CHAPTER XXII

The ordinary young man, German or otherwise, hungrily emerging from

boyhood into a toothsome world made to be eaten, cures himself of his

appetite by indulging it till he is ill, and then on a firm foundation

of his own foolish corpse, or, as the poet puts it, of his dead self,

begins to build up the better things of his later years.

Klutz was an ordinary young man, and arrived at early manhood as hungry

as his fellows; but his father was a parson, his grandfather had been a

parson, his uncles were all parsons, and Fate, coming cruelly to him in

the gloomy robes of the Lutheran Church, his natural follies had had no

opportunity of getting out, developing, and dissolving, but remained

shut up in his heart, where they amused themselves by seething

uninterruptedly, to his great discomfort, while the good parson, in

whose care he was, talked to him of the world to come.

"The world to come," thought Klutz, hungering and thirsting for a taste

of the world in which he was, "may or may not be very well in its way;

but its way is not my way." And he listened in a silence that might be

taken either for awed or bored to Manske's expatiations. Manske, of

course, interpreted it as awed. "Our young vicar," he said to his wife,

"thinks much. He is serious and contemplative beyond his years. He is

not a man of many and vain words." To which his wife replied only by a

sniff of scepticism.

She had no direct proofs that Klutz was not serious and contemplative,

but during his first winter in their house he had fallen into her bad

graces because of a certain indelicately appreciative attitude he

displayed towards her apple jelly. Not that she grudged him apple jelly

in just quantities; both she and her husband were fond of it, and the

eating of it was luckily one of those pleasures whose indulgence is

innocent. But there are limits beyond which even jelly becomes vicious,

and these limits Herr Klutz continually overstepped. Every autumn she

made a sufficient number of pots of it to last discreet appetites a

whole year. There had always been vicars in their house, and there had

never been a dearth of jelly. But this year, so early as Easter, there

were only two pots left. She could not conveniently lock it up and

refuse to produce any, for then she and her husband would not have it

themselves; so all through the winter she had watched the pots being

emptied one after the other, and the thinner the rows in her storeroom

grew, the more pronounced became her conviction that Klutz's piety was

but skin deep. A young man who could behave in so unbridled a fashion

could not be really serious; there was something, she thought, that

smacked suspiciously of the flesh and the devil about such conduct.

Great, then, was her astonishment when, the penultimate pot being placed

at Easter on the table, Klutz turned from it with loathing. Nor did he

ever look at apple jelly again; nor did he, of other viands, eat enough

to keep him in health. He who had been so voracious forgot his meals,

and had to be coaxed before he would eat at all. He spent his spare time

writing, sitting up sometimes all night, and consuming candles at the

same head-long rate with which he had previously consumed the jelly; and

when towards May her husband once more commented on his seriousness,

Frau Manske's conscience no longer permitted her to sniff.

"You must be ill," she said to him at last, on a day when he had sat

through the meals in silence and had refused to eat at all.

"Ill!" burst out Klutz, whose body and soul seemed both to be in one

fierce blaze of fever, "I am sick--sick even unto death."

And he did feel sick. Only two days had elapsed since he had received

Anna's poem and had been thrown by it into a tumult of delight and

triumph; for the discouragement it contained had but encouraged him the

more, appearing to be merely the becoming self-depreciation of a woman

before him who has been by nature appointed lord. He was perfectly ready

to overlook the obstacles to their union to which she alluded. She could

not help her years; there were, truly, more of them than he would have

wished, but luckily they were not visible on that still lovely face. As

to position, he supposed she meant that he was not _adelig_; but a man,

he reflected, compared to a woman, is always _adelig_, whatever his name

may be, by virtue of his higher and nobler nature. He had been for

rushing at once to Kleinwalde; but his pupil and confidant had said

"Don't," and had said it with such energy that for that day at least he

had resisted. And now, the very morning of the day on which the Frau

Pastor was asking him whether he were ill, he had received a curt note

from Miss Leech, informing him that Miss Letty Estcourt would for the

present discontinue her German studies. What had happened? Even the

poem, lying warm on his heart, was not able to dispel his fears. He had

flown at once to Kleinwalde, feeling that it was absurd not to follow

the dictates of his heart and cast himself in person at Anna's no doubt

expectant feet, and the door had been shut in his face--rudely shut, by

a coarse servant, whose manner had so much enraged him that he had

almost shown her the precious verses then and there, to convince her of

his importance in that house; indeed, the only consideration that

restrained him was a conviction of her ignorance of the English tongue.

"Would you like to see the doctor?" inquired Frau Manske, startled by

his looks and words; perhaps he had caught something infectious; an

infectious vicar in the house would be horrible.

"The doctor!" cried Klutz; and forthwith quoted the German rendering of

the six lines beginning, Canst thou not minister to a mind diseased.

