CHAPTER VII

MAMMY MAMENAH AND HER FRIENDS

One evening, about a week after the burning of the farm, a little

company of women and children, in varying degrees of undress, was

gathered in the larger room of Mamenah's hut. A fire had been kindled

in the middle of the earthen floor; for the first showers, forerunners

of the coming rainy season, had fallen. The children amused themselves

as inclination led them, with sports ranging from gentle kitten-like

romps, to a genuine fight, with biting, scratching, and hair-pulling

accompaniments.

There was evident among the women, a feeling of abundant leisure, and

of relaxation from responsibility. The "planting" of the rice had been

completed. The seed had been scattered over the lately burned ground,

had been rudely scratched in with a very primitive hoe, and was now

awaiting germination under the moisture of the oncoming rains, and the

warmth of occasional sunshine.

So the women felt free to spend the hours in gossip, and in the

telling of tales. They chatted about personal matters, about the rice

just planted, and then about the precautions taken to ward off evil

influences, and to secure favorable conditions for their crops.

Mammy Mamenah told what a tempting bowl of rice she had prepared and

offered to the spirit that dwelt in the big cotton tree near the corner

of the farm, in order to enlist his kindly offices in guarding the rice

field.

Mammy Yamah had set up a stick at the edge of her farm, and placed on

top of it a bit of medicine wrapped in a leaf, which she had secured

for an exorbitant fee from a medicine man. She was sure that anyone

daring to molest would fall in spasms and die. Each had some specific

with which to avert harm, or to secure favor.

Mammy Magbindee had a bit of news that made Konah's eyes dilate with

wonder. It had been told in the village that very day by a person who

had it from one who saw the mound, and of course it was true. Besides

such occurrences had often been known before, and could not be doubted.

A rich man had died in an adjoining town a few years before, and had

been fittingly buried. Just now the grave had been accidentally opened,

and strange to relate, it was found that gold had grown out of the ears

of the man, and kept on growing until it filled the whole grave. But of

course gold grows this way, for gold is in the world, and if it does

not grow, where does it come from? Freaks of Nature can have but one

cause, the presence of some "devil," and this thought reminded Mammy

Mamenah of an old legend regarding another marvel of nature, which she

proceeded to relate much to the delight of the whole company.

A STONE THAT WORE A BEARD.

"One day Spider go fo' set trap inside one big bush (forest). He meet

one big stone wey duh get plenty bear'-bear'.[39] Dis not to true

stone, he nar one debble wey bin turn stone."

[39] Beard.

A prolonged "Y-a-h-oh!" of assent from the women squatted about on

the floor, accompanied by the swaying of bodies, and the exclamation

from some one: "Nar true word yo' duh talk," showed how heartily they

believed in the power of their devils to assume any form they willed,

in order to carry out their purposes. It was a sympathetic audience

that followed the remainder of the story. The children were listening

open-eyed in silent eagerness. Mamenah went on impressively.

[Illustration: The Stone with the Beard.

[_See p. 167._]

]

"Ef pusson say de stone get bear'-bear' (beard), he go fa' down de same

place close de stone, he go wan' die. So one day, w'en Spider go set

trap to dis place, he meet de stone. Now he say: 'L-a-w-cus! Dah stone

get plenty bear'-bear'.' So he fa' down de same place. He no able fo'

grap (get up) all day. W'en at las' he betty leelee bit, he go home.

"Spider wan' fo' make cunnie fo' yeat he cumpin (companion), en he come

fin' out say dis plan go be fine fo' get um. So one day he go to Deer,

he tell um, say:

"'Fren, come go follow me, I go look me trap.'

"Deer say: 'All ret.'

"All two dey walker half way, den Spider say:

"'Deer, make yo' go befo', I go show yo' de road; de road nar dis.'

"W'en dey done reach close de stone, Spider 'tan' up, he wait. Deer go,

him too big fool, him say: 'L-a-w-cus! Look dah stone, he get plenty

bear'-bear'.'

"Nar so he fa' down deh, he wan' die. Spider make hase come cut he

t'roat, he kare um go, he en he pickin en he wef. Dey yeat de Deer all.

"De odder tem he go call Feleentambo (gazelle), he say: 'Fren', come

go follow me, I go set me trap.'

"So w'en dey duh go, he 'tan' up one side, he tell Feleentambo make he

go befo'. W'en Feleentambo go he see de stone, he no keep he mout', he

say: 'Dah stone get plenty bear'-bear'.' So he fa' down deh. Spider

run, he cut he t'roat.

