England "The Supplemental Nights"
Bibliography:
76. 1st Vol. Supplemental Nights, 1st December 1886. 6th Vol. 1st August
1888.
152. Meeting with Mr. Swinburne and others, 18th July 1888-15th October
1888.
Burton's health continuing weak, he again endeavoured to induce the
Government to release him from his duties. Instead of that, they gave
him what he calls "an informal sick certificate," and from the following
letter to his sister (26th May 1888) we may judge that it was not given
gracefully.
"Yesterday," he says, "I got my leave accompanied by some disagreeable
expressions which will be of use to me when retiring. We leave Trieste
in June and travel leisurely over the St. Gothard and expect to be in
England about the 10th.... The meteorologists declare that the heat is
going to equal the cold. Folky [554] folk are like their neighbours,
poor devils who howl for excitement--want of anything better to do. The
dreadful dull life of England accounts for many British madnesses. Do
you think of the Crystal Palace this year? We have an old friend,
Aird, formerly the Consul here, who has taken up his abode somewhere in
Sydenham. I don't want cold water bandages, the prospect of leave
makes me sleep quite well. With love and kisses to both, [555] Your
affectionate brother, R. F. B."
Burton and his wife reached Folkestone on July 18th. Next day they went
on to London, where they had the pleasure of meeting again Commander
Cameron, Mr. Henry Irving, M. Du Chaillu, Mr. A. C. Swinburne, and Mr.
Theodore Watts[-Dunton]. What Burton was to Mr. Swinburne is summed up
in the phrase--"the light that on earth was he." [556]
153. H. W. Ashbee.
His principal place of resort, however, during this visit was the house
of Mr. H. W. Ashbee, 54, Bedford Square, where he met not only Mr.
Ashbee, but also Dr. Steingass, Mr. Arbuthnot, Sir Charles Wingfield
and Mr. John Payne, all of whom were interested, in different ways, in
matters Oriental. Ashbee, who wrote under the name of Pisanus Fraxi (Bee
of an ash), was a curiously matter-of-fact, stoutish, stolid, affable
man, with a Maupassantian taste for low life, its humours and laxities.
He was familiar with it everywhere, from the sordid purlieus of
Whitechapel to the bazaars of Tunis and Algiers, and related Haroun
Al-Raschid-like adventures with imperturbably, impassive face, and
in the language that a business man uses when recounting the common
transactions of a day. This unconcernedness never failed to provoke
laughter, even from those who administered rebukes to him. Of art
and literature he had absolutely no idea, but he was an enthusiastic
bibliophile, and his library, which included a unique collection or
rare and curious books, had been built up at enormous expense.
Somebody having described him as "not a bad old chap," Mr. Payne added
characteristically, "And he had a favourite cat, which says something
for him."
154. A Bacon Causerie.
The serenity of these gatherings, whether at Mr. Ashbee's or at Mr.
Arbuthnot's, was never ruffled unless somebody happened to introduce
politics or the Shakespere-Bacon Question. Arbuthnot the Liberal was
content to strike out with his back against the wall, so to speak, when
attacked by the Conservative Burton, Ashbee and Payne; but Arbuthnot the
Baconian frequently took the offensive. He would go out of his way in
order to drag in this subject. He could not leave it out of his Life of
Balzac even. These controversies generally resolved themselves into
a duel between Mr. Arbuthnot and Mr. Payne--Burton, who loved a fight
between any persons and for any reasons, looking on approvingly. Mr.
Ashbee and Dr. Steingass were inclined to side with Mr. Payne. On one of
these occasions Mr. Payne said impatiently that he could not understand
"any sensible man taking the slightest interest in the sickening
controversy," and then he pointed out one by one the elements that in
his opinion made the Baconian theory ridiculous.
"But," followed Mr. Arbuthnot, "Shakespere had no education, and no
person without an extremely good education could have written the play
erroneously published under the name of William Shakespere."
"If," retorted Mr. Payne, "Shakespere had been without education, do
you think the fact would have escaped the notice of such bitter and
unscrupulous enemies as Nash, Greene, and others, who hated him for his
towering superiority?"
Upon Mr. Arbuthnot admitting that he studies Shakespere merely from a
"curio" point of view, and that for the poetry he cared nothing, Mr.
Payne replied by quoting Schopenhauer: "A man who is insensible to
poetry, be he who he may, must be a barbarian."
Burton, who regarded himself as a poet, approved of the sentiment; Dr.