Frau Manske was seriously alarmed. Not aware that he was quoting, she

was horrified to hear him calling her _Du_, a privilege confined to

lovers, husbands, and near relations, and asking her questions that she

was sure no decent vicar would ever ask the respectable mother of a

family. "I am sure you ought to see the doctor," she said nervously,

getting up hastily and going to the door.

"No, no," said Klutz; "the doctor does not exist who can help me."

His hand went to the breast-pocket containing the poem, and he fingered

it feverishly. He longed to show it to Frau Manske, to translate it for

her, to let her see what the young Kleinwalde lady, joint patron with

Herr von Lohm of her husband's living, thought of him.

"I will ask my husband about the doctor," persisted Frau Manske,

disappearing with unusual haste. If she had stayed one minute longer he

would have shown her the poem.

Klutz did not wait to hear what the pastor said, but crushed his felt

hat on to his head and started for a violent walk. He would go through

Kleinwalde, past the house; he would haunt the woods; he would wait

about. It was a hot, gusty May afternoon, and the wind that had been

quiet so long was blowing up the dust in clouds; but he hurried along

regardless of heat and wind and dust, with an energy surprising in one

who had eaten nothing all day. Love had come to him very turbulently. He

had been looking for it ever since he left school; but his watchful

parents had kept him in solitary places, empty, uninhabited places like

Lohm, places where the parson's daughters were either married or were

still tied on the cushions of infancy. Sometimes he had been invited, as

a great condescension, to the Dellwigs' Sunday parties; and there too he

had looked around for Love. But the company consisted solely of stout

farmers' wives, ladies of thirty, forty, fifty--of a dizzy antiquity,

that is, and their talk was of butter-making and sausages, and they

cared not at all for Love. "Oh, Love, Love, Love, where shall I find

thee?" he would cry to the stars on his way home through the forest

after these evenings; but the stars twinkled coldly on, obviously

profoundly indifferent as to whether he found it or not. His chest of

drawers was full of the poems into which he had poured the emotions of

twenty, the emotions and longings that well-fed, unoccupied twenty

mistakes for soul. And then the English Miss had burst upon his gaze,

sitting in her carriage on that stormy March day, smiling at him from

the very first, piercing his heart through and through with eyes that

many persons besides Klutz saw were lovely, and so had he found Love,

and for ever lost his interest in apple jelly.

It was a confident, bold Love, with more hopes than fears, more

assurance than misgivings. The poem seemed to burn his pocket, so

violently did he long to show it round, to tell everyone of his good

fortune. The lilies-of-the-valley to which it had been tied and that he

wore since all day long in his coat, were hardly brown, and yet he was

tired already of having such a secret to himself. What advantage was

there in being told by the lady of Kleinwalde that she regretted not

being able to call him _Lämmchen_ or _Schätzchen_ (the alternative

renderings his dictionary gave of "pet") if no one knew it?

When he reached the house he walked past it at a snail's pace, staring

up at the blank, repellent windows. Not a soul was to be seen. He went

on discontentedly. What should he do? The door had been shut in his face

once already that day, why he could not imagine. He hesitated, and

turned back. He would try again. Why not? The Miss would have scolded

the servant roundly when she heard that the person who dwelt in her

thoughts as a _Lämmchen_ had been turned away. He went boldly round the

grass plot in front of the house and knocked.

The same servant appeared. Instantly on seeing him she slammed the door,

and called out "_Nicht zu Haus!_"

"_Ekelhaftes Benehmen!_" cried Klutz aloud, flaming into sudden passion.

His mind, never very strong, had grown weaker along with his body during

these exciting days of love and fasting. A wave of fury swept over him

as he stood before the shut door and heard the servant going away; and

hardly knowing what he did, he seized the knocker, and knocked and

knocked till the woods rang.

There was a sound of hurried footsteps on the path behind him, and

turning his head, his hand still knocking, he saw Dellwig running

towards him.

"_Nanu!_" cried Dellwig breathlessly, staring in blankest astonishment.

"What in the devil's name are you making this noise for? Is the parson

on fire?"

Klutz stared back in a dazed sort of way, his fury dying out at once in

the presence of the stronger nature; then, because he was twenty, and

because he was half-starved, and because he felt he was being cruelly

used, there on Anna's doorstep, in the full light of the evening sun,

with Dellwig's eyes upon him, he burst into a torrent of tears.

"Well of all--what's wrong at Lohm, you great sheep?" asked Dellwig,

seizing his arm and giving him a shake.

Klutz signified by a movement of his head that nothing was wrong at

Lohm. He was crying like a baby, into a red pocket-handkerchief, and

could not speak.

Dellwig, still gripping his arm, stared at him a moment in silence; then

he turned him round, pushed him down the steps, and walked him off.

