that appear,

to be sure, rather clumsy and uncomfortable. The use of woolen

underclothing does not prevail. These padded garments hang about the

body like bags; and sometimes when children fall down they are utterly

unable to rise without assistance. It is needless to say that woman's

winter attire is by no means graceful or convenient. If even the men do

not use pockets,--which conveniences seem to a Westerner so

indispensable,--it may be surmised that the women have no such

contrivances in their dress. The ordinary costume of a woman consists of

two garments. The upper one appears very much like an American lady's

dressing-sack, only somewhat longer, with flowing sleeves, and is quite

loose fitting, the fastenings being along a curve from the neck to

beneath the right arm, and then in a straight line down that side. The

lower garment is a pair of loose trousers. There is little or no

difference in the style of the outer and inner garments, more or fewer

being worn according to the state of the weather. A skirt is seldom worn

in the Canton section, except by a bride at the time of her marriage.

This custom, however, varies in different sections of China. In

Shanghai, women are seldom seen without skirts. Notwithstanding the

sameness and similarity of cut in Chinese costume, the quality of beauty

is not entirely forgotten. A Chinese gentleman, when asked what things

the Chinese women most delight in, replied: "First, beautiful clothes

and ornaments with which to make themselves attractive. Secondly, to

live in idleness. Thirdly, to have servants to wait upon them." The

remark would suggest moral weakness which is, alas! far too common.

Tsq-hia once asked Confucius what inference might be drawn from the

often quoted lines:

"Dimples playing in witching smile,

Beautiful eyes, so dark, so bright.

O, and her face may be thought the while,

Colored by art, red rose on white."

To which the teacher replied: "Coloring requires a pure and clear

background." This was the great master's way of emphasizing character as

a necessary accompaniment of true beauty. But this ideal is largely

forgotten.

The custom of binding the feet is not so common as is often supposed.

There are many localities in which the habit is almost universal; while

in many sections, especially in the agricultural districts, the feet of

the women are of normal growth. In the sections and among the classes in

which this fashion prevails, the early suffering, as well as the later

inconvenience, is intense. The Chinese woman, however, does not

emphasize the importance of convenience as would her practical sister of

the West; the suffering they bear with much resignation. Various

explanations are given of the origin of foot binding. Some accounts

state that it arose from a desire thereby to remove the reproach of the

club feet of a popular empress; others hold that it sprang from a great

admiration for delicate feet and an attempt to imitate them; others

claim that it was imposed by husbands to keep their wives from gadding.

Still other accounts say that the Emperor Hau Chu, of the Chan dynasty,

in A.D. 583, ordered his concubines to bind their feet small enough to

cover a golden lily at each step. He had golden lilies made and

scattered about for them to walk upon when they were playing before him.

The admirers of the ruler imitated the practice, and so it spread. This

seems to be the most probable explanation, as the expression _kam-lin_,

literally "golden lilies," meaning "ladies' small feet," and _lin-po_,

literally "a lily step," meaning "a lady's gait," are in common use

to-day. In the beginning, the feet were not bound so early nor so

tightly as to-day, and the custom now varies greatly in different parts

of the empire. The present, the Manchu government, has made efforts to

prevent the practice of foot binding among the people, but with little

or no success. The Manchus do not practise it themselves, and they are

powerless to prevent it. As the Chinese sometimes say: "Fashion is

stronger than the emperor."

The Chinese find it difficult to understand the freedom of intercourse

which characterizes the sexes in the West. They regard such social

freedom as being difficult to harmonize with modesty and morality. As a

rule, Chinese women are modest and chaste. But it is thought that these

are best assured by restricting their social freedom. On the streets the

women, with the exception of the lewd, appear with becoming modesty and

decorum. Notwithstanding the advantage that must come from the limiting

of woman's sphere of influence, examples are not wanting in which

Chinese women have exerted their native powers to a conspicuous degree

in moulding the history of their times.

Through the isolation of the women, they become naturally more

superstitious than the men; and, as might be surmised, the former are

the stronghold of the ancient religious faiths of the Chinese. And yet

none of the ancient religions nor the philosophies of the country have

done much to elevate the feminine half of the nation. The best the

Buddhist priest can hold out to the pious woman is the hope that in the

next transmigration her soul may be born a man's.