Steingass, who wrote execrable verses in English which neither
rhymed nor scanned, though they were intended to do both, was no
less satisfied; Mr. Ashbee, who looked at matters solely from a
bibliographical point of view, dissented; and Mr. Arbuthnot sweetly
changed the conversation to Balzac; with the result, however, of another
tempest, for on this subject Burton, who summed up Balzac as "a great
repertory of morbid anatomy," could never see eye to eye with Balzac's
most enthusiastic English disciple.
At Oxford, Burton met Professor Sayce, and did more literary work "under
great difficulties" at the Bodleian, though he escaped all the evil
effects; but against its wretched accommodation for students and its
antediluvian methods he never ceased to inveigh. Early in August he was
at Ramsgate and had the amusement of mixing with a Bank Holiday crowd.
But he was amazingly restless, and wanted to be continually in motion.
No place pleased him more than a day or two.
155. The Gypsy, August 1888.
Among the deal tables in Burton's rooms at Trieste was one devoted to
a work on the Gypsies, a race concerning whom, as we have seen, he had
long been curious. He had first proposed to himself to write on the
subject when he was in Sind, where he had made investigations concerning
the affinity between the Jats and the Gypsies; and now with abundance of
leisure he set about the work in earnest. But it was never finished,
and the fragment which was published in 1898 [557] contains, Mr.
Watts-Dunton [558] assures me, many errors. Burton's idea was to
describe the Gypsy in all lands. Perhaps he is happiest in his account
of the Spanish Gypsy woman. "Their women," he says, "sell poultry and
old rags.... and find in interpreting dreams, in philter selling, and
in fortune-telling the most lucrative industries. They sing, and play
various instruments, accompanying the music with the most voluptuous
and licentious dances and attitudes; but woe to the man who would obtain
from these Bayaderes any boon beyond their provocative exhibition. From
the Indus to Gibraltar, the contrast of obscenity in language and
in songs with corporal chastity has ever been a distinctive
characteristic.... Gypsy marriages, like those of the high caste Hindus,
entail ruinous expense; the revelry lasts three days, the 'Gentile' is
freely invited, and the profusion of meats and drinks often makes the
bridgegroom a debtor for life. The Spanish Gypsies are remarkable for
beauty in early youth; for magnificent eyes and hair, regular features,
light and well-knit figures. Their locks, like the Hindus, are
lamp black, and without a sign of wave: [559] and they preserve the
characteristic eye. I have often remarked its fixity and brilliance,
which flashes like phosphoric light, the gleam which in some eyes
denotes madness. I have also noticed the 'far-off look' which seems to
gaze at something beyond you and the alternation from the fixed stare to
a glazing or filming of the pupil." [560]
This peculiarity of the gypsy's eyes, Burton had himself, for which
reason alone, some writers, as we have already observed, have claimed
him for the tribe. But he shared other peculiarities with them. For
example, there was his extraordinary restlessness--a restlessness which
prevented him from every settling long in any one place. Then, like
the gypsies, he had an intense horror of a corpse--even of pictures of
corpses. Though brave to temerity he avoided churchyards, and feared
"the phosphorescence of the dead." Many of his letters testify to his
keen interest in the race. For example, he tells Mr. J. Pincherle,
author of a Romani version of Solomon's Song, [561] the whole story of
his wife and Hagar Burton. In 1888 he joined the newly-founded "Gypsy
Lore Society," and in a letter to Mr. David MacRitchie (13th May 1888)
he says in reference to the Society's Journal: "Very glad to see that
you write 'Gypsy.' I would not subscribe to 'Gipsy.'" In later letters
he expresses his appreciation of Mr. MacRitchie's article "The Gypsies
of India," and wishes the Society "God speed," while in that of 13th
August 1888, he laments the trifling results that followed his own
and Arbuthnot's efforts in behalf of Orientalism. "We [The Gypsy Lore
Society]" he says, "must advance slowly and depend for success upon
our work pleasing the public. Of course, all of us must do our best to
secure new members, and by Xmas I hope that we shall find ourselves on
the right road. Mr. Pincherle writes to me hopefully about his practical
studies of Gypsy life in Trieste. As regards Orientalism in England
generally I simply despair of it. Every year the study is more wanted
and we do less. It is the same with anthropology, so cultivated in
France, so stolidly neglected in England. I am perfectly ashamed of our
wretched "Institution" in Hanover Square when compared with the palace
in Paris. However, this must come to an end some day."