"Come along, young man," he said, "I want some explanation of this. If

you are mad you'll be locked up. We don't fancy madmen about our place.

And if you're not mad you'll be fined by the Amtsvorsteher for

disorderly conduct. Knocking like that at a lady's door! I wonder you

didn't kick it in, while you were about it. It's a good thing the

_Herrschaften_ are out."

Klutz really felt ill. He leaned on Dellwig's arm and let himself be

helped along, the energy gone out of him with the fury. "You have never

loved," was all he said, wiping his eyes.

"Oh that's it, is it? It is love that made you want to break the

knocker? Why didn't you go round to the back? Which of them is it? The

cook, of course. You look hungry. A Kandidat crying after a cook!" And

Dellwig laughed loud and long.

"The cook!" cried Klutz, galvanised by the word into life. "The cook!"

He thrust a shaking hand into his breast-pocket and dragged it out, the

precious paper, unfolding it with trembling fingers, and holding it

before Dellwig's eyes. "So much for your cooks," he said, tremulously

triumphant. They were in the road, out of sight of the house. Dellwig

took the paper and held it close to his eyes. "What's this?" he asked,

scrutinising it. "It is not German."

"It is English," said Klutz.

"What, the governess----?"

Klutz merely pointed to the name at the end. Oh, the sweetness of that

moment!

"Anna?" read out Dellwig, "Anna? That is Miss Estcourt's name."

"It is," said Klutz, his tears all dried up.

"It seems to be poetry," said Dellwig slowly.

"It is," said Klutz.

"Why have you got it?"

"Why indeed! It's mine. She sent it to me. She wrote it for me. These

flowers----"

"Miss Estcourt? Sent it to you? Poetry? To _you_?" Dellwig looked up

from the paper at Klutz, and examined him slowly from head to foot as if

he had never seen him before. His expression while he did it was not

flattering, but Klutz rarely noticed expressions. "What's it all about?"

he asked, when he had reached Klutz's boots, by which he seemed struck,

for he looked at them twice.

"Love," said Klutz proudly.

"Love?"

"Let me come home with you," said Klutz eagerly, "I'll translate it

there. I can't here where we might be disturbed."

"Come on, then," said Dellwig, walking off at a great pace with the

paper in his hand.

Just as they were turning into the farmyard the rattle of a carriage was

heard coming down the road. "Stop," said Dellwig, laying his hand on

Klutz's arm, "the _Herrschaften_ have been drinking coffee in the

woods--here they are, coming home. You can get a greeting if you wait."

They both stood on the edge of the road, and the carriage with Anna and

a selection from her house-party drove by. Dellwig and Klutz swept off

their hats. When Anna saw Klutz she turned scarlet--undeniably,

unmistakably scarlet--and looked away quickly. Dellwig's lips shaped

themselves into a whistle. "Come in, then," he said, glancing at Klutz,

"come in and translate your poem."

Seldom had Klutz passed more delicious moments than those in which he

rendered Letty's verses into German, with both the Dellwigs drinking in

his words. The proud and exclusive Dellwigs! A month ago such a thing

would have been too wild a flight of fancy for the most ambitious dream.

In the very room in which he had been thrust aside at parties, forgotten

in corners, left behind when the others went in to supper, he was now

sitting the centre of interest, with his former supercilious hosts

hanging on his words. When he had done, had all too soon come to the end

of his delightful task, he looked round at them triumphantly; and his

triumph was immediately dashed out of him by Dellwig, who said with his

harshest laugh, "Put aside all your hopes, young man--Miss Estcourt is

engaged to Herr von Lohm."

"Engaged? To Herr von Lohm?" Klutz echoed stupidly, his mouth open and

the hand holding the verses dropping limply to his side.

"Engaged, engaged, engaged," Dellwig repeated in a loud sing-song, "not

openly, but all the same engaged."

"It is truly scandalous!" cried his wife, greatly excited, and firmly

believing that the verses were indeed Anna's. Was she not herself of the

race of _Weiber_, and did she not therefore well know what they were

capable of?

"Silence, Frau!" commanded Dellwig.

"And she takes my flowers--my daily offerings, floral and poetical, and

she sends me these verses--and all the time she is betrothed to someone

else?"

"She is," said Dellwig with another burst of laughter, for Klutz's face

amused him intensely. He got up and slapped him on the shoulder. "This

is your first experience of _Weiber_, eh? Don't waste your heartaches

over her. She is a young lady who likes to have her little joke and

means no harm----"

"She is a person without shame!" cried his wife.