Some women of the Celestial Empire have held commanding positions of

political influence. Whether a woman might occupy an influential place

in the management of Chinese public affairs has depended somewhat upon

the character of the ruling dynasty. And while queens are not possible

in China, because sons alone may hold the sceptre, women have been known

to exert such influence in the matter of government as to be practically

supreme. There have been a number of cases of empresses regent. There

were two such instances during the Ming dynasty which were quoted as

justifying a more recent regency that has been one of the most

remarkable on record in any land. When the Emperor Hien-fung died on

August 22, 1861, his son Chiseang, then but six years of age, was

proclaimed emperor in his stead, under a regency composed of eight men.

By a bold _coup d'etat_, Prince Kung, brother of Hien-fung, succeeded,

by the aid of the army, in driving this regency from power and in

proclaiming a new one composed of two empresses: Tsi An, the principal

wife of the late Hien-fung, and Tszu-Hszi, the mother of the young

emperor. Neither of these royal women knew the Manchu language, and

Prince Kung was the power behind them, and was rewarded with the post of

prime minister under the two empresses. It was not long, however, before

an edict was issued degrading the prince, whose growing power and

arrogance the empresses feared. And just here emerges the evidence that

the prince was dealing with one of the most astute and aggressive women

of the world, Tszu-Hszi, a woman who has compelled the world to reckon

with her presence for half a century.

It is true that when the young emperor had reached the age of sixteen,

and had been married about four months, the empresses, no longer able to

present excuses for not doing so, issued a decree bestowing upon

Chiseang, now called Tungche, the right to assume the management of the

affairs of state. But his reign was brief, for after about three years,

as it is said, he "ascended upon the Dragon to be a guest on high." Many

suspected foul play, but certain it is that the outcome inured to the

advantage of the two empresses. That which was more ugly still was the

treatment of the young Empress Ahluta, wife of the late ruler. On the

death of her husband she was about to give birth to a child. The

empresses, however, saw their opportunity as well as their danger. For

if Ahluta's child should be a son, not only would he be the legal ruler,

but the mother herself would at once assume a prominent place in the

government. Ahluta must be set aside. Soon she sickened--some said

because of her grief for her husband, while others knew of the

determination of the empresses to retain power at all hazards. Who then

should be chosen heir to the throne? The empresses selected Tsai Tien, a

son of Prince Chun, brother of the powerful Kung. The latter was again

in complete control, by the grace of the two astute and ambitious women

whose minds were firmly set upon retaining rule at whatever cost. The

fortunate, or unfortunate, young man who had been made nominal emperor,

not by inheritance, but by selection, was given the style of Kwang-su,

or "Illustrious Succession." The way in which Tszu-Hszi, empress

dowager, has been able to be the controlling factor in Chinese national

life, crushing rivals, winning the support of politicians, and carrying

out policies, is one of the wonders of modern political history. This

seems the more remarkable in a country where women are generally forced

to the background, and in an age in which tumultuous scenes and grave

upheavals have been many.

The head of the army of the United States was not far from the truth

when he pronounced the Empress-dowager of China, not even excepting the

great and good Victoria, as altogether the ablest woman of the century.

Contiguous in territory and closely related in manners and customs to

the Chinese are the Coreans. The Corean ruler, though in his own country

an absolute monarch, was for several centuries a vassal of the Chinese

Empire, and the educated class continue to employ the Chinese language

in literary and social intercourse. In 1894, Corea having repudiated the

suzerainty of China, war ensued between Japan and China, and as a result

Corea has since been largely under Japanese influence.

The native Coreans fondly call their country "the Land of the Morning

Calm." Its people are of the Mongolian type, and are therefore closely

allied in sympathy to the Chinese and Japanese, with whom they have had

social and political kinship and contact from time out of mind. The

moral status of the women may be surmised when it is remembered that

woman is regarded as without moral existence. It is not to be

understood, however, that she has no name. When a very little girl, she

receives a temporary surname by which she is known to her relatives and

intimate friends. When she reaches the age of puberty, this appellation

is no longer used by her friends. When she marries, her parents cease to

call her by her childhood's name. She is now known to them by the name

of the district into which she has married. Her husband's parents,

however, speak of her as the woman of the place from which she came.

Oriental Women · 第 20 / 25 段