"Nar so he do _all_ dem odder beef. At las' he go call Cunnie Rabbit,

he say: 'Fren', come go follow me to me trap.'

"Well, dey go. W'en dey reach close de stone, Spider 'tan' up, he say:

'Fren', pass befo', look de trap ef he ketch.'

"Cunnie Rabbit go befo', he go see de stone heah, but he silence.

Spider wait, he wait fo' hearee ef he go talk, but he no talk. So he

call Cunnie Rabbit, he say: 'Wey t'ing yo' see?'

"Cunnie Rabbit say: 'I no see anyt'ing.'

"Spider tell um, say: 'Yo' no see yandah to dat stone?'

"Cunnie Rabbit say: 'Wey t'ing?'

"Spider put he han' to he chin, he say: 'Yo' daddy no get so?'

"But Cunnie Rabbit get sense, he no talk, so Spider tell Cunnie Rabbit:

'Make yo' mus' say "Stone get pl----"

"Cunnie Rabbit hese'f say: 'Stone get pl----'

"Spider vex, he say: 'Ah, me fren', yo' stupid! Make yo' mus' say: 'Dah

stone get plenty b--'

"Well Cunnie Rabbit say: 'Dah stone get plenty b--'

"Spider say: 'Ah, me fren', yo' no kin say de stone get plenty

bear'-bear'?'

"So Cunnie Rabbit hese'f say so, en dey all two fa' down de same place.

Dey wan' fo' die, dey no able fo' grap (get up). Nar deh, Trorkey go

meet dem. Well, because Cunnie Rabbit bin good pusson, Trorkey he hase

(raise) um up, en Cunnie Rabbit go 'way. Trorkey say: 'I bin go lif'

yo', Spider, but bimeby yo' go lie 'pon me; yo' go say yo' fine Trorkey

fa' down so heah, en yo' se'f bin he'p um.'

"Spider say: 'No, I no go do so.' He beg Trorkey sotay (till) Trorkey

he'p um, he hase um up.

"F'om dat day Cunnie Rabbit get sense. Spider hese'f no able um,[40] he

pass all odder beef."

[40] "No able um", _i. e._ Was not able to surpass him.

A delighted little exclamation from Konah greeted this praise of her

Cunnie Rabbit. For several minutes after the close of the narrative,

there was an indistinguishable jabber of voices, all eager to add some

"debble story", if possible more exciting than the one just told.

Finally Mammy Magbindee gained the right of way, and her story was:

THE GIRL THAT PLAITED THE DEVIL'S BEARD.

"One tem debble bin sit down to de road-side. Any pusson wey bin go nah

dat road, de debble bin yeat um. Well, one day, one girl say:

"'I go kill to-day dis debble heah.'

"W'en he go he meet de debble, he duh sleep close de road-side. De

debble get long bear'-bear' (beard). De girl go soffle, he hole de

bear'-bear', he duh plant (plait) um. Den he draw de debble go nah

town. He draw um, he draw um tay de people inside de town hearee wey de

girl duh draw um, en wey de debble duh sing:

"Tittie (sissy) duh kare me bear'-bear',

Tittie duh kare me bear'-bear'.'

"W'en de people hearee um, den go he'p de girl fo' draw. Dey go put de

debble nah big road en kill um. W'en dey done kill um, dey wan' 'plit

um, but somet'ing no bin deh fo' take. One leelee prophet bird[41] come

nah bush, he say:

"'Oonah mus' take dah leelee sharp t'ing nah bush (thorn), oonah kin

'plit um.'

[41] The prophet bird is about the size of a hummingbird. It utters

notes which are believed to indicate danger or success, especially when

heard at the beginning of a journey, or just preceding the beginning of

some task. The sounds from the tiny throat are sufficient to reverse

the best laid plans, or to establish greater confidence in them.

[Illustration: "De debble, he duh sleep close the road-side."

[_See p. 172._]

]

"Now dem people take dah bird, dey fling um far 'way, but he come agin

back, he say:

"'Oonah take dah leelee sharp t'ing nah bush, 'plit um.'

"Dey fling um agin, but de bird come back agin en sing de same sing.

Dah tem wey make t'ree, dem people say:

"'Make we try ef de t'ing true wey de bird bin talk; ef so, we go make

um fine present.'

