SONG ON THE NAVAL VICTORIES.

The Doctor wrote, also, a song upon the naval victories, of which

the battle of the Nile was the climax. It was designed to stir the

feelings of the multitude; and the language was familiar, and suited to

that purpose. He set it to music himself; and the air was of the most

popular, and what he called hallaballoo species, that he could compose;

his only wish being to adapt it for a street-singing ballad. The

following is his own account of it, written to the Hermitage:—

1799.

* * * “Pray take note, that I have made a song on the

five naval British heroes of the present war, to an easy

popular tune, which any one with a good ear may sing by

memory, after twice hearing. To this I was provoked by

Lady Spencer’s complaining to me, that though several

pretty poems, and a few good songs had been produced by

our late victories, yet there were no good new tunes. I

have gotten Lady Harrington to send a copy of this naval

ditty, both words and music, to the Queen at Windsor: and

I have sent another copy to Lady Spencer herself, who has

bestowed upon me the following flattering answer:

“‘Dear Sir,

“‘I should have returned you my best thanks for your

excellent song, and popular air, as soon as I received

them; but I have been severely ill: * * * however, I am

now somewhat recovered, and able to thank you; which I do

most sincerely. I wish you would get it sung at Covent

Garden theatre: that is always the progress of these kind

of songs; they begin on the stage, and come thence into

the street; and this last step is the highest honour such

music can look to. I declare that whoever composed ‘Rule

Britannia,’ is next to Handel in my list of composers.

That your song may have the same honour, and have it

long, my dear Sir, I most heartily hope. I am sure your

talents and your excellent intentions, deserve such fame.

“‘I am, dear Sir, &c. “‘LAV. SPENCER.’

“Mrs. Crewe, and two or three more, to whom I have

communicated this patriotic hallaballoo, join in the

opinion of Lady Spencer, that it should be sung at the

theatres. That, however, should it be thought worth

while, must be negociated by some one else—not by me.

“Lord and Lady Spencer are charming people: _he_, now

first Lord of the Admiralty, is everything one could wish

a man, in his high station, to be; active, accessible,

and well-bred. In private life, a lover of literature and

talents; manly at once, and elegant in his pursuits; and

a model for husbands, for fathers, and for masters. _She_

has a natural cheerfulness and sport about her, joined to

considerable acquirement; designs and paints well; is a

good musician; and has a keenness in reading characters

which I have but lately found out; with great eagerness

for knowledge of whatever is the subject of conversation.

“_7th Nov._—Well, Lady Harrington has received the most

gracious of requests relative to my ballad; and it is

written by Her Royal Highness the Princess Elizabeth:

“‘Mamma has just commanded me to beg you to return Dr.

Burney her thanks for the song he has sent her, which she

has already sung; and she thinks it has so much merit,

that she wishes Dr. Burney would give her leave to send

it to Covent Garden theatre, to be performed there; for

she thinks the tune so pretty and simple, that it will

become popular.’”

Highly gratified was the Doctor by this gracious command,

which he eagerly obeyed; and the song was performed when

their Majesties next indulged the public with their

presence at the theatre.

1799.

In the Doctor’s memorandums of this year, are the following paragraphs

upon the Duke of Leeds and Lord Palmerston:

“In 1799 our Literary Club lost one of its noble members

in the Duke of Leeds, to whom I had become known from

the time of his marriage with Lady Emily d’Arcy, the

daughter of my first patron, the Earl of Holdernesse.

I had had the honour, also, of frequently meeting him,

while Marquis of Carmarthen, in Italy; where he acquired

a taste for good modern music, and whence he remembered

fragments of Italian operas, and particularly of the

opera _L’Artigiano felice_, to his last hours. He kindly

visited Farinelli when at Bologna, and was cordially

embraced by him, as the son of his great patron while

in England. When he became acquainted with the Miss

Anguishes, four young ladies of great accomplishments,

and of extraordinary musical powers, he grew fond of

the old, or Handelian school of music: and the eldest

of these young ladies, whom he afterwards, in second

espousals, married, made him a perfectly happy domestic

man. He desired Boswell to set him up at our club,

which he was fond of visiting; and where his remarkable

good breeding and courteous demeanour could not but be

appreciated; though he escaped not, from those members

who thought themselves more learned, or better informed

than himself, the common club-censure of being fonder of

talking than listening.

* * * * *

“This year I had much pleasure at the Assemblies of Lady

Palmerston, whose exhilarating character rendered them

peculiarly lively. The elegant mansion of her well-known

lord, the Viscount, in Hanover Square, was fitted up

and furnished with exquisite taste; and its walls were

covered with pictures of the first masters; the chief

of which had been collected by his great ancestor,

Sir William Temple; to which he had added some _chef

d’oeuvres_ of modern artists; particularly of Sir Joshua

Reynolds, of whom he was still more a friend and admirer

than a patron.”

Memoirs of Doctor Burney (Vol. 3 of 3) Arranged from his own manuscripts, from family papers, and from personal recollections by his daughter, Madame d'Arblay · 第 95 / 143 题