On 13th August 1888, Burton writes to Mr. A. G. Ellis from "The
Langham," Portland Place, and sends him the Preface to the last
Supplemental Volume with the request that he would run his eye over it.
"You live," he continues, "in a magazine of learning where references
are so easy, and to us outsiders so difficult. Excuse this practical
proof that need has no law." On September 26th he sent a short note to
Mr. Payne. "Arbuthnot," he said, "will be in town on Tuesday October
2nd. What do you say to meeting him at the Langham 7 p.m. table d'hote
hour?.... It will be our last chance of meeting."
Sir Richard and Lady Burton, Dr. Baker, Arbuthnot, and Payne dined
together on the evening appointed; and on October 15th Burton left
London, to which he was never to return alive.
156. The Supplemental Nights. 1st December 1886-1st August 1888.
The translation of the Supplemental Nights, that is to say, the
collection of more or less interesting Arabian tales not included in the
Nights proper, was now completed. The first volume had appeared in 1886,
the last was to be issued in 1888. Although containing old favourites
such as "Alaeddin," "Zayn Al Asnam," "Ali Baba," and the "Story of the
Three Princes," the supplemental volumes are altogether inferior to the
Nights proper. Then, too, many of the tales are mere variants of the
versions in the more important work. Burton's first two supplemental
volumes are from the Breslau text, and, as we said, cover the same
ground as Mr. Payne's Tales from the Arabic. In both he followed Mr.
Payne closely, as will be seen from his notes (such as "Here I follow
Mr. Payne, who has skilfully fine-drawn the holes in the original text")
[562] which, frequent as they are, should have been multiplied one
hundred-fold to express anything like the real obligation he owed to Mr.
Payne's translation. "I am amazed," he once said to Mr. Payne, "at the
way in which you have accomplished what I (in common with Lane and other
Arabists) considered an impossibility in the elucidation and general
re-creation from chaos of the incredibly corrupt and garbled Breslau
Text. I confess that I could not have made it out without your previous
version. It is astonishing how you men of books get to the bottom of
things which are sealed to men of practical experience like me." And he
expressed himself similarly at other times. Of course, the secret was
the literary faculty and intuition which in Burton were wanting.
Burton's Third Volume [563] consists of the tales in Galland's edition
which are not in the Nights proper. All of them, with the exception of
"Alaeddin" and "Zayn Al Asnam," are reproductions, as we said, from a
Hindustani translation of the French text--the Arabic originals of the
tales being still (1905) undiscovered.
His Fourth and Fifth Volumes [564] are from the Wortley-Montague Text.
His sixth and last [565] contains the Chavis and Cazotte Text--the
manuscript of which is reputed to have been brought to France by a
Syrian priest named Shawish (Frenchlifted into Chavis), who collaborated
with a French litterateur named Cazotte. The work appeared in 1788.
"These tales," says Mr. Payne, "seem to me very inferior, in style,
conduct, and diction, to those of 'the old Arabian Nights,' whilst
I think 'Chavis and Cazotte's continuation' utterly unworthy of
republication whether in part or 'in its entirety.' It is evident that
Shawish (who was an adventurer of more than doubtful character) must
in many instances have utterly misled his French coadjutor (who had no
knowledge of Arabic), as to the meaning of the original."--Preface to
Alaeddin, &c., xv., note. Mr. Payne adds, "I confess I think the tales,
even in the original Arabic, little better than rubbish, and am indeed
inclined to believe they must have been, at least in part, manufactured
by Shawish." [566]
157. Comparison.
Burton's supplementary volume containing "Alaeddin" and "Zayn Al Asnam,"
appeared, as we have seen, in 1887; and in 1889 Mr. Payne issued a
Translation from Zotenberg's text. When dealing with the Nights proper
we gave the reader an opportunity of comparing Burton's translation with
Payne's which preceded it. We now purpose placing in juxtaposition two
passages from their supplemental volumes, and we cannot do better than
choose from either "Alaeddin" or "Zayn Al Asnam," as in the case of both
the order is reversed, Burton's translation having preceded Payne's.