"Den dey go take de sharp t'ing. W'en dey jus' touch de debble heen

body so, he 'plit. Wen he 'plit, all den people come out; dey no bin

die, dey bin make fa'm inside de debble; dey bin bu'n fa'm, make

ho'se, dey duh cook, dey duh yeat. W'en he done 'plit, all man come

out, plenty people come out."

Neither story-teller nor listeners realized that there was anything

preposterous in such a being as the one here described. On the other

hand, the gasps and groans that greeted each startling revelation,

contained not a tinge of incredulity, but only a kind of reverence

for this supernatural capacity so in accord with their conception of

spirits and devils.

The several steps leading up to the climax, were rolled off in rapid

succession; "W'en dey touch heen body so, he 'plit, w'en he 'plit

all dem people come out, dey no bin die, dey bin make fa'm inside de

debble, dey bin bu'n fa'm, buil' ho'se, dey duh cook en yeat; plenty

people come out," yet each was rounded off with such peculiar emphasis

of tone and gesture, that it came with a distinct impression of its

own, only heightened by the cumulative effect of succeeding revelations.

A pause of several minutes was necessary before the story could proceed.

"Well, one ole granny, w'en he come out, he say:

"'I fo'get me leelee pot, en me pickin, en me med'cin'.'

"Dem people say: 'No go agin inside dis debble heah!'

"He answer um back, say: 'I mus' go.'

"W'en he go inside, now de t'ing shut.

"Dis tem de bird done fly go, den done present[42] um money en plenty

fine t'ing. Dey try fo' 'plit de debble agin, lek how dey bin do fus'

tem, but dey no able, because de bird bin _make_ um open de fus' tem.

Wey t'ing fo' do? Dey try all kin' of sharp t'ing nah dis wuld, but den

no able. Dey go bury de debble so.

[42] The accent falls upon the first syllable of the verb, the

pronunciation being the same as that of the noun.

"Dat make 'tronger head no good. Ef pusson tell yo' say, make yo' no

mus' do anyt'ing, no do um."

Others were eager to relate stories to match the ones already given,

but quite naturally and woman-like, the one all were most ready to

hear was the one that smacked of romance, and promised to recount the

uncanny courtship and marriage of a beautiful young girl and the devil.

It was Yamah, the youngest woman present, who told the story, and

she told it with an earnestness that might have sprung from personal

experience.

MARRY THE DEVIL, THERE'S THE DEVIL TO PAY.

"Now one day, one mammy get girl pickin (pickaninny). Dis pickin he too

fine. Dem rich people en eberybody go ax fo' um fo' married, but he no

'gree. One rich man he deh down, down, _down_ (south), he get plenty

hoss, plenty people, plenty goat, en plenty t'ing wey I no able fo'

talk. Dis man come fo' see de girl he people, so he go get de girl, but

w'en de people tell dis girl, he no 'gree. De mammy bin tell de girl,

say:

"'Anybody yo' see wey (whom) yo' lek, anyt'ing wey (which) yo' see I

go kill um fo' present um. But de girl no see, anybody wey (whom) he

(she) lek.

[Illustration: Marry the Devil, the Devil to pay.]

"One day dah big, big, big, big debble, nah dah big, big bush, he

hearee dis news, fo' say nobody no able fo' get dis girl heah, en

dis debble he say: 'Nar me go married dis girl.' He grap, he go fix

hese'f good fashion lek pusson. Aintee yo' know say debble he able make

hese'f fine? He able fo' make hese'f fine pass anybody nah dis wuld.

He put on all de bes' clot' wey he kin get fo' len' (borrow). He len'

half side[43] head, half side body, all t'ing half side. So w'en dis

debble finis' fix hese'f good fashion, he call he hammock en four man

fo' tote (carry) um. He tell one man wey he lef' nah ho'se say: 'I duh

go married,' en he start fo' come see dis girl heah. W'en he come, he

reach nah de town wey de girl bin deh. De girl duh 'tan' up close de

windah, he duh look de road. W'en he see dis man yeah duh come, he tell

he mammy, say: 'I done see pusson wey I lek, nar he go marry me.'

[43] For explanation of "half side," see Introduction, page 21.

"W'en de debble come close de ho'se, de girl go meet um, he bring um

come inside.

"De debble say: 'I come fo' marry to yo'.' De girl say: 'All ret.'