"Silence, Frau!" snapped Dellwig. "Look here, young man--why, what does

he look like, sitting there with all the wind knocked out of him? Get

him a glass of brandy, Frau, or we shall have him crying again. Sit up,

and be a man. Miss Estcourt is not for you, and never will be. Only a

vicar could ever have dreamed she was, and have been imposed upon by

this poetry stuff. But though you're a vicar you're a man, eh? Here,

drink this, and tell us if you are not a man."

Klutz feebly tried to push the glass away, but Dellwig insisted. Klutz

was pale to ghastliness, and his eyes were brimming again with tears.

"Oh, this person! Oh, this Englishwoman! Oh, the shameful treatment of

an estimable young man!" cried Frau Dellwig, staring at the havoc Anna

had wrought.

"Silence, Frau!" shouted Dellwig, stamping his foot. "You can't be

treated like this," he went on to Klutz, who, used to drinking much milk

at the abstemious parsonage, already felt the brandy running along his

veins like liquid fire, "you can't be made ridiculous and do nothing. A

vicar can't fight, but you must have some revenge."

Klutz started. "Revenge! Yes, but what revenge?" he asked.

"Nothing to do with Miss Estcourt, of course. Leave her alone----"

"Leave her alone?" cried his wife, "what, when she it is----"

"Silence, Frau!" roared Dellwig. "Leave her alone, I say. You won't gain

anything there, young man. But go to her _Bräutigam_ Lohm and tell him

about it, and show him the stuff. He'll be interested."

Dellwig laughed boisterously, and took two or three rapid turns up and

down the room. He had not lived with old Joachim and seen much of old

Lohm and the surrounding landowners without having learned something of

their views on questions of honour. Axel Lohm he knew to be specially

strict and strait-laced, to possess in quite an unusual degree the

ideals that Dellwig thought so absurd and so unpractical, the ideals,

that is, of a Christian gentleman. Had he not known him since he was a

child? And he had always been a prig. How would he like Miss Estcourt to

be talked about, as of course she would be talked about? Klutz's mouth

could not be stopped, and the whole district would know what had been

going on. Axel Lohm could not and would not marry a young lady who wrote

verses to vicars; and if all relations between Lohm and Kleinwalde

ceased, why then life would resume its former pleasant course, he,

Dellwig, staying on at his post, becoming, as was natural, his

mistress's sole adviser, and certainly after due persuasion achieving

all he wanted, including the brick-kiln. The plainness and clearness of

the future was beautiful. He walked up and down the room making odd

sounds of satisfaction, and silencing his wife with vigour every time

she opened her lips. Even his wife, so quick as a rule of comprehension,

had not grasped how this poem had changed their situation, and how it

behoved them now not to abuse their mistress before a mischief-making

young man. She was blinded, he knew, by her hatred of Miss Estcourt.

Women were always the slaves, in defiance of their own interests, to

some emotion or other; if it was not love, then it was hatred. Never

could they wait for anything whatever. The passing passion must out and

be indulged, however fatal the consequences might be. What a set they

were! And the best of them, what fools. He glanced angrily at his wife

as he passed her, but his glance, travelling from her to Klutz, who sat

quite still with head sunk on his chest, legs straight out before him,

the hand with the paper loosely held in it hanging down out of the

cuffless sleeve nearly to the floor, and vacant eyes staring into space,

his good humour returned, and he gave another harsh laugh. "Well?" he

said, standing in front of this dejected figure. "How long will you sit

there? If I were you I'd lose no time. You don't want those two to be

making love and enjoying themselves an hour longer than is necessary, do

you? With you out in the cold? With you so cruelly deceived? And made to

look so ridiculous? I'd spoil that if I were you, at once."

"Yes, you are right. I'll go to Herr von Lohm and see if I can have an

interview."

Klutz got up with a great show of determination, put the paper in his

pocket, and buttoned his coat over it for greater security. Then he

hesitated.

"It _is_ a shameful thing, isn't it?" he said, his eyes on Dellwig's

face.

"Shameful? It's downright cruel."

"Shameful?" began his wife.

"Silence, I tell thee! Young ladies' jokes are sometimes cruel, you see.

I believe it was a joke, but a very heartless one, and one that has made

you look more foolish even than half-fledged pastors of your age

generally do look. It is only fair in return to spoil her game for her.

Take another glass of brandy, and go and do it."

Klutz stared hard for a moment at Dellwig. Then he seized the brandy,

gulped it down, snatched up his hat, and taking no farewell notice of

either husband or wife, hurried out of the room. They saw him pass

beneath the window, his hat over his eyes, his face white, his ears

aflame.

"There goes a fool," said Dellwig, rubbing his hands, "and as useful a

one as ever I saw. But here's another fool," he added, turning sharply

to his wife, "and I don't want them in my own house."

And he proceeded to tell her, in the vigorous and convincing language of

a justly irritated husband, what he thought of her.

The Benefactress · 第 22 / 32 章