Let us decide on the latter. Any passage would do, but we will take that
describing the finding of the ninth image:
Payne Burton
Then he set out and Then he set out nor
gave not over journeying ceased travelling till such till he came to
Bassora, time as he reached Bassorah, and entering his palace, when he
entered saluted his mother and his palace; and after told her all that
had saluting his mother, he befallen him; whereupon apprized her of all
things quoth she to him "Arise, that had befallen him. O my son, so thou
mayst She replied, "Arise, O see this ninth image, for my son, that we
may look that I am exceedingly upon the Ninth statue, rejoiced at its
presence with for I rejoice with extreme us. So they both joy at its
being in our descended into the underground possession." So both hall
wherein were descended into the pavilion the eight images, and where
stood the eight found there a great marvel; images of precious gems,
to wit, instead of the and here they found a ninth image, they beheld
mighty marvel. 'Twas the young lady resembling this: In lieu of seeing
the the sun in her loveliness. Ninth Statue upon the The prince knew her
golden throne, they found when he saw her, and seated thereon the young
she said to him, "Marvel lady whose beauty suggested not to find me
here in the sun. Zayn place of that which thou al-Asnam knew her at
soughtest; me thinketh first sight and presently thou wilt not repent
thee she addressed him saying, an thou take me in the "Marvel not for
that stead of the ninth image." here thou findest me "No, by Allah, Oh
my in place of that wherefor beloved!" replied Zein thou askedst; and
I ul Asnam. "For that thou deem that thou shalt not art the end of my
seeking, regret nor repent when and I would not exchange thou acceptest
me instead thee for all the jewels in of that thou soughtest." the
world. Didst thou Said he, "No, verily, but know the grief which
thou art the end of every possessed me for thy wish of me nor would
separation, thou whom I I exchange thee for all the took from thy
parents gems of the universe. by fraud and brought thee Would thou knew
what to the King of the Jinn!" was the sorrow which
surcharged me on account of
our separation and of my
reflecting that I took thee
from thy parents by fraud
and I bore thee as a present
to the King of the Jinn.
Indeed I had well nigh
determined to forfeit all
my profit of the Ninth
Statue and to bear thee
away to Bassorah as my
own bride, when my comrade
and councillor dissuaded
me from so doing lest
I bring about my death." [567]
Scarce had the prince
Nor had Zayn al Asnam
made an end of his speech ended his words ere they when they heard a
noise heard the roar of thunderings of thunder rending the that would
rend a mountains and shaking mount and shake the the earth, and fear gat
earth, whereat the Queen hold upon the queen, the Mother was seized
with mother of Zein ul Asnam, mighty fear and affright. Yea and sore
trembling; But presently appeared but, after a little, the the King of
the Jinn, King of the Jinn who said to her, "O my appeared and said to
her, lady, fear not! Tis I, the "O Lady, fear not, it is protector of
thy son, whom I who am thy son's I fondly affect for the protector and
I love him affection borne to me by with an exceeding love his sire. I
also am he who for the love his father manifested myself to him bore me.
Nay, I am he in his sleep, and my object who appeared to him in therein
was to make trial his sleep and in this I of his valiance and to learn
purposed to try his an he could do violence to fortitude, whether or not
his passions for the sake he might avail to subdue of his promise, or
whether himself for loyalty's the beauty of this lady sake." would so
tempt and allure
him that he could not
keep his promise to me
with due regard."
Here, again, Payne is concise and literal, Burton diffuse and
gratuitously paraphrastic as appears above and everywhere, and the other
remarks which we made when dealing with the Nights proper also apply,
except, of course, that in this instance Burton had not Payne's version
to refer to, with the consequence that in these two tales ("Alaeddin"
and "Zayn Al Asnam") there are over five hundred places in which the two
translators differ as to the rendering, although they worked from the
same MS. copy, that of M. Houdas, lent by him to Burton and afterwards
to Payne. Arabists tell us that in practically every instance Payne
is right, Burton wrong. The truth is that, while in colloquial Arabic
Burton was perfect, in literary Arabic he was far to seek, [568] whereas
Mr. Payne had studied the subject carefully and deeply for years.
But Burton's weakness here is not surprising. A Frenchman might speak
excellent English, and yet find some difficulty in translating into
French a play of Shakespeare or an essay of Macaulay. Burton made the
mistake of studying too many things. He attempted too much.
But in the Supplemental Nights, as in the Nights proper, his great
feature is the annotating. Again we have a work within a work, and the
value of these notes is recognised on all sides. Yet they are even less
necessary for elucidating the text than those in the Nights proper. Take
for example the tremendous note in Vol. i. on the word "eunuchs." As
everybody knows what a eunuch is, the text is perfectly clear. Yet what
a mass of curious knowledge he presents to us! If it be urged that the
bulk of Burton's notes, both to the Nights proper and the Supplemental
Nights, are out of place in a work of this kind--all we can say is
"There they are." We must remember, too, that he had absolutely no other
means of publishing them.