"Now de girl go tell he mammy, he say: 'Mammy, dah cow wan' die.'

"Now de mammy say: 'Kill um fo' yo' man.'

"Now de girl say: 'Mammy, dem fowl dey sick.'

"De mammy say: 'Kill um fo' yo' man. Anyt'ing yo' wan', take um.'

"Dis girl yeah, w'en he go cook de beef en de fowl, wid ress en plenty

odder t'ing, he go gie um to de man nah heen ho'se.[44] But dis debble

yeah, he nebber yeat ress oh, he jus' duh yeat pusson, he nebber yeat

odder t'ing. W'en dis girl bin kare dis yeat nah debble heen ho'se,

w'en dah girl done go, de debble dig nah fireside, he put all dis ress

inside dah hole, he cover um. Bimeby de girl come, he t'ink say de man

jus' yeat leelee bit, he ax um, say:

"Wey t'ing yo' no duh yeat fo'?'

[44] The man's house signifies the hut assigned to him by the chief on

his arrival in the town. This custom supplies the lack of hotels.

"De debble say: 'I done yeat plenty.' But dis girl he (she) no know dis

nar debble, oh!

"Well, dis girl heah, he get one brudder wey sick wid craw-craw;

craw-craw[45] 'pon heen skin all. Dis boy wan' go tell dis debble 'How

do'. W'en he go, dis debble holler 'pon um. De boy 'fraid, he go sit

down.

[45] Craw-craw is a very prevalent skin disease, a species of itch not

very contagious.

"Well, dis debble wan' pass go home. De girl say he no go lef, he mus'

go wid de man. Heen people dey no 'gree make he go yet, but he say he

mus' go now, so dey say: 'All ret.'

"Dey gie um all t'ing fo' make um go. Dis same day dey lef de town fo'

go home. W'en dey go, dis boy wey (who) sick wan' fo' follow um. He say

he mus' follow he sister, but de debble no 'gree, he say because de

pickin too waw-waw (ugly).

"So w'en dey go, dah pickin duh follow um leelee (at a distance). Well,

dey walker all day. W'en de debble turn, he see dis pickin yeah, he

ketch um, he flog um, he say: 'No go follow we!'

"So de pickin go hide behine leelee bit, en de two pusson dey duh go.

Soon de debble duck heen han' nah heen pocket,[46] he pull

one white kola,[47] he open um; he gie de girl half, hese'f take half.

[46]When the men choose to clothe themselves further than with the

customary loin cloth, they wear a long loose gown of hand-spun and

woven cloth. Often this has a large pocket sewed on the front.

[47] The kola is eaten to still the pangs of hunger, and because an

appetite for it is easily acquired. Then its intense bitterness becomes

sweet. The white kolas are slightly preferred to the pink, either being

given as a token of friendship and hospitality.

"De pickin come meet dem agin. W'en de man wan' flog de pickin de ooman

say: 'Fren', no flog um, make he follow we.' 'Den de pickin follow

leelee, leelee. Well dey walker all day. W'en dey go, dis debble heen

one side head come out, fa' down. Well dis girl yeah say: 'Fren', look,

yo' head fa' down.'

"Well, de debble pull one sing:

'Lef um deh (there), lef um deh, Berkinee;

Lef um deh, oh Berkinee.'"

The song, a weird chant in the minor key, had a slow swinging movement,

and the whole company beat time with hand-claps, bringing the right

hand down slowly upon the left, and swinging the body in unison.

The song was given as a chorus, and served to quicken feeling and

to intensify the interest of the story. When it was ended, Yamah

proceeded:

"Dey go sotay (till) de one foot fa' down. De girl call um back, he

say: 'Fren', yo' foot fa' down.'

"Den de debble pull de same sing:

'Lef um deh, lef um deh, Berkinee;

Lef um deh, oh Berkinee.'

"Aftah he done finis' sing, dey go sotay (till) all t'ing nah heen skin

lef half. Dey reach evenin' tem nah (to) de man heen place, en dey come

see dis leelee brudder. Den cook, den yeat.

"Well, de net, w'en dis heen (his) wef done sleep, dis debble grap fo'

kill um, fo' yeat um. He take one big, big knef, he duh sharp um. But

dis pickin yeah, he no sleep, he jus' duh make lek pusson duh make nah

net (snore). W'en de debble finis' fo' sharp he knef, de pickin cry:

'W-e-y-ee! Me craw-craw duh kratch me oh?'

"Den de debble come to um, he say: 'Pickin, yo' no sleep yet?'

"De pickin duh say: 'No, sah, me craw-craw duh hurt me, en me nebber

sleep 'pon bed. I ken lay down 'pon pile country clo'es.'[48]

[48] One country cloth is thought to be sufficient bed for anyone. The

evident purpose of the little boy in asking for a "pile" of clothes is

to give the devil a task requiring much time, in order to delay his

designs against the young woman.

"De debble go bring plenty country clo'es, he make fine bed fo' um. He

put de pickin deh, make um sleep, so he kin yeat dis ooman. But dis

ooman duh sleep oh! He duh sleep, he no know anyt'ing wey duh go on.

"Well, de man mean say de pickin done sleep, en he take he knef, he duh

sharp, sharp um, make he come broke de ooman he head. He say: 'Fo' yeat

pusson, he good, he sweet, en dis ooman he fat.'

"But dat pickin no sleep oh! He cough en de debble say: 'Pickin, yo' no

sleep yet?'

"De pickin say: 'No, sah, hangry done ketch me.'

"De pickin know say dis man wan' yeat dah ooman, so he duh try make

he mus' get some way fo' sabe um (save her); dah make he duh talk all

light t'ing yeah. W'en dah debble gie um yeat, he go put de pickin

agin nah de bed, make he lay down sleep. De tem nar middle net. Well,

dis man yeah, w'en he done sit down long tem, he mean say de pickin

done sleep. He take he knef agin, he sharp um. Now de pickin duh

kratch, kratch he skin. De debble hebe he knef down quick, he go ax de

pickin: 'Wey t'ing make yo' no sleep yet? Wey t'ing dey kin do fo' yo'

craw-craw w'en yo' bin deh to yo' Mammy?'

"De pickin say: 'Dey kin take fis'-net, go take wattah nah wattah-side

fo' was' um. I wan' was', but I nebber was' wid wattah wey dey bin get

nah bowl, excep' de wattah fus' inside fis'-net, befo' dey turn um nah

de bowl.'

"So de debble he grap (get up), he go nah wattah-side, he kare fis'-net

en bowl. W'en he duh duck de fis'-net inside wattah so, en he hase de

fis'-net, de wattah all lef back. Because he wan' hurry yeat de ooman,

he stupid; he no wait t'ink he no able get wattah wid fis'-net. De

pickin bin ax dis t'ing wey hard fo' do, fo' make leelee chance fo'

sabe de ooman. He wake de ooman, he say: 'Yo' no know dat debble wan'

kill yo' dis net yeah? Nar lie I tell um, say he mus' get wattah wid

fis'-net befo' I kin was'. He done go. Grap (get up), make we come go;

ef no so, ef he meet yo', he go kill yo'.'

"Dis boy yeah en dis ooman dey start, dey walker hard dah net. Well,

dah debble, w'en he no able get dis wattah, he come nah ho'se, he meet

de ooman en de pickin done go. So he run go follow dem. He walker sotay

he wan' go meet dem, but dis pickin hearee de debble duh come behine,

he say: 'Come hide!' So dey hide. De debble go sotay he wan' reach nah

town, but he no meet dem, so he come back. Dis ooman en de pickin pass,

go home.

"De girl tell him people all t'ing wey he see, he say: 'Trongah yase

(ears)[49] no good. Ef I bin hearee oonah (you) w'en yo' bin say make I

no go wid dis man, I no fo' see all dis trouble yeah'.

[49] "Trongah yase," _i.e._, "strong ears," wilful disregard of advice.

"So now he make _so_. Ef yo' wan' go any place, ef any pickin wan'

follow yo', no deny. Sometem (perhaps) dis pickin yeah go sabe yo' f'om

big, big trouble."

By the time this story was ended, most of the children were asleep, but

Konah's insatiable hungering after the strange and mysterious, kept her

wide awake. Some of the women, too, were beginning to feel the drowsy

effects of the night, and especially of the close, smoke-laden air

within the over-crowded little room.

Magbindee went to the door, and seeing the moon just then peeping

through a rift in the clouds, rudely awoke her sleeping child, and

started with it to her own hut.

Others followed her example, and soon Sobah's hut was left to stillness

and to dreams.

Cunnie Rabbit, Mr. Spider and the Other Beef: West African Folk Tales · 第 7 / 13 章